Purchased for 12 pounds from the Russell Family who owned a large grazing property between Geelong and Ballarat, by Miss Lucy Shaw. It was paid for by Miss Shaw and Miss Jean Rentoul. Miss Shaw paid for the re-covering which was organised by Mrs Isabel Dellar, Drama Teacher.A dark wood chaise lounge with a rolled back and arms. Re-covered in a dramatic plum and magenta tapestry weave.morongo

1978, advanced morris folk dancing, another way, astrology, basic car mechanics, basic carpentry, basketry, carpentry, contract bridge. macrame, copper work, cottage crafts, craftwork, crochet, dressmaking, dyeing co-op, eltham living and learning centre, fitness, folk dancing, french cookery, gardening, haircutting, homemade christmas gifts, homestead cookery, international cookery, lead light, life drawing, organic vegetable gardening, patchwork, pottery, pottery wheelwork, primitive weaving, program, reflexology, rug weaving, shire of eltham, spinning, tapestry weaving, two and four shaft weaving, typing, vegetarian cookery, wine making and tasting, woodwork, yoga

Made by Portland Fibre Group, 1996-2004: specifically Mary Sharrock, Dot Kelly, Ollie Dellar, Doris Amor and Ede Bailey.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms - features two birds standing on grey platforms to either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale.Front: (Weavers' initials, except Ede Bailey, woven into tapestry and are seen on the hem). Back: (no inscriptions)town of portland, textile, tapestry, weaving

Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving

Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small tapestry featuring dark blue and white rippling lines on a light blue and aqua background.tim gresham, tapestry, weaving, textile

The loom belonged to Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. The design was to be an image of three candles.W7225 Design for tapestry begun on loom registration no.7225weaving, geelong handweavers and spinners guild inc., tapestry, weaving looms, mann, ms lilian joyce

The loom belonged to Ms Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. (See Reg. no. 7219 for full history.)W7226 Photocopied design for tapestry, inscribed 'Doris Lessing: back down to earth with a bang.'weaving, geelong handweavers and spinners guild inc., tapestry, weaving looms, mann, ms lilian joyce

LYDIA CHANCELLOR COLLECTION: Sacred Heart Cathedral Bendigo Photo of two new tapestries for the wall of the church. Tapestrys weaved by Polished born artist Mrs Sonya Carrington-Zakrzewska.bendigo, history, churches

LYDIA CHANCELLOR COLLECTION: Sacred Heart Cathedral Bendigo Photo of two new tapestries on the wall of the church. Tapestrys weaved by Polished born artist Mrs Sonya Carrington-Zakrzewska.bendigo, history, churches

LYDIA CHANCELLOR COLLECTION: Sacred Heart Cathedral Bendigo Photo of two new tapestries for the wall of the church. 2 copies Tapestrys weaved by Polished born artist Mrs Sonya Carrington-Zakrzewska.bendigo, history, churches

LYDIA CHANCELLOR COLLECTION: Sacred Heart Cathedral Bendigo Photo of two new tapestries for the wall of the church. Tapestrys weaved by Polished born artist Mrs Sonya Carrington-Zakrzewska. 13 May 1974bendigo, history, churches

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A large tapestry woven from the artwork 'Diggers' by David Larwill. art, artwork, david larwill, victorian tapestry workshop, weaving, textiles

Textiles, yellow cotton cushion cover. One side overlayed by tapestry weave fabric. Drawn thread work has created an all over 12 X 12 pattern of 3 cm squares. Each square has an embroidered wheel spoke pattern of yellow embroidery cotton. Machine made. Unfinished.textiles, domestic, cushion cover

Wangaratta Art Gallery CollectionA small maquette tapestry featuring a scalloped design in a colour palette of white, olive, and grey.tim gresham, weaving, tapestry, textile

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tapestry depicting Ballarat University College symbol and logo.art, artwork, weaving, tapestry

