Showing 46 items
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Federation University Historical Collection
Newspaper, Illustrated London News, 31 August 1895, 21/08/1895
... walter long... Calais by Hogarth Lord Asbourne Walter Long Maquis of Lansdowne... Lord Asbourne Walter Long Maquis of Lansdowne Henry James ...Eight pages from a magazine. * Empire of India Exhibition at Earl's Court * State reception of the Shahzada by the Queen at Windsor Castle - Presenting the Ameer's letter * Italian Fleet at Spithead * Lord Salisbury's new Cabinet Images include: Archduke Charles Ludwig of Austria Archduchess Maria Theresa of Austria Calais by Hogarth Lord Asbourne Walter Long Maquis of Lansdowne Henry James Michael Hicks-beach Lord Belfour of Burleigh Aretas Akers-Douglas Michael HIcks-Beach, Bart Edward Gibson walter wilson, queen victoria, empire of india exhibition, earl's court, shahzada, ameer's letter, italian fleet at spithead, lord salisbury, archduke charles ludwig of austria, archduchess maria theresa of austria, calais by hogarth, lord asbourne, walter long, maquis of lansdowne, henry james, michael hicks-beach, lord belfour of burleigh, aretas akers-douglas, michael hicks-beach, bart, edward gibson -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
... Printed declaration from Walter Philpot of Long Gully... The 'Observer' Office Printed declaration from Walter Philpot of Long ...Printed declaration from Walter Philpot of Long Gully declaring that he is under the age of 32 years and that his wife does not exceed 24 years and that they do not have any infirmity likely to shorten the natural duration of life. Also signed by H. L. Atkinson that he has examined the Candidate and to the best of his belief, he is quite free of any infirmity which would tend to shorten the natural duration of life. Dated 2 Apr 1866. Printed by Bro. Graham Berry, at the 'Observer' Office, Collingwood.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, walter philpot, h l atkinson, graham berry, the 'observer' office -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... [from EDHS Newsletter No. 75, November 1990:] WALTER...:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
... [from EDHS Newsletter No. 75, November 1990:] WALTER...:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque ...[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society No. 6 Vol. 5 September 1965, City of Moorabbin Historical Society No. 6 Vol.5 September 1965, 1965
This is Newsletter No 6 Vol .5 produced in September 1965 by Mr T. A. Sheehy CMHS for members and visitors The Aims of the CMHS are ‘to record the history of the City, and register something of the Australian Atmosphere, which the necessary speed-up in post-world-war two (WW11) immigration has caused to be lost; to produce a magazine at regular intervals, featuring the work of pioneers and the changing Australian scene; to work constantly with a long range view towards building a hall where records and exhibits can be housed’ (1961) Topics: AGM of CMHS at Cheltenham State School; MCC install horse trough in Cheltenham Park and Plaque re Toll Gate 1858-70 Cnr Paterson Rd / Nepean Hwy., CMHS purchase plaque to memory of Walter Meeres,first Headmaster Charman Rd School, Hon Don Chipp MHR re Junior Citizens Scheme; Cheltenham Arts & Crafts Display; 'The Three McQueens Contin."This is Newsletter No. 6 Vol. 5 of the CMHS September 1965 CMHS obtained a Kingston City Council Community Grant 2016 for the digitization and preservation of these Original CMHS Newsletters commenced in 1961 1 x L 26cm x W 21cm page 1 printed both sides CITY OF MOORABBIN HISTORICAL SOCIETY / AFFILIATED WITH THE ROYAL HISTORICAL SOCIETY OF / VICTORIA AND THE CHELTENHAM ARTS AND CRAFTS SOCIETY/ President Mrs N. Blackman….Editor of Newsletter Mr T.A.Sheehy...., Secretary Mrs F.Neville / VOLUME 5 No.6 NEWSLETTER SEPTEMBER 1965 city of moorabbin historical society 1961, sheehy t.a., newsletters, ashley r, neville f , blackman n , moorabbin city council, moorabbin roads board toll gates, mcqueen malcolm, chipp d mhr, junior citizens scheme moorabbin,meeres walter, horse trough, market gardeners, pioneers moorabin cheltenham, bentleigh, highett -
Federation University Historical Collection
Documents - Reports, Unidentified Large Cat Sightings in Maryborough
The folder or correspondence is the result of a Freedom of Informaition request made to the Department of Primary Industries in 2011. The folder was collected for research being conducted by David Waldron. John Higgins, managing editor of the Maryborough Advertiser was interested in sightings of what some suggested to be a puma or mountain lion in Central Victoria. A number of A4 printouts relating to large cat sightings in the Maryborough (Vic) area, many reported by the Marlborough Advertiser. The large cat referred to is often referred to as a Puma or Mountain Lion. (.7) Profile of Central Victorian Cat Australian Animal Folklore Collectionaustralian animal folklore collection, cat, ferral cat, puma, mountain lion, maryborough, maryborough victoria, ds saunders, bryan walters, bernie mall, peter chapple. graham george, australian cougar, felid, pamela parker, alan foskett, daisy hill, panther, john dix, ray elliott, dennis wiley, police sightings, graham hunt, brian douglas, stuart mill, graeme grant, a. venes, avoca, julie hobbs, greg gallagher, taltarni, moonambel, fred beach, majorca, michael rayner, chateau remy, john robb, wayne irvine, brian anderson, peter davies, talbot, joyce davies, tom davies, len farthing, barry rinaldi, edward stone, brian stone, judith tranter, alan poole, shane long, jim smith, lloyd forge, carisbrook, murray henderson, doug grose, john higgins, footprint cast, australian dasyurids, felis concolor, lioness, lion, shane long, wareek, koo-jar hill, american troops, betley cat, daisy hill cat, phelan road cat, amherst cat, john higgin, angus reynolds, betley tiger, tim clark, walters cougar catcher, identification chart, david towler, bob carr, rare fauna research society, lancefield cat, bernie mace, robert pattison, bryan de lacy, romsey, murray henderson, brian collinson, neil grummett, grummett, kenneth lamont, lamont, foskett, hobbs, rinaldi, poole, forge, henderson, grant, elliott, anderson, stone, irvine, douglas, stewart, long, mythical, myth, folklore, australian mythical animals collection, david waldron, land protection, d.s. saunders, judith henke, ravenswood, wedderburn, feral cat, laanecoorie, shellbourne, barru rinaldi, lan poole, dorothy smith, amherst cemetery, graham grant, maryborough advertiser, central victorian cat, st arnaud, kyneton, shane one wareek, lack of fossil evidence, koo-jat hill, cougar hill, plaster casts, lummis, goldsborough, ian lummis, hamilton, swan hill, wodonga -
