Colour Photo taken from slide

Soft covered booknon-fictionThe book describes and displays early photographs of the streets and architecture in Melbourne showcasing its development from the 1850s to the 1890s.melbourne, history, architecture, street landscapes

Mt Beauty began as a construction town built by the SECV during the construction of the Kiewa Hydro Electric scheme from the 1940s to 1961. This photo gives a glimpse of the development of the town's shopping centre with modern cars and street landscaping.A photo enabling comparisons to be made on the development of the Mt Beauty shopping centre.Coloured shiny photo labelled at the bottom "Mt Beauty" and on right side "Vivienne Harvey". On the white back in black is the name of the photographer and her contact details. The photo is a close up of part of the shopping centre.mt beauty shopping centre

In the 1800s, the stereoscope was the only way to view with world in 3-D. A viewer would look through the lenses of the stereoscope's eyepiece to a card called a stereograph. On the stereograph, two of the same image were printed side by side, which when viewed through the stereograph transformed the one dimensional images into relatively life-like representations. A popular form of entertainment among the middle classes in Europe and America, people could use a stereoscope to view images of real faraway places, or fantastical magic scenes. The first patented stereo viewer was invented by Sir Charles Wheatstone in 1838, and remained a favoured leisure activity until the advent of cinema in the 1930s. This object contributes to our understanding of social life, leisure and entertainment in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history. A cardboard box full of stereoscope cards showing street views and landscape scenery. stereoscope, stereographs, entertainment, fun, leisure

Leslie John Bagust Collection. Black & White Photograph Town Hall Bendigo 1940. View on corner of Hargreaves and Bull Streets. Surrounding landscape includes a hedge and three palm trees which no longer exist.bendigo, tourism, bendigo town hall, http://www.onmydoorstep.com.au/heritage-listing/125/bendigo-town-hall

In 1889 the three central fire brigades of Bendigo were amalgamated and a new fire station was erected in View Street (the third to be built on this site). This two storied brick building designed by Wm. Beebe forms an integral past of the View Street landscape. The red brick, white plaster relief trimmings and window frames with greenish lead-light decoration, all reflect the late Victorian style of the building. The ground floor contained an engine station and call room with stalls to accomodate three horses immediately behind. Upstairs in the main building is a handsome drill hall.Series of letters between Miss Starke and Miss Mathison re classification of the building by the National Trust; Letter to the Country Fire Authority (CFA) re classification; Media Release; National Trust data survey form; two photos of the fire station. This item contains the following six documents: 3084.44a Bendigo Fire Station View Street Bendigo Coloured Photo 3084.44b Bendigo Fire Station View Street black and white photo, street view, about 1960 3084.44c Letters related to the classification of the Bendigo Fire Station View Street Bendigo. It was classified by the National Trust in June 1977 3084.44d National Trust of Victoria Data Survey Sheet and notes on the history of the Bendigo Fire Station, View Street, Bendigo 3084.44e This document is a 1977 media release from the National Trust of Australia (Victoria) announcing the classification of two historic buildings in Bendigo: Bendigo Fire Station (View Street)Designed by architect William Beebe in 1899.Features elaborate neo-classic rendered ornament.Former Butcher's Shop (Happy Valley Road & Wells Street) Front section dates from about 1872.Originally opened by Conrad Heinze (later Mayor of Bendigo) and his brothers.Weatherboard cottage with timber verandah and scrolled valance.Built in three stages, reflecting family growth. 3084.44f Letters re fittings in the former Bendigo Fire Station, View St Bendigo 1984history, national trust bendigo collection, bendigo, bendigo fire station

PHOTOGRAPH, - VIEW TAKEN FROM GEORGE STREET SHOWING LANDSCAPE, GOVERNMENT BRIDGE - LOOKING SOUTH WEST. .1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .2 SEPIA PHOTO PRINT .3 BLACK AND WHITE PHOTO PRINT .4 SMALL BLACK AND WHITE PHOTO PRINT .5 SMALL BLACK AND WHITE PHOTO PRINT GOVERNMENT BRIDGE CLUNES. SOUTH WESTlocal history, photography, photographs, bridges and buildings

(1) Concept and Drawing by Steve Mullany, Lec turer V.C.A.H. Burnley 9 Dec 1988. Handdrawn. 1 coloured, 2 copies and 4 tracing paper sketches. (2) Landscape Plan by Steve Mullany 3 Feb 1989. Handdrawn. Includes Plant Plan. 2 copies on tracing paper. 3 copies original on paper with some additional notation. (30 Project Eden, Swan Street, Richmond - Landscape Plan LA2 Project No 682 by Mark McWha Pty Ltd Nov 1997. Photocopy. Includes Irrigation and Plant Schedule. (4) Swan St Frontage Planting Scheme by P. Tulk for AMRAD. Coloured. 19/2/1998.

