Villa Maria, later known as Villa Mar has a close association with the Catholic Church, with identifiable and notable Catholic attributes such as the inner courtyard and chapel on the villa. It also is symbolic of a rural retreat which the Beaconsfield area was once noted for.This house is a symbolic representation of the Federation Bungalow architectural style, with influences of catholic attributes.Colour rectangular photograph developed on matte photographic paper.N/Abeaconsfield, cardinia shire, villa maria, villa mar, architecture, catholic church

Villa Maria, later known as Villa Mar has a close association with the Catholic Church, with identifiable and notable Catholic attributes such as the inner courtyard and chapel on the villa. It also is symbolic of a rural retreat which the Beaconsfield area was once noted for.This house is a symbolic representation of the Federation Bungalow architectural style, with influences of catholic attributes.Colour rectangular photograph developed on matte photographic paper. N/Avilla maria, villa mar, architecture, catholic church, beaconsfield, cardinia shire

External pictures of St Alipius School and the Villa Maria Sacred Heart Convent and an interior picture of the kindergarten. These buildings are located on Victoria Street. This comes from the Ballarat Homecoming publication.st alipius, villa maria sacred heart convent, buildings, victoria street, education, catholic schools, public, ballarat, ballarat homecoming

The villa was built by mining speculator, Mr Fortune and it became know as 'Fortune's Folly'. The tower was added by Joshua Gregory, a well-to-do grocer originally from Hertfordshire. The Sisters of Mercy acquired the building in 1902. villa maria, melbourne road, fortune street, joshua gregory, sisters of mercy, building, public

villa maria, sisters of mercy, building, public, garden

Edward Augustus Atkyns was born in Wiltshire, England in 1840. His family emigrated to Australia in 1852. As a young man he was a keen cricketer and played at the first cricket ground in the district, located between Barkers Road and Hawthorn Grove, on the site of the future Barker railway station. Atkyns was admitted to the Victorian Bar in 1861, initially working in his father’s practice. He sat as a local magistrate in both Kew and Hawthorn and acted as solicitor for several shire councils. Elected to the Hawthorn Borough Council in 1863 at the age of 23, he served in that municipality as mayor in 1866-67. By 1877, he had moved to Kew where he lived at Neama in Studley Park Road, a property later incorporated into the St Paul’s School for the Blind.Rare colour photograph of what was once a significant house in Kew.Original colour positive photograph (Kodak print) of the main house of 'Neama', colloquially known as the 'farmhouse'. Photographed by Stewart West in April 1978 (it was later demolished by the Villa Maria Society).Annotated reverse: "Front view of Neama / Farmhouse on St Paul's School for the Blind Children / Fernhurst Estate"st paul's school for the blind, neama, studley park road -- kew (vic.), historic houses -- kew (vic.), villa maria society

Edward Augustus Atkyns was born in Wiltshire, England in 1840. His family emigrated to Australia in 1852. As a young man he was a keen cricketer and played at the first cricket ground in the district, located between Barkers Road and Hawthorn Grove, on the site of the future Barker railway station. Atkyns was admitted to the Victorian Bar in 1861, initially working in his father’s practice. He sat as a local magistrate in both Kew and Hawthorn and acted as solicitor for several shire councils. Elected to the Hawthorn Borough Council in 1863 at the age of 23, he served in that municipality as mayor in 1866-67. By 1877, he had moved to Kew where he lived at Neama in Studley Park Road, a property later incorporated into the St Paul’s School for the Blind.Rare colour photograph of what was once a significant house in Kew.Original colour positive photograph (Kodak print) of the secondary building at 'Neama', colloquially known as the 'hall'. Photographed by Stewart West in April 1978 (it was later demolished by the Villa Maria Society).Annotated reverse: "Timber hall on Fernhurst land / Transported there approx 1878."st paul's school for the blind, neama, studley park road -- kew (vic.), historic houses -- kew (vic.), villa maria society

Minutes of the first White Cane Day organising committee, led by Bryan Sitlington, who organised events to celebrate the first proclaimed White Cane Day in Victoria.22 pages of typed meeting minutes on white paperwhite cane day, bryan sitlington, john blanch, blind members council, howard m. lightfoot, norman banks, derek pickard, adrienne kemp, lindsay mcmillan, c. poulson, royal guide dogs association, l. triggot, val whitehead, villa maria society, r. johnston, royal victorian eye & ear hospital, royal victorian institute for the blind, braille and talking book library, association for the blind

