Photograph made in 1990 by A.P. Winzenried for, "Green Grows Our Garden," p41.3 copies colour photograph. Copy of sepia photograph on an album page made in 1990 by A.P. Winzenried. Edna Walling standing in the Ornamental Gardens holding a tool over her shoulder. A male student walking in the background.On reverse, "Edna Walling as a student at Burnley, 1917 Courtesy of Noelle Kendall." ( Vaughan.)a.p. winzenried, green grows our garden, edna walling, female students, noelle kendall (née vaughan)

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 poinds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve.hepburn springs, locarno, mineral water, hepburn springs reserve, locarno spring, edna walling

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 poinds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve, with the new 'placed' rocks in the surrounds c2000hepburn springs, locarno, mineral water, hepburn springs reserve, locarno spring, edna walling

The Hepburn Springs Progress Association invited Edna Walling the the Hepburn Springs Reserve, and sandstone paths and bridges resulted. In 1934 there was a proposal to spend 2,000 to 3,000 pounds at the Hepburn Springs Reserve, with a govenrment loan suggested. Colour photograph of the stone bridge at Locarno Spring in the Hepburn Springs Reserve, with the new 'placed' rocks in the surrounds c2000hepburn springs, mineral water, hepburn springs reserve, edna walling

Portrait of John Wall, who was treasurer for the Association for the Blind between 1970-1989. This photograph was taken for an annual report based upon the ruled lines on the back of the photograph.Col. photograph of John Wall, treasurer at the Association for the BlindJohn Wall, treasurer 1970/1989association for the blind, john wall

Lorraine Wall presents a cheque for $12,474 to Frank Wyley as representative of the Cockatoo Uniting Church for rebuilding of the church after the Ash Wednesday bushfires. Mrs. Wall, her parents Olga and John Rowe and Russell were organisers of poster sales.Colour photograph of Lorraine Wall and Frank Wyley."Lorraine Wall Frank Wyley C&N 25/9/85 p 14"wall, lorraine, wyley, frank, cockatoo uniting church, ash wednesday bushfires

This publication is a result of funding made to the Corangamite Arts Council in 1990-91. Its aims were to identify and research the dry stone walls of the region, to raise their profile and through workshops continue the skills of those wanting to learn more about the craft. The book gives the history of the practice in the area and the various different styles with photographs to illustrate the different features. It also has a number of first- hand accounts written by stonewallers.This study has social, historical, artistic and interpretive significance as the walls are an important feature of the district. The account written by former builders of the walls provides an interesting insight into the various styles and reasons for their construction.Light green card cover. Front cover has 4 photographs of dry stone walls with title and other text in black. Back cover is plain. 144 pages. It contains a large number of black and white photographs of stone walls from around the district as well as maps. Report of the Corangamite dry stone walls Conservation project.dry stone walls, corangamite stone walls, warrnambool and district history, constructing dry stone walls

Hill's Dairy, Canterbury Road, Ringwood 1989-in the Barn. The Southern wall. Note the crude construction of the framing supporting the wall and the roofIn the Barn. / The Southern wall / Note the crude construction of the framing supporting the wall and the roof

Black and white photograph of masonry wall and tower" Jaffa Gate - Walls of Jerusalem. "

Work commenced at Rocky Valley Dam site in early 1947 and proceeded until May. Resumed work in October after the winter and a camp for the accommodation of workmen was commenced at this time. Work continued in 1948 with the establishment of work facilities, including the erection of two large excavators. At the dam site the river was diverted through a temporary pipeline. Work proceeded in the summer months with the placing of concrete in the foundations and earth and rock fill for the construction of the wall. Rocky Valley and associated spillway and outlet works were completed in March, 1959. A very good representation of the type of machinery available in the 1940's used for excavation of the dam and the construction of the dam wall.Black and white photograph of Rocky Valley Dam wall under construction. There are at least three cranes plus workmen in the photo. This is taken from the Heathey's Spur side of the dam wall looking back toward Sun Valley.Hand written on back of photograph "Rocky Valley Dam Wall Excavation" in blue ink.rocky valley, dam, wall, machinery

Excavation of a diversion tunnel was commenced in 1939 to divert water from the East Kiewa River to allow construction of the dam wall. This was completed in February 1940 and excavation for the dam wall commenced in the same month, with the first batch of concrete placed in September. Lewis construction Company had the contract, but the S.E.C. took over construction in March 1942 and the dam was completed in March 1944. Type of construction: reinforced concrete, slab buttress.Importance in the Kiewa area as it shows the formwork and preparation necessary before the pouring of concrete for the first dam in the Kiewa Hydro Electric SchemeBlack and white photos (2 identical) of early construction of Junction Dam wall, viewed from downstream.Back of photo, upper right hand corner: No. 1 - Construction of Bogong Dam Wall (written in pencil) No. 2 - Same as one (written in pencil)construction, dam wall, excavation, bogong, secv

