This photograph of a charity donation from 2 FD Svy Sqn to the Director of the Prince of Wales Childrens Hospital, was taken in Sydney in 1989. CPL Bob Hopper and SPR Bob White presented a Kangaroo Pump, used for feeding sick children to the Director that was purchased with leftover Regimental funds when the unit closed down. This photograph of a charity donation from member of 2 FD Svy Sqn to the Director of the Prince of Wales Childrens Hospital was taken in Sydney in 1989. The black & white photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. .1) - Photo, black & white, 1989. L to R: SPR Bob White, CPL Bob Hopper, Director of the Prince of Wales Childrens Hospital..1P – annotated in red pen ‘2 Fd, presenting the Director of the Prince of Wales Childrens’ Hospital with a Kangaroo Pump, used for feeding sick children. The pump was purchased with leftover Regimental funds when the unit closed down.’royal australian survey corps, rasvy, army survey regiment, army svy regt, 2 fd svy sqn

Black and white photograph taken of midget Japanese submarine being retrieved from Sydney Harbour during WWII Sydney NSWships and shipping, ports and harbours

Colour photograph of the replica sailing ship Bounty which joined the First Fleet Reenactment Voyage for the Australian Bicentenary celebrations then as a tourist attraction in Darling Harbour Sydney NSWships and shipping, events

Photo capturing a race fall at Epping Trots, Sydney, New South Wales. One large black and white photograph in a black and gold frame. Bottom of Photo: A Bad Smash at Epping Trots Sydney NSWhorses, race, fall, smash, epping trots, sydney

AUSTRALIAN LANDSCAPE ART. A FINE COLLECTION. The late Mr. Walter Withers was one of the little band of landscapists that Included Streeton Condor, who pioneered the "plein-airiste" movement In Victoria thirty years ago. Mr. Withers had been trained in Paris, but practically all his artistic life was spent in Australia, and examples from his easel are to be found in all the leading Australian galleries. He belonged to a brilliant little coterie of men whose works have since been eagerly sought for at ever-rising prices. And now collectors have an opportunity of acquiring examples of his art for a thoroughly characteristic collection of his work, both in oils and in water-color, will be open to-day In the fine art gallery at Anthony Horderns', in George Street. The collection includes 28 paintings in oil by the late Mr. Walter Withers, and 32 of his water-color drawings, while smaller collections by his daughter, Miss Margery Withers, and by his son, Mr. Meynell Withers, are also added. Among the landscapes in oils by the deceased artist may be seen examples of many moods, and also many phases of his artistic development. At different times he was a realist, a romanticist, an idealist. In his fine picture "The Easter Moon" the emotional appeal to the homing instinct is direct and compelling. This delightful work, low in tone and charming in its feeling of repose, suggests the sentiment of Gray's "Elegy." Entirely different in range, intention, and feeling, are two brilliantly-painted pictures entitled "The Young Gardener," and "The Dividing Fence," Mr. Withers here displays an unusual gift for placing effective notes in an admirably harmonised color scheme. "Sunlight in the Forest" is a pastoral poem in color. Most of these pictures were painted in the Eltham or Warrandyte country, while the "marines" are impressions at Phillip Island or on the shores of the bay. The artist was well equipped with technical knowledge and experience. His pictures are full of air and sunlight, and his realisation of cloud-forms is most convincing. The watercolor drawings which he did in the full maturity of his powers have, a softness, richness, and depth of color quite unusual. His son, Meynell Withers, shows a collection of landscapes of striking merit, recalllng his father's handling of color and selective taste In composition. Miss Margory Withers shows a charming group of watercolor portraits, and also some meritorious landscapes. The pictures have been hung with fine artistic discrimination in the grouping of the subjects, and so skilfully that in each group an essential harmony of tone has been preserved. The exhibition will be open to the public from to-day. AUSTRALIAN LANDSCAPE ART. (1918, November 18). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved August 22, 2023, from http://nla.gov.au/nla.news-article239575164Journal inscribed: "Mrs Withers 463 Collins St. West Melbourne"art exhibition, art review, artist, john withers collection, walter herbert withers

