Illustrated book with dustjacket. Book has plain white cover. Dust jacket has grey background, on front cover are two black and white photographs of groups of nurses, coloured print of the Sydney Hospital's coat of arms, title (red, gold and black print) and author's name (gold print). Title and author's name are printed in gold on spine, along with coloured print of Sydney Hospital's coat of arms. On the back cover are black and white photos of the nine Lady Superintendent/Matrons/Directors of Nursing, and a coloured photo of the graduate nurses' badge.non-fictionThis book documents the history of nursing at the Sydney Hospital, includes information about the training and status of nurses and how these factors have influenced their uniforms. Also listed are all nurses who graduated from the Sydney Hospital.sydney hospital-history, nurses-nsw-history, nursing-nsw-history, hospitals-nsw-history

"Dear Alice" Is a collection of 142 Postcards from Australia and around world, almost all of which are addressed to Miss Alice Evans, No. 2 Cox Gardens, Williamstown, dated between 1905 - 1909. These postcards form part of a collection found in the ceiling of No. 2 Cox Gardens by a local builder and carpenter Gordon Peterson. Peterson was contracted to demolish the house in the mid 1970's. The cards were held in the Estate of Gordon Peterson, along with a photo of the cottage, before demolition until donation to the historical society by his descendants in 2024. Alice Edith Evans was born in Williamstown in 1885 to parents Benjamin Samuel Evans (1833-1900), a bootmaker from Ruabon, Denbighshire, Wales and Catherine (nee Jones) (1850-1915) from Eaglehawk, near Castlemaine. Alice had three older step sisters, and two younger brothers, Benjamin and Samuel, who sadly died in infancy. Alice’s father, Benjamin, had been married previously, his wife dying during childbirth, leaving him with three daughters to care for. After leaving school, Alice was employed as a clerk with Trevor Jones & Co. (real estate agents), until her declining health prevented her from working. She was an active and well known member of the Welsh Church and Sunday School on Ferguson Street and enjoyed singing and playing in local concerts. Well known in the community, a Grand Benefit Concert was organised in her honour on 9th April, 1910, at the Mechanics Institute, Williamstown. Hosted by Mayor Cr. Wymark, the event featured a delightful program of musical performances, showcasing both individual talents and the Carlton Club Choir. Tragically, Alice passed away due to the effects of her illness on 3rd December 1910, at the age of just 25. She is buried in Williamstown Cemetery. The postcards, written between 1905 to 1909, illustrate the social history of residents and everyday life at the turn of the century, using postcards as a means of communication.This postcard forms part of the collection of 142 Postcards. A postcard, black and white photograph of Bridal Veil Falls, Leura, N.S.W. with a group of seven individuals standing at the base of the falls.Bridal Veil Falls, Leuraalice evans postcards, waterfalls, bridal veil falls, leura, new south wales

Mary Pilgrim married Graham Keam 1953 at Winiam Methodist Church by Rev. A. C. Boquest.The Pilgrim family has been in the district for generations, possibly one of the early pioneers of Winiam, Victoria.A charming white lace frock with a train and scalloped neckline set with diamente. Her veil of embroidered tulle was held in place with a coronet of orange blossoms.scalloped neckline set with diamente, and embroidery on veil.1953 wedding dress, pilgrim, keam, ceremonies, marriage, bride, textiles - bridal - fashion

1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge.

In the early days of beekeeping, protective veils were not worn. It was considered a sign of weakness if you could not put up with bee stings. This veil was made by Amy Robinson- her husband and his brother had no interest in putting up with being stung. The solid cloth at the back stops bee stings completely; the veil, while good, does not stop stings if it is pushed up against skin.Original handmade beekeepers veil belonging to Bill Robinson. Mended many times over by his wife Amy Robinson.Handmade beekeepers veil; metal mesh over front facing, cloth veil. Repaired with brown cotton. Very fragile.beekeeper, veil, antique, equiptment, beekeepers veil, beechworth honey

