This Venetian lace was collected by Nan Warner from one of her trips to Europe. The lace was later given to Elizabeth Ligeti a fellow member of the local Lace Group.Piece of cream Venetian needle lace with 2 different star motifs made in cotton.venetian lace, star motif

The first Patent for these cups was granted on June 5th 1860 to Niles Gutta Purcha Drinking cups. A later Patent was granted to Fred Harvey in 1897. Perhaps they were in different states, or Fred Harvey's had an inovation that improved the design or usage ?Aluminium drinking cup, collapsable with a seperate lid. The lid has a pressed star shape.Pressed star motif on lidaluminium, drinking, cup, star, camping, drink, container, collapsable

This men's grooming set of personal care equipment and toiletries is an example of items packaged in attractive cases and sold as gifts in Australian chemist outlets and department stores in the 1920s to 1940s. This set was originally packaged in a leather-covered, lined and fitted case, with a comb, hair brush, and razor included as well. as the items shown here. The razor, once included with the set, had the inscription "T.R. Cadman and Sons, Sheffield England". The family business began with Luke Cadman in 1748. Thomas Radley Cadmen (1833 - 1917) took over the business in 1871, by which time it was operating in Sheffield. The business became incorporated as T.R. Cadman & Sons in 1924 but shortly afterwards the straight razors manufactured by them were stamped T.R. Cadman & Sons Ltd. The company specialised in pocket knives and razors from 1933 and supplied the British Royal Navy with razors in WWII. Over 80 per cent of sales were for the overseas market including Australia. Some of their razors were sold in stores in Victoria. The business traded in 1965. This grooming set was donated for exhibit in Flagstaff Hill Maritime Museum and Village's exhibit of the vessel 'Reginald M', a two-masted coastal trading ketch built in Port Adelaide in 1922. These items are examples of personal objects sold in Victoria in the 1920s as gifts for men, cased or packaged for special occasions and sold in retail stores. The items are associated with the historic coastal trading ketch 'Reginald M', listed on the Australian Register of Historic Vessels; and active from 1922 until 1975. The items were displayed in the Master's Quarters of the Reginald M exhibit at Flagstaff Hill Maritime Museum and Village until 2016 when the ship was decommissioned from Flagstaff Hill's fleet.Men's grooming set; metal soap container with star decoration, oval soap cake, oval hand mirror in a black frame ten-sided clear glass cologne bottle with silver metal lid, yellow bristle clothes brush with brown wooden hand grip, yellow bristle shaving brush with black base and white body, and two button hooks with white handles; the larger one has floral motifs. Inscriptions were on the razor originally included in the grooming set.Soap container once had star motifs.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, grooming set, men's grooming set, personal grooming, toiletry set, personal care, soap box, soap container, cologne bottle, clothes brush, shaving brush, button hook, hand mirror, personal efects, toiletries, t.r. cadman & sons, reginald m, soap dish

A short dress sword thought to be turkish, with pointed etched blade including a crescent and star motif and brass hand guard also with etched crescent and star motif.

Used to pack congnac in when transported from France to Melbourne Wharf and probably used as a seat or a step at Days Mill.Squat wooden box, closed top and with inscription on each end. Residue of paper label on top.On one end, star motif and illustration of an arm, in armour, holding a fighting axe. Under this, "Jas. HENNESSY / CONGNAC" On other end engraved into wood, "PRODUCE OF FRANCE" On one side, engraved, ""H T / MELBOURNE WHARF / 47" This side has additions in pencil and star motif in RH top corner.

Greek (?) cross stitch design on heavy cotton evenweave. Heavily stitched in geometric design with a central star motif. Black cotton thread. Possibly intended as a cushion cover. embroidery, cross stitch, greece

Embroidered cream crepe short-sleeved blouse in peasant style. Rouleau work around the neckline, joined to blouse top by insertion stitches. Front embroidered with floral motifs around crochet star motifs. Smocked sleeve cuffs and around bodice.Note stitched to front states "Rouleau work, crochet 8 point motif, buttonhole edging, running stitch, satin stitch, smocking and other".