The Guidelines were commissioned by the City of Ballarat , Historical Buildings Preservation Council and the Australian Heritage Commission.Cream soft coloured book of 60 pages. Contents include - Contributary Commercial Buildings, New COmmercial Buildings, Contributary residential Buildings, New Residential Development, Public and In stitutiona Buildings, Railways, Cemeteries, Botanic Gardens, Lake Wendouree, Public Open Spaces, Street Works, Fences and Landscaping, Advertising Guidelines, Lydiard/Camp Street Precinct Case Studyballarat, conservation guidelines, lydiard/camp street precinct case study, railway, botanic gardens, guttes, footpaths, signs, signage, fences, robin nuttall, gerald jenzen, ray tonkin, conservation study, architectural styles, verandahs, shopfronts, cast iron, wndy jacobs, miles lewis, gary vines, heritage planning, heritage guidelines

Black and White photo. On the right is the Central Red White and Blue Mine at the corner of Lilac and Honeysuckle Sts, at the front of the photo is Fadies Whim in Nettle Street, Iron Bark. Landscape view in background most likely High Street Bendigo/Golden Square boundary. Markings/Inscriptions: Central Red White and Blue Mine, Corner Lilac and Honeysuckle Sts. Fadies Whim, Nettle Street, Photo Taken early 1900s. Central Red White & Blue Whim. On rear of photo: Evolution in mining apparatus is illustrated in this photograph - Bendigo. 2 Royal Historical Society of Victoria, Bendigo Branch stamps on rear also.central red white and blue mine, mining, lilac, honeysuckle, fadies whim, 1900s, poppet head

This plate was painted by J.J. Forrester in 1922. John James Forrester, the son of John Lamb Forrester and Maria Hexter, was an architect in Warrnambool in the early 20th century. He had an office in Kepler Street (1910) and in Koroit Street (1916). He lived in the house in Liebig Street that was formerly the first Savings Bank and was erected in 1860 (7A Liebig Street today). Forrester was a staunch member of the Presbyterian Church and was the co-architect for the re-building of the interior of St. John’s Presbyterian Church in Warrnambool after it was destroyed by fire in 1920. John Forrester was also a noted artist of his time and several of his works of art have survived. A landscape by him is in the possession of the Warrnambool and District Historical Society. This plate is one of two painted by Forrester that survive today.This plate, although damaged, is of interest because it was painted by John James Forrester, a Warrnambool artist from the early 20th century. This is a china plate showing a seascape painted by John James Forrester in 1922. It depicts a coastal scene of rocks, birds and sailing boats. The colours are in mauve/brown/ white tonings and are slightly opalescent. The plate has brown/grey handles with one broken and repaired. The plate is oval-shaped with a slight dip and a stand at the base. Front of plate: ‘J.J.F.’ On base: ‘J.J. Forrester 1922’ john james forrester, history of art in warrnamool, history of architecture in warrnambool, history of warrnambool, china painting

This is a hard cover book with the pages unnumbered. The cover is brown with colour reproductions of two aboriginal paintings on the front and back cover. The printing on the front cover is in yellow and white lettering. The book contains written text and many reproductions of aboriginal paintings. The inscription on the first page is handwritten in black biro. non-fictionA collection of reproductions of aboriginal art work from the Hermannsburg area as collated by Rex Batterbee.rex battarbee, aboriginal art, albert namatjira

This is a booklet with a green cover with black and gold printing and ornamentation. The pages contain 24 black and white photographs and are tied together with string.non-fictionThis is a souvenir booklet containing photographs of places and buildings of Warrnambool and district early in the 20th century.warrnambool vintage tourist souvenirs, walter davies

