Used by Ballarat signwriter Keith Rash, who studied signwriting at the Ballarat School of MinesBoxed (timber) stamp kit with letter, numbers, patterns and an 'Excelsior Self-Inking Stamp Pad', known as 'The Artistic'.'The Artistic'ballarat school of mines, keith rash, signwriting, stamp pad, the artistic

Set of 24 slides numbers 25 to 48 from a set of 60Slides are numbered and have sticky labels with descriptions of the slides

The Brisbane Courier (7 Dec 1898) carried an advertisement for greeting cards, of which the horseshoe box is one. It was retailed by T. C. Beirne and Co., Cash Drapers, The Valley, Brisbane. "CHRISTMAS CARDS. Well-assorted Packets and Boxes of beautiful Christmas and New Year Cards at the following startling prices :-Assorted Cards in Packet: The "Snowdrift" Packet, containing 25 cards, 4¾d; postage, 2d. extra. "The Scarlet Berry" Packet, containing 50 cards, 6¾d; postage, 4d. extra. Assorted Cards, in Boxes, with Envelopes : The Horse-shoe Box, containing 10 cards and envelopes, 4¾d;..."Maroon cardboard box with silver decorative cover. The overall design is of a horse shoe surrounded by garlands.HORSESHOE / THE CABINET OF ARTISTIC AUSTOGRAPH AND CHRISTMAS AND NEW YEAR CARDS AND ENVELOPESephemera, greeting cards

These photographs, taken by The Advocate in 1991, were published as part of the newspaper’s ongoing column profiling local traders across the district. These photographs feature Artistic Studios located in Deer Park.The Sunshine Advocate’s feature on local traders was a modest yet well‑liked column that played a meaningful role in strengthening community identity. Through these regular profiles, the newspaper promoted local businesses and helped shape Sunshine’s understanding of its developing commercial district.7440.01 - Artistic Studios Deer Park 1991 Photographs (Advocate 330.2).JPG 7440.03 - Artistic Studios Deer Park 1991 Photographs (Advocate 330.2).JPG 7440.03 - Artistic Studios Deer Park 1991 Photographs (Advocate 330.2).JPGartistic studios, deer park

The Sogetsu Artistic Center was designed by Kenzo Tange. Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Colour slide in a mount. Garden at Sogetsu Artistic Center, Tokyo, Japan. (Architect: Isamu Noguchi.). Made in Australia / 17 / 1tokyo, slide

Small children's birthday book containing calendar months with corresponding poems and space to record birthdays. Originally owned by Janet Hubbard's grandmother, the book was later passed to Janet, who added her own handwritten birthday entries during childhood. The shop the book was purchased from, Buxton's Artists' Colormen Artistic Stationery Company operated opposite Melbourne Town Hall in the 1880s and 1890s. It was one of Melbourne's best-known suppliers of artists' materials, stationery, prints and picture frames.Published by Frederick Warne & Co and purchased at Buxton's Artistic Stationary Co., Swanston Street MelbourneHandwritten birthdays and words by Janet Hubbard

This is a book of 85 pages. It has a blue cover with gold lettering on the front cover and the spine. It contains printed text, reproductions of artistic works - sketches, lithographs and jottings. non-fictionReproduction of an early Victorian artist's workvictorian colonial art, william strutt

Digital copy of an artistic event catalogue 142 pages.non-fictionCatalogue for an artistic discovery Ttail during Open House 2022.open house melbourne, 2022, ying-lan dann, circular temporalities, norla dome, exhibitions, video installation, cultural events

Winner of the 2010 Expressions Wool Quilt Prizeartistic quilt with a landscape and a picture of rocks at Malacoota, Vic.quilt

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with six sample of Cameo brooches. Design numbers printed below each design.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOcameo brooches, jeweller's designs

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with sixty two images of badges made by Prescott & Dawe.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOjeweller's designs, badge designs

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details..1) Fold out "Pictorial lettercard", front address page is in blue print, folds out to show 4 sepia tone views of Salisbury, one view of Stonehenge. .2) Fold out postcard set with 11 scenes B & W of the following places, "Den Hoag", "Gravenhage", each has place name on the front of the card. .3) Fold out postcard, set of 5 sepia tone views around "Ostende". .2) & .3) both are tear off to make individual cards..1) On the front seal centre of heading, " The seal of Artistic excellence" - "Series RA"postcards, pictorial, mcquie

1901 - 2001 Centenary Of Federationfederation

Probably originally drawn for publication in Melbourne newspaper showing detachment of Victorian Mounted Rifles on way to establish order at a strike site during the Labour and Shipping Strike of August 1890. During the strike armed troops were deployed to support the police in Melbourne and in Newcastle and a number of other ports around the country. In Melbourne, the announcement that a public meeting was going to be held on 31 August 1890 to support the maritime strikers sent the Victorian government into precautionary mode. On the eve of the meeting, the Victorian Mounted Rifles were briefed by their commanding officer Lieutenant-Colonel Tom Price: 'Men of the Mounted Rifles, one of your obligations imposes on you the duty of resisting invasion by a foreign enemy, but you are also liable to be called upon to assist in preserving law and order in the colony. ... To do your work faintly would be a grave mistake. If it has to be done effectively you will each be supplied with 40 rounds of ammunition, leaden bullets, and if the order is given to fire, don't let me see any rifle pointed in the air; fire low and lay them out so that the duty will not have to be performed again.' Price was quite clear and quite unapologetic about his intentions. He only wanted ′'to hit the strikers in the legs ... not to kill them outright. He explained that the term 'lay them out' was used in his regiment to mean 'temporary disablement'. A force of 1,000 militia and mounted police and another 1,000 special constables were embodied by the time of the meeting. These forces, apart from a troop of mounted police were held in reserve out of the way and the 40,000 who attended the meeting, although enthusiastic, were orderly and the forces were not called in. Framed coloured artistic work with three works depicting soldiers on horseback in midst of angry crowds.military, strike, melbourne, maritime, vmr

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Artistic Anatomy Translated by Frederick E Fenton Author: Mathias Duval Publisher: Cassell & Co Date: 1884Label on spine cover with typed text PAT 743.4 DUV Pastedown front endpaper has sticker from Corangamite Regional Library Service Front loose endpaper has a sticker from Warrnambool Public Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, artistic anatomy, mathias duval, frederick e fenton

Hardcover w/ Dust JacketPrint out from Victorian Arts Centre Artistically Speaking Luncheon with Boyd family tree & profile of Martin Boydjoan sutherland, soprano, opera, walsh st library