Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Dancing Tamborine Artist: Harry Bidgood and his Broadcasters Publisher: Broadcast, British Vocalion Number: A193 Size: 8 inch Electrically recorded, promoted by Broadcast as The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a193, dancing tamborine, harry bidgood and his broadcasters, 8 inch

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Barcarole Artist: Teddy Brown with his Military Band, Publisher: Broadcast, British Vocalion, Middlesex Number: A152 Size: 9 inch, Electrically recorded, promoted as Broadcast, The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a152, barcarole, teddy brown with his military band, 9 inch

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a red, cream and gold label. Title: Just Another Day Wasted Away Artist: Harry Bidgood and his Broadcasters Publisher: Broadcast, British Vocalion Number: A184 Size: 8 inch This small record was electronically recorded. It was promoted as Broadcast, The Long Playing Record.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, electrically recorded, the long playing record, broadcast, british vocalion, middlesex, a184, just another day wasted away, harry bidgood and his broadcasters, 8 inch

music fom the Choir of All Saints Cathedral, BendigoEdith Perry Collection: Long play record "Music for Christmastide and other Seasons" sung by the Choir of All Saints Cathedral, Bendigo. The record contains fourteen musical pieces. The choir has 24 members, The Dean of Bendigo the Very Reverend Alex McKenzie and the Organist and Choirmaster Stanley Jackson. Produced by W & G Record Processing Pty. Ltd. in 1974. The record cover is printed in blue and sepia colours.music

Oral history interview and partial transcript of Harry Finlayson, who became head teacher in 1928-1938, then returned as headmaster in 1952 until 1954, before moving to Essendon and finally Echuca. He discusses the changes brought by Mr Hedger, the establishment of the Scout troop, the first long play records from America and England, as well as the educational challenges.1 audio recording of recollections from former RVIB teacherroyal victorian institute for the blind, oral history, harry finlayson

This record player was purchased in 1960s by an Emerald couple for their family to use. The turntable is a multi-play turntable originally found in mid-century console stereos. The turntable was superseded by CDs (compact discs) in the 1980s and, in the 21st century, by streaming music. In recent years, there has been a resurgence in the popularity of turntables driven by a desire for analog sound quality and the tactile experience of physical media. The LP (long playing record) was first invented in 1948 and resulted in an explosion of album-based music. The 78 rpm shellac discs, which were in operation up until that time, could hold barely four minutes of music per side compared to the LP's capacity of 23 minutes of music per side.The record player and the LP are 20th century technologies which are enjoying a new wave of popularity.1, Garrard Ferguson 2025TC turntable 2. Thorn Electrical Industries - Ferguson 201SA amplifier 3. Summit LP - Harry Secombe - if I ruled the worldTurntable - 'Fergusson' Amplifier - 'Model 201SA serial 2968 - duplicate FRC Ltd.' LP record - 'Summit Stereo - If I ruled the world - Harry Secombe'turntable, lp

An analog sound medium. Played on a phonograph / gramaphone / turntable / record player. They play for 10 to 30 minutes per side. Made from shellac in the 1940s until 1948, then made from polyvinyl chloride (PVC). Single is 45 rpm, 12 inch is 33 and a third rev per minute, (LP) is long playing = 'album'. Late 1950s introduction of stereo phonic sound on commercial discs. His Masters Voice (HMV) is a British Record Compamny created in 1901. In 1961 EMI converted the HMV label into an exclusive classical music label. HMV has a logo of a dog listening to music.The record collection is understood to have been held by a local school in the Kiewa Valley possibly Mt Beauty or Bogong primary schools.Flat black disc with an inscribed, modulated spiral groove starting at the outside edge. Made from shellac - rotational speed of 78 revs per minute, 33 and a third rpm (largest) or 45 rpm (smallest). The collection consists of about 50 records including children's and adult's some with cardboard covers. Many of the adult records have the HMV label. Record stand has a rectangular base with padded wire stretching from one side to the other and placed a short distance away enabling the records to be stored vertically and safely so as not to be scratched or bent.vinyl records, children's music, classical music, his masters voice

