Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. The woman in this photograph is Sally O'Neill. The Special Projects officer for Phillip Island Nature Parks, Sally stands in front of the new interpretive exhibitions at the newly opened Churchill Island Visitor Centre in 2001.Photograph of a woman standing in front of a Visitors' Centre display for Dr Harry Jenkinscatalogue number written on reverse in pencilchurchill island, photograph, sally o'neill

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century. The woman in this photograph is Sally O'NeilPhotograph of a woman standing in front of a Visitors' Centre display for Dr Harry Jenkinscatalogue number written on reverse in pencilchurchill island, photograph, sally o'neil

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940 and shows Valda TreadwellSepia photograph white narrow white border of a woman wearing white standing in front of some outdoor chairs among a group of trees. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, valda treadwell

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939.black and white photograph with white border showing a woman wearing white, standing in the centre bottom of frame. A tall Norfolk Pine and rows of thinner pines scatter throughout the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in December 1939 and shows Billie Smith.black and white photograph with white border showing a woman wearing a multicoloured dress, standing in the centre of frame. A tall Pine and a fenceline cross the background. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans, billie smith

Leopoldine Mimovich was born in 1920, in Neumarkt in the Italian Tyrol. In 1940, aged 20, she moved to Vienna where she studied clay modelling and drawing. From 1943 she attended the School of Wood Sculpture in Hallstatt, graduating in 1947. Following her marriage to Ljubisa Mimovich, the couple migrated to Australia in 1949 travelling on MV Skaugum. After an initial period at Bonegilla and Royal Park Migrant Hostels the couple moved to Yarraville and then to 33 Miller Road, Kew, where she established her studio. A wood sculptor, painter and etcher, she was awarded an OAM for services to the arts in 1985. Examples of her sculptures in Kew can be found in the Kew Library and in the Alexandra Gardens.Black and white photograph of sculpture or sculptures by Leopoldine Mimovich photographed in her home at 31 Miller Grove, Kewartists - kew (vic), leopoldine (poldi) mimovich

A Woman Standing Behind a Headstone with the name TREWTREW In the Memory of John Searle Phebe Price 1838 - 1918 1874 - 1994 Susana Florence Howard Christian 1847 - 1921 1881 Restored by the Grand Children of John & Susanna in 2006

Digital scan of black and white photograph. Names not recorded. Four men and one woman standing at the bar.

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century.Photograph of a woman standing beside a hanging information panel for Dr Harry Jenkinscatalogue number written on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large collection of photographs dating from the nineteenth century.Photograph of a woman standing beside a hanging information panel for Dr Harry Jenkinscatalogue number written on reverse in pencilchurchill island, photograph

Churchill Island has a large photographic collection dating from the nineteenth century. Photograph of a woman standing against a flagpole in front of a white clapboard house with a rose garden.catalogue number on reverse in pencilchurchill island, photograph

Two young women pose in military uniform. One on the left is Edith Pickford of Clunes.world war one, world war 1, world war i, chatham, chatham family collection, pickford, soldier, edith pickford, unform, music, women, clunes

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection.This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. A woman standing beside a cane chair. She has one hand on the back of the chair, the other holding a flower. C. 1910wodonga pioneers, haeusler family, glass negatives, dry plate photography, wodonga families

Churchill Island Heritage Farm has a large collection of photographs. Photograph of a woman wearing a Guide uniform, standing in front of an activity table, and holding up a piece of paper. Photograph was taken behind Rogers Cottages and the Half Cellar is visible in the background.[catalogue number written on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the late nineteenth century. This series shows the long involvement and contribution to the community that occurred over the last three decades and the visit to Churchill Island by governor-general, Sir Ninian Stephen and his wife.Photograph of a woman (Lady Stephen) holding a bouquet and standing in the garden behind a lavender bush.LADY STEPHEN IN C.I./GARDEN 1988 [handwritten on reverse in pen] Catalogue number written on reverse in pencilchurchill island, photograph, governor-general, ninian stephen

Eppalock. Construction. Eppalock spillway, with water running. Man and woman standing to the left, 2 adults and a child on bottom right of picture.agfacolorcivil engineering, water supply, eppalock, construction. eppalock spillway, with water running. man and woman standing left, 2 adults, child.

An early black and white photograph which shows a man and a woman standing on the bridge that crosses the Steavenson River at the base of the Steavenson Falls in Marysville in Victoria.An early black and white photograph which shows a man and a woman standing on the bridge that crosses the Steavenson River at the base of the Steavenson Falls in Marysville in Victoria. The Steavenson Falls are named after the Victorian Assistant Commissioner of Roads and Bridges, John Steavenson who arrived in Victoria in the early 1860s.steavenson river, steavenson falls, marysville, victoria, waterfalls, john steavenson

Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.Watermark (1917 UNBLEACHED ARNOLD)alice watson, beach, cape, woman, ballarat technical art school, alumni

Portrait of Jane D’Alton (nee Galbraith) taken in studio standing beside chair. The woman is dressed in long frock bodice buttoned with bottom of frock quite elaborate. c 1890Black and white photograph of a woman standing beside a decorative chair. The dress is ballooned to the ground with an elaborate hem. Bodice buttoned with decorated jacket. stawell clothing halls gap

Hubert Jeeves in hat and dust coat standing with a woman in 1920s style clothing beside Jeeves Bros. motorised coach. Two girls are looking out of the coach at the camera.The coach has the insignia of a kookaburra and gum leaves with Jeeves Bros. painted in a boomerang shape with Mt Dandenong below. Hubert Jeeves, son of Ellis and Eliza Jeeves, started up his motorised coach business following his return from WW1.Sepia photograph showing a man an woman standing beside a motorised coach. Two children can be seen looking out of the vehicle.coach service, jeeves, hubert jeeves

On display in History HouseFramed reproductive photograph in sepia tone. Portrait of a man seated, a standing boy to his right and a standing woman to his left. All are wearing formal dress of 19th century. Framed under glass in gold metal frame.Front: (no inscriptions) Back: Thomas & Jane (nee Tippet) Robins with son Joseph James. Donated by: Joy Uinicombe, H/H 25 No. 3 (typed on white sticker).

