Showing 1527 items
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National Vietnam Veterans Museum (NVVM)
Functional Object, Permanent Marking Stain
Permanent treatment markings, glass tube with measurements, paper containerglass tube showing measurements paper container - permanent - amber stainpermanent marking stain -
Trafalgar Holden Museum
Container - Ceramic squat bottle with cork in neck
Contained a stain for the darkening of all equine leather pieces used Ca 1900Imported and retailed bu Holden and frost Ca1900Squat beige ceramic bottle with corked top, used to contain a stain for equine leather bits and piecesShowing saddle stain with trade mark of fox head. label in very poor condition.leather, stain, ca1900 -
Tatura Irrigation & Wartime Camps Museum
Photograph, Daryl Walker, Catholic Church Windows, 1986
Stained glass windows, in Chancel of Sacred Heart Church, Tatura. Presented by Mr and Mrs Thomas Hogan 1912.Black and white photographs of stained glass windows, interior, of Sacred Heart Church, Tatura.on back: stained glass windows, Catholic Church Tatura 1986mr and mrs thomas hogan, sacred heart church tatura, church stained glass tatura -
Tatura Irrigation & Wartime Camps Museum
Photograph, Daryl Walker, Sacred Heart Church Tatura, 1986
Stained glass windows, above altarin. Sacred Heart Church, Tatura. Presented by Mr and Mrs Thomas HoganBlack and white photograph of interior stained glass windows, Sacred Heart Church, Tatura.on back: stained glass windows, Catholic Church Tatura 1986 stained glass windows tatura, sacred heart church tatura, mr and mrs thomas hogan -
Mission to Seafarers Victoria
Film - VHS Tape, Flying Angel Project, 1999
The service of dedication of the "Flying Angel" stained glass window was filmed on 29th September 1999. The Windows was made by Peter Echter-Baltrunas from Lothlorian Glasss Art Studio and constructed. by Portland Leadlighters Guild for the St Peter's Mariners Chapel in the Portland (not to confuse with the St Peter chapel of the Flinders Street Mission in Melbourne).The Portland Mission opened in 1962. VHS video tape in plastic case. Front of case has a thin cardboard label/insert with an image depicting a stained glass window, with the text 'Portland Missions to Seamen' above the image and 'Flying Angel Project' below the image. The back of the case has a thin cardboard label/insert with a zoomed shot of the centre of the same stained glass window, with text 'Service of dedication of the "Flying Angel" stained glass window 29th September 1999' 'Portland Missions to Seamen' 'Flying Angel Project' 'Service of dedication of the "Flying Angel" stained glass window 29th September 1999' portland, dedication, mission to seafarers, seamen's mission, victoria, stained glass windows, flying angel, peter echter-baltrunas, lothlorian glass art studio, portland leadlighters guild, 1999 -
Trafalgar Holden Museum
Container - Properts saddle stain, Circa 1900
Used for preserving new saddles, bridles and other leather goodsAs imported and sold by Holden and FrostBeige ceramic Jar with cork stopper labelled as Properts saddle stain along with instructions for useProperts saddle stain along with instructions for useleather stain, properts -
Flagstaff Hill Maritime Museum and Village
Domestic object - Razor Strop, Early 19th century
A razor strop is flexible strip of leather or canvas used to maintain a shaving edge on a thin blade such as a straight razor. Fine powdered jeweler's rouge or other pastes can be added as an abrasive to polish the blade. The strop may be a hanging strip or a hand-held paddle. This one is a hanging strop. Strops were quite commonly found in barber shops and homes before the invention of the safety razor, They are still used for sharpening tool blades. The person using the strop would draw the spine of the blade down along the strop with the blade following, without putting any pressure on the blade. At the end of the stroke, rotate the blade over its spine then draw the spine along the strop again so that the edge moves away from the top. The finer grade of leather strap is used to give the final finish. KEEN EDGE MANUFACTURER In March 1906 Popular Mechanics magazine included an advertisement for Keen Edge Strop. The promise given by the advertiser, Eddy Mfg. Co. (206 Broadway, New York) was “Use the Keen Edge strop for 90 days and if not satisfied return to us and we will refund your money“. The advertisement was for a Combination Razor Strop, “the only strop made which requires no dressing.” Readers were invited to send for a booklet on Razor and the Face. In 1924 Popular Mechanics, published by Hearst Magazines, displayed an advertisement seeking a sales manager “… to sell [to] drug, hardware and cigar stores Keen Edge Strop Dressing, which sharpens straight razors and safety blades and removes old razor strops.” At that time the Keen Edge Mfg. Company was in Dallas, Texas. Razor strops are of historical significance, representing personal effects of men from the time period when men relied on strops to keep a sharp edge on their shaving blade. Strops were commonly owned and used until the acceptance of safety razors.Razor strop, leather and metal. Keen Edge brand, double straps: two straps of different grade leather joined at ends with metal fittings. Stropping faces; sharpening surface is stained red and finishing surface is stained black. One end has padded, bulbous shaped leather handle, the other end has metal, swivel hook hanger. Inscriptions pressed into leather at the ends of the straps. Impressed into leather "FINEST SELECTED HIDE", "KEEN EDGE", "FINISH" (black stained side), “A SHARPENER" (red stained side), “1 2 3”warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, shaving leather, shaving accessory, barber’s equipment, barber shop razor strop, razor strop, straight razor, razor and knife sharpener, keen edge razor strop -
Bendigo Historical Society Inc.