This notebook was owned by Penuel Richardson (nee Gilbert). Entries were made by the treasurer of the Orbost High School Sports Club, P. Gluth.This item is a contemporary record for a community organisation. The group no longer exists. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. The Gluth family was a prominent family of Marlo/Orbost in its early history.A small red covered stapled notebook used to record expenses of the Orbost High School Sports Club. Entries are hand-written. A small window has bee cut into the ront cover to reveal "P Gluth Tres."inside back cover hand-written in pen -"Pen Richardson".orbost-high-school-sports-club

Subjects had a long standing connection with the Mission Visual Record of Mission staff. The Oliver family played a significant and long term role as a family in the leadership, maintenance and publicising the services and role of the Mission from 1930-1960. Articles, a film and regular lectures and canvassing were used to generate funding and awareness of the importance and significance of the Mission to Shipping services for Australia. The Oliver's son Rodney also served on the board in later years and daughter Barb Kent also provided support for many years.Black and white gloss print photograph depicting Padre Frank Oliver with his wife Moira in the courtyard garden of the MTSV circa late 1950s.Hand written in black texta; Frank Oliver and Mrs Oliver in the garden at the Missionfrank oliver, moira oliver, chaplain, mission to seafarers victoria, moira bird, garden, flinders street

Supporters of the Mission often made their homes and gardens available as venue for Christmas Boxing day and Cup day events or picnics. On Boxing Day 1920 around 100 men were welcomed by Mr and Mrs Duckett on the grounds of the home Riversdale. They went there on a river excursion.A record of just one group of international sailors a long way from their home an country attending a Mission event. Black and white photograph of a trio of sailors in dress uniform – 2 seated on cane garden chairs one with piano-accordion being played. The standing sailor holds a cameraPencil inscription on verso in pencil handwritten :" Boxing day 1920 / Group of Swedes" ; at right angles a number "893"camera, uniforms, accordeon, accordion, picnic, seamen, swedish, 1920, boxing day, riversdale, edward duckett

James “Jinger” Trewartha was a well known cricketer in the Bendigo District Cricket Association in the 1890s, playing for the Long Gully Cricket Club. James was born in 1871 in Sandhurst to Abraham and Sarah (nee Traverton) Trewartha. He was the second eldest son with seven brothers and five sisters. In the late 1880s the family moved to Milroy Street, Ironbark. James and his brother Albert played in the BDCA premiership teams of 1896/97, 1897/98, 1898/99, 1900/01, 1901/02. Long Gully Cricket Club 1894 – 95. Long Gully joined the BDCA. James Trewartha was first recorded playing in the BDCA. He took an outstanding 8 wickets for 10 runs in one match. 1897 – 98 Trewartha played in a Bendigo XVIII against an England XI. Trewartha won the BDCA Bowling Average. 1898 – 99 Trewartha won the BDCA Bowling Average. At the 1899 annual banquet of the L.G.C.C., James Trewartha was presented with a gold watch and chain, subscribed for by the District’s cricketers. (10866.1) 1901 – 02 Trewartha won the BDCA Bowling Average. 1903 – 04 Last record of Trewartha playing in the BDCA. 1904 – 05 Long Gully left the BDCA. James Trewartha never married. He moved to South Melbourne in 1910 to live with his mother and sister Mary Ann (Polly) Angwin. James Trewartha died on 9 September 1926 when hit by a train. He is buried in Fawkner Cemetery. Black and white photograph of James Trewartha mounted on dark brown board. the photograph shows a man standing in front of a backdrop showing a bridge and foliage. The man is dressed in cricket whites (shirt and trousers) with a striped tie and cricket cap. Embroidered on the cap "L.G.C.C. 1897 - 8 PREMIERS" See also 10866.1. Pocket watch that belonged to James Trewartha.Written in pen on the back of the photograph "J. TREWARTHA LONG GULLY C.C.long gully cricket club, j trewartha, james trewartha, cricket, jinger, "jinger" trewartha, bdca, bendigo district cricket association

Double sided Football record for the Bendigo Football League and games to be played on Saturday 7 July 1924, includes adverts for local businesses. B&W printed flyer could be folded on long page axis. South Bendigo V Eaglehawk and Sandhurst v Echuca. bendigo football league, hartley's, buckell & jeffreys, hughan, les pascoe, robt howard

