Shire of Eltham Engineers Department, July 1987 Top Row L-R: Phil Wrigley, Ian Craigie, Peter Brown, Rae Robinson, Lilliana Unsworth, Joan Kindellan, Bill Oakley, Lindsay Brooks, Simon Thomas, Simon Beal, Bernie Murray Middle Row L-R: Rosemary Garnett, Maurice Stabb, Alan Lansdowne, Ron Dinsdale, Tony Diagiacomo, John Stamp, Bill Salisbury, Barry Welch, Ezio Lattanzio, Greg Slater, Nick Palamaras, Stephen Richards Front Row L-R: Ray Stockley, Craig Stevens, Fred Harrington, Margaret Morgan, Colene Dal Santo, Debra Whittaker, Bill Mulcahy, Colleen Tuovinen, Michelle Gardam, Graham Rushbrook, Brian Taylor, Steve Smeelie Staff not present: Stan Ashmore, Bob Hayes, Frank Bourchier, Sue Long, Anthony Browncouncil staff, shire of eltham, alan lansdowne, anthony brown, barry welch, bernie murray, bill mulcahy, bill oakley, bill salisbury, bob hayes, brian taylor, colene dal santo, colleen tuovinen, craig stevens, debra whittaker, ezio lattanzio, frank bourchier, fred harrington, graham rushbrook, greg slater, ian craigie, joan kindellan, john stamp, lilliana unsworth, lindsay brooks, margaret morgan, maurice stabb, michelle gardam, nick palamaras, peter brown, phil wrigley, rae robinson, ray stockley, ron dinsdale, rosemary garnett, shire of eltham engineers department, simon beal, simon thomas, stan ashmore, stephen richards, steve smeelie, sue long, tony diagiacomo

Top Row, from left - Phil Wrigley, Ian Craigie, Peter Brown, Rae Robinson, Lilliana Unsworth, Joan Kindellan, Bill Oakley, Lindsay Brooks, Simon Thomas, Simon Beal, Bernie Murray. Middle Row, from left - Rosemary Garnett, Maurice Stabb, Alan Lansdowne, Ron Dinsdale, Tony Digiacomo, John Stamp, Bill Salisbury, Barry Welch, Ezio Lattanzio, Greg Slater, Nick Palamaras, Stephen Richards. Front Row, from left - Ray Stockley, Craig Stevens, Fred Harrington, Margaret Morgan, Colene Dal Santo, Debra Whittaker, Bill Mulcahy, Colleen Tuovinen, Michelle Gardam, Graham Rushbrook, Brian Taylor, Steve Smeelie. (Staff not present - Stan Ashmore, Bob Hayes, Frank Bourchier, Sue Long, Anthony Brown).Two colour photographs, laminated, with typed list of names 2 copies; 22.5 x 27 cm laminated (12.5 x 20 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff

A Golden Wattle tree was planted in memory of Eltham District Historical Society life members Harry Gilham (24 Mar 1928-25 Feb 2024; EDHS President 1993-2009) and Sue Law (27 Sep 1937-8 Aug 2023; EDHS President 1985-1993, Vice President 1993-1998 & 2009-2015). Close members of Harry’s and Sue’s families along with EDHS Committee members and life member Doug Orford joined in a dedication ceremony to commemorate their contributions, on Friday 12 April at 10.00am, in the rear yard at the Local History Centre, 728 Main Road, Eltham, on the corner of Brougham Street. EDHS President Jim Connor welcomed family members and acknowledged the dedicated efforts of both Harry and Sue over a long period of years. After unveiling of the plaque, attendees enjoyed some morning tea and sharing stories of Harry and Sue.Born Digital (15 images)activities, eltham district historical society, local history centre, main road, eltham, alison delaney, dedication, doug orford, gilham family, golden wattle, harry gilham, irene kearsey, jim connor, joan castledine, law family, peter & elizabeth pidgeon collection, plaques, richard pinn, robert marshall, russell yeoman, sue dyet, sue law