Minutes of the second White Cane Day organising committee, led by Bryan Sitlington, which decided to concentrate activities on to a single day. 20 pages of meeting minutes with covering letterwhite cane day, bryan sitlington, john blanch, villa maria society, blind members council, lindsay mcmillan, royal guide dogs association, national federation of blind citizens, m. jones, royal victorian eye & ear hospital, lady nell seeing eye dog school, allen egerton, val whitehead, royal victorian institute for the blind, braille and talking book library, association for the blind

Minutes of the third White Cane Day organising committee, led by Bryan Sitlington.22 pages of typed meeting minutes on white paperwhite cane day, guide dogs for the blind association victoria, allen egerton, bryan sitlington, jennie lawrey, royal victorian eye & ear hospital, villa maria society, ross johnstone, val whitehead, mark jones, phyllis gration, adrienne kemp, jennifer gordon, national federation of blind citizens, royal victorian institute for the blind, braille and talking book library, association for the blind

Minutes of the fourth White Cane Day organising committee, chaired by Bryan Sitlington.20 pages of typed meeting minutes on white paperwhite cane day, bryan sitlington, royal victorian eye & ear hospital, guide dogs for the blind association victoria, jennifer gordon, jennie lawrey, val whitehead, villa maria society, greg cooper, hugh jeffrey, national federation of blind citizens, peter barilla, graeme rule, phyllis gration, royal victorian institute for the blind, braille and talking book library, association for the blind

Minutes of the fifth White Cane Day organising committee, chaired by Bryan Sitlington.26 pages of typed meeting minutes on white paperwhite cane day, bryan sitlington, kathleen buchannan, graeme rule, jan kerr, val whitehead, harold gration, national federation of blind citizens, royal guide dogs for the blind association, royal victorian eye & ear hospital, ross johnstone, villa maria society, mark jones, national guide dogs mobility training centre, camille wilkins, royal victorian institute for the blind, braille and talking book library, association for the blind

Minutes of the eighth White Cane Day organising committee, chaired by Bryan Sitlington. This file also includes minutes from a meeting of the Australian National Council of and for the Blind, which Mr Sitlington attended in his role as chair.39 pages of typed meeting minutes on white paperwhite cane day, bryan sitlington, australian national council of and for the blind, harold gration, national federation of blind citizens, royal guide dogs for the blind association, royal victorian eye & ear hospital, ross johnstone, villa maria society, camille wilkins, iris whittaker, dr t davidson, john cook, royal victorian institute for the blind, braille and talking book library, association for the blind, e.e. (ted) petersen

Minutes of the seventh White Cane Day organising committee, chaired by Bryan Sitlington.33 pages of typed meeting minutes on white paperassociation for the blind, braille and talking book library, royal victorian institute for the blind, royal guide dogs for the blind association, white cane day, bryan sitlington, val whitehead, harold gration, national federation of blind citizens, ross johnstone, villa maria society, camille wilkins, sue fraser, iris whittaker

Minutes of the sixth White Cane Day organising committee, chaired by Bryan Sitlington.25 pages of typed meeting minutes on white papersue fraser, royal victorian institute for the blind, white cane day, bryan sitlington, val whitehead, harold gration, royal guide dogs for the blind association, royal victorian eye and ear hospital, ross johnstone, villa maria society, mark jones, camille wilkins, bob gregory, sue hardy, chris anderson, braille and talking book library, association for the blind