Newspaper article from the Bendigo Advertiser stuck on A4 printer paper. Article is dated Friday, May 22, 2015. Article is accompanied by a picture of Peter Ellis and is captioned as such. Article is written by Jason Walls and is titled Loss for folk music history. Article reads: Celebrated Bendigo Music identity, historian and naturalist Peter Ellis OAM died suddenly this week after a brief illness. He was 69. Mr Ellis was highly regarded as a collector and preserver of traditional bush music, with his collection of dance related material the largest in the National Library Archives in Canberra. He was award an Order of Australia Medal in 2012 for services to the arts through the collection and preservation of Australian folk history and heritage. Mr Ellis was a founding member of the Emu Creek Bush Band and achieved two platinum and several gold records in his more than 30 years with the Wedderburn Old Timers Band. Fellow Emu Creek Bush Band member and close friend John Williams said Mr Ellis had made an invaluable contribution to the preservation of Australia's musical and dance heritage, travelling extensively across the country recording and notating folk music. 'In 500 year's time, as long as they can find the technology, people will be able to resurrect our bush dancing history,' he said. 'Probably his biggest legacy is the number of young people who have been made aware of bush music and are continuing to play it today and will play it in the future.' As a life member of the Bendigo Field Naturalists Mr Ellis was also involved in campaigns to establish the Whipstick and Kamarooka State Parks and the Saloman's Gully and Jackass Flat Flora Reserves, and lobbied for the inclusion of One Tree Hill in the Greater Bendigo National Park. A public funeral service will beheld at the Mulqueen Family Chapel on Bridge Street on Monday, May 25, at 11am, followed by a private cremation. An extensive obituary will be published in Saturday's Bendigo Advertiser.person, individual, peter ellis oam

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Playing The Game What Mr. Asquith in his book"The Genesis of the War" does not tell us Author: E G Jellicoe Publisher: John Long Date: 1924Label on spine cover with typed text PAT 940.311 JEL Pastedown front endpaper has sticker from Corangamite Regional Library Service Pastedown front endpaper has stamp from Warrnambool Mechanics Institute and Free Librarywarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road

A Gramophone / Phonogram is a device for the mechanical recording and reproduction of sound. The phonograph was invented in 1877 by Thomas Edison. in USA and Alexander Graham Bell's Volta Laboratory made several improvements in the 1880s and introduced the graphophone, This Edison was donated to CMHs by the family of John Box 1841-1913This gramophone belonged to John Box 1841-1913 an early settler in the area of Henry Dendy's Special Survey Brighton 1841A wooden cabinet with a lift up lid enclosing a turntable , record , trumpet and handle . This cabinet stands on another storage cabinet with shelf and doorEDISONmanufactured objects, music, musical records, long playing records, gramophone, phonogram, wireless, edison thomas, edison pty ltd, electric lights;

