The Yarra Scenic Boulevard stretching from Hawthorn to the Chandler Highway was completed as a major project between 1933 and 1936 during a period of significant unemployment. Key dates in the construction this section the road include: 1933 when Kew Council supported the construction of the road from Studley Park to the Kew Asylum; and 1936 when the road from the Johnston Street Bridge to the Chandler Highway was opened. The inscription on the reverse of the photo 'Boulevard Fairfield' is misleading as there is no section of the Boulevard in Fairfield. A more likely interpretation is that it is a photograph of the Kew section of the Yarra Boulevard with the factories of Fairfield in the distance.Rare early photograph of the Yarra Boulevard, taken one year after the opening of the road. The photograph is an important historical record of the results of 'Susso' labor in the creation of major works in Melbourne by the Victorian Government. Original, black and white positive print of the Boulevard at Kew in 1937. Key aspects to note about the photograph is that the road is bituminised; that the gutters are concreted; that the kerb is constructed of concrete blocks; and that there is an unmade footpath on what appears to be the right hand side of the road. The landscape is sparsely treed, and those trees that remain are presumably remnant vegetation. At the right, the land is fenced. The land at the left falls away sharply to the river below. On the horizon, at left, there is an industrial complex including a tall chimney that is burning fuel creating smoke. "Boulevard Fairfield" great depression, susso projects, roads -- kew (vic.), yarra boulevard, yarra valley

From a box of photographs in Nancy U'REN's papers used during research for her thesis, The Early Growth and Development of Sandridge (1976) and/or her book with Noel TURNBULL, A History of Port Melbourne (1983). The print was probably made by her son, Andrew U'REN, and he may have also taken the photograph.Black and white photograph of the corner of The Boulevard and Beacon Road from the foreshore looking towards the city. The flats are on the left and the BP refinery site is on the right. There is a large white border at the bottom.A star in blue ink on the front. Type of photographic paper and exposure details on the reverse.built environment - domestic, the boulevard, beacon road, bp australia, nancy u'ren nee morris

On Wednesday 23rd February 2005, after a two year project of research and interviews with pupils, workers and staff, 'The Lighthouse on the Boulevard' (a history of the RVIB) was launched. MC Michael Walsh introduces Vision Australia CEO Gerard Menses, author Dr Judith Buckrich, participants Reuben Ryan, Steven Herd, David Blyth and Deputy Mayor of Melbourne Gary Singer who spoke at the launch. Afterwards books were signed and the crowds mingled.Sunday Special radio program on the launch of 'Lighthouse on the Boulevard'royal victorian institute for the blind, michael walsh, gerard menses, judith buckrich, reuben ryan, steven herd, david blyth, gary singer, dorothy hamilton, michele prentice, don draffin

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.69 THE BOULEVARD, HAW Margaret Picken ~98 WOODARDS artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.22 THE BOULEVARD, HAW Margaret Picken ~96 WOODARDS - HAWartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.65 THE BOULEVARD, HAWTHORN Margaret Picken ~89 WOODARDS - HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2/12 THE BOULEVARD, HAW Margaret Picken ~95 WOODARDS - HAWTHORNartist - margaret picken 1950-

This selection of images was shortlisted for inclusion in the book 'Lighthouse on the Boulevard' by Judith Buckrich. They include items from the State Library of Victoria collection, as well as those in the archives. The final edition of the book did not include all of them, but those that were have indications in the individual description page for each image. 59 scanned photographs of RVIB, blind people and buildingsroyal victorian institute for the blind, buildings, leal house, employment, tilly aston, aaron solomon, annie rose drummond, j.t. hogarth, neil westh, trudi westh, augusta tutton, jeremy king, robert toseland, mary pipczak, anita sun, maria robinson, george dyer, malcolm brodie, trevor anderson, david blyth, don draffin, bruce allen, kevin murfitt, peter ward, eileen ayre, rosanne cunningham, reverend william moss, david palmer, george findlay, ormond hall, blind soldiers

