Soft Cover book. Soft cover cardboard, red and black print on front, spine and back. Front cover illustration. Black ink cartoon style portrait of a man, Back cover - small cartoon style etching of two men. 448 pages, cut plain, white. Illustrated black and white and colour photographs, etchings and cartoons.Biography of war artist Will Dysonbooks, biography, war artist, cartoons

A black and white photograph taken at Nui Dat July 1967. War artist Lt Bruce Fletcher puts the finishing touches to his oil painting of Pte Jim Moloney. Lt Fletcher was accidently wounded in the foot when a captured enemy weapon discharged while being stacked.photograph, nui dat, war artist, lt bruce fletcher, pte jim maloney, gibbons collection catalogue

Born in Ballarat in 1880 and was Australia's first War Artist.Black and white image of artist Will Dyson.portrait, will dyson, war artist

Twenty two page Ballarat Courier supplement celebrating the 140th year since the establishment of the Ballarat School of Mines. Contents include a timeline; Ballarat School of Mines HIstory; Graeme Hood and Electrical Engineering; Australian War Artist Geoff Mainwaring, Prospects Training Restaurant; Ballarat Gaol, Gaol cells underneath the E.J. Tippett Library; Ghost tours; School of Business; Brewery Complex.ballarat school of mines, anniversary, 140th anniversary, smb campus, david battersby, timeline, trades, manufactuyring services, cindy brundell, graeme hood, electrical engineering, celtlink, geoff mainwaring, julia mainwaring, australian war artist, prospects training restaurant, li ji yuane, caitlyn murrell, joshua martin, ballarat gaol, ballarat gaol cells, eerie tours, ghost tours, nathanie buchanan, peter dyer, ben swanson, nikki green, dylan reece, matthew lewis, business services, betty collier, feduni college, ub tec, manutacturing technology training centre, mttc, brewery complex

One of a series of sketches in 1943 by war artist Geoffrey Mainwaring while covering the war in the Pacific. Mainwaring went on to take charge of the Art department at the School of Mines Ballarat, SMB now Federation University.war, landing craft, mainwaring, ballarat smb, sketch, war in the pacific, new guinea, war artist

The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history,

Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work.war artists - australia - 20th century - biography, vietnam war, 1961-1975 - pictorial works

Nothing fazed him. He was always in control, always thorough, always switched on, single-minded, He was popular with the men because of his empathy with them; and he felt honoured to be a part of the campaign and this showed in the way he tackled his work. war artists - australia - 20th century - biography, vietnam war, 1961-1975 - pictorial works

Vol. 1, No. 1 November 1996 CONTENTS REFORMIST?: Barbara Kruger comes to the Museum of Modern Art at Heide 3 FESTIVALS Nillumbik festival celebrates our lifestyle in food, wine, music and art 5 WRITERS WEEK Barry Dickens and Judy Jacques on Ruckers Hill present the "word" in all its possibilities 8 EMERGING ARTISTS Nillumbik presents a new wave of visual artists 11 SHORT STORY Extract from a novel in progress by Jon Weaving 12 POETRY Tribute to Myra Skipper 16 HERITAGE TRAIL Youth of Eltham research local history 1 8 SCULPTURE Akira Takizawa's search for harmony 22 WRITER'S JOURNEY A writer overcomes a nightmare 24 SCIENCE AND ART Pamela Conder analyses nature 26 ARTS BALL Jazz greats come to town 27 HISTORY IN PRINTS Australia's forgotten war artist 28 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market.

Peter has a wealth of knowledge about present day and historical aspects of local art and artists."
 - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1996, adam simmons, akira takizawa, alison cassidy, alistair knox park, allwood house, alvaro castagnet, angels of soul, anita hustas, anna kelly, anne curry, arts ball, avenue of honour, barbara kruger, barry dickens, batacuda, belli, belly dance and drumming group, betty rowland, bike paths, bits & pieces, blair fraser, blue tongue, bridge street, bulleen art & garden centre, bulleen nursery, bux, caffe poco, cal martin, carla cordeiro, cate bailey, charles morris, charlie dowley, chris hooke, chris kandis, chute street, circus in a suitcase, crucial kick, deirdre o'reilly, diamond creek, diamond valley big band, edna kenny, ellis cottage, eltham arts council, eltham cemetery, eltham courthouse, eltham festival, eltham high school stage and jazz band, eltham high school, eltham library, eltham people's choir, eltham symphonica band, eltham war memorial building, eltham wiregrass gallery, eucalypso, fay alexander jenkins, fiona furphy, firefly, food for all seasons, friends of the earth forest action fund, gavan gray, gene strode, geoff braithwaite, geoff kluke, george kirov, gil askey, golden cascades, graeme barker and the cats, greg o'leary, harry gilham, helen o'grady children's drama academy, heritage trail, hurstbridge goldworks gallery, italian women's choir, jackie gaudion, jackie stojznova, jacqueline gawler, janine james, jarrold cottage, jay atwill, jazz band ball, jerry hughes, jock ryan, john rasmussen, jon weaving, joseph zbukvic, joy ness, judy jacques, judy racz, jules burns, june cugola, kate jones, kavisha mazzella, kevin spearey, les gyori, lisa walker, lothlorian, louise jade, magwal, margie allan, margie lou dyer, margo barrett, mary burns, masquerade ball, melody james and friends, mermaid in the well, michael eames, michael murray, michele lonsdale, monique di mattina, montsalvat, myra skipper, nell frysteen, nerida kirov, nicole o'connor, nillumbik emerging artists exhibition, nillumbik festival, nola spence, ona henderson, opportunity shop, our lady of help christians church, pamela conder, parafinallen, patrick mccauley, peter burns, peter dougherty, pond, road, robbie greig, roger shuttleworth, ron hanson, rory cole, ross hannaford, ross needham, ruckers hill, sanctuary, scott griffiths, shep huntly, shillinglaw cottage, shire of nillumbik, shoestring, sigmund jorgensen, silvio apponyi, spindrift, st margarets anglican church, stebbing cottage, steve sedergreen, susan street, sweeney, syd tunn, tennis-courts, terry cole, the great gizmo, the picture, theo scharf, thermal skunkrust, untitled scraper board, victorian artists supplies, war artist, warrandyte, westgarth writers' week, wingrove cottage, wolfgangs palace theatre troupe, women's circus, yarra plenty rock gospel choir, you did alright kid, art streams