Drawing - BLACK & WHITE SKETCH EAGLEHAWK MECHANICS INSTITUTE LIBRARY 1890 SUBSCRIPTION POSTER
Black and white sketch on cream paper mounted on light board Eaglehawk Mechanics Institute "This lady had no idea that our books were so interesting until the LIBRARIAN handed her one to read" Reader try one quarter 2/6 (two shillings sixpence subscription) Drawn by James Staines Abbott 1890James Staines Abbott 1890 -
Federation University Historical Collection
Photograph, Stained Glass Office Door in the Ballarat School of Mines A Building, 04/11/2019
This stained glass was probably completed at the Ballarat School of Mines in the 1920s.Colour photograph of a stained glass door at the Ballarat School of Mines. ballarat school of mines, a building, adminstration building, stained glass, office -
Ballarat Heritage Services
Photograph - Digital photographs, L.J. Gervasoni, stained glass window - St John of God, c2016
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained Glass at the St John of God Hospital Chapel .ballarat, heritage, st john of god, hospital, stained glass -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
The five stained glass windows were made by Rosemary Spencer. to the design of Bruce Hutton. The stained glass depicts the story of St John of God in Ballarat. Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Colour photograph of a detail of stained glass windows at the Chapel of the Visitation at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, ship, immigration -
Mission to Seafarers Victoria
Drawing - Artist sketch, Gerry Cummins & Jill Stehn Pty. Ltd, 1980
The window in this photograph was commissioned by the Sandringham Yacht Club in conjunction with a Masonic Lodge and work carried out by Gerry Cummins in 1980. In the background is the S.S. 'Kanimbla' built 1935, Belfast for McIlwraith McEacham and was the last large passenger ship built specifically for Australian owners. Designed to carry 400 passengers , she plied her trade around the Southern and Eastern Ports of Australia. In WW2 she was an armed merchant cruiser and served in Indian waters and escorted the 1st convoy out of the Singapore after the Japanese invasion. She later operated in the Pacific after the war and after repatriation duties she was decommissioned and subsequently sold to be renamed 'Oriental Queen' which eventually caught fire and sank. . The small yacht in the foreground refers to the Sandringham YC. Window measurements: 600mm x 900mmShows the link with Freemasonry.Sketch in pencil and ink on cream paper for an arched stained glass window depicting a yacht.Bottom left corner: Proposed Stained Glass Window, Mission to Seamen. (Scale: Full Size) Right Left corner: Gerry Cummingsfreemasons, st peter chapel, flinders street, mission to seafarers, gerry cummins, jill stehn, stained glass window, sandringham yacht club, hearts of oak lodge, yacht, symbols, square, compass, ss kanimbla -
University of Melbourne, Burnley Campus Archives
Decorative object - Stained Glass Window Panels, c. 1880-1899
Stained glass window from the Principal's Residence, Burnley (demolished 1980.) 2 rectangular coloured stained glass panels in a wooden frame. Leadlight in an Art Nouveau design. stained glass window, principal, burnley, art nouveau -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Detail of a nun in stained glass window at St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, nun -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window in memory of R. Gillespie, 9/11/1991
historic building, stained glass window depicting Christ as Shepherd with flock.Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window in memory of R. Gillespie.buninyong, church, presbyterian, uniting, stained glass, gillespie -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Stained Glass Windows in St John's Anglican Church, Colac, 2015, 23/08/2015
The stained glass windows are a memorial to parishioners who served during World War Two.Colour photographs of two stained glass windows by Alan Sumner in St John's Anglican Church, Colac.st john's anglican church colac, colac, stained glass, alan sumner, world war two -
Ballarat Heritage Services
Photograph - Photograph - Colour, Bruce Hutton (Almond Glass Works), Stained Glass at the St John of God Hospital Chapel by Bruce Hutton, 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Colour photograph of stained glass feature wall at the chapel in St John of God Hospital, Ballarat.stained glass, st john of god hospital, ballarat, bruce hutton, almond glass works -
Ballarat Heritage Services
