A poem that was written about a journey taken by a local miner's daughter to the Sir John Franklin gold mine from Gooleys Creek.A poem that was written about a journey taken by a local miner's daughter to the Sir John Franklin gold mine from Gooleys Creek.sir john franklin gold mine, gooleys creek, stander's track, goulburn river, wood's point, johnstons hill, chinese miners, black friday

Man and woman stand beside timber tramway track at Wright's falls Kinglake. The tramway was constructed alongside the road to support the large traffic in firewood between the mountains to Whittlesea. The Wright family owned the land on which the Falls were situated and were sold for a penny an acre according to a Wright family story. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Negshire of eltham pioneers photograph collection, kinglake, timber tramway, wrights falls

This stereoscope was used to view a pair of separate and overlapping aerial photos as a single three-dimensional image. This smaller foldable unit could be easily used in the field but larger, mirror stereoscope was used in offices. The aerial images were used to map forest types, timber stands, new roads and tracks, firebreaks, boundaries of timber harvesting, plantations, bushfires, insect and disease attack and so on In 1928, the Forests Commission undertook its first major aerial photography project over 15,000 acres of forest which is said to be the first of its kind in Australia. During the Second World War, large areas of Victoria were photographed by RAAF and used to produce orthophoto maps. By 1945 aerial photography of 13,000 square miles (3.4 M ha) was completed, including much of the inaccessible eastern forests. The Forests Commission started developing its own small format photography in the early 1970s. Simple, cheap and rapid methods of obtaining photographs using 70mm and 35mm cameras were developedFoldable plastic stereoscope in box Benallaforests commission victoria (fcv), surveying, forest measurement

This stereoscope was used to view a pair of separate and overlapping aerial photos as a single three-dimensional image. Smaller units and could be easily used in the field but this larger, mirror stereoscope was used in offices. The aerial images were used to map forest types, timber stands, new roads and tracks, firebreaks, boundaries of timber harvesting, plantations, bushfires, insect and disease attack and so on In 1928, the Forests Commission undertook its first major aerial photography project over 15,000 acres of forest which is said to be the first of its kind in Australia. During the Second World War, large areas of Victoria were photographed by RAAF and used to produce orthophoto maps. By 1945 aerial photography of 13,000 square miles (3.4 M ha) was completed, including much of the inaccessible eastern forests. The Forests Commission started developing its own small format photography in the early 1970s. Simple, cheap and rapid methods of obtaining photographs using 70mm and 35mm cameras were developedFoldable metal stereoscope in wooden box with mirror covers Ex Dept of Defenceforests commission victoria (fcv), surveying, forest measurement

This pocket stereoscope was used to view a pair of separate and overlapping aerial photos as a single three-dimensional image. It was small and could be easily used in the field. Larger, mirror stereoscope were also available in some offices. The aerial images were used to map forest types, timber stands, new roads and tracks, firebreaks, boundaries of timber harvesting, plantations, bushfires, insect and disease attack and so on In 1928, the Forests Commission undertook its first major aerial photography project over 15,000 acres of forest which is said to be the first of its kind in Australia. During the Second World War, large areas of Victoria were photographed by RAAF and used to produce orthophoto maps. By 1945 aerial photography of 13,000 square miles (3.4 M ha) was completed, including much of the inaccessible eastern forests. The Forests Commission started developing its own small format photography in the early 1970s. Simple, cheap and rapid methods of obtaining photographs using 70mm and 35mm cameras were developed Small pocket stereoscope to interprete aerial photographs in the field Adjustable lenses on foldaway wire legsSokkisha Tokyoforest measurement, surveying, forests commission victoria (fcv)

This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes

Printed in 1906, the postcard depicts an image of the grandstand and track at Baarmutha Park, Beechworth. There is a carriage in the left side of the image. On the right side, there are people, mostly young women, seated on a bench and gathering around a table on the lawn. The "clericals" and "brewery" mentioned in the written correspondence on the postcard's reverse refer to two local football teams.The record is historically significant as it illustrates how Baarmutha Park look and was used by the public in the early twentieth century.Sepia rectangular postcard printed on card.Reverse: Baarmutha Park 1906 / POST CARD / This space may be used for correspondence. / (For Address only). / BEECHWORTH / AP 14 / 06 / VIC / 9 / This was taken today / week when the clericals / played the "brewery". / It is a pretty view of the / lawn and stand. / (?) / Miss Alice Foster / Ford Street / Beechworth /entertainment album, baarmutha park, grandstand, racecourse, sport, athletics, picnic, leisure, race track