Federation University Historical Collection
Book, George Robertson & Co, Ivanhoe: A Romance, 1898
This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. Ivanhoe was written by Sir Walter Scott and this Victoria Edition was called the Australasian Issue.This red cloth covered book has a front cover imprinted with a Scottish thistle and leaf design and a crest. The spine is impressed with a design and Victoria Edition and is also has printed in gold 'Ivanhoe', 'Scott' and G.Robertson & Co.'. The book is 484 pages long.On inside cover in pen - To Edith from Hautric? West, Xmas 1917 On leaf in pen - To W.H.West Esq. You have Ivanhoe so haven't a notion? 1902 (There is a verse and a signiture which is difficult to read)chatham-holmes family collection, ivanhoe, sir walter scott, victoria edition australasian issue -
Flagstaff Hill Maritime Museum and Village
Literary work - Book, Ward. Lock & Co., Limited, The Complete Works of William Shakespeare, 1908
William Shakespeare 1564 to 1616 was an English playwright, poet, and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist. He is often called England's national poet and the "Bard of Avon" . His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. They also continue to be studied and reinterpreted. Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna and twins Hamnet and Judith. Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. At age 49 (around 1613), he appears to have retired to Stratford, where he died three years later. Shakespeare produced most of his known works between 1589 and 1613. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. He then wrote mainly tragedies until 1608, among them Hamlet, Romeo and Juliet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights. Many of Shakespeare's plays were published in editions of varying quality and accuracy in his lifetime. However, in 1623, two fellow actors and friends of Shakespeare's, John Heminges and Henry Condell, published a more definitive text known as the First Folio, a posthumous collected edition of Shakespeare's dramatic works that included all but two of his plays. The volume was prefaced with a poem by Ben Jonson, in which Jonson presciently hailed Shakespeare in a now-famous quote as "not of an age, but for all time.A book published in 1908 of Shakespeare works and significant as yet another reinterpreted of his plays only reinforcing that he was not only of his time but as his friend once said Shakespeare's works are for all time.The cover is burgundy coloured leather with embossed lettering and the inside covers are a dark green with a light symmetrical pattern. The edges of the pages are gilt.“The Complete Works of William Shakespeare” with introduction by Barry Cornwall (Bryan Walter Procter). Published by Ward, Lock and Co. Limited, London, New York and Melbourne. The book has an introduction by Barry Cornwall (Bryan Walter Proctor).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, complete works of shakespeare, book, complete works of william shakespeare, barry cornwall -
Orbost & District Historical Society
coloured photographs, Hogeman, Trudi, 2000 - 2010
The first two photographs are of the Marlo Picture Theatre which used to be next to the general store.It was a cream coloured timber building with steps leading to a door. There are large poster type paintings on the outside walls. In about 1930, the Ozone Picture Theatre was constructed, serving as a hall and venue for entertainment. In 1925 Walter Rice built a general store in Marlo and in 1930 built the "Ozone Picture Theatre". The third photograph is of the Snowy River Store, a Budget Rite Store. Jack Unmade and his son, Brad ran the store in the 1990s and had a caravan behind the store.This is a pictorial record of a community building no longer standing.Three panoramic format coloured photographs. -
Murtoa & District Historical Society and Museum
fur coat, Ida Tepper's rabbit skin coat, 1920s
The story behind the coat is that it was created in the early 1920s by F.J.Ellimor,Brunswick furriers, at the request of Mr Walter Tepper. Walter Tepper lived on a property, "Woodlands" at Kewell, near Murtoa. He trapped the rabbits and took the pelts to Melbourne where he commissioned the furrier to make the coat for his soon to be fiancé, Ida. Walter Tepper is buried in the Murtoa cemetery. Walter's granddaughter Carol Michalicek's (nee Schultz) donated the coat to the Murtoa Museum.It is significant as it is a fine example of the use of rabbit skins to create a fashionable coat. It remains in very good condition, 95 years since its creation. The coat has a link to the Tepper family who have resided in the district for over 100 years. This dark brown rabbit fur coat is well tailored, with quality inner lining and a dark, even-dyed coat. There is so much detail in the design of the coat, including a gorgeous heart shaped pocket. It would have taken quite a few rabbits pelts to make the long full-length coat, as an average rabbit skin provides about 9 inch². walter and ida tepper, rabbit skin coat, kewell -
The Beechworth Burke Museum
Photograph, Walter William McLean Thwaites, c.1870
This photograph depicts a large group of men in their work clothing situated in front of a large bank of earth. They are identified as miners working in an unidentified location in Australia. This photograph was taken by photographer Walter Thwaites sometime during the period of 1865-1908, likely c.1870. It is unsure where this image was taken since Thwaites travelled a lot over his photography career and the photograph is not annotated with this information. In addition, the identities of the men in the photograph are also unknown. These men are photographed in front of a large bank of earth where they had presumably been mining for gold or other precious metals. The men, with the exception of four, are wearing wide brimmed hats to protect their faces from the sun. They are also wearing loose fitting white shirts which are often worn beneath a darker coloured vest. They wear pale coloured work pants and boots. The men are mostly clean shaven with the exception of the moustache and a couple of beards. Two of the men have pipes in their mouth. Their clothing is basic and much less dramatic than the outfits worn by the gold diggers of the 1852 gold rush. These men, by wearing similar outfits, are expressing a sense of comradery or equality between them. It is likely that they are from the same, or similar, social status. They have an air of independence and share social equality in their stance and clothing. Walter William McLean Thwaites (1840-1908) was a professional photographer born in Sydney, Australia. He learnt the craft in his father's Hobart studio, but later embarked on his own solo career and toured every existing Australian colony between 1860 to 1888. The Thwaites family were a long line of photographers and artists with Thwaites' father Walter WIlliam Thwaites Sr working as an artist and photographer in Australia after moving from England in 1834. Walter Thwaites Sr's father, also named Walter Thwaites, was a British miniature portrait artist.Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts over 30 diggers standing in front of a bank of earth and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.Reverse: 1997.208 / MINERS. / W. Thwaites / Photography /australia, australian photography, photography, miners, gold rush, australian landscape, diggers, walter thwaites, thwaites photography, w. thwaites photography, social history -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph, 1970 circa
