1964 was the 50th anniversary of Eureka Terracotta and Tile Company.Four pages from the Ballarat Courier featuring the history of the Ballarat Terracotta and Tile Company, including photographs.ballarat courier, ballarat terracotta and tile company, otto steinkraus, lal lal, salt glazing, ceramics, clays, kilns, frederick sutton, frank herman, john robertson witherspoon, george william clegg, william miller, frank g. herman, jock simpson, bongiovanni tile press, mick o'donnell, jack cockerill, frank dolan, syd. robinson, bert parsons, sonny mark, ken smith, alex mills, clay preparation, tile press, glazing

Traditional Ukraninian style painting12 hand-painted eggs in a terracotta bowl AR0112

Circa 1920-1940, this length of pipe was found in a Greensborough property near the site of a former outbuilding.An example of pipes no longer in use. Note small Internal diameter (4.5 cm).30 cm length of drain pipe. Terracotta. Orange colour with fragments of white rock. terracotta, pipe, greensborough, drains

Rectangle wooden frame with gold mount picture of terracotta soldier, presented by Xi'an international university.terracotta soldier, xi'an international university, frame, kneeling man, bamboo art, souvenir

Soft CoverChinese Characters and signature of Isola, Dated 10/2/1983chinese archaeology, walsh st library

Purchased with the assistance of the Crafts Board of the Australia Council, 1980gippsland, artwork, permanent collection

Purchased with the assistance of the Crafts Board of the Australia Council, 1980gippsland, artwork, permanent collection

This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.kim riley-mitchell, ceramics, artist, artwork, gippsland campus, horse, sculpture

Geal Bros specialised in making Terracotta flower pots, started business. Bought by A.V. Jennings Pty LtdTerracotta garden pot with Fleur-de-Lis decoration on outsideceramics, terracotta, domestic items, gardening

Salt-glazed terracotta jar with flanged rim. Two-toned brown glaze, with darker tone covering the upper third of the jar to the shoudler.3P imprinted on shoulder of jar.domestic items, food storage & preservations, container, jar, two-toned, storage, terracotta.

Wooden shield with silver horse with chain from nect to a globe of the world on a gold lightning bolt. there is a crown on top, the letters "RAEME" and "vietnam" in goldRAEME Vietnamplaque, r.a.e.m.e.

Wooden plaque with badge RAEME Vietnam

This sculpture is a bronze cast of Karl Duldig’s 1956 terracotta sculpture titled 'Moses'. The terracotta sculpture won the 1956 Victorian Sculptor of the Year award, an honor given by the Victorian Society of Sculptors. The National Gallery of Victoria purchased the original terracotta sculpture for the Gallery’s collection in 1956. In 1979 the NGV allowed Karl to cast the original terracotta sculpture in bronze (to a limited edition of 5). The National Gallery of Victoria holds one of these casts and one is in Duldig Studio collection. The original terracotta sculpture was exhibited in 1956 at the Olympic Arts Exhibition in Wilson Hall at the University of Melbourne. Two other works by Karl were also exhibited, a sandstone titled 'Adam and Eve' and a work titled 'Fountain'. The catalogue for the Olympic exhibition, which promoted modernism across a variety of disciplines, noted that Australia’s post war immigration program had given ‘further momentum to the modernist cause’. The identification of émigré artists, such as Karl Duldig, with the acceptance of modernism in Australia became a major theme in any discussion of art and design in the post war period. Ann Carew 2016The subject Moses and the tablets of law is an important theme in the history of art. For example the National Gallery of Victoria collection includes paintings on this topic by the Australian Aboriginal artist, Queenie McKenzie (1991), prints by the Russian-French modernist artist, Marc Chagall (1956), and a painting by 19th century British academic painter, John Rogers Herbert (1870s). Michelangelo’s sculpture of Moses is perhaps the most famous sculptural interpretation of the subject. In Karl’s hands we have a modern interpretation of the theme. His simplification and abstraction of form and attention to surface modeling is masterly. The figure has an emotional intensity and despite its relatively small scale, a ‘forceful monumentality’. The sculpture is aesthetically significant for its craftsmanship, expressive qualities and modernity. It is historically significant because of its associations with the 1956 Olympic Arts Festival. The Duldig Studio’s bronze cast of the sculpture was exhibited in the exhibition '1956: Melbourne, modernity and the XVI Olympiad, Museum of Modern Art at Heide.' Apart from the formal qualities of a work like Moses, its relevance as a motif in Judaism and Christian faiths ensures its place as a work of spiritual significance. Ann Carew 2016Bronze cast from terracotta sculpture. Depicts Moses as in Exodus 32 when he returns from Sinai with the tablets of the law to find his people worshipping the golden calf, in his fury he holds the tablets aloft above his head before crashing them down on the ground.