The invitation documents the opening of Rowntree & Co. (Australia)’s Campbellfield factory in 1964, officiated by the Premier of Victoria. It demonstrates post‑war industrial expansion in Melbourne’s northern suburbs and highlights civic–corporate relationships through the invitation of the local Mayoress.This item has local historic significance for Broadmeadows and Campbellfield, providing primary evidence of major industrial development and civic engagement in Victoria during the 1960s.Rectangular printed card with rounded corners. Cream/light buff cardstock. Recto printed in gold and black ink; verso blank except for later applied catalogue label.Recto (centre): “THE CHAIRMAN AND DIRECTORS OF / ROWNTREE & CO (AUSTRALIA) PROPRIETARY LIMITED / cordially invite / Miss K. Fletcher, Mayoress of Broadmeadows / To the opening of the / new Rowntree factory, Hume Highway, Campbellfield / by the Premier of Victoria / THE HONORABLE H. E. BOLTE, M.L.A. / at 11.15 a.m. Tuesday, May 12, 1964. / BUFFET LUNCHEON” (lower margin): “R.S.V.P. Monday, April 27, Mrs. D. Youel, Rowntree & Co. (Aust) Pty. Ltd., Hume Highway, Campbellfield. / This Invitation is your Entree Card. Would you kindly present it on arrival.” Recto (right): Gold star motif Verso (upper right): “WI 4054” (typed label)industrial development, campbellfield (vic.), broadmeadows (vic.), corporate events, manufacturing history, local government representation

Photo looks over Shoppee Square (Central median area) in Sturt St between Armstrong and Doveton Streets, with the Town Hall and John Snow & Company (Snows) building in the view, along with the national mutual building. An ESCo tram is westbound on the south side of Sturt St. Note the telegraph pole on the left side of the photo. One the rear is a birthday message to a person in Hamilton Newcastle. It is dated 29/11/1909.Yields information about Sturt St Ballarat and Shoppee's square.Postcard colour, Divided back. No publisher's name on rear though has a publisher mark in the top centre - a six pointed star with a central motif.See image 2 for letter.tramways, trams, esco, sturt st, shoppee's square

Rose gold watch fobs issued as World War I mementos in 1916 belong to a category of historical artifacts known as "Tribute Jewellery" or farewell and welcome home tokens. During the Great War, particularly in Commonwealth countries like Australia, New Zealand, and the United Kingdom, local communities stepped up to honor soldiers in deeply personal ways. These fobs were highly symbolic, usually taking the shape of a heraldic shield, Maltese cross, or a crowned star. Common decorative motifs included crossed rifles, Imperial crowns, laurel wreaths of victory, and national iconography (such as the rising sun or a kangaroo for Australian forces).An antique Australian WW1 Commemorative 9c rose gold fob medallion, engraved on the reverse for whom and when it was presented. It features a shield with crossed rifles flanked by a kangaroo and emu resting on a base of wattle or leaves. It is topped with a boomerang shape with a small broken loop.Presented to T.W. Gaudion by Residents of Wandin for Valour 1.3.16

.1) Oxeford Shire & Buckingham Shires Light Infantry. .3) Cheshire Infantry Regiment. .4) 18th Royal Hussars Cavalry. Items in the collection re John D Gardiner No 2832, refer Cat No 5892.2 for his service details..1) Badge brass curved shape all lettering with two lugs on rear. .2) Badge pressed brass crown at top, wreath and Serpent, scroll at bottom, pin on rear. .3) Badge pressed brass, 8 sided star with central motif, scroll under with raised lettering, pin on rear. .4) Badge pressed silver colour, crown at top, central circle with raised lettering, wreath under and pin on rear..1) "OXE & BUCKS" .2) "Royal Army Medical Corp". .3) "CHESHIRE" .4) Queen Mary's Own".

A fob watch is an instrument for measuring time. It is designed to hang from a chain that is attached to a wearer's waistband or waistcoat. The chain keeps the fob watch from being dropped or falling out of a pocket. A person possessing a fob watch or similar instrument in the 18th century would be viewed as someone in a good financial position and often a position of power or respect. It was a social statement as well as a useful object.Silver pocket watch and brass iron winder. Watch has Roman numerals on face and gold flower, floral and diamond shaped motif. Marked "0.800 x/5 115/15 39443" Picture of a bird, flying, griping a painter's pallet and brushes and another separate picture of a bird. There is also a floral pattern on the back of the watch. The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.Marked "0.800 x/5 115/15 39443" . The winder has a number "6" or "9" on one face and a symbol similar to the "Star of David" on the other.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pocket watch, watch, horology, time keeper, fashion accessory

