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matching tony woods
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Robin Boyd Foundation
Painting, Tony Woods, Man on Sofa, 1967
... tony woods... the Wood's painting. Tony Woods won a Harkness Scholarship in 1968...Tony Woods... (previously yellow) to match the Wood's painting. Tony Woods won ...The painting was purchased at an exhibition at Australian Galleries. This Melbourne institution was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. After hanging this artwork in the living room, Robin Boyd arranged to have the three-seater sofa in this room reupholstered in red (previously yellow) to match the Wood's painting. Tony Woods won a Harkness Scholarship in 1968 and travelled to the USA - he abandoned figuration after leaving Australia. Another figurative painting by Tony Woods, titled "In the Studio Psychologically Challenged", also hangs in Walsh Street.Man with closed eyes, with various arm positions, on a red sofa.The reverse is inscribed with Australian Galleries and the title and Woods '67.tony woods, australian galleries, purves, robin boyd, walsh st artwork, ohm2022, ohm2022_19 -
Robin Boyd Foundation
Painting, Tony Woods, In the Studio Psychologically Challenged, 1968
... tony woods...Tony Woods... Boyd designed the Purves family home in Kew in 1967. tony woods ...This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7 -
Robin Boyd Foundation
Furniture - Sofa, Robin Boyd
... when the painting 'Man on Sofa' by Tony Woods (item A05... when the painting 'Man on Sofa' by Tony Woods (item A05 ...Robin Boyd designed this three-seater sofa. The sofa was featured in the promotional brochure for Domain Park Flats in 1962. The original sofa was recovered from yellow upholstery to red in 1967 when the painting 'Man on Sofa' by Tony Woods (item A05) was purchased and hung. The original sofa is currently stored offsite. The sofa was reproduced in the 2017 Boyd Collection by K5 (item F004 and F035).Deep red woolen fabric, three loose seat cushions, no arms, 6 timber legs each with a brass foot cover.sofa, domain park, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
... as Tony Wood's 'In the Studio Psychologically Challenged' coloured... paintings as well as Tony Wood's 'In the Studio Psychologically ...These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd -
Robin Boyd Foundation
Functional object - Cushion
... as Tony Wood's 'In the Studio Psychologically Challenged' coloured... paintings as well as Tony Wood's 'In the Studio Psychologically ...These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd -
Federation University Historical Collection
Document - Document - Minutes, VIOSH: Ballarat College of Advanced Education; OHM Course Committee MInutes of Meetings, 1984 - 1988
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Committee Meetings were held monthly. All aspects of the courses were discussed and recommendations were made for changes and requests from students considered. Committee members were from the different areas / subjects of the courses. Slight changes occurred over time.Minutes typed - A4 pages. Grouped into years.derek woolley, chairman, max brooke, keith brown, b cossins, p coman, g fernandez, legal, j harvey, p hope, p kelly, raymond lang, b lees, r maud, tom norwood, p swan, eric wigglesworth, l colbourn, p dressing, j castleman, r gillis, j lowinger, p mccarthy, d shannon, steve cowley, phillip beaumont, brad rhodes, warren payne, dennis else, graham bradley, brett wood, neil dine, chris schaper, tony thatcher, lyn roberts, peter reid, dulcie brooke, gwen wilson -
Federation University Historical Collection
Photograph - Photograph - Colour, Artafact, VIOSH - Occupational Hazard Management Course, Intake 12,1988
... thatcher tony van maanenberg brett wood ballarat college ...Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Brown and gold framed photograph with title and names of students underneath.Framers details verso lls: "Artafact"viosh, viosh australia, occupatonal health and safety, victorian institute of occupational safety and health, neil absolon, sean bath, sharon burnell, geoffrey byers, kevin campbell, george card, sandra clarke, kevin currie, marian day, malcolm dorricott, jennifer gallagher, robert goodbourn, neil gude, jill gutteridge, glenn hughes, joseph holecka, maria mchugh, geoffrey moore, carey murphy, philip myers, andrew nykoluk, kathleen peeters, jean prosper, shaun quinn, alan riley, michael rose, sarah ross, patricia seide, tony thatcher, tony van maanenberg, brett wood, ballarat college of advanced education -
