The sundial was presented in 1912 by Cr T.T. Hollway after his Mayoral year in office. It was constructed under advice of the Government Astronomer of the time.The sundial is of historic and social significance to the people of BallaratSteel sundial mounted on stone pedestalsundial, ballarat botanic gardens

Sundial and Stone Bench in Central Park Stawell. In Memory of Mr. C Simmons.This Sundial Pedestal and Seat , Presented to the People of Stawell Victoria. A Token to th e Memory of Cr. C Simmons. Erected By His Wife and Daughters In the Year 1931monumets

Sister of Donor visited Stawell in the 1950's when she purchased these Murray Views cards. These cads were produced for sale to touristsSet of 8 Murray Views Postcards No. 1 to 8 C. 1950'sMurray Views No 1 Central Park and Sundial Stawell Victourism postcards

Murray Views No. 1. Central Park and Sundial Stawellstawell

Memorial Seat & Sundial at Central Park. May 1931.stawell

Valentine's Postcard. V1. The Gardens and Sundial Central Park Stawellstawell

Close up view of Seat and Sundial at Central Park Stawellstawell

Rose Series Postcard P. 12146. The Sundial Central Park Stawell Vic.stawell

Samantha Robertson 1988 Entrant No. 1 Ref: Series 34 Items 1, 2, 42-45 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, samantha robertson, series 34, series 35, film - ilford xp1 400, scan - 35mm negative, sundial

Hard Cover 128 pages of text and coloured photos.

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century to the present. Black and White photograph of the front of Amess House taken from the North East with both the arbour and sundial visible in the yard.Catalogue number written in pencil on reverse. Handwritten in pen on reverse 'House from the North East' 'ABOUT 1951' 'NOTE POSITION OF SUNDIAL' 'Arthur Evans Photo''churchill island, amess house

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decade.Black and white photograph of Valda Treadwell sitting with a cup of tea on the base for Harry Jenkins sundial with the entrance to the orchard in background.Catalogue number written in pencil on reverse. Written in pen on reverse '1940 Valda Treadwell Sitting on the base for Harry Jenkins Sundial. Behind here - entrance to the orchard. Pine trees in background'churchill island, valda treadwell

James Henry Steward (1817–1896) established J.H. Steward in London in 1852. As “Head Optician” he would have been a qualified oculist but little is known about the founder’s early life and scholastic achievements. However, given the variety of disciplines for which he undertook he was also an accredited instrument maker,he clearly was a gifted scholar and quickly gained professional recognition in a full range of fields for an instrument maker of his day. J.H Steward became incorporated as J.H. Steward Limited on 1st February,1913. The business grew from modest beginnings. Steward would sell pocket watches and assorted items at the annual competition days of "The National Rifle Association of the United Kingdom(NRA)" from a stall. As the governing body for full bore rifle and pistol shooting sports in the UK. The Association established in 1859 with the aim to improve the shooting skills of the newly formed corps of volunteers to meet the perceived threat of an invasion by the French. J.H. Steward advert first appeared in the NRA competition program of 1865. The NRA meetings were held at first on Wimbledon Common, Surrey until 1889. Then because of pressure by the local community, the NRA along with its buildings and its flourishing meetings moved further south to Brookwood, Surrey. By now the Steward operation had grown from a modest stall into a large marquee selling various optical and scientific instruments at these meetings. Throughout its long trading history the J.H. Steward company and many members of the family maintained strong ties to the NRA and competition shooting events. The NRA records show that at the end of the 19th century the NRA bestowed a Life Membership on 7 Steward family members. First presented by J. H. Steward Ltd. in 1902 was the “Steward Trophy” that is still an annual competition for teams of four from any rifle club affiliated to the NRA. There is also evidence that many family members were fine shots.The item was made by a significant instrument manufacturing company that concentrated during the middle 19th century on supplying the British military. This items pattern & design is still available as a reproduction, available on the internet. However this original seems unique as the writer cannot find another for sale or in a collection to date. The assumption is that this type of compass was made for the British artillery units given the sun dial. Further research is ongoing as the writer regards this item as rare and social significant.Brass Compass and Sundial manufactured by J H Steward 407 & 406 West Strand, London. Can be used in both hemispheres. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, compass, sundial, combination compass and sundial, steward strand london, j h steward

1902-1906 During this period, 'Bellfield' was known to have had three owners, a Mr Barrett, then a Mr Brand, then the firm Mitchell Bros. and White. C1907 Marshall White bought 'Bellfield' and succeeded in getting the government to improve the road up the valley. 1910 'Bellfield' opened as a guest house with a Mrs Matilda Thompson employed as manageressSundial peak in background overlooking housebuildings, houses, accommodation, bellfield