This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) for details re manufacture, history and use..1) Plaque metal black on a stand with details re the item. .2) Centurion Main Battle Tank Model Mark 5/1, complete with motor, painted green colour, tracked vehicle.brsl, smirsl, bdrslinc, tank, centurion

This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer Photo .1) for details re manufacture, history and use..1) Plaque metal black on a stand with white text re details of the item. .2). Leopard Tank Model AS1 painted in camouflage colours with markings, tracked vehicle.“34B” - “Choco”. - “27741 - 44” - “30”brsl, smirsl, bdrslinc, tank, leopard

This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) re details of manufacture, history and use..1) Plaque metal black on a stand with details re the item. .2) Armoured Personnel Carrier M113A1 (APC) painted in camouflage colours with markings, tracked vehicle.“134233”brsl, smirsl, bdrslinc, apc, carrier

This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) for details re manufacture, history and use..1) Plaque metal black on a stand with white text re details of the item. .2) Bren Gun Carrier or Carrier Universal Model MG No 2A, in camouflage colours, tracked vehicle.“3” - “3820”brsl, smirsl, bdrslinc, carrier, bren gun

The Blue Duck Hotel stands at the confluence of 3 trout rivers - Cobungra, Bundarra and Mitta Mitta, called Angler's Rest. The original 1900's building was of slab construction and operated as a butcher shop, servicing miners on the track from Omeo to Mt. Wills. In 1912 it was purchased by a miner, Billy O'Connell, and he obtained a hotel license. In the early 1920's he transported 2 houses from Omeo on Horse drays. One is the main building of the Blue Duck and the other was a residence where Billy and his wife raised their nine children. The small log structure behind the pub is State School No.4286 where the children attended school. A teacher was shared with Glen Wills. By the late 1920's the hotel was discovered and patronized by keen anglers. Sir Harold Clapp (head of the railways) was one and he had the bronze blue duck cast and presented to the owners in the 1930's. This stands at the entrance to the premises.These photographs are of a building, in a remote area, that has provided a service to miners, anglers and travellers for over 100 years and continues to do so today. It also played a vital role in the history of the Mt. Wills/Omeo gold mining days.3 Post cards, Black and White photographs. 3 small black and white photographsPost Card No. 1 - "Blue Duck Hotel- Omeo-Glen wills road Ray Love Series No.2"(written on lower front) Post Card No. 2- "Looking towards Bogong High Plains. Omeo-Glen Wills road"(front, bottom, L hand) Ray Love Series No. 18 (front, lower R hand corner) On both of above photos, centre back, is stamped POST CARD and underneath this is printed "A GENUINE PHOTOGRAPH'/ Post Card No. 3 - Bottom L hand corner "Mystic Sea Australian Alps". R hand corner "(Bulmer Copyright)". Each small photograph, handwritten on back "Blue duck Hotel". All have circular stamp with "Print by Wilson White Albury" blue duck hotel; anglers rest; omeo highway; fishing; mining

Jan Burnett took the photos describing the site as on the up-hill side of the Car Racing Track where a house now stands. The 'new' Tawonga Hall was in use before this one was demolished.The Tawonga Hall is a popular venue for Kiewa Valley residents. The old hall was demolished after the 'new' one was built and being used demonstrating that a hall was considered a necessary community facility for the town.One page on photographic paper with 3 coloured photos of the Old Tawonga Hall being demolished. On the back handwritten description of the photos and a diagram of the plan of the Hall. Photos taken by Jan Burnett.1980/1981tawonga hall. buildings. kiewa valley. jan burnett.