Newspaper articles about blindness, visually impaired or blind people and activities.Scanned copies of newspaper articles collected by Lady Nelllady nell seeing eye dog school, royal victorian institute for the blind, association for the blind, royal institute for the blind (sa), villa maria society, queensland industrial institute for the blind, guide dogs for the blind association of victoria, australian national council of and for the blind, phyllis gration, max medlyn, christopher finnen, dawn goebel, arthur mackey, walter jacobs, kevin o'mahoney, jean smith, pam marks, white cane, assistive devices, garry stinchcombe, matey fisher, robert gordon, ruth keoden, winsome mclean, arthur wilkins, len childs, bob elliott, graham miller, jack birkett, norman pressey, don westaway, norman salmon, mark houran, yvonne simpson, irmo guglielamana, jenny ziviani, shaun oliver, peter goss, albert poelstra, ewan gouldon, uncle ben's of australia, dr henry nowik, mary martin, kathleen wenzer, donna hayes, ken campbell, barry murphy, michael riley, jack dowdle, harold gration, leah francis (nee wilson), john dingle, alex mcnish, peter richards, irene mye, jim finn, cec mcillwraith, terry carlson, keith smith, gordon stent, frank taylor, don verlander, olive moody, roslyn sackley, ross johnson, jako mikulic, jewel blanche, william mckennariey, vicki barclay, grantley dee, ray hannah

Set of three colour prints of TMSV operating the motorised cable tram set and Royal Park tram 256 11/3/1991. The rear of each photograph gives the details. Photos by Jeff Bounds. 1 - "Cable tram dummy 593 being pushed along Kingsway along Kingsway, side South Melbourne Depot after breaking chain drive in Park St when turning from St Kilda Road." SW 5, 777, route 64 following along with another tram. 2 - "Cable tram set 593 and 171 in Swanston St, looking north to Franklin St, as TMSV Exhibit in Moomba Parade in conjunction with the Villa Maria Society." 3 - "Horse tram 256 waiting alongside tracks in Swanston St (north) for Met Tram service to allow for it to enter The Moomba Parade as part of The Met exhibit." 256 is alongside W6 964, running a South Melbourne Beach route 1, followed by a W7 St Kilda Beach, route 15. Has the Royal Women's Hospital in the background.All have above details written in ink, along with "TMSV" and "11/3/91".trams, tramways, tmsv, moomba, events, swanston st, kingsway, w6 class, cable trams, w7 class, sw5 class, route 1, route 15, route 64, w6 class, tram 593, tram 171, tram 593, tram 777, tram 964

As part of the National Trust's Australian Heritage Festival 2021, the Kew Historical Society and the Villa Alba Museum collaborated to mount a fashion and design exhibition. The theme of the exhibition took its focus from the year-long program at the Museum featuring the use of flowers in design. The walls and ceilings of the house are notable for their use of floral and narrative painted decoration produced, in the early 1880s, for William and Anna Maria Greenlaw by the Melbourne art decoration firm the Paterson Brothers. The examples of fashion and design from the collection of the Kew Historical Society were located on the ground floor of the house: in the drawing room, dining room, morning room and in the vestibule, or ballroom as it was sometimes described in nineteenth century newspapers. The exhibition was supported by the City of Boroondara through Triennial Operational Grant funding for the Kew Historical Society and the Villa Alba Museum.Series of photographs taken by Mitchell Luo Photography of exhibition pieces in situ at the Villa Alba Museum in May 2021.textiles in bloom, exhibitions — villa alba museum, australian heritage festival 2021

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. The photo is of the Exterior (east) wall (east), the entrance to vestibule and an external fire escape. [The fire escape was later removed.]villa alba museum, conservation photographs, victorian architecture, fire escapes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of Villa Alba rear slate roof, chimney & chimney potsvilla alba museum, conservation photographs, victorian architecture, slate roofs

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing pair of arched exterior windows with etched glass.villa alba museum, conservation photographs, victorian architecture, etched glass, romanesque style windows

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing corner of slate roof with downpipes.villa alba museum, conservation photographs, victorian architecture, etched glass, slate roofs, victorian downpipes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing profile of bay window and tower.villa alba museum, conservation photographs, victorian architecture, cement render, quoins, bay windows, towers

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior of Villa Alba showing exterior wall including fire escape.villa alba museum, conservation photographs, victorian architecture, cement render, fire escapes

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior walls of Villa Alba with added building, later demolished, at left.villa alba museum, conservation photographs, victorian architecture, cement render

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of slate roofs on the rear section of Villa Albavilla alba museum, conservation photographs, victorian architecture, slate roofs

Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of a rear door covered with a wooden canopy. Wooden flawier door subsequently removed. villa alba museum, conservation photographs, victorian architecture, external doors