This jacket is part of a Royal Australian Army Ordnance Corps uniform. The Royal Australian Army Ordnance Corps (RAAOC) is responsible for various logistics and organisational operations, such as maintenance of parachutes, fuel distribution, personnel administration, exlosive disposal and laundy operations. The jacket was manufactured in 1968 and was worn by an unknown RAAOC serviceman. The patches on his sleeves denote that he had earned qualifications as a parachuter and a marksman and that he was a Warrant Officer 1. Due to the period of manufacture it can be presumed that the serviceman whom this uniform belonged to served Vietnam War.As an historic military uniform dating to 1968, it is presumed that this item would have been used in service during the Vietnam War. The wearer of the uniform is unknown, however the patches and flashes attached signify that the serviceman worked for the Royal Australian Army Ordnance Corps, earned qualifications as a parachuter and marksman and ranked highly as a Warrant Officer 1. The item is representative of a type of uniform worn by high ranking RAAOC servicemen during the 1960’s. It is also in very good condition for its age.A khaki coloured waist length jacket which is composed of a heavy fabric. The jacket fastens with five buttons down the front and a buckle. The buttons are composed of brown plastic and the buckle is a dark grey metal. The buckle is attached to a waistband on the right-hand side which loops around to a strip of fabric on the left-hand side which passes through the buckle. There are two breast pockets, one on each side of the chest. The right breast pocket is fastened with a brown plastic button and the left breast pocket is missing its button. Each pocket has a flap of fabric which covers the button area. The jacket has a collar and an epaulette on each shoulder which are each fastened with one brown plastic button. There is a ribbon of fabric on the interior of the collar with no inscriptions. There are identical crescent shaped red patches on each shoulder, each showing the words in navy blue stitching "Royal Australian Army Ordinance Corps". The upper right sleeve has a khaki coloured parachuting qualification patch, which depicts an air balloon in white stitching, with wings on either side in light blue stitching. The lower section of each sleeve has a Warrant Officer First Class khaki coloured patch. This depicts a shield in red, black, white, blue and gold stitching in the centre which sits beneath a gold and blue striped line and a gold star. There is a gold kangaroo to the left of these motifs and a gold emu to the right. Beneath these motifs there is a ribbon in white, blue and gold stitching with the word "Australia". In addition there are curvilinear green decorative elements with yellow flowers on their ends. The left-hand sleeve also has a brown marksmen qualification patch. This depicts two crossed rifles in white and brown stitching. There is a white label with printed inscriptions on the interior of the left breast pocket. There is also a band of fabric on the interior back waist band which has three button holes.Printed in black inscriptions on the white label: E.W. PTY/LTD. SOUTH AUSTRALIA 1968 (a broad arrow) Class 8405-66-025-641 Batch A.W... Mill (the ‘A.W...’ is in stamped purple ink and there are some other purple inscriptions that are difficult to decipher) SIZE OF CHEST 39/49PR MATCHING TROUSERS 37 PR DRY CLEAN ONLY CREASE UPPER HALF OF LAPELS ONLY NAME..... ARMY No..... (the number 40 is also wrtten in faded black ink in the top right corner of the label)military, jacket, army, raaoc, royal australian army ordnance corps, parachuting, marksman, warrant officer, uniform

Ruth Woodward was the daughter of Alan Richardson a sawmiller at Tabbara. Richardson Helped build and held ticket for paddle steamer "Curlip". Crochet covers for milk jugs, teacups and bowls were produced to repel the dreaded Australian blow fly. They were typically decorated with Australian flora and fauna and commemorative motifs and sometimes edged with beads, shells and other three dimensional forms, not only for appearance, but also to weigh down the crochet so it would stay safely in place on the jug. The three dimensional parts were stiffened with sugar syrup, or sometimes starch, paraffin or gelatine. The main sources for crochet cover and other needlework designs available to women were in journals, magazines and pattern books. This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.Small handmade star-shaped milk cover with a white tulle centre and beading coming down to points off the centre. Beads are clear and black.milk-cover handcrafts needlework beading richardson

The HMAS Sydney (I) was a famous First World War warship. This crest is the official badge of the HMAS Sydeny (I), (II) and (III)A wooden plaque with decorative white, gold and coloured motifs, including a gold Mural crown, a red erect anchor with a red six pointed star above it, all surrounded by gold rope. Above the rope there is the word "Sydney" written in gold letters on a black scroll, with the Navel Crown motif above."Sydney" appears capitalised on the front of the plaque.hmas sydney, australian navy, war, ships, plaque, insignia, anchor

Collection re J.E. Sayers 1419, refer Cat No 10411 for his service details. The Turkish War medal was instituted on March 1st 1915 for Bravery and Merit. It was often called the Gallipoli Star. The small symbols on the front is the Muslim date “1333” which equates to 1915AD.Turkish War medal, star shape, silver colour surround with red inner, centre is a Turkish Cresent with a centre motif, under is a very small silver piece with Turkish symbols, on rear is a pin attachment with a stamp under.On rear stamped “B B & Co”award, turkish,