Black and white photograph"Attached to photograph" Back Row- L to R: Vincent Powell, John Arnett, Christian Kramer, Stephen Lavender, Greg Paine, Stephen Dawe, Charlie Rechnitzer, Rodney Barber, David Webb. 2nd Row- L to R: Kevin McCullough, Andrew Glavimans, Geoff Sjogren, Peter Jenkins, Peter Anderson, John Gadsden, Darryl McDonald, Perry Kaigan, Michael Jackson, Bruce Taylor. 3rd Row- L to R: Mr Delacca, Valerie Robinson, Stephanie Iwanowicz, Robyn Whitchurch, Jimmy Morgan, Jim(Bill) Noble, Sue Lewis, Wendy Long, Rae Moller, Georgina Brooks. Front Row- L to R: Valerie Harrison, Stephanie Tann, Glenda Mayers, Kaye Spencer, Carol Patten, Jeanette Hewlitt, Sandra Thomas, Belinda Clarke, Helen Marr, Robyn Dickson. Teacher: Mr Delacca

Pamphlet Sir Edward Dunlop Medical Research Foundation included with book.Biography. Hard cardboard cover, black coloured buckram with gold print on spine. Dust cover red coloured background with gold & white print on front & spine. Colour portrait photo of Sir Edward Dunlop on front & 3 black & white photos of Sir Edward Dunlop on back. 709 pages, cut plain white paper, illustrated black & white photos, maps & illustrations. Front fly leaf contains handwritten dedication.Handwritten in black ink of front fly leaf: "Donated in memory of Joyce & Edward Baker WWW2, Jan Pavich Sebastian 7.11.2012" "Weary Dunlop saved by life when my mother was 6 months pregnant with me as no other Doctor would operate on her goiter. Weary saved my life because of this. Long live his memory. Jan Pavich"books-biography, dunlop, weary

250 pages, Appendices, Bibliography and Indices, extensively illustratednon-fictionThis high-quality book is the extraordinary story of an ordinary little ship that had a long and eventful life. Perhaps few Australian coasters have had a more interesting and varied history. Built in Scotland in 1912 for the North Coast Steam Navigation Company, Tambar worked as a lifeline to isolated river and island communities, first in New South Wales, then for the Tasmanian Government and Holymans in Bass Strait (King Island) and as the last steamer serving the Gippsland Lakes. In between she even spent a few years in Papua New Guinea. When World War II broke out, Tambar was commissioned into the RAN as an auxiliary minesweeper, but after the terrible Darwin air raid in 1942 became the first vessel of the newly formed Salvage Board, later assisting in the search for survivors of the Battle of the Coral Sea. Returning to Bass Strait in 1944 for a few more years, she then spent the 1950s on standby as a salvage vessel in Melbourne, working on Merilyn, Terawhiti, E.J. Fairnie, and River Burnett. Craig Mair grew up in Grangemouth, Scotland where Tambar was built, and became interested after inheriting a builder's model from his father. He has consulted thousands of records, including the ship's logs, tracked down witnesses, and assembled over 100 photographs and maps to give a unique insight into Tambar's story, and coastal Australia in the middle decades of the twentieth century, before roads took over the transport task. Besides many colourful stories of shipwrecks and strandings, strange cargoes, salty characters, exotic places, wartime air raids, and salvage jobs, the book includes a definitive account of the worst Second World War 'friendly fire' incident in Australian waters in Moreton Bay in 1942.naa, australian national line, interest group, moreton bay, tambar, coaster, ships

Presented to MTSV by seafarer Bosun Tomovs from the vessel Irongate, registered in Monrovia, Liberia who created this memento miniature and presented it to Chief Manager Sue Dight, on the occasion of his visit to the MTSV, Melbourne.The seafarer who created this object has presented similar objects to Missions to Seamen wherever he has come ashore and used the services. The object forms a connection through the creator with the Mission network across the globe. It is also a representative sample of creativity aboard ship: model making was often a hobby to kill time on long journeys.small red painted and white corded life buoy with inscription in black paint.side a) In Upper Case stencil: " IRONGATE / MONROVIA " Side b) handwritten in black ink: "04.09.2018 / BSN TOMOVS / BULGARIA"lifebelt, life preserver, miniature models, life buoy, bosun tomovs, irongate ship, gift, buoy, hobbie, seamen, sailors, seafarers