Photographs of the May 1992 Conferring Ceremonies at Ballarat University College, Later Federation University.Red photo album with sticky pageswarren tiller, shirley falkinder, ballarat university college weaving, bill prior, derek woolley, academic regalia, graduation, 1870 founders hall, founders hall, barry golding, tapestry, jack harvey

International Year of Peace TapestryTapestry depicting three outlines of doves, with depictions within their outlined shape of stars, flowers, and two sets of (depicted in white and brown) holding wheat and corn. The background is composed of rainbow colours arranged in horizontal strips, with red at the top and indigo at the base.textile, international year of peace, tapestry, wool, weave

383-page soft cover book of autobiographical recollections"Embark on an unconventional journey through these memoirs, deliberately crafted for family and friends rather than a formal public unveiling. This is no linear biography but a mosiac of reflections, capturing a lifetime in a unique tapestry of notes and thoughts. Within these pages, certain chapters remain untouched, retraining their raw and unfiltered essence, sprinkled with a touch of vulgarity. Assembled over time, the narrative weaves through earlier writings and recent additions, filling gaps in the story and revealing the unvarnished truth of a life well-lived. - Peter Le Get"

fictionA satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.collage, drawing, travelogue, weaving, sexuality, satire, writing

The loom belonged to Ms Lilian Joyce Mann. Ms Mann owned a shop in Jacob Street which sold handmade soft toys and handwoven items. She was a founding and life member of the Geelong Handweavers and Spinners Guild. She died on the 17th July 2007 in her 92nd year. (See Reg. no. 7219 for full history.)W7227weaving, geelong handweavers and spinners guild inc., weaving looms, tapestry, mann, ms lilian joyce

The Victorian Tapestry Workshop used this painting to produce a weaving. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, david larwill, larwill, victorian tapestry workshop

Artist's Statement: "Every Wednesday at 10 o'clock in the morning, from the beginning of Winter, 2011 to the end of Autumn, 2012, I photographed the same scene in my Ballarat garden. While the main subject is the weather of the moment, it includes a walnut tree killed in the recent drought, and a deciduous ornamental plum. There are 52 Wednesdays recorded in the tapestry; and 4 frames showing the seasonal changes in the plum tree. The colours bordering each panel are those of deciduous leaves on trees in my garden that week. It is said we only know eternity in the pulse of the moment; and permanence in the cycle of the seasons."Millicent REED Initally training in tapestry from Sara Lindsay at an ATW community class Millicent Reed received a Diploma of Art (Tapestry) from South West TAFE in 2009. Her strength and direction comes from being part of the unbroken continuum of tapestry art from the beginning of recorded time. Similarly, the sameness and difference of time itself has become the focus of all her work. (https://americantapestryalliance.org/exhibitions/tex_ata/down-south-tapestry-in-australia/down-south-exhibitors-biographies/, accesed 03 April 2020)Woven tapestry in eight panels, each with seven images in each panel measured 212.0 x 57.5 cm. weaving, seasons, tapestry, ballarat, weather, millicent reed

The fringed tablecloth is an example of a domestic item brought to Australia by early settlers in the Western District of Victoria as a home comfort.The fringed tablecloth helps tell the story of the arrival of European settlers and the small, light home comforts they brought with them to maintain a meaningful connection to home.Fringed and lined square tablecloth. The front is hand embroidered on brown loose weave fabric, the back a pale yellow polished cotton fabric. The edges on the back have been turned and machine stitched. Hand-stitching has been used to join the top to the back and to add the fringe around the edges. The embroidery uses tapestry wool in cream, yellow, brown and green tones. The style is possibly an example of European folk style embroidery. An inscription on a pink ribbon is sewn onto the reverse.“S F . 31303 OLIVER - - [undecipherable]”flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, tablecloth, fringed tablecloth, embroidered tablecloth, european embroidery, hand sewing, domestic object, handmade, textile, silk thread, geometric design, vintage, long-stitch, zigzag design, decorative, home décor, domestic linen, table linen

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.