Standing portrait woman bustled dark dress. Printed Front. Gardiner & Co Bairnsdale.Gardiner & Co Bairnsdalephotograph, person, female

One of a collection of 13 photographs donated by Ralph Correy.Coloured photograph of a woman standing on the pathway at The Nobbiesthe nobbies phillip island, ralph correy

Edward (Edmund) de Lacy Evans was really Ellen Tremaye; and in 1856 she married her fellow passenger on her voyage to Australia, Mary Delahunty; under the assumed name of EDMUND De Lacy. In 1859 he/she married Sarah Moore. They were married for eight years when in 1867 she died in childbirth. In 1868 after Sarah had died; Ellen, now known as EDWARD de Lacy Evans married Julia Mary Marquand in Ballarat. From the Melbourne Argus Friday 5th Sept 1879, Page 7 THE EXTRAORDINARY PERSONATION CASE. [BY ELECTRIC TELEGRAPH. FROM OUR OWN CORRESPONDENT.) SANDHURST, THURSDAY. The De Lacy Evans case has created great excitement here. The man-woman having resided in the district for about 20 years, was well known amongst the miners, but no one appeared ever to have supposed that she was other than as she represented herself to be, and the discovery of her sex has caused the greatest astonishment. The police have not yet moved in the matter of the discovery of her antecedents, but from the result of inquiries I have made, there seems to be no room to doubt that the woman is identical with the girl Ellen Tremaye, referred to in yesterday's telegram as having arrived at Melbourne by the ship Ocean Monarch in June, 1857. The nurse at the hospital, Mrs. Holt, is positive she is the same, and says the opinion was held amongst those on board the vessel that Tremaye had been well connected, and that she had left home in consequence of some misconduct. The Ocean Monarch was an immigrant vessel, and on the voyage Tremaye and another young woman, named Rose Kelly, were very intimate, but the latter, being seized with a dangerous illness, was left at Rio Janiero. Mrs. Evans, the wife of the supposed man, states that she frequently heard Evans say that she came out by the Ocean Monarch. But the most satisfactory information of Evans' previous history yet received has been obtained from a Mrs. Thompson, a charwoman at Myers' Creek, who was also a shipmate of the girl Tremaye. At the time she made the voyage she was unmarried, and was accompanied by Miss Mary Ann Delahunty, a young lady who was very well connected, and who came from the same village as herself, named Monakine, on the north bank of the river Suir, in Kilkenny. Miss Delahunty was an orphan and brought with her about £900. After Rose Kelly was taken ill, Tremaye resorted to Miss Delahunty's berth, and the passengers appeared to think there was something strange about the manner in which Tremaye conducted herself, and she had been observed to wear a man's under-clothing. Upon the arrival of the ship in Hobson's Bay, Tremaye declared herself to be a man, and told Mrs. Thompson she intended to marry Miss Delahunty. The next Mrs. Thompson saw of Ellen Tremaye was at Peg-leg Gully, Eaglehawk. Tremaye had just established herself in a house there under the name of Edward de Lacy Evans, and Mrs. Thompson went to serve them with milk. When she went to the house, she saw Evans sitting inside dressed in male attire, and immediately recognised him as her fellow passenger, Ellen Tremaye. Evans had, at this time, married his second wife, Miss Moore, who was then present. Evans re-marked to her—"I think I know you." To which Mrs. Thompson replied—"I know you, too," and added something to the effect that Ellen (referring to Tremaye) was a queer girl." Oh, said Evans, evidently anxious that his then wife should not understand Mrs. Thompson's reference, "It's a good job she is gone back to the old country." Mrs. Thompson inquired as to what had become of Miss Delahunty, and Evans replied, "Oh, my poor wife and boy both died of consumption, and are buried in the North Melbourne cemetery. " In reply to an inquiry as to what had been done with her (Delahunty's) money, Evans said she had sent it home to a nunnery. Evans's then wife had been absent during a portion of this conversation, but at this point she returned, and Evans went outside to the milkwoman, and said, "For your life don't mention my dead wife's name ; call me Mr. Evans. This missus of mine is death on the Roman Catholics, and she can't bear to hear my dead wife's name mentioned." This conversation took place about 12 or 14 years ago, and Mrs. Thompson seems to have quite believed that Evans had personated a woman under the name of Ellen Tremaye on the voyage out and was really a man. She lost sight of Evans soon afterwards, and took no further notice of the affair.Copies of two studio Photographs - De Lacy Evans standing with seated woman: a. De Lacy Evans standing with woman seated; b. De Lacy Evans (handwritten below) with woman of same heighta. A. Flegeltaub b.??de lacy evans., ellen tremaye, sarah moore, julia mary marquand, mary delahunty, de lacy, edward de lacy evans, edmund de lacy

Black and white photograph of a woman standing in front of a fence.On back of photo: "Mrs Frank Pinn (to be) [illegible signature]"pinn family, frank pinn