Franics Read known as Jock, was a life time resident of Eltham. He served in the Navy in WW2. He was well loved as a long time school crossing supervisor and member of EDHS with a remarkable memory of his life's experiences. Contents 1. In Memory of "Jock" Francis Percival Read 11.09.1915 - 22.12.2010; Funeral Service Booklet (3 copies), A4 card folded. Held at St Margaret's Anglican Church, Pitt Street, Eltham, Friday 7th January 2011 at 11:00 AM 2. News clippings - Clip Clop Lollipop!, Diamond Valley News, 14 Dec 1976, p1 - Jock Read with horse, Smokey, Diamond Valley News, 1978 - School Crossing Supervisor Jock Read with horse, Lofty, Diamond Valley News, 1982 - Families shed a tear for Tackey, Diamond Valley News, 23 Apr 1985 - For fallen friends, Diamond Valley News, 16 Nov 1992 - Lollipop man calls it a day, c.1996 - Local digger leads the march, Nillumbik Mail, 3 May 2000, p5 also “Our Anzacs remembered” - Rain holds off for people's march through memories, c.2001 - For Sale; 52-54 Henry Street, Eltham, Barry Plant Real Estate, The Weekly Review, 14 Mar 2002 - Wartime's memories of mates. Photo "Jock Read stands proud in front of the Australian flag in his front yard", Diamond Valley Leader, 19 Apr 2006, p1 - Keeping the Anzac spirit alive, Diamond Valley Leader, 19 Apr 2006, p10 - Meaningful life well lived by Jim Connor, Diamond Valley Leader, 16 Feb 2011, p25 3. Draft of obituary by Jim Connor published in Diamond Valley Leader 16 Feb 2011 4. Jock Read Memorial notes 5. Jock Read Distinguished Life Member, Eltham District Historical Society 6. Distinguished Life Member presentation to Jock Read by Eltham District Historical Society at Chatsworth House, 26 July 2010 7. Photographs (qty 3) 10 x 15 cm of Jock Read at the Distinguished Life Member presentation by Eltham District Historical Society members at Chatsworth House, 26 July 2010 (Photographer possibly Jim Connor) 8. Photographs (qty 9) printed on 3 sheets of A4 photo paper of Jock Read at the Distinguished Life Member presentation by Eltham District Historical Society members at Chatsworth House, 26 July 2010 (Photographer unknown) 9. Transcript of audio tape recorded by Peter Bassett-Smith with Jock Read at the old Police Residence, 728 Main Road, Eltham during Heritage Week display, 28 Apr 1990 10. Transcript of audio tape recorded by Denis Ward of Old characters and other folk around Eltham: a chat with Jock Read and Doug Orford at Eltham District Historical Society meeting held 10 May 2000 11. Interpretative transcript of audio tape EDHS_01636 Jock Read Tape 1 – 2002 12. Transcript of audio tape Main Road Eltham: a chat with Jock Read and Doug Orford at Eltham District Historical Society meeting held 10 Sep 2002 13. Baker's Run - List of names and deliveries forming Jock Read's Baker's run and discussed at meeting held 10 Sep 2002 15. Jock Read - when asked what he used to do around about 14. Nillumbik Council Item; Jock Read Eulogy 16. Photocopy of photo: Wedding Party; Jock Read and Beryl Olivia Burgess, St Katherine's Church, St Helena 17. Celebration of the life of Beryl Olivia Read nee Burgess 1 December 1924 - 17 July 2008harry gilham collection, jock read, frances percival read, 728 main road, alison delaney, bakers delivery run, blacksmith, building industry, david johns, diana bassett-smith, doug orford, funeral service, gwen orford, harry gilham, henry street, heritage week, i remember (poem), industry, jim connor, lofty (horse), matlock police (tv show), peter bassett-smith, russell yeoman, shamus (horse), smokey (horse), sue law, tackey (horse), wally, eulogy