Trooping of the 20th Light Horse guidon through the streets of Seymour Victoria to mark a significant occasion in the towns long connection with the Regiment. A parade involving seven Ferret Scout cars was an unusual event. This photograph was displayed in the ORs Mess at the 8th/13th VMR depot Wangaratta until closure of the depot when the photo was passed to the Regimental Collection. Rare photograph of a mounted escort to a regimental guidon during the 1970s using ferret scout cars.Black and White photograph mounted on chipboard backing with black chamfered edges showing 7 Ferret Scout cars in two ranks in parade order on a road in a rural setting flanked by gum trees.On plastic name plate at centre lower edge of photo "B Squadron 8th/13th VMR 20th LH Guidon and Escorts, Seymour. Commanders L to R Front Row Lt. Mclean, Sgt. Roue, W.O.1 Pratt, Sgt. Walters, Sgt. Pethybridge.seymour, ferret scout car, mclean john lieutenant, 20th light horse -
Tatura Irrigation & Wartime Camps Museum
Photograph, Female Spanish Dancer - caricature, 1941-1946
Hans Walter von Gruenewaldt was a German POW who used his artistic ability to paint several large mural caricatures while he was held at Camp 13 at Murchison. The technique he used was colourful house paint, painted directly onto the walls of the German mess hut, reading room and recreation hall in compound 13D. The paintings were completed over a duration of six years (1941-1946). Colour photo of a caricature painting by Hans Walter von Gruenewaldt depicting one female Spanish dancer. Long yellow flounced dress, holding a black fan.hans walter von gruenewalt, german pow's, camp 13 murchison, pow camps, caricatures -
Nillumbik Shire Council
Painting: Walter WITHERS (b.1854 Warwickshire, UK — d.1914 Eltham, Aus), Trestle Bridge, Eltham, c.1903-10
Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour -
Nhill & District Historical Society Inc.
Clothing - 1964 Wedding dress of Patricia Capp, 1964
Owned and worn by Patricia Capp of Dimboola, on her wedding day, when she married Mr. Walter Clark of Nhill.Bridal gown of figured de-lustered satin, with a fitted bodice and scooped neckline with long pointed sleeves and a full-length skirt with deep unpressed pleats. The three-tier veil was held by a circlet of flowers in front with a Dior bow, The bride carried a trailer of white roses and lily of the valley.1964 wedding gown, wedding attire, clothing, formal - clothing, textiles - satin -
Tatura Irrigation & Wartime Camps Museum
Folio, Camp 3
Material collected and donated Material relating to Camp 3 and the Internees from Palestine. Sketch map of Camp 3 Memorium to Dieter Ruff, former Head of the Temple Society. Photo of steam passenger train at Rushworth Station. Various group photos. Copy of sketch of hut by Winkler. "in the Internment Camp Tatura" by K.M. Pfander Copy of talk given to her former pupils by Gudrun Gollong, in 1978. Poem written in Camp by Annie Lorenz. Poem by unknown writer "Life's Daily Routine" Interview with Babette Kirsch. Copy of children's learning book in German. Photos of toys and craft made for Kaltenbach family. Copy of Kaltenbach barracks by Cesare Vagarini. Story of Wilhelm Kuebler. Photos of wooden boxes made for Sgt. Cubbin. Copy of letter in German confirming the death in Camp of the two Stuerzenhofecker children. Copy of records Theo Stoll. School records Waltraud Doster Copy of Marriage Certificate Vollmer/Zollinger, August 1946. Recollections of Private Ashworth, guard at Camp 3. Photo taken 2001 by John Wepner of pump which supplied water to Camps 3 & 4 from No. 9 channel. Sketch of canoe made in camp from a sheep drinking trough by the Haering family. "From the Holy Land to the Home of the Kangaroo", by Hedwig Schnerring, translated by Peter Hornung, donor- Guenther Schnerring. "The Long Arm of the Third Reich" by Christine Winter. Photocopied extract of Walter Odorich Stenner's diary account of the transportation from Haifa to Australia. Research - Tatura WW2 Internment Camp 3, Annie Leschen Copy of map showing pump sites for water for Camps 3 and 4 Copy (laser) of a painting donated by Frieder Vollmer, artist "D 1943"? Adalbert Stern, Sir Nicholas - Son of Dunera boy "Adalbert Stern Copies of photos (4) of 2 cakes of Lux soap with pictures of "Roll Call, Tatura 1941" on one side and "Lux Toilet Soap" on the other Newspaper Article from "The Age" 14/04/1999 re Vagarini Exhibition Camp 3TaturaBlack 3 ring folder with printed matter and photos in plastic sleeves.documents, reports -
Robin Boyd Foundation
Letter, The Australian, Walter I Kommer (The Australian) to Robin Boyd, 01.06.1965
This letter from the Managing Editor, Walter I. Kommer, to Robin Boyd gives news of changed contractual arrangements for the second half of 1965 - no longer on 6 month contract but a set fee per article.Quarto -
Orbost & District Historical Society
book, Kim Hup Lee Printing, A Ton of Spirit, 1990
This book contains interviews with 48 of the 300 centenarians listed by the Australian Bicentennial Authority, whose long lives together form an oral social history of the development of Australia over the past one hundred years. It includes reminiscences of Judy Bagu, Jimmy Bird, Paddy Djiaween and Walter Smith; brief accounts of bush foods, medicines, uses of plants, birth and mortuary rituals; working lives on cattle stations, missions, prospecting, dingo trapping, camel working, pearling, shire council; Kunmunyah, Beagle Bay Mission, Broome.This compilation of stories from centenarians is a contemporary social record of one hundred years of living through two world wars and the Great Depression in Australia. A 183 pp book with a light brown cover, darker spine. On the front cover is a photograph of a pair of hands. Print is black "A Ton of Spirit Australian Centenarians talk with Penny Smith".book-a-ton-of-spirit-penny-smith social-records-early-australia -
Warrnambool and District Historical Society Inc.