Pte L FORBES sent fabric home to his sister. There are four L Forbes on the nominal roll, unknown which one.Orange silk, rectangular scarf/cloth. Embroidered in 2 diagonally opposite corners with motif incorporating crescent moon, star, globe and part wreath of leaves in blue, purple & white. Fringed in lattice and tassel design 12 cm deep.manchester, nappery, costume, female, handcraft - embroidery

.1) Black Military Jacket - four pockets. brass buttons with AMF motif - 2 epaulettes - 2 on top pocket, 4 on chest. There are three officers pips on each epaulettes. It has a 38 Bn - Northern Victorian RACT silver badge on each collar. It has a quantity of six medal ribbons. War Medal 1939-45/ Defence Medal/ Pacific Star/ Africa Star/ 1939-45 Star/ Australian Service Medal. .2) White shirt - long sleeved - possibly silk. .3) Tie black - possibly silk. It is stitched in place. .4) Trousers black, red stripe, black buttons.The shirt has a sales ticket "St. Vincent de Paul, Cost $0.30”ww2, formal army uniform, passchendaele barracks trust

Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details.Panel One only, a lot of Indian badges. .1) RAF badge .2), .3), .4) .6) missing .5) SAFA 11 SAVA .7) Derby .8) RSAP .9) SJAB .10) Gloucestershire, Eygpt with Lion .11) Eygpt, Lion, Surronded by oak leaf cluster .12) Red button badge, with a bugle and K R motif over it Panel Two .1) Circular badge .2) Indian signals corps badge. oval shape surmounted with 5 pointed star .3) Indian reconaisance corp badge symbolic tree and arrow .4) Indian engineers badge. 5 point star surrounded by oak leaf cluster .5) Missing .6) WAC India .7) Indian intelligence corps. 5 pointed star .8) Indian electrical and mechanical engineers badge .9) Indian army ordinance badge .10) Indian army medical corps .11) Symbolic cross .12) Burma intelligence corps .13) Stylised trench raid weapon Panel Three .1) Crossed khukris .2) Cross khukris .3) Simple doughnut shaped ring .4) Doughnut shaped ring. surmounted by a crown in center is letters X1 .5) JAT Regiment badge large letters IX surmounted with a crown .6) Regiment cluster of leaves .7) Madras regiment badge .8) Unknown 4 sort of legs surrounded with a crown .9) Dogras Regt. In the centre are the number 17 surmounted with a crown .10) Punjab regt. Center is a 5 pointed star with numbers 14 surmounted with a crown .11) Missingbadges, collection, indian

The Rechabite movement began in Salford England. In 1861 the first Independent order of Rechabites Friendly Society, Salford Unity, was opened in Bendigo to be called “Star of Bendigo” Tent. It was registered as Number 5 making it one of the first in Victoria. They worked with the Total Abstinence Society to organize lectures and social events designed to prove that entertainment and fun could be had without alcohol. They met in the new Temperance Hall in View Street.Four Ceremonial Sashes from the Independent Order of Rechabites, Salford Unity. Male ceremonial costumes. Cream silk, various ranks, printed designs, red stripes on the outer edge. A Rank Superintendent - cream silk collar with embroidered I.O.R. motif and crests of Victoria, U.S.A. & United Kingdom in red 2 x 1/4 inch stripes on outer edges B Rank Deputy - As "A" above plus a single 1/2 inch central strip C Rank Past Chief Ruler - As for "A" above plus 3 x 1/2 inch stripes, four tier rosette hangs at base of collar, 2 tiers, top 2 tiers white D Rank Chief Ruler - as for "A" above plus 2 x 1/2 inch stripes i.o.r. (rechabites), salford unity

