After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 22 Violet Grove, Kew East by Margaret Picken.22 VIOLET GVE., KEW / MARGARET PICKEN ~99 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 22 violet grove - kew east (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 24 Violet Grove, Kew East by Margaret Picken.24 VIOLET GVE., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 24 violet grove -- kew east (vic.)

Election pamphlet used in local government election to re-elect Violet Lambert 29 August 1959 as serving councillor. Retained by her family until donated to Southern Sherbrooke Historical Society.Three fold election pamphlet with photograph of Violet Lambert. Blue print on cream paper. Used in local government election to re-elect Violet Lambert 29 August 1959 as serving councillor. Retained by her family until donated.electioneering, 1959

Two speeches by Legatee Bill Rogers to the Benalla, Euroa, Violet Town group of Melbourne Legacy at the change over dinner in 2006 and again in 2007. He mentions the need for change as the widows were growing older, the redevelopment of Legacy House, and increasing the marketing of the Legacy brand using specialists. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of Legacy in 2006 and 2007.Print out x 3 pages of 2 speeches by President Legatee Bill Rogers to the Benalla, Euroa and Violet Town Group in 2006 and 2007.benalla, euroa, violet town, bill rogers, change over

This is Violet Hooke, daughter of Margaret Holloway Hooke and William Hooke. Violet was born in 1904 at Chiltern. She was the youngest of the five Hooke children. Portrait photograph, on a postcard, of Violet HookeWritten on back: "Violet"hooke family, holloway family, violet hooke

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2 VIOLET GVE HAWTHORN Margaret Picken ~98 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film.2/15 VIOLET GVE HAWTHORN Margaret Picken ~91 WOODARDS -HAWartist - margaret picken 1950-

A fluorescent screen seen with an illuminated scale shows the wavelength(s) of entering light. A Cylindrical Quartz Lens is provided to concentrate on the slit light from weak sources. The scale is illuminated by regular white light through a window. Ultra Violet Spectroscope. A black finished device with adjustable aperture in a storage box with eyepiece shield and clamping screw. scientific instrument, balance, spectoscope, ultra violet spectroscope, prism

Produced by City of Bendigo, Oct 1972Print of a drawing showing in very good detail, a proposed track extension into Violet Street in Bendigo. Document was drawn by C.F.P. in Oct 1975.City of Bendigo document, unnumbered; "Proposed Extension of Tram Track into Violet Street.". Drawn Oct 1972. Original dyeline print.Original dyeline print.provincial tramways, map, city of bendigo, bendigo, track extension

Produced by City of Bendigo, initialed bu J.R. Graves, 1/11/1972.Print of a drawing showing in very good detail, a drawing of a proposed track curve at High Street into Violet Street in Bendigo. Document was initialed by J.R. Graves dated 1/11/1972.City of Bendigo document 5712/10; "Proposed Curve, High Street into Violet Street. Scheme B.". Drawn 1948. Original dyeline print.Original dyeline print.provincial tramways, map, bendigo, city of bendigo, bendigo trust tram project

This photograph is thought to have been taken c.1919, when Violet was about 17. Violet married Carl Hoffman in 1926.Black and white copy of original photograph showing a young lady dressed in a white dress with her right hand resting on a book on an ornately carved tall table. She is wearing a large bow in her hair.violet reid (afterwards violet hoffman)

Produced by City of Bendigo, signed by the City Engineer J.L. Hicks, 1948.Print of a drawing showing in very good detail, a drawing of a proposed track curve at High Street into Violet Street in Bendigo. Document was initialed by J.R. Graves dated 1/11/1972.City of Bendigo document 5712/10; "Proposed Curve, High Street into Violet Street. Scheme A.". Drawn 01/11/1972. Original dyeline print.Original dyeline print.provincial tramways, map, bendigo, city of bendigo, bendigo trust tram project

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. The grave of Violet Laura Steel (1892-1914), after 1914. Violet Laura Steel, was the daughter of Charles Joseph Steel and Julia Harrington. She was born 31 October 1892 in the Police camp in Echuca, and died, aged 21, on 22 May 1914 at her father’s home ‘Maescourt’ in Gladstone Parade, Elsternwick. The photograph of her grave in the Brighton Cemetery is on the top half of a glass negative.st kilda cemetery, violet laura steel (1892-1914)

Black and White Photograph shows Violet Lambert walking behind a flock of sheep. In the background are paddocks and low hills. The photo was taken in the Lysterfield Valley, c.1959.