Teenager’s Meccano model in The Age window Whilst Barry’s model is interesting, and he himself is more than interesting – renowned for his lifelong harmonica playing, vaudeville and stand-up comedy as “Mr Versatility” – it is the location of the photo which intrigued us. Was this the photographer’s office, and would it give us a clue to his identity? We thought he might be “Mr Duke” as some boxes of Kodak slides were so named! But we later deduced they were most likely related to the Duke’s Centenary visit to Melbourne. However, they did lead us to The Age archivist Michelle Stillman, who held the key to unlock the photographer’s identity. Louise McKenzie. Photographer notations on slide: "Model warship YiPi 14-12-34 B61" Published: 14 September 1934 The Age p15 Published title: MECCANO CRUISER Published caption: Barry Sandford (17) of Richmond, recently completed this splendid Meccano model of a modern cruiser. It is fitted with four swivelling turret guns, six quick-firers, searchlight, movable anchor rudder and propeller. This model is on view in "The Age" office window, Collins-street. Trove article identifier: http://nla.gov.au/nla.news-article205072014 Description: Meccano model of cruiser. Wood panelled office walls and boxes of glass slides can be seen in the background. Research by project volunteer, Louise McKenzie: The second slide we scanned, this photo of Barry Sandford’s Meccano model of a cruiser was of particular interest because it appeared to have been taken in the photographer's studio/office. For the bulk of our project, the identity of the photographer was not known, and we delighted in imagining who they were, whether they were amateur or professional, and what else might be stored in those neatly labelled boxes in the background. But the photo had its own story regardless. A photo of Barry Sandford’s meccano model appeared in the Melbourne AGE on Friday 14 December 1934; it was probably the same photo as the one in our collection – now cropped to remove the background office environment. This background shows shelves of Kodak Panochromatic, and archived boxes labelled “DUKE” with various references: D1 – D23, and one labelled ‘DUKE Not Used’. On a shelf there is a stack of wooden glass plate holders. It wasn't until early 2023 that the photographer's identity was revealed with the help of archivist/librarian at The Age, Michelle Stillman. As for young Barry – what a talent! Meccano was hugely popular at this time. The Melbourne Meccano Club met on a Tuesday at the YMCA building. On 18 August 1933 The Age reported that at their upcoming meeting the model builders “will gain an insight into the oil industry from a lecturer and moving pictures supplied by the Vacuum Oil Co.” Models reflected an interest in rapid technological developments of the time, and also key activities. On 2 November 1934 The Age showed Barry with a model of Sir Charles Kingsford Smith’s Lockheed Altair, “Lady Southern Cross”, which Kingsford Smith purchased with the intent to compete in the MacRobertson Air Race as part of the Melbourne Centenary celebrations. He did not participate, but in late 1935 he and co-pilot John Thompson “Tommy” Pethybridge flew Lady Southern Cross from India to Singapore in an attempt to break the England-Australia speed record. Sadly, on the night of 8 November, they disappeared over the Andaman Sea and were never found. The Harmonica Riff Raff blog provides an amazing and comprehensive commentary on Barry Sandford's life. He is described as a Richmond boy of many talents – model making, archery, comedy, kite making, magic and juggling, as well as a harmonica virtuoso. He was particularly renowned for his harmonica playing and the creation of a two-foot long harmonica, and a tiny, hands-free organ which he played fully enclosed in his mouth. He promoted himself as Mr. Versatility and often featured in Melbourne news articles in the 1930s and 1940s. He remained very active in the entertainment business throughout his life, including as a member of the Four Octaves harmonica group, on the Tivoli circuit, and in vaudeville and stand up comedy. He successfully made the move from stage and radio into television. He died in 1992, still saluted by his peers as the gentleman, Mr Versatility. References: MECCANO CRUISER. (1934, December 14). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Retrieved January 22, 2024, from http://nla.gov.au/nla.news-article205072014 MIMIC MECCANO WARFARE. (1933, July 21). The Age (Melbourne, Vic. : 1854 - 1954), p. 2 (This Supplement is Published Every Friday). Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article204368610 MELBOURNE MECCANO CLUB. (1933, August 18). The Age (Melbourne, Vic. : 1854 - 1954), p. 1 (This Supplement is Published Every Friday). Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article204367564 MECCANO MODEL OF LADY SOUTHERN CROSS. (1934, November 2). The Age (Melbourne, Vic. : 1854 - 1954), p. 3. Retrieved September 19, 2023, from http://nla.gov.au/nla.news-article205083196 Charles Kingsford Smith, Wikipedia, https://en.wikipedia.org/wiki/Charles_Kingsford_Smith 'Mr. Versatility', Harmonica Riff Raff, https://harmonicariffraff.blog/2022/09/05/mr-versatility/ Photographer notations on slide: "Model warship YiPi 14-12-34 B61".ships, models, the age, harmonicas, meccano