Produced for Enola Gay's participation in Hiroshima Day, Sat 6 August 1983, assembling at Belmore Park at 10 am under the Enola Gay banners. 0:00: Introduction and song; 3:50: Japanese instrumental music; 9:08: Commentary resumes - history of the bombing of Hiroshima, 6 Aug 1945, and Nagasaki 3 days later; 15:30: Music Tomorrow never comes until it's too late; 19:45: Commentary including accounts from survivors; 26:58: Music, Take the toys from the boys; 29:25: Commentary regarding arms race, including voice of Fabian LoSchiavo regarding dissident religious views in the USA; 33:05: Music, California dreaming; 36:10: Commentary re the practicalities of bomb shelters; 38:00: Music, Cancer, cancer; 41:40: Commentary re peace marches in Europe, health effects of radiation, civil defense in nuclear war, music; 47:35: Music, Universal soldier (cut off towards end), anti-war parody of Yankee Doodle Uncle Sam with Australian refs (Omega, Pine Gap etc); 59:10: Commentary regarding nuclear bomb testing at Marilinga (SA) and Monte Bello islands; 1:01:15: Music, 'But I aint a marchin' any more'; 1:04:05: Commentary re costs of arms race - refs to gay and feminist anti-war groups overseas; 1:05:58: Music, Down by the riverside/Aint gonna study war no more, promo for Enola Gay and prep for Hiroshima Day, instrumental music, music US forces (Midnight Oil), Soft touch (Poison Girls); 1:26:56: Music, Thank Christ for the bomb, eerie instrumental music, Maralinga (Midnight Oil), Not another bomb song, ending at 1:39:00.Maxwell UD XL I - C90 cassette tapeInscribed in biro on label: "ENOLA GAY Disarmament Special - Gaywaves 2SER 4/8/83."anti-nuclear activism, gay and lesbian activism, hiroshima day

Born: London, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialBennett Bequest, 1999 Hand-coloured lithograph depicting industrial waterscape with rocky shoreline and ships and buildings in background. Black painted timber frame with off white arched window mount and gold brushed internal window edgeRecto: Not signed, not dated, not titled print, waterscape, sea, harbour, land, figures, boats, tress, sydney harbour, buildings

A predominantely red carpet. Custom made with woven inscription Royal Australian Engineers 1959 Wilson R B 1968 - 2411848. Ubique Viet 66' 67' with fringes top and bottom. 5 wooden rings attached to topThis fully imported & hand woven rug was custom designed for Graeme Wilson.royal australina engineers

Synthetic polymer paint on canvasNot signed. Not dated.gippsland, views, landscape

Serigraph printTitled lower left in white ink "Black Out Print". Edition lower left in white ink "34/50".

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Memories of Al Bowlly. LP 33RPM vinyl, Catalogue Number: ODLP 7517, Record cover (78 size), no plastic sleeve, back cover notes (no author listed). Al Bowlly and the Orchestra of Ray Noble.Robin Boyd' handwritten on top right front cover, 'EARL' handwritten on top right back coverlp, sound recording

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Memories of AL Bowlly. Volume 2. LP 33RPM vinyl, Catalogue Number: ODLP 7518, Record cover, plastic sleeve, back cover notes (no author listed). Al Bowlly and the Orchestra of Ray Noble.lp, sound recording

Done by Leonhard Adam. Macleahy Street, Potts Point, Sydney NSW. 25 - 26 xi 1949leonhard adam, macleahy street potts point sydney nsw

Instructions for installing, operating and maintaining M.L.S. Superheated Steam Pyrometers, Marine and Locomotive Superheaters Ltd , 195 Strand, London wc2. Owner J Badham, 16 Abbott St Bendigo. Small booklet with brown cover in black binding shows picture of Pyrometer on front. On page 1 rubber stamp 'The Superheated Company (Australia ) Ltd Manchester Unity Building, 185 Elizabeth St. Sydney NSW - phone MA 5886'.book, engineering, pyrometers, marine and locomotive superheaters ltd , 195 strand , london wc2 / owner j badham , 16 abbott st bendigo / 'the superheated company (australia ) ltd manchester unity building , 185 elizabeth st. sydney nsw - phone ma 5886