This is a brochure commemorating the arrival in Australia of John and Isabella McLeod and the unveiling of a plaque at the Immigrants Wall in Portland in 2015. The Immigrants Wall is located in Bentinck Street in Portland, Victoria and was a Glenelg Shire Bicentenary Project to enable descendants of those who first set foot on Australian soil at Portland to commemorate this event by placing a memorial plaque on the wall. John and Isabella McLeod were two of these immigrants to come to Portland in 1854. They came from the Isle of Raasay in Scotland and they and their families settled in areas around Warrnambool (Purnim, Port Fairy, Framlingham, Rosebrook etc)This brochure is of some interest as giving some information on John and Isabella McLeod and their families who came to Portland in 1854 and settled in areas around Warrnambool. These McLeods are ancestors of Graeme McLeod, a Warrnambool and District Historical Society memberThis is an A3 sheet folded three times. It has printed information on the Immigrants Wall at Portland and on John and Isabella McLeod. The front page has an outline of the McLeod tartan and the clan badge. The pages include colour photographs and a McLeod family tree.Front page: ‘McLeod, John & Isabella, Commemoration of arrival in Australia, 1854, 7 June 2015, Immigrants Wall, Portland’john and isabella mcleod, immigrants wall, portland, warrnambool

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. City Walls, York, EnglandEngland (Handwritten) / York (Handwritten) / City Walls (Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Ex Camp 3 Templers who met up at the Museum in 1991.Colour photograph of Peter and Mrs Hoffmann and Erni Weller from Oakhurst NSW, standing in front of the original Museum. Mr Hoffmann holding a copy of Walls of Wire.Walls of Wire (cover)peter hoffmann, mrs hoffmann, erni weller

This whimsical sculpture high on the wall in a narrow lane uses woven wire patterns to lift the view beyond and to the sky. The artwork is of aesthetic significance to the people of BallaratWire sculpture attached to wallOUTROSPECTIVE/ Artist: Bridget Hellier/ This work is inspired by it's setting. Walking through a shopping mall it is easy to become immersed in consumerism and material things. I have tried to create a link between the urban and the natural world. Walking through the area I couldn't find many references to nature. The organic shapes that "grow" out of the wall to attempt to serve as a reference - reminding us of what once was./ Officially opened by Cr Des Hudson 7 December 2011./ Commissioned by the Public Art Advisory Committee on behalf of the City of Ballarat./ City of Ballarat logooutrospective, bridget hellier

Article from the Sunday Age 27 August 1995 on Edna Walling's garden design practices by Susanne Leonard.walling, edna, gardens

Letter written on paper with printed letterhead and crest of the Bendigo United District and dated July 10 1877. Funeral vouchers for Funeral Benefit late Wife of Bro Thomas Warren. Signed John Waller. Bendigo United District impression stamp on the paper.John Wallersocieties, aof, correspondence, ancient order of foresters no 3770 collection - letter, court king of the forest, thomas warren, john waller

“Overdale” Holden Homestead Concongella. James Holden settled on "Overdale" in the late 1860's. The Holden Family still live at "Overdale" The Holden Family have served on the Stawell Shire Council for over 100 years.Black and White enlarged photograph of house in file and small original photo in album. Building has prominent stone wall and trees around the house which has an inner timber and wire fence. Overdale sign on the stone wall.stawell

1. Black and white photograph of the SMB Retaining Wall 2. Black and white photograph of the bay windows at SMB Library1. Reatining wall crumbles, July 12 '93ballarat school of mines, e.j.tippett library, smb retaining wall, july 1993, ballarat courier propriety limited, copyright, grant street, grant street retining wall

Sepia photograph. J R Hoskins Timber & Iron Yard. Timber premises, verandah. Horse on left hand side, 10 men posed in foreground. C A Brown's shop partly pictured on left side, hairdressing saloon. Physical description: faded. Inscriptions/Markings: Wall Bros. Photographers, 15 Chapel St., St. Kilda. Exactly Opposite All Saints' Church.Wall Brosbusiness, bendigo timber & iron yards, wall bros photographers, j.r. hoskins

Dry stone construction as a technique is used for much more than paddock walls. Across the volcanic plains of western Victoriaare marvelous sheep dips, stock loading ramps, huts, dams, retaining walls, and the rich and largely undiscovered heritage of indigenous dry stone structures. Dry stone walls indicate many aspects of our rural environment; the geological beginnings of the way the landscape was created, the patterns of early settlement by pastoralists and squatters, the types of stock that grazed the land and the methods of cattle and sheep management, of the efforts to thwart the spread of rabbits .... "For the casual but interested observer dry stone walls are good to look at, to photograph, to get up alongside and see the way they are constructed, to appreciate the varying shapes and sizes of stones and learn of the techniques of keeping often quite rounded stones in place. Apart from walls and other dry stone structures on grazing land we can also see dry stone techniques used in other places and in other phases of our history. Indigenous Australians have built, and continue to build, structures for shelter or hunting or trapping eels and fish in rivers and estuaries around the country. At spots around our coast line there is evidence of simple stone structures built by early maritime explorers. Prospectors in early mining encampments used dry stone construction to build retaining walls or the low walls of rudimentary shelters. If the future of dry stone walls in the Australian landscape is to be assured. wall owners and local governments have to accept and embrace their custodial role in assuring the preservation and celebration of walls. This is not an easy task, but, along with putting the necessary statutory mechanisms to ensure their retention, it is a task that must be pursued. The Dry Stone Walls Association of Australia has as its primary goal the increase in awareness of wall owners and local governments of the importance of dry stone walls. It also seeks to increase the level of training of skilled and semi skilled wallers, and the gaining of rudimentary skills by farmers so that they can maintain their own walls". Melton Star Weekly article about the Stone Wallslandscapes of significance