A colour photograph taken at 'The Beeches' near Marysville in Victoria.A colour photograph taken at 'The Beeches' near Marysville in Victoria. Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, the rainforest is home to many species of birds including lyrebirds.Myrtle Beech/ Nothofagus Cunninghamii/ The Beeches/ Marysville Place/ Stamp/ Here Donovan Wilson/ Photographythe beeches, marysville, victoria, postcard, souvenir, donovan wilson, walking track

A colour photograph of the Beeches Rainforest Walking Track near Marysville in Victoria.A colour photograph of the Beeches Rainforest Walking Track near Marysville in Victoria. Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, it is home to the lyrebird which live on the forest floor.beeches rainforest walking track, marysville, victoria, taggerty river, taggerty cascades, yarra ranges, myrtle beech, mountain ash, lyrebird

A colour photograph of a wooden bridge over the Taggerty River that is part of the Beeches Rainforest Walk near Marysville in Victoria.A colour photograph of the Beeches Rainforest Walking Track near Marysville in Victoria. Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, it is home to the lyrebird which live on the forest floor.beeches rainforest walking track, marysville, victoria, taggerty river, taggerty cascades, yarra ranges, myrtle beech, mountain ash, lyrebird

The image portrays how the Celia Little room (Celia Little plaque on the wall) was used mid 20th C. and date of similar image (see record 0221) The inclusion of the bell from the 'Moreton Bay' vessel dates the image to post 1957 when the bell was presented to the Mission. Used as a sitting room or lounge area at the Mission to Seafarers Melbourne. The image also shows the style of dress and style of magazine covers of the time. On the table stands the shield for the annual competition by crew of merchant ships presented by Wally Nancarrow, Sydney. (see item 0608)The photograph is significant in that it captures the essence of the Mission to Seafarers mid-20th century. It identifies the main use of the Celia Little room as a reading area. It also helps date and track locations of other objects in the heritage collection. A black and white photograph of two men in the Celia Little room at the Mission to Seafarers Melbourne. The top left of the photograph is a bell fixed to the wall that has a bell pull with a long piece of decorative knot-work attached to the clapper. The room is set up as a lounge area with at table left of the centre against the wall. The table is laden with magazines and papers on top of a tablecloth. A picture frame is sitting on the table and leaning against the wall that has a 'shield' or 'coat of arms' displayed. (see also VC records 221 and 0608) One of the men is standing central in the photograph, in a white jumper holding a magazine and half turned towards the wall.The second man is sitting in a chair in the bottom right side of the photograph and appears to be reading. A few tops of chairs are seen at the very bottom of the photo and on the wall are a plaque to the left, a framed picture to the right of the first man's head and another in the far right top corner. The room appears to be lit from the left.melbourne, bell, men, magazine, chairs, wains coting, papers, mission-to-seafarers, celia-little-room, bell-pull, picture-frame, 1940s, celia little, plaque, shield, soccer, football

Moiz Siddiqui is determined to knock off a 10km run and won’t let a vision-impaired diagnosis stand in his way. News article 1 page, black text, colour image.moiz siddiqui, vision impaired, eltham leisure centre

Large group of railway workers stand in a line, in a cutting, some holding shovels. The track has not been laid yet. The opening of the railway line from Heidelberg to Eltham took place on the 6th June 1902. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, montmorency, eltham, greensborough, railway line construction, cutting, railway workers, hurstbridge railway line

An early colour tinted photograph of the intersection of the Buxton Marysville Road and the Marysville-Wood's Point Road.An early photograph of the Buxton Marysville Road and the Marysville-Wood's Point Road intersection. The Marysville-Buxton Road joins the Maroondah Highway which leads to Alexandra. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. On the right of the photograph can be seen 'The Crossways Hotel' which is circa 1920 and one of the oldest buildings still standing in Marysville. 'The Crossways Hotel' survived the 2009 Black Saturday bushfires, through the efforts of the owner using buckets of water from the nearby Steavenson River. In the background can be seen the Poontawan Guest House which later became the Marysville Chalet Guest House which was on the site of the original Steavenson's Hotel. That guest house no longer exists and the Christ Church stands on the land where the guest house once stood. This photograph was published by the Valentine Publishing Co Pty. Ltd as a souvenir of Marysville.marysville, victoria, marysville chalet guest house, crossways hotel, christ church marysville, poontawan guest house, steavenson's hotel, valentine publishing co, souvenir, yarra track, wood's point road, mining, buxton-marysville road, marysville-wood's point road, maroondah highway, alexandra