Bottle, Sheldrick Pale Ale, Early 20th Century
Walter Sheldrick, a butcher and publican, established the Warrnambool New Brewery at the corner of Timor and Fairy Streets in 1868 as a company. The business was known as Sheldrick and Co. and after Walter Sheldrick’s death his son, Richard, managed the company until his death in 1893. In 1894 the business was sold to John McGee and Company until this firm sold to the Ballarat, Melbourne, Co-operative and Carlton and United Breweries in 1922. This Pale Ale bottle, therefore, was bottled before 1922.This bottle is of considerable significance as it is one of the last products of a prominent brewery in Warrnambool and is now nearly 100 years oldThis is a brown-coloured glass beer bottle with a long neck and no stopperOn oval shaped paper label ‘Sparkling Pale Ale, Sheldrick and Co. Brewers, Sheldrick’s Warrnambool, Vic. Aus. Bottled at the Brewery, Timor St. Keep in a cold place’. Monogram, ‘S.C.O.’ ‘M.B.C.V’ embedded in glass in clover leaf motif and underneath ‘The Property of the Manufacturers, Bottle Company of Victoria Pty Ltd’ warrnambool, sheldrick ales, sheldrick brewery, walter sheldrick -
Victorian Interpretive Projects Inc.
Book, Janice Newton, 'Mullawallah: The Last King Billy of Ballarat' by Janice Newton, 2015
Dr Janice Newton has had a long term interest in Indigenous Studies and Aboriginality, and has published papers linking Aboriginality to the counterculture and to artists and musicians. She has published a paper commenting on Ballarat's response to the death in 1896 of King Billy, the so called 'last of his tribe'. Janice has recently taught courses on 'The Anthropology of Indigenous Art' and 'Indigenous History' at Federation University Australia.56 page soft covered booklet outlining the life of Ballarat's Mullawallah (also known as King Billy or Frank Wilson). Numerous photographs. The book 'Mullawallah: The Last King Billy of Ballarat' is an initiative of Victorian Interpretive Projects. It is available for purchase for $15.00 (additional for postage). Please email [email protected] for further details. Images include: Ercildoun, Lake Burrumbeet, Lal Lal Falls, William Buckley, Warrenheip, King Billy and his Camp in McCree's Paddock, King Billy and His Tribe, Carl Walter King Billy, Mary of Carngham, Rosa of Carngham, King Billy (Bullip Bullip), Queen Mary of Buninyong, Queen Marie of Ballarat, Queen Mary and King Billy and their original mia mia, Football at Ercildoune, Thomas Jerusalem, Samuel Wilson, Frank the last of the Ballarat Tribe, The Burial of King Billy, King Billy's Grave. mullawullah, frank wilson, king billy, aborigines, wathauwrung, wadawurrung, aboriginal, ercildoun, ercildoune, lake learmonth -
Coal Creek Community Park & Museum
Piano roll
Piano roll in long rectangular black cardboard box with lid.D203 Mastertouch My Hero Waltz (from the Chocolate Soldier). Played by Scott & Walters.\ D5020 Mastertouch The Garden of Eden for trot. Dennise Norwood 20 Played by E Muir. -
Clunes Museum
Document - POST OFFICE HISTORIC RECORD
2 COPIES OF HISTORIC RECORD OF CLUNES POST OFFICE, WHICH WAS OPENED IN OCTOBER 1857, CLUNES WAS A MAJOR GOLD-MINIG SETTLEMENT AND WAS THE SITE OF THE DISCOVERY OF GOLD IN 1851 . IN 1857 IT HAD A POPULATION OF 22O, IN 1861 THERE WERE 1711 IN 1881 5811 IN 1891 3486 IN 1901 2426 LONG YIELDING QUARTZ MINES WERE LOCATED AT CLUNES. THE TOWN IS LOCATED ABOUT 33 KM NORTH OF BALLARAT. IT BECAM AN LPO ON 4 JANUARY 1994 BARRED NUMERAL CANCEL 147 WAS USED AT CLUNES. IT IS RATED AS COMMON POST OFFICERS AT CLUNES HAVE BEEN: MARK PATTINSON 1857-1861 JAMES LYNDONCOLLIER 1861-1884 JOHN HARTLEY KIBBLE 1884-1886 SAMUAL BAKER 1886-1887 AUGUSTUS WOLFE 1887-1890 MATTHEW GLENTON 1891-1903 JAMES DIRLING HUDSON 1903-1912 WALTER CHARLES THORNTON 1912-1918 FRANK EDGAR JOHN BLAKE 1918-1923 HERBERT STANLEY OPPERMAN 1923-1925 WILLIAM HENRY MADDOCK 1925-1928 GEORGE LEONARD POWELL 1928-1929 GEORGE A;EXANDER CAMERON 1929-1934 G A STEVENS (STEPHENS?) 1934-1945 WALTER BERTRAND WILLIAMSON 1945-1950 FEDERA; HENRY GORDEN RODDA 1950-1952 PATRICK JOSEPH LYNCH 1952-1956 THOMAS SELWYN BALLINGER 1956-1962 JOHN PATRICK GRIGG 1962-1966 LESLIE BENJAMIN CARMICHAEL 1966-1975 G M STOUT 1975 TO THERE IS A PHOTOGRAPH OF THE POSTOFFICE AND SOM STAMPS. ONE COPY IS LAMINATED clunes post office, post officers 1857 to 1975, history of post office -
Melbourne Legacy
Document, The President's Fund
A document that was part of a folder about the running of the President's Fund that was created in 1932 "to help temporarily embarrassed Melbourne Legatees" towards the end of The Great Depression. The document summarises the history of a fund that allowed President's to make discretionary payments to worthy causes without need to have it approved. It was written by Legatee Kemsley, a long standing legatee. The second page of the letter was located and added later which shows he wrote it in 1985 (02728). The fund was credited to the late Legatee Walter Berry of the domestic and building supplies firm, Henry Berry and Co. from his late father's estate. This one page document seems incomplete as it doesn't fully explain the fund's creation. From other documents it is shown the Howard and Georgina Berry Trust made annual donations of up to £1,000 to Legacy for use in the Fund. See also item 01527 for another summary of the fund's history. The folder and document were marked with H40 which is part of an early archive project from the late 1960s and early 1970s.A record of the President's fund which was a private fund that allowed the President to help fellow legatees with discretion.White A4 paper with black type with a summary of the history of the President's Fund.Handwritten 'Box 1 H40' in blue pen.financial help, presidents fund, kem kemsley -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Miniature of Walter Thomas Henty, n.d