Hardback, landscape book with watercolour painting of Sea baths at Sorrento looking east by AC Clarke on the front. Also the title in red and author Bruce Bennett in aqua. The spine has the title and author as above. On the back cover are six reproductions of sea baths and synopsis of the book. 152 pages of white, gloss paper, acknowledgements, contents, preface, 5pages of References and a 2 page Index. The end papers are of white paper. non-fictionHistory of sea baths in Victoria.sea water baths, victoria, bruce bennett, warrnambool, windmill, 1890, swimming, closed 1960s, bathing boxes, poster, warrnambool baths company, 1877

The article gives an overview of the development of the landscaping of factory gardens in the early part of the 20th century. The Fletcher Jones Gardens feature strongly and a brief history is given of the establishment of the Fletcher Jones factory. Fletcher Jones Factory held a significant place in the economic development of the city. The Fletcher Jones Gardens remain a significant landmark in the cityArticle titled “Fletcher Jones Gardens Warrnambool,” printed with blue background. Three coloured photographs showing different vistas of the gardens.warrnambool, fletcher jones, pleasant hill, fletcher jones gardens

These volumes reproduce the diary material and the landscapes and sketches of Charles La Trobe, the Superintendent of the Port Phillip District of New South Wales (1839- 1851) and Lieutenant Governor of the colony of Victoria (1851-54 ). La Trobe is regarded as the man most responsible for the establishment of Warrnambool in 1847. His diaries document his trips to the Warrnambool region in 1845, 1846, 1848 and 1849 before and after the town site was settled.These volumes are of artistic significance being beautifully and expensively produced. The volumes contain information of vital importance to our knowledge of our early Warrnambool history. Other important details in the diary include information on early shipwrecks and the first settlers in our district in our district, especially the Allan brothers..1 This is a burgundy leather bound book of 380 pages. It has gold lettering on the cover and the spine and an oval inset in the centre of the front cover containing a coloured portrait of Charles La Trobe. The pages contain black and white and coloured art works and sketches and printed material. There is a burgundy coloured ribbon for marking pages The book is encased in a hard leather cover with a cut out window with gold edging. .2 This is a burgundy leather bound book of 343 pages. It has gold lettering on the cover and the spine and a rectangular inset in the centre of the front cover containing a coloured sketch of a rock, sea and cliffs drawn by Charles La Trobe. The pages contain sepia and black and white drawings and printed material. There is a burgundy coloured ribbon for marking pages. The book is encased in a hard leather cover with a cut out window with gold edging . .1 Charles Joseph La Trobe AUSTRALIAN NOTES 1839-1854 .2 Charles Joseph La Trobe LANDSCAPES AND SKETCHES charles la trobe, early warrnambool, la trobe journals

This is a photograph of a painting by the noted artist George Webb (1861-1949). Webb was best known for his portraits of civic dignitaries in Melbourne and Adelaide but he also produced many landscapes and seascapes. Some of these feature Warrnambool landmarks as he married, in the late 1890s, Christina Lake, the step-daughter of George Rolfe who owned the property known as ‘Lyndoch’, near the mouth of the Hopkins River. Webb painted the early cottages at ‘Old Lyndoch’ using a photograph taken some time earlier. The painting was given to Dick Allan, the chauffeur in the employ of Florence Lake, Christina’s sister. Florence Lake owned and resided at Lyndoch after her parents’ death. Dick Allan’s son, living in Tasmania, acquired the painting and Les O’Callaghan obtained the photograph of the painting from him. Although this is only a photograph of an original painting, it is of some considerable importance as the painting has great historical significance and this is the only representation we have of it. The man in the photograph represents George Rolfe and the story of Rolfe and his ownership and development of the property of Lyndoch is an important one in Warrnambool’s history. The original by George Webb is also an important work of art in its own right.This is a colour photograph of a painting. The frame of the original painting can be seen at the bottom of the photograph. The photograph is in on old frame which has two wooden edgings with the outer one having an ornate gold plaster edging and an inner one with a gold velvet insert next to the glass. The ornate gold plaster has a piece missing near the top left hand corner. The photograph is set into a gold-coloured wooden frame inside the glass. The photograph is mounted onto cardboard and covered with cardboard at the back with a small piece of wood attached (from the original frame). The backing is nailed on. lyndoch, george webb, george rolfe