This is a collection of photographs of former Shire / City secretaries and town clerks of the former Shire of Braybrook and City of Sunshine. Before modern CEOs existed in Victorian local government, the Shire / City Secretary or Clerk was the most senior administrative officer in a shire or city. They were effectively the chief executive, chief financial officer, and chief governance officer rolled into one. Below is a detailed breakdown of what a Shire / City Secretary traditionally did. 1. Chief Administrative Office The Shire Secretary managed the entire day‑to‑day operation of the shire, including: - Supervising all council staff - Implementing council decisions - Managing correspondence, records, and official documents - Ensuring services were delivered (roads, drainage, health, building, etc.) This is the historical equivalent of the CEO role described in modern council structures. 2. Governance and Council Support The Shire Secretary was responsible for: - Preparing agendas and minutes for council meetings - Advising councillors on legislation and procedures - Ensuring compliance with the Local Government Act - Managing elections and public notices This aligns with the governance responsibilities now embedded in the Local Government Act 2020. 3. Financial Management The Shire Secretary was also the shire’s chief financial officer: - Preparing budgets - Managing rates and revenue - Overseeing expenditure - Producing annual financial statements In many small shires, the Secretary also acted as Treasurer. 4. Public Interface The Shire Secretary was the main point of contact for the community: - Handling complaints and enquiries - Issuing permits and licences - Coordinating public works requests - Communicating council decisions to residents They were often the most recognisable council official in the district. 5. Strategic and Long‑Term Planning Although less formalised than today, the Secretary played a key role in: - Planning infrastructure - Advising on township development - Managing land records and valuations - Coordinating with state government departments This mirrors the strategic functions now assigned to CEOs under the Local Government Act.This collection of photographs shown all the men who served as the Shire Secretary, Town Clerk or CEO for the Shire of Braybrook or for the City of Sunshine.Sunshine Council July 2007 5452.01 - Shire of Braybrook Shire Secretary William 'Bill' Pullar 1860 - 1907.jpg 5452.02 - Shire of Braybrook Shire Secretary D. Lingford 1908 - 1911.jpg 5452.03 - Shire of Braybrook Shire Secretary Walter John Andrew 1911 - 1927.jpg 5452.04 - Shire of Braybrook Shire Town Clerk Edgar Hargreaves 1927 - 1954.jpg 5452.05 - City of Sunshine Town Clerk Thomas William 'Bill' Deutschmann 1954 - 1984.jpg 5452.06 - City of Sunshine Town Clerk G. S. Pearson 1984 - 1987.jpg 5452.07 - City of Sunshine CEO And Town Clerk J. James 1987 - 1992.jpg 5452.08 - City of Sunshine Town Clerk John Noble Willaton 1992 - 1994.jpg 5452.09 - Shire of Braybrook Shire Secretaries and Town Clerks 1860 - 1954.jpg 5452.10 - City of Sunshine Town Clerks 1954 - 1994.jpg shire of braybrook, city of sunshine, town clerk, shire secetary, william "bill" pullar, d. lingford, walter john andrew, edgar hargreaves, thomas william "bill" deutschmann, g. s. pearson, j. james, john noble willaton

The play was produced by EJ Carroll at the Athenaeum Theatre, the Australian premiere. The play enjoyed a long and successful run with Frank Bradley setting a record by performing as leading man for forty weeks. Frank Talbot had leased the Athenaeum Hall for several years before negotiating with the Melbourne Athenaeum board members to renovate the hall into a modern theatre. The work was completed in 1923. The theatre became a well-known venue for plays but later, as movies became popular a biograph box was constructed to house movie projectors. The theatre manager, Frank Talbot, who leased the theatre from the Melbourne Athenaeum, signed an agreement with British Dominion Films in 1932, to show only British movies. Hoyts Theatres took over the lease in 1955 and later the Melbourne Theatre Company performed in the theatre, bringing live performances back to the theatre for several years. Programs of the early performances of plays are a reminder of the original purpose of the theatre. The theatre management continues to feature live performances.Photocopy of a program held at the Museum of Performing Arts athenaeum theatre, program, the sport of kings, racing comedy, frank talbot pty ltd, e j carroll, ian hay, frank bradley

This photograph from 1990 captures a joyful moment that reflects Jacana Primary School’s commitment to celebration, inclusion, and creating meaningful experiences for its students. As a visual record of a school event, it preserves a sense of togetherness and community spirit from a time when the school played a central role in local life. Though Jacana Primary no longer exists, the image stands as a valuable historical artifact, evoking fond memories and highlighting the enduring impact of school traditions on generations of students and families.This photograph of children at Jacana Primary School’s 1990 Christmas picnic holds important historical and cultural significance. Taken during a time when the school was a vibrant educational and community hub in Melbourne’s northern suburbs, it reflects the school’s ethos of inclusivity, celebration, and strong community engagement.A glossy colour photograph of children with adults.PH18289 (crossed out) PH-4209 (crossed out) PH-4868jacana primary school, christmas picnic, 1990, jacana, education

