Reflections under the BluffBlack and white photograph of reflections on calm lake water with forest in background, Lake Tyers, VictoriaReflections Under the Bluffwaterways, topography

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Bluff and two bathers on Smiths Beachlocal history, photography, the bluff at smiths beach, black & white photograph, the bluff, smiths beach, coastline, john jenner, bryant west

Paired with image 03731.1 for display in 150 years Lakes Entrance 1858 to 2008 held in October 2008Sepia toned postcard west side of Red Bluff showing a group of eight men and five women and a child. Sand washed away exposing vast rocky beach, short vegetation on rocky bluff. Women wearing full length skirts and wide brim hats with veils, men in three piece suits dark in colour on ninety mile beach Lake Tyers VictoriaThe Bluff Lakes Entrancetopography, fashion

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 26 Bluff Street, Hawthorn East by Margaret Picken.26 Bluff Street, Haw, Marg Picken '88. Woodards - C'well.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 6 Bluff Street, Hawthorn East by Margaret Picken.6 Bluff Street, Haw East, Margaret Picken '88. Woodards - C'well.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 14 Bluff Street, Hawthorn East by Margaret Picken.14 Bluff Street, Hawthorn East, Margaret Picken c2000. Woodards - Hawthorn.artist - margaret picken 1950-

Also a colour photograph of western side of Red Bluff taken by Ian Fraser c 1990Black and white photograph showing west side of Red Bluff with sand built up over rocky beach, low vegetation on rocky bluff, two men in swimming trunks on rocks Lake Tyers Victoriatopography, people, clothing

Steve Grassby surfing at Red Bluff Lake Tyers VictoriaBlack and white photograph showing Steve Grassby surfing at Red Bluff Lake Tyers Victoriaclubs, sports, surfing

Sales plan for land in the suburb of Hampton (Highett), bounded by Bluff Road, Wickham Road, Peterson Street and June Street. Includes Morley Street, Follett Avenue, and Parrett StreetThe developing urban area of Highett within the City of Kingston. This land sale pamphlet illustrates the subdivision of land within the municipality and the changing demographic of the district as new houses are constructed close to infrastructure.Colour pamphlet advertising for private sale the Ozone Estate, Bluff Road Hampton. Incorporates a map of the estate bordered by Bluff Road, Wickham Road, June Street and Peterson Street including Morley Street, Follett Avenue and Parrett Street.Handwritten in grey pencil on reverse: Ozone Printed in purple ink on front top right-hand corner: Vendors are - Leslie Harcourt MacGowan, Esq / Neerim Road, Caulfield / & / Arthur Alfred Parrett, Esq / 311 Flinders Lane / Melbourneland sales, estate, hampton, highett

Sales plan for land in the suburb of Hampton (Highett), bounded by Bluff Road, Wickham Road, Peterson Street and June Street. Includes Morley Street, Follett Avenue, and Parrett StreetThe developing urban area of Highett within the City of Kingston. This land sale pamphlet illustrates the subdivision of land within the municipality and the changing demographic of the district as new houses are constructed close to infrastructure.Colour pamphlet advertising for private sale the Ozone Estate, Bluff Road Hampton. Incorporates a map of the estate bordered by Bluff Road, Wickham Road, June Street and Peterson Street including Morley Street, Follett Avenue and Parrett Street.Handwritten in grey pencil on rear: Ozone Estateland sales, estate, highett, hampton

Emma Gray Kristy and Simon Watson Red Bluff Lake Tyers Beach VictoriaColour photograph of three children at the Sandcastle competition Emma Gray Kristy and Simon Watson Red Bluff Lake Tyers Beach Victoriasports, competitions, clubs, surf lifesaving

In 1979, a series of photographs of significant gardens in Kew (Victoria) were taken during a tour by Peter Watts, Historic Gardens Coordinator of National Trust Victoria. These were later purchased to add to the collection. In the case of each photo the colour had badly degraded over time. Original colour (degraded) positive photograph of 'Inverkelty' (later Kiora, Baroona), 11 Redmond Street , Kew. The original attribution of the house as Red Bluff (or Yarra Bluff) owned by the Nott family is incorrect. An analysis of ownership from 1888 was completed by Lovell Chen (2005), Boroondara Heritage Review B Graded BuildingsAnnotated in ink on reverse INCORRECTLY AS : "Red Bluffs / 11 Redmond Street / Nott family 1888 / Front garden with fountain / Home in foreground / October 1979"gardens -- kew (vic.), inverkelty, kiora, redmond street -- kew (vic.), baroona

Sales plan for land in the suburb of Sandringham, bounded by Bluff Road, Bay Road and William Street, and incorporating Frances Street.The developing urban area of Highett (then called Sandringham) within the City of Kingston. This land sale pamphlet illustrates the subdivision of land within the municipality and the changing demographic of the district as new houses are constructed close to infrastructure.Colour pamphlet advertising for sale 35 lots in Sandringham Rises, Sandringham. Incorporates a map of the estate bordered by Bluff Road, Bay Road and William Street, including Frances Street.Handwritten in grey pencil next to the words 'THREE O'CLOCK': 1888 Handwritten in blue ben next to the words '& BUSINESS SITES': 1888land sales, sandringham, highett

Found at Hofen's Bluff at Bete Bolong in 1936 by Barry McLeod. Inspected by George Rawlings 6.2.2013.This fossil is an example of the geological history of the Orbost area.A rock with a piece of shark tooth embedded in it. It was found at Hofen's Bluff at Bete Bolong. It belongs to the Oligocene Miocene Age (20 million years ago). The tooth is from the upper jaw probably near the front from a white pointer shark about 6o metres long. Carcharodon Megalodon.fossil shark-tooth hofen's-bluff white-pointer .

Thomas Clark began his career as an artist in England in the mid-1800s. He specialised in drawing and went on to teach at the Birmingham School of Design. In 1851 he left England, and it is thought that he travelled to Russia possibly to undertake an engraving commission for the Tsar. From there he travelled to Melbourne, Australia. In Australia Clark established his reputation as an artist and began painting landscapes. By 1862 the Ballarat Star reported the exhibition of several of his paintings and refers to him as, ‘an artist of eminence in Melbourne’. In 1870 Clark was appointed as the drawing master of the National Gallery School of Design where he taught several prominent Australian artists – Tom Roberts and Fred McCubbin. Clark spent most of his time in Melbourne. He did, however, travel to the Western District twice – once to undertake a commission and another time on a sketching trip. It is during one of these trips that he most likely painted Portland Bay. Portland Bay is thought of as one of Clark’s most appealing paintings . It is also fascinating because it depicts a view of Portland Bay both before the establishment of the harbour in the 1950s and prior to the lighthouse being moved in the late 1800s. This view is from Battery Point and shows the Portland Lighthouse before it was moved. It is now on the other side of the bay on Whaler’s Bluff. Australian ColonialView of Portland Bay with a bluff in foreground left. On top of bluff is a lighthouse and a white cottage. Lighthouse is white with a red roof. Cottage has a tall flagpole flying a red flag. Two figures stand in front of cottage. Below bluff are two further figures looking out to see. In background right is a town and harbour. Further figures can be seen on the beach. Framed in ornate gilded frame.Front: (no inscriptions) Plaque on frame read: "PRESENTED BY MRS. J.E. GRICE GRAND DAUGHTER OF STEPHEN GEORGE AND JANE HENTY." Back: (unknown)portland bay, thomas clark, portland lighthouse, whalers bluff, glenelg shire cultural collection, portland, glenelg, landscape, seascape, maritime

Con Kroker Private DonationBlack & white photo of the lighthouse on Whalers Bluff.