Relates to a series of 5 photos:P000094-P000098 of the front of the Bridge Hotel on the corner of Murray esplanade and Hopwood gardens. These photos, taken about 1976, were before the Port Restoration Scheme renovated the hotel. The Bridge Hotel was built by Henry Hopwood in 1858. This and the Bond Store were Echuca's first 2 brick buildings. Named from Hopwood's nearby pontoon bridge. The building was bought be The Council in 1970. Restored and reopened in 1975.The Bridge Hotel is an important part of Echuca's settlement and development. It was originally built by Henry Hopwood, the European founder of Echuca, in 1859. Hopwood built the hotel to provide accommodation to people using his punts across the Campaspe and Murray rivers that area central to the landscape of the Port. The hotel was situated on the land between both rivers and punts and provided for a variety of levels of accommodation from grand rooms to very basic rooms. At the time of the photos the hotel was 120 years old and became an important part of the Port of Echuca tourism. Black and white photograph of the Bridge Hotel , showing western wing before restoration.Stamped on the reverse "Gazemore Studio, D. G. Gay, 18 Frances Street Echuca 3625.bridge hotel, echcua, port restoration scheme, bridge hotel restoration, echuca

This booklet is a lookbook of male and female flight attendants uniforms designed by David Weiss for the period 1984-1986. It shows the different options and combinations of accessories, tops and bottoms presented on mannequin and also photographed on models. It also explains the presentation standards expected from the in flight staff in regards to grooming, jewellery, make-up, hairdo.This lookbook contains the vision of designer Peter Weiss for this collection. Landscape format catalogue with light blue background and colour pictures of uniforms for male and female flight attendants. It contains david weiss, 1984-1986, uniform, flight attendant, stewardess, steward, hostess, clothing, accessory, hat, ansett, lookbook, ansett australia

This photograph depicts W. M. Anderson's store on the corner of what is now Kilvington Drive and Heroes Avenue. At the time, these may have respectively been Beaconsfield Road and, according to the label, Avenue of Honor. Anderson's store is believed to have been built by the Stillwell family in 1921, but Anderson had his store at least from 1923 and therefore likely owned it from the point of its first construction. By the late 1940s, Anderson's had become Legge's General Store. It is difficult to determine precisely when within that range this photograph was taken. We believe Anderson's store was on the corner now occupied by Grace and Louie Booksellers. Some of the people in the photograph include Bill Anderson with Albert Legge, and Leo Hirst - employees of Anderson - in the center-left, and George Davey standing in the cart.This photograph captures a now-unfamiliar store in a familiar part of old Emerald, documenting the changes to the commercial landscape over the past century.This black and white photograph depicts a store on a street corner, with a porch covering the walkway outside and several signs on the building, along with writing on the end of the porch covering. In the left of the frame is a car, with two dogs, a horse, and a man surrounding it; in the right, a man strands on a horsecart drawn by a white horse. In the center-left are three men wearing aprons with a child besides them, while in the center a woman and child stand in the doorway. In the background, other buildings continue down both streets. The reverse is annotated, and has six rectangular artefacts where adhesive was once applied. A section of handwriting is illegible due to damage, but likely read 'Heroes Avenue' or 'Avenue of Honour'.Reverse: "Built in 1921 / Cr [illegible] & Kilvington / Cross reference 56" Obverse: In Photograph Sign, Left: "W. M. ANDERSON" In Photograph Sign, Right: "THE / STORE" In Photograph, Porch: "W.M.ANDERSON [illegible]"emerald, commerce, 1920s, 1930s, 1940s

The former Mont Park/Bundoora Psychiatric and Repatriation Hospitals Complex consisted of seven hospitals on a site of 185 hectares. The site comprising the Mont Park and Strathallen estates was consolidated by the Victorian government by purchase and transfer from the Closer Settlement Board in 1909 . The Mont Park Hospital commenced in 1910 with the building of the Farm Workers Block . In 1912 the landscape gardener Hugh Linaker was employed to layout the grounds of Mont Park and other State mental hospitals. The other hospitals were gradually split off from the Mont Park administration to form separate entities included among these was the Macleod Repatriation Hospital (1915), An agreement was made with the Defence Department in 1914 for the latter to erect the Mont Park central block (the "Chronic Wards") for use as a Military Hospital, and for it later to revert to the State as portion of Mont Park Hospital. The buildings now known as the Chronic Wards were completed in this way in 1916 and used as the Australian General Hospital no. 16 for the duration of the war. One wing of this building was set aside for mental patients during this period. Silver gelatin photographww1, macleod repatriation sanitorium, mont park