Material pertaining to the production of a history of the Shire of Eltham, "Pioneers & Painters: One Hundred Years of Eltham and its Shire" in recognition of the shire's centenary in 1971 Item Title 04767-1 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Inaugural Meeting to be held 1 April 1969; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 28 March 1969 04767-2 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 1 April 1969 04767-3 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Inaugural Meeting to be held 15 April 1969; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 11 April 1969 04767-4 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 15 April 1969 04767-5 Shire of Eltham Historical Society; History Publication Committee, Notes of Informal Meeting held at Alan Marshall's home 3 May 1969 04767-6 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 14 February 1970 04767-7 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 4 April 1970 04767-8 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 2 May 1970; A.J. Roberts, Deputy Shire Secretary, Shire Shire of Eltham, 27 April 1970 04767-9 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 2 May 1970 04767-10 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 2 June 1970; A.J. Roberts, Deputy Shire Secretary, Shire Shire of Eltham, 6 June 1970 04767-11 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 6 June 1970 04767-12 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 4 July 1970; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 30 June 1970 04767-13 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 4 July 1970 04767-14 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 1 August 1970; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 29 July 1970 04767-15 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 1 August 1970 04767-16 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 22 August 1970; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 18 August 1970 04767-17 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 22 August 1970 04767-18 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 3 October 1970; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 16 September 1970 04767-19 Shire of Eltham Historical Society; History Publication Committee Minutes of Meeting held 3 October 1970 04767-20 Notice and Agenda for Shire of Eltham Historical Society, History Publication Committee Meeting to be held 19 December 1970; M.B. Watson, Shire Secretary, Shire Shire of Eltham, 17 December 1970 04767-21 Letter: Sue Beaven, Thomas Nelson (Australia) Pty Ltd to the members of the History Publication Committee regarding dust jacket blurb, 13 January 1971 The idea to develop a book on the history of the Shire of Eltham to be edited by noted author, Alan Marshall in celebration of the shire's centenary was initiated in 1969. The Shire of Eltham Historical Society undertook significant research in conjunction with Alan Marshall locating material at various institutions and other societies; interviewing longer term residents and a public campaign through the local press to acquire photographic material for duplication and use in the book. The public campaign received generous response and the material collected became the genesis for the Shire of Eltham Pioneers Photograph collection now held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library).Paper documents of various sizes up to Foolscapalan marshall, history publication committee, minutes, pioneers and painters,shire of eltham historical society, shire of eltham pioneers photograph collection, shire of eltham

Clothing. Light grey kid leather gloves, with a sueded 'chamois like' finish feel. A 12 cm long plackett at the wrist, fastens with three .7 mm, rounded pearl buttons. Six rows of fine machine stitching fan out across the back of the hand, giving the effect of three pin tucks. Top edge of the gloves is gently curved.costume accessories, female, light grey kid leather gloves

This needle was owned and used by Dr William Geoffrey Wicks and was referred to as a "boomerang needle". [source: Curator Sue Barnett, 2000] The needle is similar to Ralph Worralll's broad ligament needle, page a/210, Felton, Grimwade & Duerdins catalogue 1948. Handwritten label on object describes it as a "Frank Forster needle for cervical cerclage. note variation from original design - longer shaft & handle'. Broad ligament needle with slot eye. Distal end of metal shaft tapers at an angle to a needle point. Proximal end of needle shaft forks to create a handle shape with a rounded bulb at the end. Underside on needle is stamped "J.AUSTIN" and "STAINLESS". "J. AUSTIN" "STAINLESS"surgery

The "Burroughs Calculator" was a non-printing key-driven machine introduced in 1912 in response to the success of the Felt & Tarrant "Comptometer". The first Burroughs key-driven machine was very similar to the Comptometer in its external appearance, but was quite different in its internal mechanism, with the register and carry mechanism based on a complex system of planetary gears. It was only about two-thirds of the weight of the Felt & Tarrant machine, and had none of the safety features. In particular, there was no protection against incomplete keystrokes in either direction. The register would simply advance in proportion to the depth of stroke, with no indication of error. However, the price was also about two-thirds of the Comptometer, which made it quite a popular (if dangerous) machine. (http://home.vicnet.net.au/~wolff/calculators/Burroughs/Burroughs.htm) The Burroughs Portable Adding Machine introduced in 1925 became the basic design for the adding machine for many years, until the ten key adder was introduced and started to replace it gradually. The key-driven type machine did not print, and while it was often used as an adding machine, it developed into a special purpose machine in later years. The machine was very fast . The efficient operation of these machines required an experienced operator who often received a high salary. The machine was produced over a very long period because of its unique capabilities and was often used to verify product delivery lists from delivery routes. Later models of the machine, called a duplex design, could hold a running total in a second set of dial wheels while the primary wheels continued to add and subtotal amounts that could be transferred at any time to the running total. A side note, Burroughs copied the Felt design for its first models and was sued for patent infringement by Felt and Tarrant who prevailed in the suit. As a result, Burroughs totally redesigned their machine and went on to compete with the Felt machine for decades. Info from (http://www.burroughsinfo.com/group_d.htm) Black metal low keyboard manual adding machine. The key-driven type machine did not print, and was exceedingly fast and experienced operators could easily outrun an operator on a full keyboard or 10-key adding machine. The adding machine has a brown leather carry case.calculator