Photograph - Photograph - Colour, Stained Glass at the St John of God Hospital Chapel [detail], 2017, 2017
Bruce Hutton of Almond Glass Works designed the stained glass window and did the hand painting for the Chapel in St John of God, Ballarat. Almond Glassworks was responsible for the overall construction and installation of the window. The concept was developed with the then head of mission, Maureen Waddington. The window was installed on the 30th of October 2019. Almond Glassworks was founded by Bruce Hutton in 1994. He completed a Fine Arts Degree (Chisholm Institute of Technology) majoring in stained glass in 1988, he then went on to work in the industry both in Australia, England and South Africa. He completed a Postgraduate (Monash University) in 1996, focusing on the conservation and restoration techniques of stained glass. Stained glass panel of 'Weeping Bailey's' house, now part of St John Of God Hospitalstained glass, st john of god hospital, ballarat, bailey's mansion, weeping bailey, architecture -
University of Melbourne, Burnley Campus Archives
Decorative object - Stained Glass Window
Stained glass window from the Principal's Residence, Burnley (demolished 1980.)Wooden framed coloured stained glass window: central panel depicts English cottage scene surrounded by a border of leadlight in Art Nouveau style. stained glass window, principal, burnley, art nouveau -
Federation University Historical Collection
Photograph, Clare Gervasoni, Stained Glass window at the Ballarat School of Mines, 04/2020
The Ballarat Technical Art School building was opened in 1915. It is not known when the stained glass was put into position.Colour digital photograph showing the stained glass at the Ballarat Technical Art School. The mining lamp detail is on the entrance door to the Ballarat School of Mines Technical Art School building. The design features three tools associated with mining, the miners lamp and two hammers. Their is also stained glass on the entrance doors and a window by the entrance.ballarat school of mines, ballarat technical art school, stained glass, miners lamp, entrance -
Ballarat Diocesan Historical Commission
Architectural rendering, Architect's rendering of windows/tracery of St Patrick's Cathedral Ballarat
Renderings of stained west end sanctuary and side altar glass windows within traceries for St Patrick's Cathedral Ballarat. The stained glass was designed by James Bentley and manufactured by Clayton and Bell Londond. Installed in 1880 these windows and the sanctuary tiles are the only example of Bentley's artwork outside the British Isles.Only known plans with specifications of Ballarat's St Patrick's Catholic Cathedral major windows. Measurements of glazed portions for stained glass within the traceries. Stamped with the architect's stamp in strap roundel centred with "Architects Melbourne" the firm's name "Tappin Gilbert & Dennehy". -
Ballarat Heritage Services
Photograph - Stained Glass, Clare Gervasoni, Stained Glass Windows in Lydiard Street Uniting Church, Ballarat, 14/02/2009
Three Ballarat churches boast stained glass windows by Amalie Feild - St Andrew's Kirk, Lydiard Street Uniting Church, and the Mount Pleasant Methodist Church boast stained glass windows were made to Amalie's design. Colour photograph of World War One memorial stained glass windows in the Lydiard Street Uniting Church. The windows were designed by Amalie Feild (later Colquhoun). The windows were made by Tarrant in 1920.stained glass, lydiard street uniting church, amalie feild, world war one memorial, amalie colquhoun, lydiard street wesleyan church -
Port Melbourne Historical & Preservation Society
Document - Notice (fragment), Borough of Sandridge, electoral notice, 1860s - 1870s
Fragment of Borough of Sandridge electoral notice 'Pay your rates and secure your vote' 1860s or 70sBadly stainedlocal government - borough of sandridge -
Stawell Historical Society Inc
Lab Coat, White Laborarory Coat
Audi / Norweellan labWhite Lab Coat. Benchmark XS. 5 press studs, 2 pockets. On Lower half right and left. Top left pocket with place for pen. Press Stud Closing wrists. collar.Stains on Collaf -
Vision Australia
Photograph - Image, Ferguson and Urie stained glass window, 1868
During the construction of the St Kilda Road building for the Asylum and School for the Blind (later known as the Royal Victorian Institute for the Blind), the Melbourne firm of Ferguson and Urie were commissioned to create a stained glass window for the main staircase. This consisted of six panes, with a different emblem in each: three yellow lions (Royal Coat of Arms), a harp with a figurehead (Kingdom of Ireland), a red lion (Wales), a Tudor rose (England), a shamrock (Ireland) and a thistle (Scotland).3 col. images of stained glass window in St Kilda Road buildingferguson and urie, royal victorian institute for the blind -