Violet MAGGS: related to William COOKSepia photograph of a woman milking a cow in a paddockmaggs violet dairying

Looking east from Midland Highway at intersection of Violet StreetDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, central deborah gold mining co. n.l., eaglehawk, george coop collection, golden square, high street, midland highway, tram, violet street

Looking east from Midland Highway at intersection of Violet StreetDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencybendigo, bendigo tramways no. 7, central deborah gold mining co. n.l., eaglehawk, george coop collection, golden square, high street, midland highway, tram, violet street

325-07 Inscription on back of photograph. "Violet Clarke, sister of Jimmy and Jack Clarke all born at San Remo 1880's - 90's. Violet married a Mr Sinclair and was the mother of Laurie. Jimmy & Jack Clarke's nephew, Laurie, like his uncles, never married." 325-08 Inscription on back of photograph. "Violet was the sister of twins Jimmy & Jack Clarke" 325-07 & 08. Hand coloured sepia portraits of Violet Clarke. 325-09. Sepia photograph of Violet Clarke's wedding.325-09. "25 years ago". Violet Clarke's marriage to ? Sinclair. Best man is probably Jack Clarke, brother Jimmy was most likely at sea.violet clarke, jack clarke, arthur woodley

Black and White Photograph of Councillor Violet Lambert who served on Ferntree Gully Shire Council (South Riding) between 1931 and 1959, and was President in 1946/7. Photo from the Alan Currie collection.

Pru Sanderson, in her groundbreaking ‘City of Kew Urban Conservation Study : Volume 2 - Development History’ (1988), summarised the periods of urban development and subdivisions of land in Kew. The periods that she identified included 1845-1880, 1880-1893, 1893-1921, 1921-1933, 1933-1943, and Post-War Development. These periods were selected as they represented periods of rapid growth or decline in urban development. An obvious starting point for Sanderson’s groupings involved population growth and the associated economic cycles. These cycles also highlighted urban expansion onto land that was predominantly rural, although in other cases it represented the decline and breakup of large estates. A number of the plans in the Kew Historical Society’s collection can also be found in other collections, such as those of the State Library of Victoria and the Boroondara Library Service. A number are however unique to the collection.The Kew Historical Society collection includes almost 100 subdivision plans pertaining to suburbs of the City of Melbourne. Most of these are of Kew, Kew East or Studley Park, although a smaller number are plans of Camberwell, Deepdene, Balwyn and Hawthorn. It is believed that the majority of the plans were gifted to the Society by persons connected with the real estate firm - J. R. Mathers and McMillan, 136 Cotham Road, Kew. The Plans in the collection are rarely in pristine form, being working plans on which the agent would write notes and record lots sold and the prices of these.The subdivision plans are historically significant examples of the growth of urban Melbourne from the beginning of the 20th Century up until the 1980s. A number of the plans are double-sided and often include a photograph on the reverse. A subdivision plan for nineteen ‘bonny, airy building blocks’ on either side of Violet Grove, Kew East. Violet Grove runs between High Street and Harp Road. Like many other subdivisions in Kew and East Kew, older houses (Lots 1 and 13) were often included in the subdivision. Such houses were in some instances the original properties that were subdivided, or in the case of the Violet Grove subdivision, new houses such as the weatherboard villa on lot 13. This villa is advertised as having a tiled roof, 5 rooms, panelled hall, double doors (Rooms 14 x 12 ft. 6 in. (2) 14 x 12, 12 x 11, 13 x 11). A bricked front verandah, a tiled stove recess and existing sewerage connection added to its saleable potential. Water, electric light and power, and gas were all offered as part of the deal. Violet Grove now has about 35 houses, which indicates that the 19 lots of the subdivision were to be further subdivided by purchasers. [A similar plan is in the Batten & Percy Collection of the State Library of Victoria.]subdivision plans - east kew, violet farm estate, violet grove -- kew (vic.), boorool road -- kew (vic.), harp road -- kew east (vic.)

