The supper cloth was brought to Australia and presented to the Shields family. Mary Ann Stebbing (nee Shields) then handed it on to her daughter Nancy Jean, who married Alfred Marshall in 1937. On Nancy's death, the cloth came into the possession of her daughter, Nolene Menz (nee Marshall).This large cloth with its noteworthy hand stitching is an example of the range of textile memorabilia generated during World War 1. It links a local Buffalo River family to the 1914-18 conflict.Framed embroidered white linen cloth depicting a tribute to ANZAC soldiers by the women of Belgium, dated 1915. The tribute takes the form of an ANZAC soldier and words in the English language.Accompanying the ANZAC soldier presenting arms are the centred words: "ANZAC 1915" "OUR HERO, WE'RE PROUD OF HIM". Around the border of the cloth it reads: "WE ARE PROUD OF AUSTRALIAN BRAVE SOLDIERS WHO NOBLY DID RESPOND TO THE FIGHT FOR KING AND COUNTRY. HONOUR ON US ALL AND TO AVENGE BRAVE BELGIANS WRONGS. GOD PROTECT THEM."belgian supper cloth world war 1

VX48425 Richard H Bromilow served in the AMF during WW2 with 1st Independent Coy as a Transport Driver. His records show as of 01 July 1942 he is missing and presumed dead.It is presumed that this Supper Cloth has been Embroidered in remembrance of VX 48425 Richard H Bromilow.This is a Linen Embroidered Supper Cloth with lace edging. Embroidered in the centre of the cloth is the Rising Sun Badge above the Badge is 1st Independent Coy below the badge VX48425. In the four corners of the cloth are the colour patches of 1st Independent Coyamf ww2 supper cloth vx48425 richard h bromilow

Supper cloth crotched by Mrs Susannah Leckie for her daughter Jean's 21st birthday 1937Crocheted cream linen cloth with crocheted insert and edgingleckie, crochet, supper cloth, 1937

These tickets are believed to be WW1 era..1) Raffle tickets in Aid of Sick/Wounded Australian Soldiers Fund, yellowed colour, all type in black print, donated prize by Miss L.M. Tribe of Golden Square (Bendigo) price 3 pence. .1) ticket No 714, .2) ticket No 715..2) on front in black pen, "GG Gu"supper cloth, flyer, raffles

The cloth is thought to have been worked on the ship on the way to Australia in 1922.Unfinished cloth of cream linen, with a 120 mm wide band of drawn thread work around each side, unfinished on one and a half sides. The working area of the cloth is mounted on a purpose-made frame, which is padded. The frame would be moved on as each section of embroidery is completed. Also included is a reel of cotton.embroidery, drawn thread, frame, supper cloth, cloth

White supper cloth hand worked crochet pieces in each corner.handcrafts, needlework, manchester, table linen

not knownCream linen supper cloth with wide border of machine made lace. From collection of Bette Jones.domestic items, table setting, handcrafts, lacemaking

Both the Page Commander's and Deputy Page Commander's tables were covered with a table cloth. The PC's table held the gavel, the Seal of the Court, the General Mark of the Order and an open Bible. The DPC's table held a gavel, the roll book and the cash book. [Information taken from the Methodist Order of Knights Rigtual of the Page's Degree for use in the Junior Court Ceremonies 1952 publication].Methodist Order of Knights pale blue oblong cotton supper cloth with the MOK symbol in one corner.methodist order of knights

White supper cloth with draw thread work at each corner. Drawn thread inner border in a different pattern.handcrafts, needlework, manchester, table linen

White cotton supper cloth with white embroidered with a wide band of drawthread with needle embroidery at corners. Embroidery has raise pattern,handcrafts, needlework, manchester, table linen

Square, white linen supper cloth with a basket of flowers, hand embroidered in satin stitch in each corner of the cloth and green ecru edging.table linen., table ware

Blue cotton oblong supper cloth with blue felt screen printed Methodist Girls' Comradeship Rays' section emblem in one corner.methodist girls' comradship rays section, albert street methodist church sebastopol ballarat

Square, cream point lace supper cloth (floral pattern). Six matching linen serviettes with point lace edging. Refer 1107 and 1109.tableware., table linen.

Cream linen supper cloth square, with cutwork eyelets and surface stitching. (missing).. 8 matching square serviettes with cutwork (applique') pattern in one corner and scalloped edgestable linen, serviettes

Blue cotton handmade supper cloth with an appliqued and embroidered Methodist Order of Knights symbol. The MOK symbol is outlined with gold metallic thread. The cloth has gold fringing.methodist order of knights

Square, cream point lace supper cloth (floral pattern). Five cream linen serviettes with point lace flower in one corner and embroidered edging. Refer 1107 and 1108.table ware., table linen.

Square supper cloth, with cutwork bands, one of which is quite elaborate with flowers and scrolls. Of main interest is one edge with an unusual version of buttonhole stitch (raised edge buttonhole stitch as per Jacqueline Einthoven book).embroidery, cutwork, tablecloths, australian(?), late 19th century

1960Square, cream linen supper cloth with a multi-coloured, floral embroidery, cross stitch and drawn thread pattern stretching across the entire cloth. It has drawn thread and embroidered edging all around the cloth. There are 6 matching serviettes each with a floral, embroidered pattern in one corner and drawn thread and embroidered edging all around.table linen., household textiles

Donated by donor and belonged to late husband's grandmotherFine Cotton Supper Cloth 98 cm sq.Drawn threadwork, and white embroidery. Flower design of three petal flowers, long leaves in four corners, and 10cm crochet lace border around the edge. Design is of diamond shaped lozenges with zig-zag edge. Drawn threadwork squared in corners intersect embroidered stems. Drawn threadwork rectangular shape in centre has round needlework medallions in corners.MM in black inkmanchester, table linen, handcrafts, embroidery, crocheting or crochet work

Chart and related piece (L0905), placed in Mary Card box in the EGV Research Library by person unknown between 2021 and 2025. Chart used when making Lace Collection piece. Mary Card designs were popular throughout the English-speaking world, in the early-mid 20th C.Instructions and working chart for Oak & Squirrel tea cloth border, cut from larger sheet and glued to thick, re-used paper. Published in England, about 1936, by Pearson and Co. (Associated with George Newnes)filet crochet chart, mary card

Made by aunt of donor.White linen with white embroidery around the turn of the century in the Mount Mellick style. Large sprays of classical flowers and leaves decorate two sides of the cloth using traditional stitchery. The edge has a fine border and a scalloped finish. embroidery, table cloth, mountmellick style, australia, 1900-20

This item is hand-made shows the skill and craftmanship of women in the early settler families.Very fine, delicate white point lace supper cloth with very ornate design. Handmade.cloth manchester table-linen handcrafts lacemaking

Small Supper Cloth with Lace Edging –Hand Oil Painted flowers and Butterflies. Mrs Liz Driscollstawell clothing material

White linen supper cloth with deep edging of fine cotton crochet lace. White mount mellick embroidery in flower and leaf pattern with lover's knot pattern in corner.manchester, table linen, handcrafts, needlework

Cream organza supper cloth and 4 matching serviettes. Cloth has a hand appliqued design of waterlilies in salmon pinks and greens in each corner. The serviettes have a small waterlily in one corner, and a rolled buttonholed edge.Label: Made in Chinaembroidery, tablecloths, napkins, china, applique

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s