Mr. E. Campbell owned item. Walter Thomas Henty, son of Stephen Henty, married Nancy Campbell, Aunt of Mr. E. Campbell.Small portrait of a man in a suit, one third portrait view. He has thick dark hair cut short at sides, full long beard and a moustache. Wearing a dark suit and white shirt. Mounted in an oval metal frame.mr e campbell -
Bendigo Military Museum
Weapon - SHELL CASES, c.1914 - 1945; .3) 3.1916; .4) 1940
Names re 59th Light Aid Detachment. Brain, Henry Baker VX47758, Patterson, Clive Douglas VX17382, Gaston, Stanley William VX18709, Dawson, VX36870, Tonkin, Archibald William VX20511, Kilburn, Douglas Barry VX18171, Long, Michael Roderick VX26974, Boyle, Allan Lemnos VX48814, Schmidt, Bruno Alexander VX43575, Bennett, Walter George VX44891, Hardstaff, John Robert NX5930. Milgate is the only name not readily identifiable. Hardstaff enlisted in 1939, all the rest enlisted in 1940..1) Dark metal slim line shell casing. .2) Dark metal shell casing. Dented at top. .3) Brass shell casing. .4) Brass shell casing..4) Etched on outside of shell: “59LAD 21 INF BDE HQ” “CAPT H B BRAIN, WOII C D PATTERSON, CPL S W GASTON, CPL A C DAWSON, PRIVATES: A W TONKIN, D B KILBURN, M R LONG, A L BOYLE, S H MILGATE, B SCHMIDT, W G BENNETT, J R HARDSTAFF”weapon, shell cases -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Anne Treverton Goldsmith (nee Lobb), 1907
The Siddeley Street institute, designed by renown architect Walter Butler was built in 1907. The foundation stone was laid in February 1907 by Lord Northcote and the institute was opened in December the same year.The Siddeley Street Seamen's Institute is the first central structure to be built in central Melbourne on the banks of the Yarra River as the shipping was moving from Hobson's Bay to the city centre. Originally planned and budgeted for in the mid 1880s and petitioned by Ships masters in 1897 this was a long awaited project for the Mission.Sepia toned photograph depicting the Siddeley Street facility under construction. There are two women dressed in white wearing picture hats and carrying either cloaks or coats to the right of the photograph and a group of five men standing in a row beside them. They are all standing in front of the entranceway with arched windows to either side all of which is covered in scaffolding.Pencil mark on reverse of photograph: "2"siddeley street institute, australian-wharf, 1907, walter richmond butler (1864–1949), seamen's institute, seamen's mission, ladies, lhlg, officers, seamen, sailors, seafarers, mission to seafarers, scaffolding, anne treverton goldsmith (nee lobb -
Mission to Seafarers Victoria
Award - Shield, Soccer Football Shield For Annual Competition by Crews of Merchant Ships, c. 1936
Football matches were a popular onshore activity and Annual reports note Reverend Weller in the 1920s managed to establish a temporary pitch and a change room facility near Port Melbourne. The donor, Wally Nancarrow, was a tailor in the Queen Victoria Building in Sydney (from Nov. 1927- Aug. 1935 on Trove) so the relation with the Melbourne Mission is unclear. The shield can be seen hanging above the canteen on item 1713 (dated c. 1950) and in the Celia Little Room. The Annual Report 1936 mentions a shield (p11) seen on page 15: "Football: The competition has been extended this year, and in the future is to include all matches played in Australian ports. The Victorian Missions to Seamen Shield is the present trophy, and the Assistant-Chaplain has been appointed Organiser and Honorary Secretary." The shield may have been done after the one mentioned in the annual report and we can only speculate nothing was ever engraved because of WW2.The collection holds many historic and later contemporary colour photos of crew football teams posed onshore and on decks. Sports and games were an essential part of the welfare services offered by the Mission when seamen had long shore leave.Wooden shield featuring two circular disk silver plaques one on each side at the top. One with the engraving of a ship and the other with the engraving of a footballer. At the top in the centre is an anchor in relief gilded with a rope attached, falling across the front of it and coiling at the bottom of the anchor. Two flags crossing over in the middle of the shield; one the Australian Navy flag and the other the Mission to Seamen flag. Laying over the top of the poles of the flags is a brass banner with the competition description engraved on it. At the bottom is a brass scroll with an inscription about who presented it and where. The shield has 12 smaller, blank silver shields along the sides. The shield is kept inside a wooden display cabinet with a glass front and navy material back ground.engraved on brass banner: For annual competition by crew of merchant ships presented by Wally Nancarrow, Sydneyshield, soccer, football, anchor, brass, silver, wally nancarrow, mission to seafarers victoria, walter james nancarrow (1885 - 1961) -
Glen Eira Historical Society
Pamphlet - Church of Jesus Christ of Latter-Day Saints
The Church of the Latter Day Saints dedication programme dated 24/08/1980. Programme gives an item of interest as to how property for church was acquired.the church of jesus christ of latter-day saints, councillors, hawthorn road, caulfield north, truman harry a president, talbot leo p bishop, sayers christopher, o’brien christine, doolan ng mayor, campbell aje, campbell mrs, vine walter s, adams fb, kletecka toni heneiturama, miller bernard f, meurs frederick mw, smibert don, elliott peter, counsel margaret, hogan anne-maree, long joanne, bishop family, elliott sue, caulfield youth choir -
Federation University Historical Collection
Magazine, Ballarat School of Mines Students' Magazine, 1898-1901
Bound copies of the Ballarat School of Mines Students' Magazine, 1898-1901 Vol 1, No. 1, September 1898 * News and Notes (Ballarat School of Mines Museum, J.F. Usher, New British Pharmacopoeia, excursion to Bendigo) * History of the Ballarat School of Mines * Current Topics (Federation, Gladstone, Anglo-American Alliance) * Of Custom * Discovery of Coolgardie * Mining Notes(Clunes, Pitfield, Birthday Mine, Western Australia, Transvaal, Mt Bischoff, Rand Drill Co.) * From the Journals * The Societies - (Student Association, Ballarat Field Club and Science Society, Ballarat Photographic Club) * Original Poetry * Sports * Students' Association Committee Meetings * On the Increase of Temperature of the Earth With Increased Depth Vol 1, No. 2, October 1898 * Notes about some of the Past Students (E.M. Weston, J.A. Porter, H.R. Sleeman, G.E. Sander, B.C.T. Solley, T. Rhys, C. Burbury, D. McDougal, J. Matsen) * Excursion to Daylesford, p.3 * History of the Ballarat School of Mines (continued) * The Soudan * Greater Melbourne * Image of J. Hopkinson, electrical engineer killed ascending the Alps * What is Science * Mining Notes (Pitfield Plains, Victoria United G.M.Co., Lithgow, Avoca, great Cobar, Mt Whycheproof) * Student's Association (women's franchise) * Sports Vol 2, No. 1, March 1899 * News and Notes * History of the Ballarat School of Mines (continued) * Notes of Victorian Geology, 1. Granites, by Thomas S. Hart * Sir William Crookes * Summaries and Notes from the Mining Journals * Students' Association * Sports * The Bush Assayer * Solubility of Gold-Silver Alloys in Potassium Cyanide * Correspondence Vol 2, No. 2, April 1899 * News and Notes (Smythesdale Excursion, New Buildings, A.S. Coyte, R.J. Allan) * History of the Ballarat School of Mines (Continued) * The New Students (J. Owen, A. Clayton Morrisby, A.S. Atkin, J. Alexander Reid, Alfred G. Johnston, L. Lowe, F.H. Dalton, W.M. Robertson, A. Hacke, H.L. Giles, W. Martin, E. Walshe, H.L. Krause, R. Sawyer) * Berringa by Oh'E Jay * Summaries and Notes from the Mining Journals * Mount Magnet to Victoria - A Long Bicycle Trip * 1898 Examination returns * Sports Vol 2, No. 3, May 1899 * Technical Education and the Proposed Affiliation of the Schools of Mines with the Melbourne University. * Laying of the Foundation Stone of the New Classrooms (now Administration Building). Alexander J. Peacock * News and Notes (Past Students - A.S. Lilburn, J.W. Sutherland, J. Richardson, E. Prendergast, J. Wallace, J. Kidd, J. Lake, Mathew Thompson), Coolgardie Exhibition. * Trip to Lal Lal * Students' Association * Summaries and Notes from the Mining Journals * Professor Henry Louis on Mining Education * Corrections Used in Chaining by C.W. Adams * The Black Horse Cyanide Plant * Sports * Completed List of 1898 Examinations Vol 2, No. 4, June 1899 * News and Notes * The Education Problem by D.N. McLean * A Few Hints on Histological Technique by Emil Gutheil * Summaries and Notes from the Mining Journals * Students' Association * A Visit to the Skipton Caves (Mount Widdern, Ormand Hill, volcano, Emu Creek, Mount Kinross, Mount Elephant, Mount Vite Vite, Mount Kinross, Mount Hamiston) * Mount Magnet To Victoria (cont) * The New Engines at the Ballarat Woollen Mills - includes image of the Compound 700 H.P. Engines constructed for the Ballarat Woollen Mills by Austral Otis Company and consulting engineers Monash and Anderson. * Sports * Original Poetry * Correspondence Vol 2, No. 5, July 1899 * News and Notes (E. Byron Moore, Visit to Britannia Gold Mine, J. Bryant, Visit to Last Chance Mine) * A Few Hints on Histological Technique (cont) by Emil Gutheil * Summaries and Notes from the Mining Journals * Professor Alfred Mica Smith (includes image) * Notes on Victorian Geology Part 2 The Trappean Rocks, by Thomas Hart * Origin of Diamonds * Hydraulic Mining by A.E.C. Kerr * Volcanoes by F.G. Bonney * Analytical Chemistry Notes by Daniel Walker * Some Things Out To Do * Sports * Correspondence Vol 2, No. 6, August 1899 *Summaries and notes from the Mining Journals * Some Regulations of the Academy of Mines at Freiberg * A visit to Mt Lyell Smelters * Professor Gilbert J. Dawbarn (includes image) * Air compressor and Transmission of Power by Compressed air by A.E.C. Kerr * Chemistry Notes by Daniel Walker * Mineralogical Notes, Ballarat by Thomas S. Hart * Kalgurli Gold Mines, W.A. * OUr New Lab Vol 2., No 7, September 1899 * Summaries and Notes from the Mining Journals * Some recent Steam Plants at Bendigo by Gilbert Dawbarn * Professor Thomas Stephen Hart (includes image) * Students Association * Notes on Victorian Geology by Thomas Hart * Centrifugal Pumps * A New Chum's Experience by E.M. Weston Vol 2., No 8, October 1899 * The institute of Chemistry Examinations * A New Method of Qualitative Chemical Analysis by Emil Gutheil * Steam Engine Valves and Valve-Gears by Gilbert Dawbarn * Daniel Walker (includes image) * Notes on Victorian Geology by Thomas Hart * Cyaniding Cripple Creek Tellurides (Metallic Extraction Company) * Notes on Two Ballarat Gravel Pumping Plants, G.A. Wilberforce (Eureka Jennings Co and Yarrowee Sluicing Co) * History of the School of Mines (concluded) Vol 3., No 1, March 1900 * A Journey from Natal to Mashomaland with the British Police * A Plea for Research * New Caledonia by C.A.M. Deane * Notes of Victorian Geology - Lower Palaeoroic Rocks by Thomas Hart * Mt Bischoff Mine and Mill * Summaries and