Terracotta tile

Bottle, salt glazed terracottabottle, ceramic, terracotta

Terracotta sculpture of a female head. Nonematcham skipper, sculpture, terracotta, woman

Barry WEMYSS Born Ballarat, Victoria Barry Wemyss majored in Ceramics and completed his Degree in 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Terracotta wheel thrown bottle. 'BW' stamped on base.art, artwork, barry wemyss, ceramics

Snigle storey house with a terracotta roof.architecture, armstrong street south, ballarat

Terracotta Sculpture of a seated female nude. Nonematcham skipper, scuplture, terracotta, female, nude

Terracotta sculpture of a crouching female form. Nonematcham skipper, sculpture, terracotta, woman, nude

Terracotta Sculpture of a kneeling female nude. Nonematcham skipper, sculpture, terracotta, woman, nude, column

Terracotta sculpture of a crouching female nude. Nonematcham skipper, sculpture, terracotta, female nude

This portion of terracotta roof tile was salvaged from the wreck of the Antares by Flagstaff Hill diver, Peter Ronald. It has letters, numbers and symbols impressed into the clay by the manufacturer. The Italian barque Antares was an iron three-masted sailing clipper built in 1888 by Russell & Co of Port Glasgow originally named the “Sutlej” and renamed in 1907 the “Antares” when sold to the Semider Bros of Genoa Italy. The vessel left Marseilles on the 18th of December 1913 with its master captain Gazedo destined for Mullaly & Byrne of Melbourne with a cargo of roof tiles but failed to arrive. The wreckage was found near the Bay of Islands twenty-two miles east of Warrnambool after a body had washed ashore. Some of the timbers washed up were charred by fire, and a small boat's stern board with the name "Sutlej" led to the identification of the wreck as Antares which had been reported missing. According to later reports, the Antares wrecking was overshadowed by war news at the time. A young local boy had remarked that the Germans had arrived off the coast as he had seen them firing off shells and rockets, but his story was passed off as a joke. These rockets were most likely the distress signals from the stricken ship. The Italian barque/clipper Antares was sometime later reported as overdue. The wreck of the ship was later found at the base of a cliff at the Bay of Islands near Warrnambool in November 1914, there were no survivors.This tile is significant in its association with the wreck of Antares and is registered as a Shipwreck Artefact A/2. This tile is significant for its association with the sailing ship Antares, one of the last of the 'tall ships' to be lost along the southwest coast of Victoria, and the only wreck that took the lives of all people on board. The significance is recognised by its listing on the Victorian Heritage Register VHS S34. The Antares is significant as a sail trader carrying international inbound cargo. It is part of the Great Ocean Road Historic Shipwreck Trail.Roof tile; terracotta clay tile shaped for fitting together with other tiles. Inscriptions are impressed into the clay. It was recovered from the wreck of the Antares. Impressed text:”- E R I E S DE LA MEDITERRANEE” “ … T S – MI-LES BOU- R …..” Impressed symbol: (Sideways crown or tree) (could be TULLERIES DE LA MEDITERRANEE)flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, roofing tile, building materials, antares, peterborough, 1914 shipwreck, sutlej, antares rock., bay of islands, terracotta tile, clipper, roof tile, building material

Found on Churchill Island. Possibly used for dairy drainage?Section of terracotta pipe broken at both ends.terracotta pipe, drainage, churchill island heritage farm

Found on Churchill Island. Possibly used for dairy drainage?section of terracotta pipe, probably used for drainage.terracotta clay, drainage, churchill island heritage farm