Ringwood and District Historical Society
Photograph, Ringwood State School -Class photograph - Grade 3C, 1958
Black and white photograph - Grade 3C,1958"Attached to photograph" Back Row- L to R: Steven Walker, ?, ?, Eric Millard, ?, ?, Tony Stewart, ?, ?, Bruce Rosel, ?, ?. 2nd Row - L to R: Rachell Bolton, ?, Joy Ringrose, ?, Pam Chapel, Sylvia Sefas, ?, Stephanie Iwanowicz, ?, ?, Gail Birchell 3rd Row - L to R: Larry Thompson, ?, Jennifer Hall, Irene Morell, Heather Wind, Sharon(?), Barbara Skinner, Anne Hare, Robyn Woods, Mary Attick, Jill Bryant, Elizabeth Pumpa, Cliff Tann. Front Row - L to R: ?, Jan Padjisak, ?, Graham Allen, Ian Roberts, Peter Huxley, ?, ?, ?, Ian Beath, ?. Teacher: -
Tennis Australia
Racquet, Circa 1970
Dunlop Autograph Series 'Tony Roche' Junior model tennis racquet Materials: Wood, Leather, Vinyltennis -
Tennis Australia
Racquet & cover, Box, Ball container, Ball, Racquet Press, Circa 1955
A Wilson ' Famous Player' Tennis Set, featuring the images of Jack Kramer, Maureen Connolly, and Tony Trabert on the lid. The contents within the set box are: a Wilson 'Famous Player Model' tennis racquet; a Wilson racquet press; a Wilson racquet cover; and, a can containing three Wilson 'Match-Point' tennis balls. Materials: Cardboard, Ink, Wood, Nylon, Paint, Lacquer, Glue, Leather, Cloth, Metal, String, Adhesive tape, Rubber, Felttennis -
Geelong Cycling Club
Trophy
Messrs Wood and Sellars names are on the trophy in recognition of their service to the Geelong Cycling Club.Club volunteers are important to the club and this trophy serves to recognise endeavours in this field. This trophy is in the shape of a wooden column set on two small wooden bases. The second base has a plaque attached to it with the title of the trophy. The column of the trophy has small rectangular plaques with the name of each winner inscribed on them dated from 2006-2016. Images of two cyclists in an embossed gold colour are fixed to the top of the trophy. "Geelong Cycling Club/Wood/Sellars/Memorial Road Race/Perpetual Trophy/2006/Andrew Graham/2007/Terry Stacy/2009/Brian Happ/2012/Ned Volk/2013/Paul Rettke/2014/Shantelle Maurer/2015/Tony MacKenzie/2016/Josh Williams"geelong cycling club; wood; sellars; andrew graham; terry stacy; brian happ; ned volk; paul rettke; shantelle maurer; tony mackenzie; josh williams; -
Federation University Art Collection
Ceramic, Tony Nankervis, 'Woodfired Cylindrical Vessels' by Tony Nankervis, 1986
Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Ex Libris for Rony Irving (Nylex Plastics) by David Frazer
David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award.Bookplate for Tony Irvinng featuring the Yarra River and silos at Richmond, Victoria. bookplate, tony irving, david frazer, nylex clock, yarra river, silos, richmond -
Tennis Australia
Racquet, Circa 1969
A Tony Roche World Ace tennis racquet, with fibre cross laminations across throat and shoulders, and leather handle grip with X-formation perforations. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Adhesive tape, Stringtennis -
Tennis Australia
Racquet, Circa 1956
A Wilson Famous Player Series, Tony Trabert Victory tennis racquet. Base of head on obverse features Wilson logo. Throat featuresmodel name beneath a crowned shield device, with a 'V' in the centre. Shaft features a decal head and shoulders photo image of a young Trabert. Leather handle grip features quatrefoil perforations. Inscription along right side of shaft: ENDORSED BY/THE NATIONAL CHAMPION. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Cloth, Painttennis -
Tennis Australia
Racquet, Circa 1956
A Wilson Famous Player Series, Tony Trabert Victory tennis racquet. Base of head on obverse features Wilson logo. Throat features model name beneath a crowned shield device, with a 'V' in the centre. Shaft features a decal head and shoulders photo image of a young Trabert. Leather handle grip features quatrefoil perforations. Inscription along right side of shaft: ENDORSED BY/THE NATIONAL CHAMPION. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastictennis -
Tennis Australia
Racquet, Circa 1956
A Wilson Famous Player Series, Tony Trabert Victory tennis racquet. Base of head on obverse features Wilson logo. Throat features model name beneath a crowned shield device, with a 'V' in the centre. Shaft features a decal head and shoulders photo image of a young Trabert. Leather handle grip features quatrefoil perforations. Inscription along right side of shaft: ENDORSED BY/THE NATIONAL [C]HAM[PION]. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Clothtennis -
Tennis Australia
Racquet, Circa 1958
A Wilson Famous Player Series, Tony Trabert Victory tennis racquet. Base of head features Wilson logo. Throat features model name beneath a diamond and chevron device. Shaft features a decal head and shoulders photo image of a young Trabert. Cloth butt cover features red 'W' trademark. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Cloth, Stringtennis -
Tennis Australia
Racquet, Circa 1960
A Wilson, Tony Trabert Finalist tennis racquet. Base of head features Wilson logo. Throat features model name above a eagle emblem. Shaft features a decal head and shoulders photo image of a young Trabert. Cloth butt cover features red 'W' trademark. Wilson handle grip features clustered perforations. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Cloth, Stringtennis -
Tennis Australia
Racquet, Circa 1960
A Wilson, Tony Trabert Personal tennis racquet. Base of head features Wilson logo. Throat and stem features model name. Lower shaft features 'W' trademark. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Cloth, Hidetennis -
Tennis Australia
Racquet, Circa 1962
A Wilson, Tony Trabert Stylist tennis racquet. Base of head features Wilson logo. Throat and stem features model name. Stem features decal head and shoulders photo image of a young Trabert. Lower shaft and butt cap feature 'W' trademark. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Stringtennis -
Tennis Australia
Racquet, Circa 1967
A Wilson, Tony Trabert Stylist tennis racquet. Base of head features Wilson logo. Throat and stem features model name. Stem features decal head and shoulders photo image of an older Trabert. Leather handle grip features quatrefoil perforations. Butt cap features red 'W' trademark. Materials: Wood, Nylon, Leather, Ribbon, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Stringtennis -
Tennis Australia
Racquet, Circa 1967
A Wilson, Tony Trabert Match Point tennis racquet. Base of head features Wilson logo. Throat features decal head and shoulders photo image of an older Trabert. Shaft features model name. Leather handle grip features quatrefoil perforations. Lower shaft and butt cap feature 'W' trademark. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Plastictennis -
Tennis Australia
Racquet, Circa 1976
A Wilson, Tony Trabert Sovereign tennis racquet. Base of head features Wilson logo. Throat and shaft feature model name. Leather handle grip features quatrefoil perforations. Butt cap features red 'W' trademark. Materials: Wood, Nylon, Leather, Glue, Metal, Lacquer, Paint, Adhesive tape, Plastic, Plastictennis -
Nillumbik Shire Council
Sculpture: Tony Trembath (b.1946 Sale, Victoria), Tony Trembath, The Fences Act 1968 - Location: Edendale Farm (entrance) 30 Gastons Road, Eltham, 1989 - 1994
Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps -
Gippsland Art Gallery
Textile, Dyer, Tony, And It Comes Out Here And There, 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile mounted on woodgippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Dyer, Tony, Confined to the Foreshore (Stage 3), 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile on woodgippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Dyer, Tony, Confined to the Foreshore (Stage 1), 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile on woodgippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Dyer, Tony, Confined to the Foreshore (Stage 4 - Final Stage), 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile on woodgippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Dyer, Tony, Confined to the Foreshore (Stage 2), 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980Batik textile on woodgippsland, artwork, permanent collection