An unknown woman sits at a table, with a desk and computer in the background. In front of her is a computer print-out, however she turns to camera with 3 LBA cassette titles fanned in her hand. These are: Safe Houses by Rose Zwi, narrated by Stephanie Daniel, A Long Way to Tipperary by Sue Gough, narrated by Humphrey Bower, and Titans! by Michael Stephen and narrated by Humphrey Bower.1 colour photograph of woman with talking bookstalking books, louis braille audio

Rockbank was once part of the Braybrook Road District. In 1871, the Road District became the Shire of Braybrook. In 1916, this district was transferred to the Shire of Melton. In 1951, further land was lost to the Shire of Melton. The Rockbank Inn built C1853 was located on Beatty's Road, one of the main routes from Melbourne to Ballarat during the gold rush. In December 1854, troops of the 12th and 40th Regiments marching to suppress the Eureka Stockade stopped at the inn: After the closure of the Inn C1870, it became a residence of the Beattie family for nearly 90 years. The building was then abandoned C1960 and it then fell into ruin. The Inn will become an important land in the new Woodlea residential housing estate. Past owners of the site include: 1840s–1853 William Cross Yuille. Original pastoral run holder. In 1853, he sold of the run to W.C.T. Clarke but retained the 20‑acre inn site. 1853–c.1855 James Stewart & John Brown. Possibly built earliest section of the inn. c.1855–1870 John Gray. Commissioned 1855 bluestone additions; trustees sold in 1870. c.1870–c.1960 Beattie family. Long‑term residents; inn no longer operated as hotel.Gold rush relic reborn: Inside Melbourne’s Woodlea estate built around a restored 1850s innrockbank inn, beatty's road, rockbank

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on the lobbying that led to master planning for rejuvenation of the Gardens and the formation of the Friends of Williamstown Botanic Gardens. CD and transcript of interview with Helen Page and her memories and experiences in lobbying for the rejuvenation and long-term viability of the Gardens. Helen was a resident of Williamstown when she contacted local Councillor, Angela Altair, in May 1999 to express her concerns about the destruction of trees in Melbourne Road and the condition of the Williamstown Botanic Gardens. The result of her communications with Councillor Altair and the Council was the formation of the Landscape Advisory Group and the Williamstown Botanic Gardens Advisory Group. Still an active member of the Williamstown Botanic Gardens Advisory Group, Helen talks of these experiences, how they led to the formation of the Friends Group and her hopes for the future of the Gardens.helen-page, angela altair, mary klestadt, mike hirst, shelley wood, andrew shannon, williamstown botanic gardens advisory group, master plan, sue murray, kim sawyer, anja lee, golden elm, advisory group, gates, pinetum, victorian heritage register

Sue Reid is a non-Indigenous Australian textile artist. With permission, and in collaboration with Elder Aunty Cynthia Hardie, Reid reproduced original drawings by Yorta Yorta man Troy Firebrace using acrylic paint, hand embroidery and machine quilting, to acknowledge and celebrate the world's oldest continuous living cultures, those of the First Nations peoples in Australia. This work was acquired as the winner of the Golden Textures art quilt exhibition at Central Goldfields Art Gallery in Maryborough, Victoria in 2019. Held bi-annually at the Gallery, the Golden Textures Award Exhibition celebrates the region’s long connection with textile craft and textile manufacturing, especially in the early to mid-20th Century. Rights: © Sue Reid. Reproduced with permission of the artist. Artwork photographer: Megan Cardamone