Federation University Historical Collection
Photograph, Lisa Gervasoni, Stained Glass window at the Ballarat School of Mines, 2006, 30/06/2006
The Ballarat Technical Art School building was opened in 1915. It is not known when the stained glass was put into position.Colour digital photograph showing the stained glass detail on the entrance door to the Ballarat School of Mines Technical Art School building. The design features three tools associated with mining, the miners lamp and two hammers. ballarat school of mines, ballarat technical art school, stained glass, miners lamp -
Christ Church Anglican Parish of Warrnambool
Memorial Window: John FLETCHER, St. George, 1932 - 33
This stained glass lancet window was presented to Christ Church by John Fletcher's immediate relatives as a memento to his Life and influence. He was born in approx. 1856. He died on 24th January 1931, aged 75 years.Stained glass, lancet window, west wall, north nave, left window in group of five lights, depicting St. George slaying the dragon.St George To the Glory of God/ in loving memory of/John Fletcher/ who departed into rest/on the 24th January 1931/ This window was erected by his/ immediate relatives as a loving/ memento to his Life and Influence -
Buninyong & District Historical Society
Photograph - Original Photograph, C J Brooks, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window East wall, 9/11/1991
historic building, stained glass window depicting "Christ the Light of the World."Colour photo, Presbyterian (now Uniting) Church, Buninyong, interior, stained glass window East wall. Dedication "Stuart Charles Davies Lay Preacher for 50 years. A token of Love from Family and Friends, died Feb. 1981, aged 76 years.)buninyong, church, presbyterian, uniting, stained glass, davies -
Warrnambool and District Historical Society Inc.
Trophy, British Plastics Pty Ltd, Braemar House cup, late 1930s
This was the House Cup of a Warrnambool private school, Braemar Grammar. It operated from 1931 to 1950 and was in Manifold Street. The school had an average enrolment of 45 primary school students and closed because of the unavailability of suitable school premises. The donor of the House trophy, Dr Alfred Brauer, was born in South Australia and studied medicine at Melbourne University. He had a practice in Koroit Street Warrnambool for 45 years and had many community interests including horse racing, football, golf, cricket and education. He was associated with Warrnambool High School, Braemar Grammar School and Warrnambool Technical School, donating trophies to all three schools. Today the former Warrnambool Technical School is called Brauer College. This cup is of interest as a memento of a 20th century private school in Warrnambool, Braemar Grammar and of a prominent 20th century doctor in Warrnambool, Dr Alfred Brauer.This is a gold-coloured metal cup with two side handles and a long thin stem on a metal base mounted on a Bakelite stand. The lower portion of the stand is missing. The cup is much stained.This is a gold-coloured metal cup with two side handles and a long thin stem on a metal base mounted on a Bakelite stand. The lower portion of the stand is missing. The cup is much stained.braemar grammar school, warrnambool, dr brauer, warrnambool -
Kiewa Valley Historical Society
Dress, Hand made, c.1900
This dress is hand made possibly by a mother for her daughters. It is hand and machine stitched. This style of dress would have been worn for special occasions, eg going to church or special outings.This item is very significant for the following reasons. Historic and social - it shows what little girls wore during the early 1900's of the Kiewa Valley. It also shows fashion of the times and how these styles of dresses were made. All of which is valuable for research on these topics. There are only two of these dresses in the collection of the KVSH, and therefore would be very rare. The condition is good enough to display, therefore it has good interpretive capacity.Brown Cotton Dress. Top and sleeves are lined in calico. Home made, with manual machine stitches and some hand sewing. The dress has a high round neck and long sleeves. There is a band around the waist to which a gathered skirt it attached with hand stitching. Two different shades of brown are used on this dress. Back opens with 8 hooks. Water stains on dresschild, homemade, dress, girl, kiewa-valley