Dr Constantine Agapitos Michael was the President of the Royal Australian College of Obstetrics and Gynaecology from 1989-1992. Drewfus Gates is an Australian artist. "Since 1982, Drewfus has become one of Western Australia’s best known artists painting in oils, pastels and watercolours and in a wide variety of subjects. He has won numerous awards including the America’s Cup Prize and is a six times finalist in the Doug Moran National Portrait Prize—the richest Portrait Prize worldwide. Drewfus is a highly respected portrait painter, having been commissioned to paint over eighty portraits, mostly of notable Australians. These include a Governor, State Chief Justices, High Court Judges, University Chancellors and professors, Grammar School Principals and business, agricultural and sporting identities." (Drewfus Gates website) Oil on canvas painting. Colour head and shoulders portrait of a man sitting in a chair. The subject is wearing a white shirt with a dark suit and a blue tie printed with a repeated stripes and crest motif. The subject is wearing a blue robe with yellow trim on front panels and at edges. The subject is wearing a medal in the shape of a nine-pointed star from a blue ribbon around his neck. The subject has grey hair and is looking at the artist, head slightly tilted, with his body facing forward. The subject has his hands folded in his lap and is wearing a wristwatch on his left wrist. The subject is depicted sitting in front of a swirling blue background. Signature painted at bottom left corner reads 'Drewfus '93/BE 149'. Brass plaque attached to back of frame is engraved with the text 'PROFESSOR C.A. MICHAEL/PRESIDENT/SEP 1989 - NOV 1992''.

Dr Constantine Agapitos Michael was the President of the Royal Australian College of Obstetrics and Gynaecology from 1989-1992. The original painting which this is a reproduction of (see record P16) was painted by Drewfus Gates, an Australian artist. "Since 1982, Drewfus has become one of Western Australia’s best known artists painting in oils, pastels and watercolours and in a wide variety of subjects. He has won numerous awards including the America’s Cup Prize and is a six times finalist in the Doug Moran National Portrait Prize—the richest Portrait Prize worldwide. Drewfus is a highly respected portrait painter, having been commissioned to paint over eighty portraits, mostly of notable Australians. These include a Governor, State Chief Justices, High Court Judges, University Chancellors and professors, Grammar School Principals and business, agricultural and sporting identities." (Drewfus Gates website) Printed reproduction of a painted portrait in a gold coloured gilt frame. Colour head and shoulders portrait of a man sitting in a chair. The subject is wearing a white shirt with a dark suit and a blue tie printed with a repeated stripes and crest motif. The subject is wearing a blue robe with yellow trim on front panels and at edges. The subject is wearing a medal in the shape of a nine-pointed star from a blue ribbon around his neck. The subject has grey hair and is looking at the artist, head slightly tilted, with his body facing forward. The subject has his hands folded in his lap and is wearing a wristwatch on his left wrist. The subject is depicted sitting in front of a swirling blue background. Image is mounted on card inside the frame. Brass plaque to card below portrait is engraved with the text 'PROFESSOR C.A. MICHAEL A.M./PRESIDENT ROYAL AUSTRALIAN COLLEGE/ OF OBSTETRICIANS AND GYNAECOLOGISTS/SEPTEMBER 1989 TO NOVEMBER 1992''.

Professor Ian Stewart Fraser was the President of the Royal Australian and New Zealand College of Obstetricians and Gynaecologists from 1998 to 2000.Black and white head and shoulders portrait photograph of a man. The subject is wearing a white shirt with a dark jacket, and a dark tie. The tie is embroidered with a light coloured crest motif. Over the top of these clothes, the subject is wearing a dark robe with light coloured trim at edges and on front panels. A medallion in the shape of a nine-pointed star is hanging from a blue ribbon around the man's neck. The subject has grey hair and a beard and is wearing rimmed glasses. The subject is pictured facing the camera, smiling, with his body angling slightly to the left. Bookshelves filled with books are visible in the background behind the subject. Photograph is mounted in a card frame. Brass plaque attached to mount below image is engraved with the text 'PROFESSOR I S FRASER/PRESIDENT RANZCOG/1998 - 2000'.

Object. 1 - Cream ribbed silk ribbon with 3 gold bars top, bottom and central bar is shaped like a buckle. Gold medallion at bottom 6 pointed star in a circle with stylized ribbon motifs top and bottom engraved with inscription 'Deo Regi Fraterieus Honos Fidelitas Benevolentia.' 2 - Water silk ribbon in colours of the rainbow, 3 brass horizontal bars top, middle & bottom small enamel rainbow of blue, sky blue, red, yellow & green, small brass dove clutching a laurel mounted centrally in arc of rainbows.societies, freemasons, regalia, f. g. jones collection, masonic decorations x 2

Object. 1 - Life Governors Medal on sky blue ribbon for Freemasons Homes of Victoria. Small gold front plan of a building mounted centrally to ribbon. Medallion shows a 5 pointed star over a laurel wreath. Gold coloured compass & square on blue enamel background mounted in centre, long pin on the back. 2 - Keystone medal, burgundy & grey ribbon with mallet & chisel motif in metal, small white stone with lettering 'KSHT WSST' and Hebrew characters on reverse.societies, freemasons, regalia, f.g. jones collection, masonic decorations x 2

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak