Written on the back of the poster -"The artist is Betty Barberis nee Barton daughter of Roderick Barton and Myrtle Hore(?) of Gundowring born 1927. She illustrated Esther Temple's book 'The History of the Kiewa Valley'. The subject Sunda Singh was I believe a well known traveling salesman in early Kiewa Valley.. A Sundah Singh is recorded as dying 1948 in Henty. Sunda Singh (I think this must be) died 1933 in Beechworth and was later exhumed and cremated."The History of the Kiewa Valley by Esther Temple, Pages 36 and 37 re the Singh brothersA3 size poster of Sunda Singh, travelling salesman, and his horse drawn covered caravan . Sketched in black by Betty Barberis.Written on the back in pencil an explanation of the drawingsunda singh, travelling salesman, betty barberis, kiewa valley

Travelling salesmen (hawkers) regularly journeyed from farm to farm selling useful household items like needles, thread, clothing, even cooking pots. Mr T Saker was a salesman selling drapery. He was based in Warrnambool and had a regular route to Lake Bolac and through the Western district.lake bolac, hawkers, drapery, warrnambool, western district

This wagon was used in towns across south-west Victoria during the first half of the twentieth century by Pooran Singh, an Indian-born immigrant. Singh arrived in Australia alone in 1899 at the age of 30. The following year, at the Colac Licensing Court in western Victoria, he was one of 78 hawkers granted a Hawker’s Licence. According to the Colac Herald, all but two of the applicants appeared to be Asian. While some hawkers registered horse-drawn carts, Singh was one of nineteen licensed to trade on foot, selling door to door. Applicants were encouraged to contribute to a collection for the Colac Hospital. Over time, Pooran Singh came to own his own wagon—a top-of-the-range light delivery vehicle—and a horse named Prince. His work often took him along rough country roads, and for a period, he worked in the Corryong district of north-eastern Victoria, an area popular with hawkers. In September 1909, near Thowgla, he was thrown from his wagon while attempting to navigate a deep rut and was run over by one of its wheels. Although he suffered bruising to his chest, his injuries were not serious. The following year, he was granted a Hawker’s Licence in Corryong. By 1916, Singh was living and working at Garvoc in western Victoria, where that year, he lost his paper licence on Cooramook Road, and he placed a notice in The Standard. In 1918, at the Warrnambool Petty Sessions Court, he was one of four applicants granted renewal of their hawkers’ licences, and each donated ten shillings to Warrnambool Hospital. Throughout these years, Singh became well known to farmers and their families as he travelled across Victoria’s Western District, living and working from his covered wagon. In his later years, Pooran Singh formed a close friendship with John Jandes Moore and his wife, Vera, of Russells Creek, Warrnambool. They offered him the use of their property as a base for his travels and cared for him during his final illness. John Moore was later appointed one of the two executors of Singh’s will. Pooran Singh died in Warrnambool on 8 June 1947, aged 77. His final wish was to be cremated and for his ashes to be returned to India for immersion in the Ganges. The cremation was arranged by Guyett’s Funerals in Warrnambool. Having never married, Singh left his estate to his four nephews, enabling them to buy land and build homes; one later installed a memorial plaque in his honour. In the late 1980s, Guyett’s Funerals placed his ashes in the niche wall at Warrnambool Cemetery as a memorial, while continuing to hope that family instructions might eventually arrive. Nearly 63 years after his death, renewed enquiries brought public attention to the long and respectful care given to his ashes. As a result, the renowned Indian cricketer Kapil Dev travelled to Warrnambool to collect them and escort them to India, helping to fulfil Singh’s final wish. He was joined by one of Singh’s grand-nephews, Harmel Uppal, who had travelled from England. At a formal ceremony on 25 July 2010 commemorating Singh’s life, the ashes were handed to Dev and Uppal, and local resident Avis Quarrell, who had known Singh as a child, read a poem she had written in his memory. She still owned a shell necklace that Singh had made for her mother. Some Warrnambool locals who had been closely involved also travelled to India, where they joined Uppal’s family from the village of Uppal Bhopa, near Jalandhar. On 31 July 2010, Pooran Singh’s ashes were immersed in the Ganges, fulfilling the wish he had expressed more than six decades earlier. After Pooran Singh’s death, his horse and wagon remained on John Moore’s property. When Prince died, he was buried on the beach at Warrnambool. The wagon remained with the Moore family and was occasionally used as a cubby house. In about 1997, John Moore, the son of John Jandes Moore, donated it to Flagstaff Hill. After restoration, the wagon became an attraction in the village, where volunteer Pat and his Clydesdale horse, Duke, offered visitors rides around Flagstaff Hill’s lake. This wagon is significant for its association with an Indian emigrant who used it to earn an income in Australia. It also reflects the vital role of hawkers, who travelled through rural and regional communities in the late nineteenth and early twentieth centuries, supplying food, goods and news. The wagon is also historically significant as a former Flagstaff Hill attraction, offering visitors the experience of horse-drawn rides around the lake.Wagon: a light delivery vehicle once used as a hawker's wagon. It is a four-wheel, horse-drawn vehicle with iron tyres, brakes, spoked wheels painted red with decorative yellow strips on the hubs, a timber shaft, and springs on the undercarriage. It was once a covered wagon, fitted with green, wooden sideboards, a front seat with leather-padded backrest and mounting steps. The late-19th to early-20th-century wagon was once owned by Pooran Singh, a local Indian hawker. flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, southwest victoria, northwest victoria, western district, colac, colac hospital, colac licensing court, thowgla, corryong, garvoc, cooramook road, warrnambool petty sessions court, warrnambool hospital, russells creek road, ganges, warrnambool cemetery, uppal bhopa, jalandhar, hawker’s licence, covered wagon, wagon, hawker's wagon, horse-drawn cart, hawker's cart, light delivery vehicle, hawker, travelling salesman, travelling hawker, door-to-door sales, rural salesman, rural commerce, prince, duke, clydesdale horse, 1997, pooran singh, indian immigrant, pat, john james moore, vera moore, john and vera moore, john moore, guyatt’s funerals, kapil dev, harmel uppal, avis quarrell

The photograph shows the Royal Mail wagon outside Herbert's General Store in the main street of Orbost. This store was one of the first in Orbost, located in the lower (southern) section of Nicholson Streety. Lancelot Herbert had come to Orbost in c.1886 to become a partner in the store with Massey Coote. After Mr Coote's death in 1891, Herbert bought out the partnership. Progressively, the Herbert family went on to own many businesses in Orbost, Cann River and Noorinbee. This is a pictorial record of transport in 19th century Orbost. It is associated with the Herbert family.A black / white photograph of a travelling salesman and his samples on the Orbost Coach outside Herbert's grocery store. Two other men are standing nearby. The photograph is on a cream buff card.on front - "Traveller's Samples on Orbost Coach"herbert's-store transport

The Little Wonder Store was built in 1883 from materials of the demolished Maddingley School. It was located on the corner of Grant Street and Labilliere Street. In 1886 James Alford obtained a licence to conduct the Railway Hotel and General Store there. A second storey was added later and the building continued to operate as the Railway Hotel. It was destroyed by fire in 1998. The photo also shows the covered wagon of a travelling salesman, who were known as ‘hawkers’, who were significant in the supply of goods and news to outlying towns and districts before the development of road and rail networks. Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the Jeremeas Family Album which contains photographs of Bacchus Marsh and District in 1883 by the photographers Stevenson and McNicoll. The photo shows a single-storey building of bluestone and brick with two signs on the front and side, the front sign reading “THE LITTLE WONDER” and the side sign “GENERAL STORE”. Above the door is a sign with the name ‘James Alford’. The windows display the merchandise of the store. Outside the store is a travelling salesman’s cart pulled by two horses. The salesman sits in the cart ready to drive off. Standing along the street outside the store are three men, three women and two young children.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh, general stores bacchus marsh vic., hawkers, hotels bacchus marsh

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.4 sample pieces of cream machine made lace stitched to backing board.On display stand ' C. R. Eichhom Plaven I. V. 'handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream lace used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream lace piece used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposesFriedrich Seidel, G. m b. H. Plaven I. V. No A11704 5 7-2handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece of cream lace used for demonstration purposesFriedrich Seidel, G.m.b. H. Plaven , I. V. No. A11705 7 7-4handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream Guipere lace used for demonstration purposeson display stand ' C. R. Eichhom Plaven I. V.'handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream piece of lace used for demonstration purposes.On display stand ' C. R. Eichhom Plaven I. V.handcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Piece cream lace used for demonstration purposeshandcrafts, lacemaking