Confirmation veils were worn in High Anglican Churches by girls being confirmed until the 1960s. Some churches lent them to the girls, others owned their own veil. This veil was donated by Mrs Joy IvoryA square silk veil, folded back on the monogrammed corner. The embroidered 'W' stands for Watson, the family name of the owner.Embroidered with a W on one cornerfashion and textiles collection - kew historical society, lace, women's clothing, confirmation veils, girl's clothing

Wedding veil worn by the donor in 1963White tulle veil attached to comb with cream satin bow sewn on to it. See Wedding Dress NA3477costume, female headwear

An example of a wedding veil and headpiece dated around the 1920s to 1940s.This item is significant historically and socially as an example of a wedding veil and headpiece from the early 1900s.Full-length veil with a short train. A looped lace edging and lace trailing flower design is around the outside of the veil. The bridal wreath headband is composed of wax orange blossom flowers and pearl droplets attached to a wire base wrapped in cream ribbon.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, wedding veil, wax orange blossom headpiece, wax flower wreath, wax flower bridal wreath, orange blossom bridal wreath, lace wedding veil, wedding headpiece

Worn for the marriage of Evelyn Gledill to Richard Osborne in 1937. Evelyn Gledill was mother of Barbara Keene whose bridal veil is catalogue as NA2908.Bridal veil is a 3/4 circle with black hat elastic. Green wire circle of white flower buds with fringe of remaining veil net and looped green satin wire of white flower buds. Centre front are five cream (brownish) roses.costume, female ceremonial, costume accessories, hair accessories

Dress worn by Mary (Molly) Sprunt on marriage to John (Jack) Leith on 12 March 1938 at St Andrews Presbyterian Church, Rushworth. Veil was handmade by mother Madge Brydon in 1912 for her wedding. Dress and veil donated by Molly's daughter. Dress also worn by sister - Lyndsay (Lyn) Sprunt for her marriage to George Hendrie on 10 November 1945 at St John's Church Elsternwick. Gown made by Molly and Lyn's aunt Edith Brydon. Veil (NA3495) worn was made by mother Madge Brydon. Donated by Molly's daughter.Cream damask 1938 satin dress. Long sleeves, cross over neckline to a diamond front panel. Skirt cut on the cross, with front pleat. Back skirt has long train. Self-covered buttons at centre back.|See also NA3495 - Veil. Also worn for 1945 wedding with veil. NA3496 - Shawl.costume, female ceremonial

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

Abbess- Nuns were permitted to travel and wore apparel reflecting fashion of the era. This brought criticism which led to uniformity. The veil symbolizes obedience humility and service. In the modern nurse the veil is a symbol of service to mankindMiniature Doll 30cm tall. Dressed in fawn coloured fitted dress with beaded belt falling the length of the dress with cross emblem. Doll is wearing fawn coloured head type veil/scarf. Name tag - Abbessnursing uniforms, nursing history, northern district school of nursing, miniature doll

This certificate was presented at the East Gippsland Shire Council Australia Day celebrations on 26.1.2003. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway. The Veiling of McKillops Bridge was a significant community event.A large framed certificate. An Australia Day Community Event certificate for January 2003. The frame is silver The certificate has white, green and blue print on a blue background.presented to "Veiling of McKillops Bridge on frame corner AMS by East Gippsland Shie Council signed by Cr P. Bommer (mayor)mckillops-bridge-veiling east-gippsland-shire-council-australia-day

Wedding dress and veil worn by Margaret Vyner at her wedding to Ian McKendrick on 11th January 1958The McKendrick family came to Mt Beauty very early in the Kiewa Hydro Electric Scheme (KHES) days. Their son, Ian, worked in the Mt Beauty Post Office for 40+ years. The Vyner family were long time employees of the SECV working on the KHES and were residents of Mt Beauty. Margaret was a nurse at the Tawonga District Hospital at the Tawonga site and at the Mt Beauty site.Long soft white taffeta under-skirt. The outer is cut on the cross, made of nylon and with a train and has appliqued lace of a flower and is beaded. The sleeves are long and shear. The taffeta bodice is fitted with a featured V waistline. The sleeves are pointed (to cover over the hand) with a flower applique. There are 5 pearl buttons down the back and are fastened with loops. The side zip is metal and on the right hand side and at the top there is a hook and eye. The bridal veil - A large tulle circle edged with lace and formed into a 2 tiered veil held together with a green covered wire circlet decorated with wax flowers.vyner family, mckendrick family, wedding dress with veil