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

This honour board was created in the International Year of the Volunteer 2001, to recognise volunteers who have completed 15 years of voluntary service and have received their Tilly Aston bronze medallion award. It was displayed at the Geelong/Illawarra office until refurbishment and the merger of VAF into Vision Australia. 1990: Joan Backwell, Margaret Belleville, Louise Carnegie, Elsie Clutterbuck, Lou Hayden, Jenny Heath, Dorothy MacRobert, Brenda McDermott, Daphne Smith, Beryl Whiteside, Maria Zoppolato. 1991: Audrey Anderson, Elsie Barkley, Ellen Bell, Hilary Blakiston, Bobbie Bowen, Sydney Brown, Beatrice Carpenter, Joyce Carr, Helen Carter, Bobby Clarke, Janette Cohen, Sheila David, Betty Dunk, Betty Fulton, Marjorie Gray, Margaret Hambling, Patricia Heath, Mary Honman, Lorna Humphreys, Agnes Hutchins, Phyllis Leach, Sue Leggatt, Marcelle Loughnan, Marjorie Nall, Gwenda Nielson, Marjorie Opie, Anne Prosser, Dorothy Ruxton, Fay Schmidt, Ann Stewart, Jo Swinburn, Lou Walley. 1992: Beth Hunter, Roma Vanrenan. 1993: Mary Dobson, Betty Hamilton, Dorothy Hirst, Trudi Johnston, Doreen Long, Rhoda Lovett, Joan Slade. 1995: Judy Britton, Eleanor McDonald, Leila Shinners, Joy McMillan. 1996: Judith Kelso, Barbara Shone. 1997: Dorothy Marriner, Anne Cahn, Molly Grove. 1998: Poss Collins, Pam Hodgson, Peg Hook. 2000: Mardi McCann, Barbara Carr, Kate Whitworth, Joan Walsh. 2001: Dawn McFarlane, Joyce McRae. 2002: Marion Duell, Bev Hussey. 2003: Alison Lawson, Joan Livingston, Barbara McKane 2004: Alice O'Brien 2005: Judi Idle, Margaret Coulson, Patricia Ryan International Year of the Volunteer 2001Wooden board with names of volunteers who completed 15 years of service at the Geelong officeassociation for the blind, vision australia foundation

Staffing outline of the Client Services unit from circa 1975 to 1988, as created by Mary Guy. It covers the timeline of staff entering the unit, including Department Head, Social Worker, Preschool, Occupational Therapy, Secretary, Psychology, Physical Therapy and Orthoptist, as well as some location changes: pre 1975 - located in city then Plaza Theatre, Burwood 1975 - Children's Services located in accounts 1977 Moved to Pool Area 1981 - Expanded into flat upstairs. 4 pages of names and departmentsnon-fictionroyal blind society of nsw, felicity purdy, margaret jamieson, anne bickmore-hutt, melinda hughes, robyn white, mary guy, penny shepherd, julianne kenehan, irene lovelock, hilary nicol, christine lacey, robyn brentnall, gillian long, janet clarke, fran murphy, wendy macdonald, jutta williams, jane pardey, jan wulff, alan weiss, rosemary mcgomery, sue slattery, judith lawliss, margaret onus, ingrid simon, robyn wellington, lorraine smith, joan rowlands, louise whiting, annette mcgraine, leah francis, maryann bonney, christine johnston, lizette campbell, sue wood, toni williams, glenn larner, josephine key, chris rubie, merrianne sinclair, ann spicer, phillipa matthews, karen nix, denis thomas, di uther, roma st clair, imelda hernon, betty simon, sharon hopper, sue gibson, sherry mak, ann lancastor, sandy norton, rosalie driver, geraldine doney, jenny begg, paulo olymbios, gail martin, nadine khoury, robyn dagwell, maree lamacchia, gillian brooks, alana matthews, liz barker, kerrie mulhearn, annette collins, liz williams, chris maple