Part of a travelling salesman's lace samples from Plauen, East Germany, a lace making town since 13th Century.Cream Guipere lace piece used for demonstration purposeson display stand ' C. R. Eichhom Plauen I. V.handcrafts, lacemaking

Part of traveling salesman's lace samples from Plauen, East Germany, a Lace making town since 13th CenturyPiece cream lace used for demonstration purposesOn Display Stand, C. R. Eichhom Plauen I. V.handcrafts, lacemaking

This cash register was made in 1903 at Dayton, Ohio (USA) by the National Cash Register (NCR) company, which still operates today manufacturing commercial equipment, including Automatic Teller Machines. Mr. Thomas Watson, the founder of International Business Machines (IBM), started as a traveling salesman for NCR.This register came from a shop owned by Mrs. Dulcie Anderson near the Star Hotel in Walhalla. This cash register consists a brass register that is now heavenly tarnished. The register has two mechanical displays on the back and fore on the front. The register is siting on a wooden chest with a dark varnish and cash draws ladled A,B,D,E,H,K, with draw E missing the metal letter.'NATIONAL' on the back.money, shop, shops, 1903, cash, cash register

Sydney Myer was born in Russia in 1878 and came to Australia in 1896. He was initially a travelling salesman before opening a drapery store in Bendigo in 1900. In 1908 he opened a second store in Bendigo. In 1911 he purchased Wright and Neil Drapery in Bourke Street. This led to the formation of the Myers Emporium that became the largest chain of department stores with branches in all states and territories.Myer's Invoice: Cream paper with black print. Registered Office : Pall Mall, Bendigo. Pall Mall and Williamson Street. Bendigo 3/2/198 (sic) Phone 1500, 3 lines. Bought of Myer's (Bendigo) Pty Ltd. Drapers and Outfitters. Wholesale and Retail Grocers. Ironmongery, Crockery, Glassware. Wine and Spirit Merchants Carpet and Furniture Warehouse. Sold By 14. Lamson Paragon Limited. Exd By. Purchased was: 1 Swimsuit at 17/9. Amount Tendered 170 Invoice no. 31. Purple stamp with paid on. Small tear. Box 625business, retail, myer's store, myer's bendigo

Bacchus Marsh Express of 7 November 1874 reports that this building was designed and erected by Mr Jeremiah Ryan for Mr H. G. Salter, draper. Mr Salter gave the name of "Hall of Commerce" to the building, a term in common usage at the time. The building was of a substantial size. In the Express of January 4 1879 Messrs Basham and Bradley advertised a wide variety of goods including drapery, millinery, ready-made clothing, boots and shoes and furniture. At the front of the building was the first pavement in the township. This photo forms a contrast with the photograph (also taken by Stevenson & McNicoll in 1883) of Timmons Clothier and Draper, but depicting an older building from 1857. This business was on the verge of closure, Mr Timmons conducting his business as a travelling salesman, taking his goods by horse and cart to outlying districts. The image provides an example of the growing scale of retail development in Bacchus Marsh in the late nineteenth century.This photograph is a record of a prominent commercial building that has undergone substantial change. The image shows the original upper floor which was destroyed by fire in 1928.The building retains its usage as a commercial premises.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Photograph of a two storey brick building with a front verandah. Various signage on second storey front and side, and on verandah, including: Hall of Commerce. Boots & Shoes. Men and Boy's Clothing. Furniture and Bedding. J. Carter Outfitter. Basham & Bradley. Milliners and Dressmakers. General Drapers. General Drapery. Warehouse. Latter signage obscures earlier signage. The photographer has captured a young girl sitting on a bench at the front of the store.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. Handwritten: Hall of Commerce. Cr. Main + Graham Sts built 1874 by Jeremiah Ryan. Destroyed by fire 1928. Courtesy Mrs. Jeremeas. Photo 1883.stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., bacchus marsh hall of commerce