Depicted are 14 students comprising the the 1952 Ruyton Girls' School hockey team. The photograph is an official school portrait taken outdoors on a patch of grass with a leafy bush visible in the background. The students are all dressed in light coloured shorts with a collared, buttoned blouse, wool blazers, white socks and white sneakers. Six girls are kneeling in the front row, and eight are standing up in the back row. All of the students are holding their own hockey stick. The idea of field hockey for female players was brought to Victoria by two sisters, Lillian and Margaret Irving, who had first seen girls playing it during their travels in England in 1902. By 1903, the Irving sisters were joint headmistresses of Lauriston, a school they had founded two years earlier. Both had deep connections to Ruyton Girls' School through their time as teachers at the older school during the 1880s-1890s. For Lilian Irving, this had included seven years as Ruyton's co-Principal with Miss Eliza Bromby from 1888-1895. With these links it was only natural that Ruyton students would join Lauriston to try out the new game. On a vacant block on the corner of Mercer and Malvern Roads, students from Ruyton and Lauriston Girls' Schools had assembled to play Victoria’s first ever inter-school hockey match for girls. Some students from Melbourne Girls' Grammar School came along to watch the spectacle and assess the new game's potential. Hockey quickly caught on, and friendly games were soon being played amongst a number of Melbourne's girls' schools. An Association was formed in 1905, and the rules formalised. These included arrangements around the competition fixture and the length of games (35 minutes for each half). In celebration of their joint role in bringing field hockey to Victorian school girls, Ruyton and Lauriston have met for friendly re-enactment matches in 2003 and 2018. The photograph also illustrates the shift in hockey uniform and apparatus. In the early 1920s, Ruyton established instructions for playing attire: "skirts must be eight inches off the ground. No white petticoats...", and importantly, least any team get an unfair advantage, "hard-rimmed hats and hatpins must not be worn during play." Ruyton appears to have taken the latter instruction to heart, and adopted the soft tam o’shanter hat as seen in surviving photographs of early teams. The tam o’shanter may have been removed for play, but the blouse and long skirt had to be put up with. According to Lilian Irving they had "a horrid habit of parting company", and she was delighted to see the transition to a more comfortable tunic in later years. Another change she observed was the hockey stick itself, which originally were all of "uniform thickness from handle to head, about the thickness of a stout walking stick" and so very different from the hockey sticks that are used today.The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole), pictured third from the right in the front row. Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photographs printed on matte photographic paper.Reverse: gton / Margaret Hanesho (?) / Helen Gordon / 1952 / Mary Macpherson-Smith /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform, lauriston, hockey, field hockey, hockey stick

Depicted are 13 students comprising the the 1950 Ruyton Girls' School hockey team. The photograph is an official school portrait taken outdoors on a patch of grass with a leafy bush visible in the background. The students are all dressed in light coloured shorts with a collared, buttoned blouse, wool blazers, white socks and white sneakers. Five girls are kneeling in the front row, and seven are standing up in the back row. All of the students are holding their own hockey stick. The idea of field hockey for female players was brought to Victoria by two sisters, Lillian and Margaret Irving, who had first seen girls playing it during their travels in England in 1902. By 1903, the Irving sisters were joint headmistresses of Lauriston, a school they had founded two years earlier. Both had deep connections to Ruyton Girls' School through their time as teachers at the older school during the 1880s-1890s. For Lilian Irving, this had included seven years as Ruyton's co-Principal with Miss Eliza Bromby from 1888-1895. With these links it was only natural that Ruyton students would join Lauriston to try out the new game. On a vacant block on the corner of Mercer and Malvern Roads, students from Ruyton and Lauriston Girls' Schools had assembled to play Victoria’s first ever inter-school hockey match for girls. Some students from Melbourne Girls' Grammar School came along to watch the spectacle and assess the new game's potential. Hockey quickly caught on, and friendly games were soon being played amongst a number of Melbourne's girls' schools. An Association was formed in 1905, and the rules formalised. These included arrangements around the competition fixture and the length of games (35 minutes for each half). In celebration of their joint role in bringing field hockey to Victorian school girls, Ruyton and Lauriston have met for friendly re-enactment matches in 2003 and 2018. The photograph also illustrates the shift in hockey uniform and apparatus. In the early 1920s, Ruyton established instructions for playing attire: "skirts must be eight inches off the ground. No white petticoats...", and importantly, least any team get an unfair advantage, "hard-rimmed hats and hatpins must not be worn during play." Ruyton appears to have taken the latter instruction to heart, and adopted the soft tam o’shanter hat as seen in surviving photographs of early teams. The tam o’shanter may have been removed for play, but the blouse and long skirt had to be put up with. According to Lilian Irving they had "a horrid habit of parting company", and she was delighted to see the transition to a more comfortable tunic in later years. Another change she observed was the hockey stick itself, which originally were all of "uniform thickness from handle to head, about the thickness of a stout walking stick" and so very different from the hockey sticks that are used today.The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole), pictured third from the right in the front row. Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photographs printed on matte photographic paper.Reverse: Ruyton Hockey Team 1950. / 17 Cole / From left to right standing. / Helen Cole. / Left to right kneeling. /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform, lauriston, hockey, field hockey, hockey stick