Private Horne was originally buried in Terendak Cemetery, Malaysia in 1966 and Re-intered at Sydney War Cemetery, Rockwood NSW on the 3rd June 2016.1st battalion rar, private neville wayne horne, terendak cemetery - malaysia, royal australian infantry corps, operation crimp, binh duong province

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This projector stand was the actual projector stand used in their trips around Australia.Historic and rarity (only one left that was used by "Cosmopolitan Motion Pictures") Primary significanceMetal construction Projector tripod with a cloth on top to stop damaging the projectors. It has an adjustable height depending that extends to about 1.5 metres.T.J.N. Macey - Toolmaker and Manufacturing Engineerstand, tripod, projector, film, culture, language, greek, entertainment, yiannoudes, γιαννούδης, τρίποδο

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 6 / OCT 64M / 30 (Handwritten)sydney, slide

Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 17 / OCT 64M / 31 (Handwritten) / Richard Apperly (Handwritten) / 11 (Handwritten)sydney, slide

Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 9 / OCT 64M / 32 (Handwritten) / Richard Apperly (Handwritten) / 10 (Handwritten)sydney, slide

Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 5 / OCT 64 / 12 (Handwritten) / Richard Apperly (Handwritten) / 12 (Handwritten)sydney, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Richard Apperly's home, Sydney, NSW, Australia. (Architect: Richard Apperly.)Made in Australia / 11 / OCT 64M / Richard Apperly (Handwritten) / Encircled 65 (Handwritten)sydney, slide

BHS CollectionBlack and white photo postcard showing Circular Quay, Sydney NSW with 6 trams on roadway.person, individual, basil miller

Colour slide in a mount. View from Potts Point to St Mary's Cathedral, Sydney, NSW, AustraliaMount Made in England / Encircled 53F (Handwritten)sydney, slide

This letter was written to Alisdair Loch, 10 Beaconsfield Parade, Lindfield (Sydney) NSW, from Frank Townshend Esq., 3 The Square, Holywell, Wotton-under-Edge, Gloucestershire, England. Its author is a son of Eva Carmichael/Townshend, sole female survivor of the LOCH ARD shipwreck in 1878. It tells of Eva’s struggle in the sea after the LOCH ARD hit the rocks, and of her rescue by the only other survivor, young seaman Tom Pearce. It also relates her return to a privileged life in Ireland, her subsequent marriage to another member of the Anglo-Irish ascendancy, and her three sons. In some places the letter seems in historical error, which is not surprising given the dates involved and the time that elapsed between them (Eva shipwrecked 1878, Son’s birth 1887, Eva’s death 1934, Son’s letter 1962). The writer makes clear he is relying on his memory of what his mother had told him, and he is usually forthright in declaring those things he cannot remember, or remembers indistinctly. An interesting paragraph in the letter answers the contemporary newspaper speculation about a possible romance between the two survivors: “She [his mother, Eva Carmichael] received many proposals of marriage, perhaps a dozen, including one from Tom Pearce. Tom Pearce was, I think, an apprentice. She spoke of him sometimes as a ‘cabin boy’. From his photograph, he was a fine, handsome young man. The reason she declined his offer of marriage was largely the fruit of class distinction, I think; class prejudice being very strong in Ireland, in those days.” The LOCH ARD shipwreck is of State significance ― Victorian Heritage Number S417Typed copy of a letter from Frank Townshend, LOCH ARD survivor Eva Carmichael’s son in England, to Alasdair Loch, Sydney NSW. It is dated 8 March 1962 and consists of four pages. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, letter, frank townshend, eva carmichael, loch ard, alasdair loch, tom pearce

Colour slide in a mount. Hyde Park Barracks, Sydney, NSW (drawing by Hardy Wilson). (Architect: Francis Greenway.)Made in Australiasydney, slide

Colour slide in a mount. Sofitel Wentworth Hotel, Sydney, NSW, Australia, 1966. (Architects: Skidmore, Owings and Merrill.)Made in Australia / 20 / 67M4slide, robin boyd

tall red metal cork press able to turn the knobsMAURI BROS & THOMSON LTD SYDNEY NSW Pinnacle