Slide of a strong Merino ram. Strong merinos are usually grazed in the semi-arid areas of the inland where the annual rainfall is below ten inches. Formerly stored in presentation folder as part of "Merino & Australasian Breeds of Sheep Set No. A866" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a strong Merino ram.Merino & Australasian Breeds / of Sheep / Set No. A866 / No. 4 / Strong Merino Ram VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAmerino sheep

Cr. W.D. Vaughan in 'Kew's Civic History' (1960) records that: "In connection with the Melbourne Centenary Celebrations in 1934, the Kew Council decided to organise a strong post as an appropriate gesture of welcome to H.R.H. the Duke of Gloucester. Also that the municipality be represented by a symbolic floral float in the Royal pageant. This was a striking entry and won first prize, and evoked much comment on account of its originality and truly Australian motif." The photograph of the Kew Strong Post was once part of the Municipal Collection of the former City of Kew and was presented to the Kew Historical Society before the move from the Walpole Street (Kew) Town Hall to new Civic offices in Charles Street in 1971.Historic photograph of participation by the City of Kew in celebrations for a royal visitFramed and glazed photograph on its original inscribed mount and original frame of the Kew "Strong Post" in St Kilda Road on the occasion of the visit to Melbourne of the Duke of Gloucester. The photograph has two components, at the upper left is a photo of the royal carriage while the man photo shows the people of Kew on a decorated 'Strong Post' on St Kilda Road, along which the procession progressed. T"Centenary Celebrations / Kew "Strong Post" St Kilda Road / On the occasion of the visit of / H.R.H. The Duke of Gloucester / October 18th 1934."royal visits - melboure - 1934, duke of gloucester, kew (vic.) — municipal collection

Apart from the photograph being of local interest to the history of Kew, it is also of interest as it was donated to the Kew City Council by Mr. C. R. du Rieu. Mr du Rieu was closely associated with the Kodak factory which purchased land in East Kew for a factory the plans for which were ultimately rejected by Council. In 1936, nine years after he donated the photograph to Council. Mr du Rieu died. A report in the Melbourne Age on 7 October 1936, p. 14 stated that: "Mr. Charles Richard du Rieu, of "Wonder View." 57 Pakington-street, Kew, formerly manager of the mount department of Kodak (Australasia) Pty. Ltd., died at his home on Tuesday morning at the age of 72 years. Born at Adelaide, Mr. du Rieu was the son of the late Mr. and Mrs. H. L. du Rieu. He is survived by his widow. For 43 years he had been associated with the late Mr. Thomas Baker, at the Kodak works. He retired from the firm in 1928. Among his charitable interests were the orthopoedic section of the Children's Hospital at Frankston, Eye and Ear Hospital, and the Fitzroy Ladies Work Association. He was president of the North Kew Progress Association, and a member of the Kew Bowling Club. In masonic circles he was a past master of the Kent Lodge, Melbourne, and a member of the Travellers' Washington Lodge. The burial will take place at the Boroondara Cemetery Kew, this afternoon. Arrangements are by Le Pine and Son Ltd."The photograph is of historic and social significance for what it tells of popular civic values in the interwar period in Melbourne and Australia which manifested itself on occasions such as Royal Visits.An unframed, mounted sepia photograph of the Kew "Strong Post" on St Kilda Road on the occasion of the Royal Visit of 1927.Caption: "The Kew "Strong Post" St Kilda Rd., / on the occasion of the visit of / Their Royal Highnesses the Duke and Duchess of York / presented by C.R. Du Rieu Esq / May 1927royal visit (1927), duke and duchess of york, the kew "strong post" 1927, st kilda road, kodak australasia pty ltd, charles richard du rieu -- wonder view -- 57 pakington street

Ticket for admission to St Kilda Strong Post at Anzac (1914) welcome Cream and blue/green card that has discoloured with age, printed in blue on one sideanzac, anzac (1914) welcome

Stolen children, stolen land, stolen freedom. Enough to break the strongest spirit but that?s what these people have got, they?re Too Bloody Strong to go under. The proud cry of survival is in all these stories and you can read the future in them to, From making baskets to building fences, from nursing to law, in education and art, the Wathaurong are preparing for the brand new day when the sun rises over a land of equality.maps, b&w illustrations, b&w photographswathaurong

Blue faded canvas cover with gold lettering on spine. No dust jacket. 189 pages, index and black and white photographs.non-fictionl.a.g. strong, flying angel, missions to seamen, reverend alfred gurney goldsmith

Material sample of "Celastic Roof covering" - a woven cloth type material, light grey which was used in the tramway rooves by the MMTB c1970? 1 - piece of timber - 73mm wide x 363 long to which the material has been applied and one side and edges painted MMTB green colour. 2 - piece of Celastic material, 125W x 330 long 3 - Hand written note by Norm Cross, undated, on the source of the material, costs, and how it was applied - 188H x 123W.trams, tramways, tramcars, materials, workshops, paint, overhauls

p.153.The story of the Anzacs being an historical account of the part taken by Australia and New Zealand in the Great War; from the outbreak in August, 1914, until the evacuation of Gallipoli, in December, 1915.world war 1914-1918 - australian involvement, world war - campaigns - dardenalles.