The photograph depicts 12 young women students who were part of the 1951 Ruyton Girls' School hockey team. The students are all dressed in light coloured shorts with a collared, buttoned blouse, wool blazers, white socks and white sneakers. Three girls are kneeling in the front row, and nine are standing up in the back row. All of the students are holding their own hockey stick. The photograph was taken on School grounds, next to a pond which is no longer in existence at Ruyton. The idea of field hockey for female players was brought to Victoria by two sisters, Lillian and Margaret Irving, who had first seen girls playing it during their travels in England in 1902. By 1903, the Irving sisters were joint headmistresses of Lauriston, a school they had founded two years earlier. Both had deep connections to Ruyton Girls' School through their time as teachers at the older school during the 1880s-1890s. For Lilian Irving, this had included seven years as Ruyton's co-Principal with Miss Eliza Bromby from 1888-1895. With these links it was only natural that Ruyton students would join Lauriston to try out the new game. On a vacant block on the corner of Mercer and Malvern Roads, students from Ruyton and Lauriston Girls' Schools had assembled to play Victoria’s first ever inter-school hockey match for girls. Some students from Melbourne Girls' Grammar School came along to watch the spectacle and assess the new game's potential. Hockey quickly caught on, and friendly games were soon being played amongst a number of Melbourne's girls' schools. An Association was formed in 1905, and the rules formalised. These included arrangements around the competition fixture and the length of games (35 minutes for each half). In celebration of their joint role in bringing field hockey to Victorian school girls, Ruyton and Lauriston have met for friendly re-enactment matches in 2003 and 2018. The photograph also illustrates the shift in hockey uniform and apparatus. In the early 1920s, Ruyton established instructions for playing attire: "skirts must be eight inches off the ground. No white petticoats...", and importantly, least any team get an unfair advantage, "hard-rimmed hats and hatpins must not be worn during play." Ruyton appears to have taken the latter instruction to heart, and adopted the soft tam o’shanter hat as seen in surviving photographs of early teams. The tam o’shanter may have been removed for play, but the blouse and long skirt had to be put up with. According to Lilian Irving they had "a horrid habit of parting company", and she was delighted to see the transition to a more comfortable tunic in later years. Another change she observed was the hockey stick itself, which originally were all of "uniform thickness from handle to head, about the thickness of a stout walking stick" and so very different from the hockey sticks that are used today.The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole), pictured third from the right in the front row. Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Reverse: Felicity Jacobs / Ann Dickinson / RGS011/1951/0002 /ruyton girls' school, ruyton, hockey, sport, school sport, field hockey, kew, melbourne, girls school, students, school uniform