The photograph is taken in the Physiotherapy Department at Mount Royal Hospital. RDNS Sr. Sue Revill is from RDNS Moorabbin Centre and Sr. Helen Watt is from Footscray Centre, They are attending an Education session on Rehabilitation at Mount Royal. Hospital. They are wearing the RDNS winter uniform of a blue/grey skivvie under a V neck tunic style herringbone winter material dress with the RDNS insignia emblazoned on its upper left.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses) who trained through the Hospital training system were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with their Trained nurses (Sisters) receiving In-service education. Sister Pat (Paddy) Rowley was a leader in this In-service Education and established the MDNS, later called RDNS, Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration, and several travelled overseas visiting nursing organizations viewing their public health and district nursing systems. Many programs were run at RDNS, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic clients at home, and to Mount Royal Hospital to observe the care of clients in the Rehabilitation ward. A Community Nursing Education Program was extended to Student nurses from Hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin did a Post Basic Course in Psychiatric Nursing and included this area in her education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Registered Nurses. Black and white photograph depicting, on the left, a side-on view of a Hospital Physiotherapist with her long hair drawn back in a pony tail, and wearing a grey V neck dress over a white blouse and a dark cardigan who is facing right. She has her left hand on the arm of a standing lady and her right hand on the lady's hand which is on a walking rail. To the right rear of the Physiotherapist is Royal District Nursing Service (RDNS) Sister Sue Revill who has shoulder length dark hair and is looking at the lady. To her right the elderly lady who is wearing glasses; has wavy white hair and is wearing a light grey frock, is standing in front of a wheelchair with her right hand on the walking rail. Her left arm hangs loosely by her side. To her right is a walking rail and standing to its right is Sr. Helen Watt who is looking towards the lady. She has short dark wavy hair, and has her right arm around the back of the lady and her left hand is on the walking rail. In the background of the photograph, the lower section of several 4 prong walking stick are seen hanging on the wall. Barry Sutton photographer's stamp. Quote KY 78rdns, royal district nursing service, rdns uniform, rdns education, sister sue revill, sister helen watt

This photograph is taken in the Physiotherapy Department at Mount Royal Rehabilitation Hospital. The Physiotherapist is giving an Education session to RDNS Sisters. The Sisters are wearing the RDNS winter uniform, which was a blue/grey herringbone winter material V neck tunic style frock over a blue/grey skivvie. Sr. Peter is wearing the uniform beret style hat which was made of the herringbone winter material. Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses) who trained through the Hospital training system were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with their Trained nurses (Sisters) receiving In-service education. Sr. Pat (Paddy) Rowley was a leader in this In-service Education and established the MDNS, later called RDNS, Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration, and several travelled overseas visiting nursing organizations viewing their Public health and District nursing systems. Many programs were run at RDNS, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic clients at home, and to Mount Royal Hospital to observe the care of clients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin did a Post Basic Course in Psychiatric Nursing and included this area in her education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Registered Nurses. Black and white photograph showing Royal District Nursing Service (RDNS), Sisters observing in a Physiotherapy Department. Left to right - Sisters Judy Peter, who is wearing her uniform beret over her light coloured curly hair, and kneeling and leaning over, with her right hand resting on a white pillow which is on a large thick mat. Next is Sr. Sue Revill, who has dark shoulder length curled hair and is kneeling behind a lady who is lying on her left side on a the mat which is on the floor. She has her head on a white pillow and facing frontward. She has light coloured curled hair and is wearing a dark grey long sleeve top. Next is the Physiotherapist, who has long dark hair drawn back in a pony tail and is wearing a dark cardigan over a white blouse and grey frock. She is kneeling on the mat with her hands on the lady's side. Sister Helen Watt, who has collar length curled hair is kneeling to her right and is holding the lady's outstretched right arm and hand and looking toward the Physiotherapist. The Sisters are wearing the RDNS uniform of a light grey skivvie under a V neck tunic style dress with the RDNS insignia on the upper left. In the background are some some vertical bars attached to the wall and part of a pillow can be seen in front of these on the large mat. On the right of the photograph is a heater and above this windows are seen. Photographer stamp. Quote No. KY 82royal district nursing service, rdns, rdns education, sister judy peter, sister sue revill, sister helen watt