The print was donated by a local resident, Joan Armstrong. https://www.ngv.vic.gov.au/explore/collection/work/75826/ The print is of a local regional homestead, Yalla-Y-Poora.A small, laminated copy / print of an 1864 painting titled Yalla-y-Poora by artist Eugene von Guerard."Painting by Eugene von Guerard / Yalla-Y-Poora / Copied from a diary loaned / by Judy Armstrong" on rear of itemeugene von guerard, yalla-y-poora, landscape, national gallery victoria, ngv, ararat

Barkly Street is the main road into the business district of Ararat and has developed significantly since this image was taken. The postcard helps define the township in its early stages of colonialisation and reflects on the style of early architecture. The image is a photographic representation of wide streets, assorted businesses and buildings with a bicyclist and horse-drawn carriage in the background. The vantage point seems to be the balcony of Leopolds hotel. This early 1900s streetscape assists in the understanding of our township's development over the decades, both socially and architecturally.Small, landscape orientation rigid postcard, colourised, featuring Barkly Street in Ararat, circa 1900s. Notable features are the Turf Hotel sign and the lettering 'Yankee Doodle' on a building wall.Front: "Barkly Street Ararat". barkly street, ararat, 1900s, buildings, streetscape, architecture, postcard, colourised, turf hotel, leopolds hotel

AGIdeas was a student design conference held from annually from 1991, for at least 20 years. (Alliance Graphique Internationale AGI). The project outcome "is the combined impact of eighteen individuals reflecting upon their personal design philosophy and the space they occupy." The students determined that the University of Ballarat's course was special due to its "unique learning and teaching environment", all year levels "interspersed throughout the open-plan workspace" at individual workstations with twenty-four hour, seven day access to the space (at Camp Street Campus, Ballarat). Students: Narj Bickerdike, Sarah Birks, Lauren Drew, Rene Furlong, Mark Iskra, Brooke Jury, Kathryn Kandera, Bree McKenzie, Stuart Shepherd, Amber Smith, Eliza Steele, Chris Stephen, Cameron Suttie, Jarrod Vanstan, Luke Vanstan, Tim Ware, Alison White, Alison Wright. Staff: Helmut Stenzel, Leigh Whetter, Nic Wai, Assistance: Elise Whetter Copywriting and finished artwork by Elise and Leigh Whetter, Celtink Creative. Back page notes sponsors, including CPI paper, Energi Print (transparency printing) and Sovereign Press (paper printing).Project created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) students by invitation for AGIdeas. This is a double spiral bound landscape booklet, with 18 student works on paper bound to the left and 18 works on transparency bound to the right, to allow interplay and layering for multiple combinations by the reader/viewer.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, narj bickerdike, sarah birks, lauren drew, rene furlong, mark iskra, brooke jury, kathryn kandera, bree mckenzie, stuart shepherd, amber smith, eliza steele, chris stephen, cameron suttie, jarrod vanstan, luke vanstan, tim ware, alison white, alison wright., helmut stenzel, leigh whetter, nic wai, elise whetter

This book, printed in 1938, is reflective of journalism in the first half of the 20th century.It is indicative of advertising, fashion, opinions, issues, photography of the time. It is a useful reference tool.Stapled paperback of 65 pages titled, The Australasian Pictorial Annual 1938. It is dated October 1 1938.. Price 1/6. On the front cover is a coloured picture of a beach scene, people and beach umbrellas. Overhead is a light plane. The magazine contains large landscape photos, both coloured and b/w. There are advertisements mostly Australian with some from New Zealand.magazine fashion-1930's the-australian-pictorial-magazine

This document was produced in 1989 for Orbost Shire Council. It ccovers the area s of Orbost, Mallacoota, Cann River and Newmerella and includes urban and non-urban areas.This document is a useful reference tool.A book with a brown front cover with a plastic over-sheet and plastic binding.On the cover are b/w drawings of rural landscapes, trees and the coast. It is titled SHIRE OF ORBOST PLANNING STUDY Part 1 Strategic Overviews, March 1989.orbost-planning

This is the twenty-fourth issue of the annual magazine of Orbost High School. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2219.1 belonged to Mary Gilbert, a former teacher at the school. 2219.2 belonged to Peter Traill.This magazine is a useful reference tool.Three copies of Croajingolong 1971. The magazine is in landscape format and has a white cover with a free form shape filled with mosaic type patterns in black and white. 2219.2 has Peter Trailll written in blue pen on the front cover.croajingolong orbost-high-school