One of a series of photographs donated by the City Engineer of the former City of Kew, relating to road works and rubbish removal.One of a series of photographs of core local government services as practised by the City of Kew. The photographs are an accurate record of council works of the period.Original black and white photographic of the Yarra Boulevard near the corner of Molesworth Street, Kew"BOULEVARD AT MOLESWORTH ST"city of kew, local government -- city of kew, yarra boulevard, molesworth street

From its beginning in 1866, the Victorian Asylum for the Blind (later called the Royal Victorian Institute for the Blind) has been a prominent resident in St Kilda Road. Intended to provide work and education, the RVIB has adapted and changed according to the staff and people who passed through, lived, laughed, learned and languished in it, as well as societal expectations. In this history of the building, its services and personalities, up until the closure of St Kilda Road.284 pages without illustrations in etext filenon-fictionroyal victorian institute for the blind, rvib burwood school

Boulevard Coulour photographs of bluestone work in gardens around Kew Boulevard. boulevard

The Yarra Boulevard was a major depression era public works project.Sustenance workers, Susso Drive [Yarra Boulevard], 1930s. Attached green postit: "In Herald Sun. Richmond section not Kew. Check with Richmond Historical Society.yarra boulevard, susso drive, road construction 1930s, the great depression (kew)

Black and white photograph. View towards Boulevard from the drive. Lagoon paddock is flooded. On reverse, "1944-1945 shot from driveway Paddock looking to Boulevard area often flooded in those days."boulevard, helen dudley, 1991, centenary, lagoon paddock, flooding

The Eltham Apex Club conducted a Community Service Project (1965-1968) to raise funds for a new Ambulance Station to service the community. A site bounded by the intersection of Main Road, Grand Boulevard and Looker Road at Montmorency was purchased in 1969. In 1970, Eltham Shire Council undertook roadworks to construct Apex Way in preparation for the new station as well as duplicate Main Road, Lower Plenty, east of Grand Boulevard including the new Lower Plenty Bridge, which had been opened in November 1966, bordering with the City of Heidelberg.35mm colour positive transparency blue Agfacolour Service plastic mountambulance station, apex-diamond valley ambulance station, eltham ambulance station, eltham apex club, lower plenty, main road, montmorency

Photographs of and from Kew Boulevard.kew boulevard, yarra river, dight's falls

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations."Boulevard Bridge North Kew"ron setford, eastern freeway, f19 freeway

Ron Setford and his wife Grace Setford lived in Tanner Avenue, East Kew, from c.1946 to c.1995. A keen photographer, he recorded the changing face of Kew over a 20 year period. Apart from 30 photographs of built structures and places in Kew dating from 1960 and 1961, 145 of his 35mm colour slides chronicle the development of the F19 (later renamed Eastern) Freeway through the Yarra Valley in Kew over a five year period from c.1972 to c.1977. This important collection was donated to the Society by his granddaughter in 2025.This collection of 175 35mm slides is of local and statewide significance, owing to its subject matter, particularly the major development of road transport infrastructure during the 1970s with the construction of the Eastern Freeway. The photographer also took care to annotate and date most of his slides which enable the researcher to pinpoint temporal and spatial locations."Boulevard Bdge / 7/77"ron setford, eastern freeway, f19 freeway

postcard of an old photograph (1920s-30s?) St Kilda Baths House Post card made 1980s-90s? 40 Jacka Boulevard St Kilda Photo: City of Port Phillip collectionblack and white post card good conditionThe Pavilion, St Kilda beach. 40 Jacka Boulevard St Kilda VIC 3182 Australia. Telephone 03 9534 8221, Faxsimile 03 9525 3595. Open for lunch and dinner 7 days. Photo City of Port Phillip Collection.

Colour photographs of the Grimes Monument at the Kew Boulevardgrimes, cairn, boulevard