Albert E. WILLIAMS (1899-1986) Victoria, Australia Albert E. Williams first studied art under Fred Foster after being awarded a scholarship to the Ballarat East Art School. In 1913 he became one of the first intake of 83 students to study the Merit Certificate at the newly opened Ballarat Junior Technical School. Williams was the second person to receive a certificate from that institution. He then studied under H.H. Smith for the Art Teachers’ Certificate at the Ballarat School of Mines Technical Art School between 1915 and 1920. Williams joined the staff of the Ballarat Junior Technical School in 1921, teaching sign writing, ticket writing and house decoration. He taught in other technical schools between 1923 and 1928, returning to Ballarat in that year to fill a vacancy left by John Rowell . Williams continued his teaching career at both the Ballarat School of Mines Technical Art School and the Junior Technical School until 1942. He taught in various other technical schools from 1943, retiring as Headmaster of the Brighton Technical School in 1964. Albert E. Williams continued producing artwork throughout his career, and was responsible for the education of generations of artists and art teachers. In 1937 he was living at 302 Drummond Steet South, Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed pencil drawing of a plaster cast of a human figure known as the Dancing Faun, a marble sculpture first recorded in 1665, when Albert Rubens listed it as in the collection of the Grand Duke of Tuscany in Florence (probably long owned by the Medici). By 1688 the sculpture was held by the Uffizi in Florence. In September 1800 the sculpture was sent to Palermo along with other treasures to avoid plunder by the French army, but it was returned to the Florence in 1803. By the 18th Century the Dancing Faun gained a reputation as one of the finest ancient sculptures in existence. A faun makes music by simultaneously playing the ‘crotala’ (similar to cymbals) in his hands and the ‘scabellum’ or ‘croupezion’ under his right foot. In Victorian Education Department examinations, this sculpture was sometimes called the "Clapping Faun".Written on the mount board below the drawing "Drawing Human Figure from the Cast. for art Teacher's Certificate 1931 by Albert E. Williams. Tech. Art School, Ballarat."art, artwork, albert e. williams, williams, ballarat technical art school, art teacher's certificate, a.e. williams, alumni, drawing from the cast, drawing from the antique, drawing the himan figure from the cast, dancing faun

Rare recording containing music and fraternal messages between affiliated regiments in British and Australian Armies.Black vinyl long- playing microgroove disc with affiliation messages and musicOn both Sides 1 and 2 : "Affiliation messages by the Commanding Officer of the VIII King's Royal Irish Hussars and the 8/13 Victorian Mounted Rifles. Marches by the Regimental Bands".8/13 victorian mounted rifles, 8th king's royal irish hussars

Appears to be an interview recorded at Legacy House of Legatee Ron Isherwood. Legatee Isherwood was president of Melbourne Legacy in 1966. No further details known. Also Dr Norman is mentioned in the paper note. More details to come when the tape is played. A recording of an interview with a president of Legacy.An audio recording on a clear plastic spool in a blue cardboard box. Plus a note about Doctor Normans' address being partially erased.Box, Legacy, handwritten in blue biro. Philips, yellow print, philips logo,red and yellow. Ruban magnetique, bande mince, type re 957 long 540 metres in white print. No titre, date, blue print. Rear of box, Sir Owen Dixon, WMC Radford, KC Clarke, handwritten in pencil and crossed out. 3/8/73 Interview at Legacy House L Ron Isherwood, handwritten in black biro. Spool, calibrations 0-10, Philips, 1, 2. Note, black type, Legacy. Please note that the first two or three minutes of Doctor Normans' address were erased when our reporter recorded an interview with him later.legatee, ron isherwood

Exact contents are unknown. From the title it is a recording from the Annual Federal Conference of Legacy Clubs held in Melbourne in October 1961. Photo is a sample and will be updated when the tape has been located again. Photo TBA.A record that the conference proceedings were worthy of being recorded for future reference.An audio tape on a clear spool in a red square cardboard box with the brand BASF. Plastic red keeper attached to spool and green leader tape.Container, Magnetophoneband, BASF, TYP LGS,black print, front and rear. Langspielband Long playing tape, green print on white background. Front and rear. 540m, 1800 feet red print on white background. BASF plus logo 1865, white print on green background. Green edge, made in W-Germany, 540m Langspielband in black print. 1800 feet Long playing tape, BASF in white print. Inner container black print, title, date, 2, handwritten in blue biro. Spool, clear. Magnetic tape, brown. Leader green. Keeper, red. Spool, BASF, black type on red background. White circles in ascending order on red background. White sticker with blue border, handwritten ll 2- 1. Magnetic tape, brown with green leader, langspiel LGS 35, Longplay. conference, legatee