Notes from the Mining Journals * Things we Eat and Drink * Farewell to A.S. Coyte Vol 3., No 1, March 1900 * Mining Education * Model Locomotive made by the apprentices of the Phoenix Foundry, p2 * Glimpses of Rhodesian Police Camp Life * New Caledonia (continued) * Summaries from the Mining and Engineering Journals * Boot and Saddle Vol 3., No 3, May 1900 * A Students' Common Room * Geological Excursion to Hardie's Hill * Notes on Victorian Geology by Thomas Hart * The Planet Venus by John Brittain * Summaries and Notes from the Australian Mining Standard * The Assay Ton * Zeehan Smelters * Electrical Notes by Ohe Jay * Trop of the Cricket Club to Stawell * Students' Association * Solid Hydrogen Vol 3., No 4, June 1900 * The Minister of Mines on Mining Education (Minister A.R. Outtrim) * Lal Lal Geology Trip (Thomas Hart) * Rifle Club now defunct, pg 3 * A Contribution to the Mining Geology of Kalgoorlie, W.A. by Ferdinand Krause (includes cross sections) (Wood's Point, Rand, Johannesburg, South Africa, Gaffney's Creek, Walhalla, Shady Creek, Sago Hill at Cardigan, Bunbury) * Summaries and Notes from the Australian Mining Standard (Buninyong Estate Mine) * Monthly Progress Reports of the Geological Survey * Electrical Notes by John M Sutherland (Telagraphone, phonograph, telephone receiver) * Students' Theatre Party (Gordon Todd, Ohe Jaeger, C.S. Wakley) * Opening of the New Buildings - Ministerial Speeches (Outtrim, W.H. Irvine, New Mining Laboratory, Old Chemistry Building, Battery, Model Mine) * Students' Association * Relief of Mafeking * A Critic Criticised * Things We Eat and Drink by Ohe Jay - Oatmeal, Coffee and Cocoa. Vol 3., No 5, July 1900 * Research * Adelaide Varsity Students at Ballarat * The Manchester-Liverpool Mono Railway * Students Association * *A Contribution to the Mining Geology of Kalgoorlie, W.A. by Ferdinand Krause (continued) (includes cross-sections) * Motive Power, address by Charles A. Parsons * Summaries and Notes from the Australian Mining Standard * Sugar Manufacturing by Sugna * Great Creswick Hydraulic Sluicing Plant (THomas Hart, Ballarat School of Mines Mining Class visit) * Reminiscences of a Students Life in Germany * Football - Ballarat School of Mines v Geelong Grammar School (Australian Rules Football) Vol 3., No 6, August 1900 * Cheap Mine Management * Library * Bendigo School of Mines, pg 3 * Notes on Ore Dressing by T, Vincent, Manager The Zeehan (Tas) Silver-Lead Mines Ltd) * Motive Power * Notes on Broken Hill - Its Mines and Minerals by J. Williams * The Concert * Summaries and Notes from the Australian Mining Standard * The Dandy Duke's Dreadful Demise * The Road Race Vol 3., No 7, September 1900 * Michaelmas Excursion (Melbourne University, Prof Kernot, Applied Mechanics) * Injury to School Property * Return of E. Ditchburn (Boer War) * Mt William Gold-Field visit, pg 3 * The Stoping of Wide Lodes by J.V. Lake (includes cross sections) * Summaries of Notes from the Australian Mining Standard * Notes on Broken Hill Part 2- Its Mines and Minerals by W.J. Williams * Motive Power from the Waves * Electrical Notes * Some Account of Italian Mining (Sarinia, Sicily, Peidmont, Lombardia) by Candido Maglione * Students Association * Should Women Have the Vote by Frank Bessemeres * The School Theatre Parly * Past Students * Poetry * Football * Surveying Rules Vol 3., No 8, October 1900 * Ballarat School of Mines Associateship * An Engineering Laboratory * Students' Practical Work * Notes on Broken Hill Part 3 by W.J. Williams * The Lake View Consols by F.S. Earp - Battery Treatment of Sulpo-Telluride Ore * Neglected Mineral Fields - Eurowie and Warrata * A Glimpse Ahead * News and Notes * A.W. G. McPherson, Boer War * Students Association * Ballarat School of Mines Melbourne Excursion to the Government Electric Lighting Station, Austral-Otis Co, Working Mens College * Ballarat School of Mines Concert in Aid of Soldiers Statue Balance Sheet * Football * Cricket Vol 3., No 8b, November 1900 * Position of the Ballarat School of Mines with Regards to Mining Education * Age Limit * Entrance Examination * Presentation t0 Professor Alfred Mica Smith * Image of a Group of Old Ballarat School of Mines Students in Coolgardie and Kalgoorlie. * Students Association Vol 4., No 1, March 1901 * Espirit De Corps * A few Notes on the Testing of Explosives * Round About Inverell, NSW by F. and J. Mawl * On the Choice of Drawing Instruments * Summaries and Notes From the Technical Journals * Annual Examinations 1900 * New Students * Sporting Notes * The Vale of Coolgardie Mine, Bonnievale, W.A. by G. Stephen Hart * News and Notes (Kerr Grant, C.L. Nash, R. Gordon Todd, Vial) * Editorial Notices Vol 4., No 2, Second Term 1901 * The Metallurgical Treatment of Sulpho-Telluride Ores by L.W. Grayson * Some Metallurgical Difficulties of Aluminium * Diehl's Sulphide Process by A.E. C. Kerr * A Californian Gold Mine by A.E. C. Kerr * New Express Locomotives for the Victorian Government (Phoenix Foundry) * An Excursion to Geelong (Electric Light and Traction Company of Australia) * The Linkenback Table for our New Mining Laboratory (Humboldt Company of Colgne) * Death of Thomas Bath * The Late Alfred G. Johnson (Boer War) * An Introduction to Natural Science by Emil Gutheil * The First Annual School Sports Meeting * Concert in Aid of Magazine Funds * The Men That Made the Concert (C.E. Denniston, W.H. Chandler, Mr White, William Litte Jnr, Marriott, Giles McCracken) * Sports * News and Notes Vol 4., No 2, Third Term 1901 * Bagging-Up - A Sketch * Concentration of Difficult Silver-Lead Ores * Estimation of Chlorine, Bromine and Iodine by D. Runting * Summaries of Notes from teh technical