Veils were worn to cover a nurse's hair and were usually square in shape. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. This veil is part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.One piece of square white lawn material used as a nurse veil.red cross, world war 1, nurse uniform

Veils were worn to cover a nurse's hair and were usually square in shape. Ethel May Ogilvy (nee Stoddart) became a Red Cross Nurse during World War I after completing a course in Nursing and Hygiene conducted by the St John Ambulance Association in November 1914. The Red Cross was ostensibly non-military in line with its principles of neutrality and independence. While a group of 20 nurses were sent to Europe by the NSW Division of the Red Cross, most Red Cross nurses, like Ethel, contributed to the war effort at home. They filled a need created by the exit of a large number of Australian nurses to the front and by the influx of seriously injured personnel who were brought back home. In 1919, Ethel Stoddart married Arthur James Ogilvy, a veteran of the Boer War and World War I. The couple moved to Emerald in 1936 where they lived the remainder of their lives. This veil is part of a complete World War I Red Cross nurse uniform held by the Museum which was worn by a young woman who later moved to Emerald. The uniform is emblematic of the variety of ways in which women contributed to the war effort.One piece of square white lawn material used as a nurse veil.red cross, world war 1, nurse uniform

Olive green linen envelope lined with green silk. Flap is decorated with embroidery and ribbonwork in a design of ribbons and flowers - shades of yellow, blue and green."Folded in this dainty case are filmy veils for thy Fair Face"embroidery, ribbon work, sachet, 1900-20

Eleanor Mary Kennedy married James Bourke on September 2nd 1950 at the Sacred Heart Cathedral, Bendigo. The wedding reception was held at Favaloro's, Bendigo.Grey/Blue net veil decorated with embroidery and a lace strip near the headband. The veil has three layers of net. It is edged with lace trim. The veil is discoloured.bridal horseshoe, ribbon embroidery, ella bourke

White Nurse's veiluniform, ww1, army

Use: Domestic. FashionMachine lace bonnet veil

Use: Domestic. FashionMachine lace bonnet veil

This album was donated to the Orbost & District Historical Society after the death of Judy Walcott, a long-time member. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway.This album is a useful reference tool.A large photo album with a bright yellow cover and 19 plastic sleeves. It contains photographs, newspaper clippings, brochures , maps and an invitation to the veiling of McKillops Bridge on 8th August 2002. It also contains the history of McKillops Bridge.On inside cover - left hand side - "To Marie with Best Wishes from Judy Walcott 8/8/2005"mckillops-bridge album

Reproduction Nurses army uniform veiluniform, ww1, army

Nurses white uniform Veil repoductionuniform, ww1, army

Bookplate featuring a dancer with a veil and a paintbrushbookplate, rachael rovay, dancer, veil, paintbrush

On staff 1942, retired 1976. Deceased 1992Has accompanying badges Q 88.93.7, q 88.93.8, Q88.93.9Head and shoulders of Sister Mary Thomas in uniform with veilnurses

Part of a series of items related to Clare Rothwell Macintire. Clare Rothwell Macintire was born 27 July 1910 in Essendon and enlisted with the Royal Australian Airforce on 3 August 1943. Her service number was 500432. Black and white photograph of a nurse in a white veil shaking the hand of a nurse in a military blazer with epaulettes. Another nurse wearing a veil and two more nurses in miltary blazers are in the background. Stamped on reverse: 'COPYRIGHT / NOT FOR REPRODUCTION / HERALD FEATURES / MELBOURNE AUSTRALIA'army nurse, clare rothwell macintire, wwii, world war two, ww2

Worn by Mrs. H.N. Lord during the 1970's.White straw hat with brim, veiling and white material flowers.hats, cocktail hats