Ada Lyon, nee Apted (1898-1962) was a member of the Eltham War Memorial Trust which in 1945 decided that a WW2 memorial in Eltham should include a baby health centre, a children's library and a pre-school centre. Ada Lyon worked tirelessley as a member of the women's auxiliary to raise funds for the memorial. The third and final stage of the Memorial was opened in November 1961. Following her death the following year; a memorial sundial was erected in recogintion of her work for the War Memorial Trust. Words on the plaque read: "To the memory of Mrs Ada Lyon in recognition of her work for this Trust".The sundial recognising the local contribution of Ada Lyon is of local historical significance in not only recognising a woman for her contributions during an era when women were generally unrecognised publically but is also a reminder to current generations of her work and that of her peers to iniate the war memorial in honour of local enlistments in WW2.Roll of 35mm colour negative film, 10 strips. Print copies originally located in a small pink (with decorative flowers) album, suede spine, 18 x 18 x 6 cm, 50 page inserts, 100 photo capacity.Kodak Gold 100-5ada lyon, eltham war memorial, sundial

Bellfield was a licensed hotel as of 1924 In July of that year, with the addition of a licensed building brought from Armstrongs, the enlarged establishment was opened as Bellfield HotelGuesthouse with car in foreground Sundial Peak in backgroundThe Rose Series P10079people, johnson, bellfield

Post Card with date on backFront view of Guest House Background Sundial PeakPost card Correspondence Addressaccommodation, guesthouses, bellfield

Left to Right Lola Paulett, Jennifer Wortley, Bev Murdock, Rae Clough, May Hall (Captain), Maureen McIntoshSix Girl Guides in uniform at Sundial Seat at North Park Stawell Guides who attended Government House Garden Party 1955guides

Bellfield was a guest house from 1910 could be after 1924 and now licenced.Photo of house with people in car arriving or leaving Sundial Peak in back groundAGFA name and logo accommodation, guesthouses, bellfield

Whitish card with red and silver border 2cm from the edges. Inside the border are some yellow sunflowers behind a grey sundial. Behind the sundial the sun is setting behind the hills. The rays of the sun, plants and sundial are edged in silver. At the bottom of the sundial is a yellow banner with 'I mark but Sunny Hours' printed in black red and silver. Under the frame is 'Happiness betide thee' printed in black with a red capital H on a green background with a black & sliver edge and silver scrollwork. Car & insert held together with pale green cord.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Bellfield opened as a guest house with a Mrs Matilda Thompson employed a manageressGuest House with guests in the front of the house and beside a car Cars parked in foreground Sundial peak in backgroundThe Rose Series P 4894structures, tents, bellfield

The Homestead was probably built about 1872 when Samuel Amess became the owner of Churchill Island. A large weatherboard construction with bay windows and corrugated iron roofing.Coloured photograph showing the homestead on Churchill Island. Bay windowed rooms projecting forward on either side of the verandah. Not the sundial in the foreground.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. This series of photos comes from an album entitled 'Aspects of Churchill Island'.Black and white photograph with white border showing the north west corner of Amess House with a view of the drawing room, the sundial, and trees.Catalogue number written on reverse in pen/pencilchurchill island, landscape

Bellfield' was a guest house during the period 1910-191924 Cabins provided additional accommodation for guests. One undated post card had the following words hand written on the reverse side: "Dear Florrie and William I expect you have worried not getting a line lately, it's such a job getting letters posted. This is the back of the house where I go to work. they had 43 boarders last week. 3 pounds each We had to work like niggers Im writing a letter to tell you all about it. With fond love Mary xxx"View of side of building with a number of cabins in foreground surrounded by a picket fence. The southern end of the Wonderland Range is in the background with sundial Peak being the predominant featureThe rose series P 1667 2 post cards and 1 photo of post card 1 original post card has message writtenaccommodation, guesthouses, bellfield

Written to commemorate the Centenary of Federation 1901-2001 and to "Reintroduce" and preserve the Mechanics Institutes and their sizeable contribution to Australia's social development. Produced in conjunction with a travelling photographic display of the Institute buildings.Hard cover - brown. Title on spine. Dust cover - book shelves in background, lithograph of Mechanics Institute, Melbourne 1855. Composite illustration, plaque and sundial.centenary of federation, mechanics institutes, australia's social development