Thomas Cunningham Reidy was a native of Clare, Ireland. Shortly after arriving in Australia, he was employed as a travelling salesman for a brewery at Seymour, Victoria. In about 1872 with Mr Andrew McCormick, he carried on a business as storekeeper at various points along the North-Eastern Railway whilst the line was being constructed, finally arriving in Wodonga. Their partnership continued with the construction of the Carrier’s Arms Hotel and a general store which opened in 1874. The store drew trade from as far away as Wagga Wagga in New South Wales. The Carrier's Arms was also a coach stop for the Bethanga Express Coach. When the Wodonga Shire was created in 1876 after being severed from the Yackandandah Shire, Thomas Reidy was one of the first Councillors. He resigned in the following year, but was re-elected a year later. He served as Shire President in 1880–1881 and again in 1883–1884. He also served as a Justice of the Peace. In 1884 the partnership between Thomas Reidy and Andrew McCormick was terminated and the Carrier’s Arms was sold to Edmund T. Powell. Mr Reidy purchased the Tangambalanga Estate near Kiewa where he focussed on stock breeding, including horses. Whilst at Kiewa he was also one of the promoters of the local butter factory, and was the Chairman of the first Board of Directors of the Kiewa Butter Company. Early in 1896, Thomas Reidy sold Tangambalanga Estate to Mr L. R. Davies-Griffith, having already purchased the Club Hotel in Morwell. Unfortunately, he died in Morwell on 15th December 1896 leaving behind his wife Mary and 10 children including a new-born son.This portrait is significant because it depicts a citizen of Wodonga who played an important role in commerce and local government in Wodonga.A colourised photo of T.C. Reidy in an oval plastic frame.t.c. reidy, wodonga councillors, carriers' arms wodonga

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Quilt featuring block pieces in tones of grey, blue, tan and brown, graduating in light to dark tones from top to bottom. The top third features a house with a verandah.quilt, wagga, home, house, housing affordability, design

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a title written in black ink on white background, another is a photograph of a quilt, the third shows a hand drawn sketch of a house with a verandah.Front: [handwritten] 95 / Judy Turner / The fading dream of / Australian Home Ownership. / Initial sketch while / deciding how to depict / the Fading Dream of / Australian Home Ownership.quilt, wagga, home, house, housing affordability, design

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Folio page depicting three items attached to a black card background. One item is a red, blue, black and white textile sample, another is a hand drawn sketch of a house, the third shows hand written text on lined paper in black ink.Front: [handwritten] Final / design / for housequilt, wagga, home, house, housing affordability, design

‘The Fading Dream of Australian Home Ownership’ was made by Judy Turner in 1989 for her son Nicholas (then 14 years) after a family discussion about mortgages and rising interest rates (17% at the time), out of concern for his generation. “Perhaps this will keep my son warm when he can’t afford a house”, wrote Judy at the time. As a quilting teacher for over thirty years, Judy was well aware of the ‘wagga’ tradition of making do with what you have and reusing resources to make something useful. The quilt was made using approximately 270 different men’s woollen suiting samples. The fabrics in the quilt were a gift from Micheal Haze who was a travelling men’s ware salesman and friend of the artist’s late husband. The suiting samples were used just as they were, without cutting, and are stacked liked house bricks. The pieces have been machine pieced and tied. The quilt has woollen backing, with no batting. Judy’s son Nicholas, always interested in drawing, and keen to see what his mother was making, helped with the drawing and design of the house. The quilt has been exhibited in Canberra, Armidale and Sydney and featured in publications in Australian and Japan. Judy’s work has been exhibited Nationally and Internationally, including in Japan, Korea, Germany, Switzerland and the United States of America. Judy’s work has featured extensively in publications around the world, and has received many awards. Her work is held in public and private collections across Australia and the USA. As well as a successful career as an artist, Judy spent three decades imparting skills to the next generation as a patient and skilled teacher. ARTIST STATEMENT The medium of my artistic practice is quilt making and my focus is the use of colour and speedy, accurate and efficient methods of making successful quilts. In 1995 I developed an original technique of applying woollen yarn to a woollen background, focusing on the subtle blending of colour to express an idea. Author of Awash With Colour (1997) and co-author with Margaret Rolfe of Successful Scrap Quilts (2002).Two typed letters held together with a staple. The first letter has a grey printed letter head which includes a logo of a person with wings holding a heart.[printed] PATCHWORK QUILT TSUSHINquilt, wagga, home, house, housing affordability, design