Plan of Ballarat School of Mines Administration Building plan with coloured shadingballarat school of mines, administration building, new classrooms, percy e. everett

Buff coloured ticket issued by A.T. Miles Mayor and A.F.B. Long, Town Clerk, Borough of Ringwood, Victoria.

Booklet produced by St Vincent's Care Services presenting a timeline of Eltham Retirement Centre 1955-2015 when it was purchased by St Vincent's Health Australia. Also includes Sisters of Charity Heritage timeline 1815-2015. Eltham Retirement Centre was previously known as Judge Book Village. judge book memorial village, judgebook, st vincent's health australia, timeline, chronology, sisters of charity, eltham retirement centre, aged care services

This book relates the story of the Association of Historical societies of the Western District of Victoria. It lists the names of many people involved in historical societies of the region , over the last 50 years.This book relates the efforts of the association to maintain an interest in history and preservation of records.Green card cover with title in green and WVAHS in maroon . Picture of bullock driver and wagon on bottom of cover. 29 pagesassociation of historical societies of western victoria, warrnambool historical society, wvahs

325 p.; 25 cmnon-fictionDetails of the Weatherhead family and connections, as well as a large number of letters, many from Gallipoli and France during the Great War. world war 1914-1918, weatherhead family

This is a booklet of eleven pages . The cover has two black and white photographs and black printing. The pages contain printed text and black and white photographs. The pages have been stapled but the staples have been removednon-fictionInformation on Eugen Sandow's lifestyle theoriessandow system of physical culture, warrnambool physical culture club 1903

Boyd discusses skyscrapers and the city, wondering what the next steps are after Mies Van Der Rohe's 'glass and steel'. He then considers two buildings under construction as potential answers: Harry Seidler's Pitt Street Building in Sydney and Yuncken Freeman's Royal Insurance Building.Original manuscript published as 'Something out of the Box' in 'The Australian' on 23.09.1964.Typewritten (c copy), pencil edits, quarto, 7 pagesroyal insurance building, yuncken freeman, skyscraper, mies van der rohe, harry seidler, robin boyd, manuscript

Tan hardcover book with a black and gold image of a young man on the frontline. The title and author are in red text on the front and gold on the spine.The book has four full-page illustrations. 224 p. Catalogue of books for young people at the back of the book. There is a book plate stuck on the inside cover from Howe Crescent Independent Sunday School, South Melb. "Second Prize AWARDED TO Master Ernest Muir YEAR 1887 TEACHER MR. E. A. Wells Class 4th.edward muir, e.a. wells teacher, howe crescent independent sunday school south melbourne, sunday school prizes

Graeme DRENDEL (02 July 1953- ) Born Ouyen, Victoria Graeme Drendel is a key Australian figurative painter and printmaker who is known for his 'enigmatic works depicting figures of solitude and introspection.' (Gavin Fry) His works are often set in isolated landscapes and situations, and his powerful images most often relate to the human condition. Becoming the first member of his family to undertake tertiary studies Graeme Drendel received a studentship to study Secondary Art and Craft Teaching. Country students could undertake their first two years study at Ballarat or Bendigo Art Schools. Graham studied at the Ballarat Teacher' College and Ballarat School of Mines in 1971 and 1972 before completing the course at Melbourne State College in 1974 While studying in Ballarat Graeme lived in the student departmental hostel 'Beaufort House, and had many formational experiences during his first foray outside of the Mallee. At Ballarat Graeme Drendel became aware of the painter Gareth Sansom who lectured at Ballarat Teachers' College. Although not directly taught by Sansom Graeme was drawn to the immediacy of his work. At Melbourne Graeme chose Printmaking as his major working with Printmaking lecturers Stephen Spurrier and Jim Taylor, and drawing with John Neeson. After teaching for several years, Graeme undertook a life changing and extensive travelling tour throughout Italy, United Kingdom and United States at which time he decided he would always depict the human figure. Recognised for his intelligent observations of the human condition, Graeme’s art invites contemplation and reveals the humour of everyday life. As a prolific user of sketchbooks Graeme Drendel records close observations, which often inform his paintings. Graeme Drendel is a regular finalist in the Archibald Portrait Prize, Sulman Prize, Paul Guest Prize, and in 2022 he won the prestigious Doug Moran National Portrait Prize with his portrait of fellow artist Lewis Miller. In 2021 he received a Federation University Distinguished Alumni Award. This work is one of a substantial body of limited edition prints donated by the artist to Federation University in 2022 covering work from Graeme Drendel's earliest years as a student, through to more recent etchings. A etching of a woman with hair braids.graeme drendel, printmaking

arte moris