Journals * Notes on the Use and Care of Platinum Ware Common Sense * The Machinery at the Tasmania Gold Mine, Beaconsfield, Tasmania * Mining at Walhalla - The Long Tunnel Mine * Past Students * Mapping our of Agricultural Areas, etc, In Dense Vine Lands, North Queensland by R.A. Suter * News and Notes * Concert Balance Sheet e.m. weston, robert brough smyth, mcdougall, bruce, charles burbury, harrie wood, graham j. hopwood, emil gutheil, daniel walker, thomas hart, thomas stephen hart, m. hacker, schnitzler, f.a., ditchfield, l.h, alfred e.c. kerr, charles harvey, campbell, joseph bryant, campbell & ferguson, gilbert j. dawburn, irving, g.b., kerr, a.e.c., john walter sutherland, william robertson, herbert l. krause, alfred mica smith, binh pham, crosbie, d. jack, ditchburn, j., james hiscock, alfred johnston, reid, j.a., kidd, john, james bonwick, james, j.p, overall, d, e.h salmon, gaynor marquand, williams, w.w., williams, william, deane, c.m., vincent, tom, phillips, g.e., hart, d.w., jarnail suingh, rowlands, e., ferdinand m. krause,, easterby, f.l, parsons, r.g., partington, j.r., vial, s.b., meadows, h, atkins, arthur, john braisted burdekin, w.h. corbould, ditchburn, john, hill, john, otto e. jager, mcpherson, g.t, nicholls, c, thom, j.m., crafter, stewart, john brittain, peter lalor, hardy - commissioner, thomas bath, alf johnston, charles campbell, nash, llewellyn, watson, m.a, gardener, eddie, adamson, s.g, alford, l.c, allen, r.j, arthur, d.w.b., burge, a., willia, cairncross, cooper, i, maurice osric copland, maurice copland, dickinson, s., doepel, dunstan, john, loveday dunstan, eeles, terri, flegeltaub, israel, fletcher, a, fyrar, peter, kerr grant, w.kerr, green, gary, betty harris, harris, c.m., hay, a.l., hearn, hill, martin, james, david, johnston, alfred g, kilner, marion, kingston, thomas, lewin, f.c.k., lilburne, arthur m, linahan, colin, macready, w.h, major birlefco, markwald, henry, mccaffrey, mcfarlane, kaye, mciver, s.k, mellins, b, morton, felicity, w. kenneth moss, ken moss, nash, c.w., nash, neville, nickolls, berkeley, osborne, percy, philp, e., playford, william, reid, e, roberts, gordon, ross, f.c., royce, phillip, sawyer, basil, stewart, r.c., todhunter, i, vaisey, a., vincent, john, vinden, sue, wakley, cecil, watt, james, westcott, lewis, charles w. whyte,, vial, s browning, ballarat school of mines students in coolgardie and kalgoorlie, coolgardie, kalgoorlie, claude maitland, a.l. hay, a.s. lilburne, latham watson, arthur kildahl, thomas copeland, f.a. moss, w.a. hearman, cardoc james, alexander fraser, e.o. watt, g.m. roberts, j.j. dunstan, h.v. moss, j.a. hill,, john dunstan, c.m. harris, william h. corbould, j.w. sutherland, ballarat photographic club, ballarat field naturalists club, ballarat field club and science society, photography, geology, excursions, last chance mine, tasmania gold mine, beaconsfield, tasmania, rand, south africa, mount lyell, ballarat school of mines student excursion to mount lyell, h.l. krause, ferdinand krause, krause, hardie's hill, hardie's hill excursion, lal lal, lal lal excursion, lal lal geology excursion, smythesdale, smythesdale excursion, soudan, south african miners, south star mines, wynne and tregurtha battery, ananconda copper mining, arizona copper mining, boiler plates, british guinea, butte copper smelter, daylesford geology camp, daylesford excursion, diehl process, electric power house ballarat, electric pumps, geelong rope factory, gympie, golden horseshoe estate, c johnstone, jack nichol, c. macgennis, alec saunders, alfred g. johnstone, graeme jolly, william purdie, john mann, maxwell l gaunt, sale school of mines, freiberg school of mines, schools of mines, railway locomotive -
Glen Eira Historical Society
Book - Christ Church, Ormond (Anglican)
The Christ Church Chronicles; 1901 – 2001: A presentation of Christ Church, Ormonds history for its centennial celebration, By Vi Manson. A detailed history of Christ Church Ormond, including the church building, vicars, the church community, furniture, organ and bells, societies and fellowships, social groups and youth groups, music, choir, sporting groups, social history, (e.g. fashion, transportation) role of church in the community, missionary work. Includes a list of vicars and long - serving parishioners. Includes black and white photos (36mm x 43mm – 165mm x 116mm).haste victor rev, laidlay w. w. rev., hamilton karl rev., connelly jim rev., cheong geoff rev., cooling w. r. rev., tunstall denise, mitchell e. (ted) rev., raymond c. h., zammit catherine, brown stan rev., williams r. h. b., durance ronald rev., backhouse walter rev., fullard leonard, dunlop julie, hewton mrs., dryden albert, laby beth, n’diaye maree, parker lorraine, seymour gary, sayce val, jackson nell, winn alan, mollison don, anderson bruce, savage jennie, clay cynthia, grant warwick, martin jon, ingamells phillip, ingamells hope, hewton d. r., phillips w.a., brewer c. a., martin w. perry, robinson e. e., thorp h. j., harvey e. a. c., coish c. j., huggett b. d., simpson m. j., holt wilfred, poole tony, wardrop george, stone ron, north road, wheatley road, katandra road, manson vi, religious groups, morrison bill, christian bob, drumond jack, downham elise, king rita, mollinson ada, baxter edna, baxter ted, bebbington arthur, collinson ed., grant gladys, grant alec, holt betty (geer), holt kath, ingamells fred, rivers pam, thompson merle, choirs, organs, anglican church, sunday schools, tennis clubs, depression 1929 – 1939, world war 1914 – 1918, clergy residences, bells, cemeteries, youth clubs, sport, libraries, camping, newspapers, ormond, christchurch ormond, anglican christ church ormond