Sister Gawith is a Nurse Educator with Royal District Nursing Service (RDNS) and she is instructing a group of RDNS Sisters during an Advanced Post Basic Course being held in a room in the Education Department at RDNS. Most of the Sisters are wearing the RDNS winter uniform, which at that time was a V neck tunic style dress made of blue/grey herringbone winter material, over a blue/grey skivvie. Sr. Moore is wearing the summer uniform of a royal blue V neck tunic style dress worn over a short sleeve white blouse and a dark blue cardigan.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with Trained nurses (Sisters) receiving In-service Education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters graduated from the College of Nursing in Community Health, Education and Administration and several travelled overseas visiting nursing organizations viewing their public health and District nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic patients at home, and to Mount Royal Hospital to observe the care of patients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from Hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin did a Post Basic Course in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS Sisters. The black and white photograph depicts a group of eight Royal District Nursing Service (RDNS) Sisters (Sr) seated and looking at, and some writing in, white paged books on tables in front of them. Seated in a semi-circle are. L - R: a Sister who is wearing glasses and has her dark shoulder length hair drawn back, then Sisters: Yvonne Laird, who has collar length dark hair, Anne Greenwood, who wears glasses and has short dark curled hair, a Sr with her long hair drawn back, then Sue Moore with shoulder length dark hair and wearing a dark V neck tunic style frock over a white blouse, and a dark cardigan. The next Sister, with dark hair, is partly hidden and next to her is Ethel Fullerton. who wears glasses and has curly hair. She is sitting with a pen in her right hand poised over white book. Sr. Mary Gawith, who has short dark curled hair, is standing in front of and slightly to the right of her. She is looking down at Sr. Fullerton and is holding an open book with the end of the spine resting on her table and showing the open pages to Sr. Fullerton. Sr. Judy Peter, who has her blonde hair drawn back, is sitting side-on in the centre foreground of the photograph with her arms resting on the other side of Sr. Fullerton's table. Most Sisters are wearing the RDNS winter uniform, of a V neck grey tunic style dress over a light grey skivvie. Photographer Stamp. Quote No. MA 22royal district nursing service, rdns, rdns education, sister mary gawith, sister yvonne laird, sister ethel fullerton, sister anne greenwood, sister sue moore (nee revill)

The donor's aunt, Margaret E. Hollis nee Piesse (18/2/1919-2008) wore this gown to the Coronation of Queen Elizabeth II in 1953. She was one of a total of 8,251 guests who attended the ceremony at Westminster Abbey, London. Margaret Piesse was born in Hobart and grew up in the Piesse family home, 'Merridale', Sackville Street, Kew. She was residing at 4a Little Cloister, Westminster Abbey at the time of the Coronation and was married (on 14/2/1942) to Rev Howard Hollis, a minor Canon at the Abbey and a deputy Priest in – Ordinary to the Queen (1954-1959). Howard chanted the litany and carried the sceptre. Margaret’s daughter-in-law, Sue Hollis, Margaret’s sons, Julian who attended the Coronation with his mother, and Richard, gave the photograph to Felicity Renowden, the donor. Margaret Hollis died in Kew on 16/4/2008. Print copy of an original photograph of Margaret Ellen Hollis (nee Piesse) before she attended the Coronation of Elizabeth II in 1953. She is posed in the photograph, seated wearing her dress, tiara and long elbow length gloves.coronation of elizabeth ii, westminster abbey, piesse family, merridale -- sackville street kew (vic.), margaret e hollis

The women in the photograph were members and players of the 1970s Women's soccer team. The Sunbury United Soccer Club was formed in 1973 band they played their first games at the sports ground which was in Evans Street, now the site of Sunbury Shopping Square. The team competed in the Victorian Women's Soccer Association. The soccer club eventually acquired land for a permanent ground at Langham Park in Mitchells Lane. Bak row L - R: Sue Mills, Nicky Biggs, Tracey McGovern, Sue Johnson, unknown, Bev. Johnson, Tanya Biggs and coach Robert White. Front L - R: Karen McGovern, Nancy ?, Linda Mills and Chris White.A non-digital black and white photograph of ten women and one man dressed in a sports uniform and standing in an open ground. The women are wearing long T-shirts with a diagonal stripe across the front and shorts. The man is wearing a track suit.sunbury united soccer club, soccer, sunbury united women's soccer, sunbury

Articles in the annual report include: the opening of the new building at Burwood (Enfield) and the facilities it provides, including a bowling green, swimming pool and rooms for specialist areas such as orientation and mobility and music braille; the need for the new building, the support of Long Bay Gaol in the fabrication of mat frames and use of shearing machine and the binding of Braille volumes through the support of Parramatta Gaol, publication of a booklet 'The Pre-School Child who is blind', the development of rehabilitation services for those who are unable to visit the new site and the introduction of Mark IV talking book machines.1 volume of text and imagesroyal blind society of new south wales, sir roden cutler, alexis albert, lady albert, john w.a. o'brien, lady cutler, kerrie donovan, joan ledermann, mary lidbury, victor maxwell kindergarten, sandy robertson kindergarten, sue dixon, richard lyle, lady austin, walter rice, margaret clark, australian national council of and for the blind, australian council for rehabilitation of disabled, balmain blind bowling combination, william street blind women's bowling club, helen keller hostel, long bay gaol, barbara giblin, braille writers association, parramatta gaol, annual report