A colour photograph of a couple walking on the track through the "Beeches".A colour photograph of a couple walking on the track through the "Beeches". Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, the rainforest is home to many species of birds including lyrebirds. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE/ Victoria - Australia Walking track through the "Beeches". scancolor Australia (03) 555 1944/ CS 4067marysville, victoria, the beeches, walking track, scancolor australia, postcard, souvenir

A colour photograph of a couple walking on the track through the "Beeches".A colour photograph of a couple walking on the track through the "Beeches". Starting from the spectacular Taggerty Cascades, the Beeches Rainforest Walk meanders through the ancient cool temperate rainforest of the Yarra Ranges. Dominated by Myrtle Beech trees and stands of Mountain Ash, the rainforest is home to many species of birds including lyrebirds. This postcard was produced by Scancolor Australia as a souvenir of Marysville.MARYSVILLE/ Victoria - Australia Walking track through the "Beeches". scancolor Australia (03) 555 1944/ CS 4067marysville, victoria, the beeches, walking track, scancolor australia, postcard, souvenir

This photo taken in 1917 was 5 years before Edith Sarah Pickford (1909 - 1967) of ''Yeoville" Clunes married Henry Smerdon [Harry] Holmes of "Sauchieburn" Ascot in 1922. At the time it was fun, fashionable and symbolic to have photo portraits taken in a clown outfit: Pierrot (Boy) with black skull caps and Columbine (Girl) with pointed hats. Pierrot, the famous character from the Italian commedia dell'arte, was portrayed by the composer A. Schoenberg as the moonstruck and fantastical clown, who is a symbol for putting on a mask to hide one's true feelings or opinions. Edith was the second youngest child, and only daughter, of John and Bessie (Robbins) Pickford, Clunes farmers. Edith’s brother, Arthur Pickford rode in the Charge of the Battle of Beersheba, a precursor to capturing Gaza in WW1. The matter of who rode in the charge at Beersheba on 31 October 1917 continues to exercise the minds of many. The charge is embedded in the Australian ethos along with Gallipoli and the Kokoda Track. [ Source: Edith's granddaughter, Jane Dyer 2024]Black and white photograph in rectangular frame with stand. Back of frame padded velvet"Sincerely yours - Edith"edith pickford, edith holmes, chatham-holmes collection, pickford collection, pierrot and columbine, portrait photograph, ww1

Photo: Note on back of photo states Öutside the Magazine '- coloured photo of three men standing in front of corrugated iron shed. Description attached reads' all the explosives for the mines in this area were stored here. A formed track runs to the door with earthworks all around to guard against blast. A trolley ran from each building on a wooden track. Wheels were copper. Two buildings formed the magazine, one in front of the other. This was to store caps and other explosives. Inside the magazine are numerous racks. Externally buildings were provided with copper lighting arrestors, later removed by vandals. Still to be seen are tracks in asphalt where woollen ( wooden ? ) rails ran. A good metal road ran right to magazine ( gravel) In front of the magazine building is botanical gardens area ( between it and Simpsons Road ). A cricket pitch also in the area more to the rear of Fitzpatrick's Hotel. Eaglehawk's first golf course is said to be in this area. Magazine keepers house still stands next to McLelland ( water bailiff )eaglehawk, powder magazine, eaglehawk, powder magazine, magazine, simpsons road, botanical gardens.

A coloured photograph of a M113 APC habing its tracks replaced in the field. The rear of the APC sits on the front of a tank to lift the tracks of the ground. Crews stand on the vehicles and of the groundM113's nickname is "The Nympho" S/No 134photograph, m113, armoured personnel carrier

This type of trolly is known to date from prior to 1910 and were in use before petrol engines were used to transport workmen along the railway lines. The exhibit was located at Colac in 1961, after being used on the Colac to Beech Forest and Crowes narrow gauge railway. This type of trolly was built in two versions; one for the Victorian Railways broad gauge lines, and one for the narrow gauge lines.Historic - Victorian Railways narrow gauge - track work vehicle. This vehicle was used in the days before petrol engines were used to drive vehicles transporting workmen along the railway line.C2N Type Trolly - Victorian Railways Gauge 2'6" Trolly Has a flat piece of wood that you would stand on with four metal wheels, one under each corner.c2n, trolley, victorian railways, hand power, narrow gauge, puffing billy, trolly