Violet Margaret “Marg” Knee born 3/7/1953, died 16/1/2020, married John William Knee c. 1957 had 3 sons Warren, Russell and Rodney. Her parents were ward Henry (Ted) Burch and Violet Elizabeth Burch nee Yewdall who were married c. 1918A4 sized card folded in two

Violet Forber was a Bundoora resident and foundation member of the 50s Plus Club who died in August 20183 p. including photograph with bookmark and newspaper noticesforber family, violet forber

The Beagle Press, 1999.. Lge. 4to; pp. 128; frontispiece, 50 plates, bibliography; stiff illustrated wrapper, a fine copy. With contributions by Roger Butler, Anita Callaway, Jeanette Hoorn, Jacqueline Macnaughtan, Richard Neville, Juliet Peers, Kay Vernon and Liz Ward.non-fictionCatalogue of artworks by Australian female painter, Violet Teague.violet teague, windjammers, jane clark, felicity druce, artist, female artist, c.b. pedersen, carnarvon

On the 19th and 20th September 1910, the Mission organised a fundraising evening at the Masonic Hall on Collins Street. The "Tableaux vivants", called "Tennison's Dream of Fair Women" were arranged by artist Violet Teague. She arranged and painted the decors for the "tableaux vivants" in the Siddeley Mission. It's likely she also created the cover of this programme. "Mother and Lover of Men the Sea" is a verse form the poem: The Triumph of Time by Algernon Charles Swinburne While she was working, seamen from the Carnarvon Bay shipwreck were welcomed to the institute and subsequently invited to the evening. "They went through a large room, where a lady was standing on a scaffolding pointing a scene for the enter" tainment which is to take place this evening in the Masonic-hall. The lady was Miss Violet Teague, but she took her mind and her brush off the effects in marine blue sufficiently long to learn the main outlines of the story. " (Argus 19 September 1910). "During the evening the Rev W F Haire, acting chaplain to the mission announced that among those present were the shipwrecked survivors of the Carnarvon Bay, which was wrecked at King Island on Thursday last The men, who bore no traces of the hardships they endured took their places on the platform, whilst the large audience cheered itself hoarse and sang "For They Are Jolly Good relics". (Argus 20 September 1910) In 1935, Violet Teague was on the passengers on the C.B. Pedersen, one of the last windjammers. She Drew and painted during her voyage and exhibited the artworks in 1938.This rare programme is the last remaining testimony of the relationship between the Mission and famous artists of the time who provided illustrations for quotation calendars (Daryl Lyndsay, John Shirlow).12 pages programme. The cover is light blue paper with the design of the Greek ship printed in black ink.violet teague, tableaux vivants, 1910, fundraising, theatre, play, algernon charles swinburne, sponsors, advertising, carnarvon bay, shipwreck, una le souef, masonic hall, lady gibson-carmichael, willsmere certified milk and co, fry's cocoa, remington typewriter, hypol, lhlg, ladies harbour lights guild

Oral history interview of Ian Cooper and Violet Arnett by Alan Nuske. Recorded as part of 'The Years Between: an oral history of the RVIB 1866-1991'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. 4 audio recordings of recollections from former RVIB attendees and staffroyal victorian institute for the blind, allan nuske, oral history, ian cooper, violet arnett