This is a pair of vintage DePuy wire mesh splints made to support a broken leg while the bone mended. The design was in use before and during WWI. It replaced the wooden splints previously used to reset bones in the late nineteenth to early 20th century. This new splint was invented by a traveling pharmaceutical salesman, Revra DePuy. He began manufacturing in his Warsaw, Indiana in 1895; the first commercial manufacture of orthopaedic equipment in the world . The company eventually became Johnson & Johnson. This pair of splints was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. These splints would have belonged to Dr Tom Ryan before being passed onto Dr. W.R. Angus. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The pair of splints was made by the world’s oldest orthopedic company, founded in 1895. The splint was a part of Dr. Tom Ryan’s equipment that was passed onto Dr W.R. Angus. It is part of the collection of historical medical equipment used in Western Victoria in the late 19th and early 20th century. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Splint, (pair of 2) from the W.R. Angus Collection. Stiff wire mesh with a hard metal border around the edges, shaped as a food and half leg, with printed paper labels attached to the top. Labels show manufacturer and instructions. Made for supporting Tibia and Fibula bones. Label attached to one split reads "DePuy Adjustable Wire / PATENTED / Tibia and Fibula Splint / No. 32 Medium Posterior / DePuy Manufacturing Co. / Warsaw, Indiana""DePuy Adjustable Wire / PATENTED / Tibia and Fibula Splint / No. 32 Medium Posterior / DePuy Manufacturing Co. / Warsaw, Indiana"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, medical history, medical education, medical text book, wire mesh splint, wire mesh cast, orthopaedic medical equipment, bone setting equipment, 1910’s medical equipment, medical artefact

This money, belt made of soft leather, would have been used in the mid 1900's by horse riding traders or wealthy property owners. It could also have been used by miners or other commercial business men. The main criteria for such a belt is security for valuables during travel on horseback. Commercial traders who plied their wares on horseback or caravans during a period where poor roads and flood prone rivers could dislodge wallets or money "sacks".The Kiewa Valley in the early 1900's was an environment which was frequented by the "canny" travelling salesman using dirt tracks and having to cross swollen rivers and creeks throughout the year. Travelling times within the rural areas in and surrounding the valley called for more frequent stops in bush lands. Camping presented itself with great challenges not to loose small cumbersome coin and notes. Local banks were of short supply and although bartering was a thriving method of transactions within the Valley traders from other regions were not so forth coming. Where ever possible local "trades" were called upon more than in city areas for limited products of a rural incline.This "vintage" handcrafted money belt has been professionally made circa 1950's. It appears as though it might have been made in a saddlery. There are five pockets each fastened by black painted "press studs". The stitching is of a high standard and the pockets are large and well defined. The buckle is circular with one fastening pin.handcrafts, leather work, vintage money belt, personal effects.

Leather bound book. The cover is sculpted cardboard with burgundy leather, heavily gilt embossed with pictures and text. The edges of the front and back covers are bevelled and gilt embossed. Silk endpapers at front with marbled endpapers at back. Numerous coloured illustrations, b/w illustrations. Bi-lingual in English and German. Abridged Bible text, as it is a travelling saleman's copy. Some blank ruled pages for subscribers details.Numerous family Births and Deaths noted, from 1850 to 1977. Various photos and tokens under the 'Family Portraits' pages at the rear.bible, family bible, saleman, travelling representative, family history, births, deaths, register, gilt embossing

This moustache cup holds high historical, cultural, and familial significance as a rare surviving example of personal tableware associated with Heinrich Emil Julius (‘Jules’), born 1871, a sociable and well-known travelling salesman for the Schneider china company. More than a decorative piece, the cup reflects Jules’ profession, identity, and daily life as he travelled regional routes by buggy, promoting and selling fine porcelain to households and retailers. The moustache cup also embodies the close-knit relationships within the extended Ziebell family. Jules visited his first cousin Charles Ziebell and Charles’ wife Annie weekly at their Chapel Street smallgoods shop, where he would share lunch and bring items of quality tableware sourced through his work. Much of the couple’s china collection, including this moustache cup, entered the family through Jules, marking it as an object of familial exchange, generosity, and affection. Manufactured by Porzellanfiguren Gräfenthal, with origins in the renowned German firm Unger, Schneider & Co. (established 1859), the cup is also a fine representation of nineteenth-century German porcelain craftsmanship. The continuity of production methods and marks well into the twentieth century further enhances its material interest. Together, its documented provenance, association with prominent Ziebell family members, connection to German porcelain history, and representation of social customs such as moustache-wearing and specialised drinking vessels make this moustache cup a meaningful and culturally valuable item within the Ziebell family collection and the broader narrative of German migration and domestic life in Victoria. Unger, Schneider & Co.