The winner of the race - Jack Baker was a cycling commentator In the 1920s, in the 1930s he cycled around Australia. In 1937 he rode in Europe and England representing Bruce Small for Malvern Star. Jack was well known for his commentary at races at the Geelong velodrome track after the war. The presentation of this trophy is another indicator of the popularity and importance placed on cycling races in regional areas during the early to mid 20th century.Silver plated cup on bakelite stand with engravings on the cup. The cup has two handles and a city of Geelong badge adhered to the stem."GWCC/1938/33 Mile Road Race/Pres By/F.W. Walker/Won By/J.J. Baker/Hcap Scratch Time 1hr27min12sec"geelong, cycling, club, gwcc, 1938, 33 mile road race, f.w. walker, j.j. baker

Leigh Howard was the first Geelong Cycling Club member to achieve these national results at Junior level.Very significant. If we had a Hall of Fame, Leigh Howard would stand at the top.Color photograph of a cyclist on a cycle. The cyclist is competing in a track race. It is mounted on a white background and is framed in a brown wooden frame."Leigh Howard/Under 15/Junior Nationals2003/500m Time Trial Gold Junior Aust. Record 36.65/200 Flyer Gold Junior Aust. Record 12.292/Sprints Gold/Pursuit Silver/leigh howard; junior nationals; 2003; 500m time trial; sprints; pursuit silver;

Rosalie Rayment originally trained and worked as an Occupational Therapist. Following completion of studies in Theology she worked for 11 years with the Church in Thailand. Rosalie was ordained in 1988. Fred Vanclay B.D., Dip AgS. ordained 1964 in the Presbyterian Church. Served: Queensland 1961 - 1975; Victoria 1976 - 1985 Vermont - Parkmore; Northern Territory Tennant-Barkly Patrol 1985 - 1993. Died in 2016. Adapted from the eulogy given by his son, Jerry Vanclay One of Fred’s first placements as a minister was in Mackay, North Queensland. Mackay was a wonderful place for Fred, his wife Donna and their young family. They all loved the beaches and the bush, and the children completed a significant part of their schooling there. Whilst posted in Mackay, Fred and Donna enjoyed long road trips in their modest HR Holden sedan, with the family, to Uluru, to Broome via the Borroloola Track, and down the Birdsville Track to the Flinders ranges; along the way, developing the bushcraft that would stand them in good stead later in the Tennant-Barkly Patrol. After many years in ministry in Mackay, then in Vermont, Victoria, Fred and Donna were called to the Tennant-Barkly Patrol in the Northern Territory, where he served for eight years, probably Fred’s most satisfying years. All Fred’s parishes were welcoming and rewarding, but Fred said on more than one occasion that he had a special love for the Patrol. He felt that in an urban congregation, he ministered mainly to those who came to Church, but in the Patrol he ministered to everyone, and especially to those in need. Fred loved to get involved with the day-to-day activities of his people, to develop a deeper relationship and greater understanding. Some remarked that when Fred helped, everything took longer, but they loved him and his assistance nonetheless. Fred was proud to follow in the footsteps of his predecessor Padre Fred McKay, and sometimes joked that he was “Fred the 2nd”, not Fred McKay, but “Fred from Mackay”. During his last few weeks in hospital, Fred liked to reminisce on his time in the Patrol. He joked about how he surprised the selection panel with his knowledge of bush tracks and outstations – knowledge that he had gained on those long road trips from Mackay. He reflected that many aspects of his life were good preparation for his time in the Patrol. After their Patrol, Fred and Donna retired to Mt Waverley, in Melbourne, but they were both restless in retirement, and undertook supply ministries in Wedderburn, Kerang and North Cairns, and made several long journeys into the interior and into their beloved Patrol [in Tennant Creek] – as well as frequent visits to their eight grandchildren and two great-grandchildren, and occasional trips to Europe to reunite with distant family. They never tired of ministering and adventuring, but as age and infirmity progressively clipped their wings, they travelled more in spirit and less by car. Despite the many celebrations that he blessed – baptisms, marriages, and funerals – Fred never sought the limelight, and I think he would be surprised by our gathering today. I can almost hear him saying “Don’t make a fuss; just say a heartfelt prayer together”. – Jerry Vanclay Informal B & W gloss photo of Rev. Fred Vanclay, his wife Donna, Rosalie Rayment (later ordained) and one other unidentified person.

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017