Capture of Hamel Village July 4th 1918 - card size colour copy from the original painting specially executed for the Australian Comfort Fund by A Pearse War Artist. Other side depicts a colour sketch of a German tank captured by the Australians near Villers-Bretonneux Card with coloured war scene with caption beneathFront - Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans. From original painting specially executed for the Australian Comfort Fund by A Pease, War Artist. Rear - narrative and sketch of a German tank captured by the Australian near Villers-Bretonneux.ww1, hamel village, a pearse, acf

Sybil CRAIG (18/11/1901-09/09/1989) Born London, England Arrived Melbourne 1902 Died Melbourne, Victoria Sybil Frances Craig was a student of John Shirlow in 1920 who introduced her to French avant-garde artists such as Matisse and Gauguin. In 1924 she studied at the National Gallery of Victoria Art School. She also underook private classes with George Bellfor several months where individual expression was encouraged, and she became associated with a group of Modernist artists including Sam Atyeo. In 1945 Sybil Craig became the third woman to be appointed as an official war artist. Based in Melbourne she worked for fourth months at the Commonwealth Ordinance Factory at Maribyrnong, becoming the first female artist to paint women working in the munitions factories. In her work Craig was attracted to many changing ideas and continued to explore line, rhythm, colour, simplicity and design. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil sketch.art, artwork, sybil craig, australian war artist, kitchen

Two multicultural and wildlife themed colour sketches for murals painted and gifted to the kindergarten by George Browning, a renowned war artist, in 1952.

Colour painting of Menin Gate, Ypres Belgium at midnight by Will Longstaff, Australian Painter & War Artist. Printing mounted on white background with gold painted wooden frame, glass front & white cardboard backing.Black & white stick RHS front bottom & LHS bottom of backing: "No 70" Stamp on back: "Passchendaele Barracks Trust" passchendaele barracks trust, painting, menin gate

Painting on paper background.Copy of Original painting of Australian advancing from Villers-Bretonneux August 18th 1918. Specially painted for the Australian Comforts Fund by Captain Will Longstaff. A.I.F War Artist. Captured Train Gun, Start of The Great attack,8/8/18 and The Capture of Hamel Village July 4th 1918 by A Pearse, War Artist.

Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed portrait of Jack Barker, Principal of the Ballarat School of Mines, and inaugural Director of the Ballarat Institute of Advanced Education (later Federation University Australia).art, artwork, e.j. barker, jack barker, mainwaring, geoff mainwaring, geoffrey mainwaring, portrait, school of mines, ballarat school of mines, australian war memorial, australian war artist

Geoffrey MAINWARING (29 October 1912-13 April 2000) Born Adelaide, South Australia Geoffrey Mainwaring studied at the South Australian School of Arts and Crafts before becoming an art teacher at Thebarton Technical School (1928-36). Mainwaring was adept at depicting a variety of subjects, from landscapes to portraits, and was very competent using a variety of media, including pencil, oils, and watercolour. He was a confident draftsperson, and completed many sensitively rendered portraits that give an insight into the character of the sitter. In June 1941 Geoffrey Mainwaring (SX13471) joined the 2nd Australian Imperial Force, and after five months was transferred to the Engineers and employed as a Sergeant-Instructor, specialising in demolitions. In late 1942, he was sent to New Guinea as an Australian army artist on probation. On 27 May 1947, Mainwaring was discharged from the Army, having served for five and a half years. He was appointed as an artist on a civilian basis until his paintings were completed in March 1948. In 1949 he was appointed Head of the Art School at the Ballarat School of Mines (now Federation University Australia). He continued to paint commissioned portraits for the Australian War Memorial until the late 1950s. Geoffrey Mainwaring died at Ballarat in April 2000. David Alexander was a medical doctor in Ballarat for many years. Alongside his medical work he was a committed artist, producing a large body of work over his lifetime. He was an instigator of the Federation University Art Collection and was a great supporter of local artists. Geoff Mainwaring taught painiting at the Ballarat Technical Art School, a division of the Ballarat School of Mines. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed portrait of Dr David Alexander by Geoffrey Mainwaring. Gift of David Alexander, 2014art, artwork, david alexander, available, ballarat technical art school, portrait, geoff mainwaring, mainwaring, australian war artist

From information book - "Readers Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil on canvas painting depicting in colour "Australian troops ascending the ridge above Anzac Cove to Plugge's Plateau." Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES W LAMBERT (1873-1930) Anzac, the landing 1915, 1920-1922". Official Australian War Artist in 1917.framed accessories, prints, ww1, gallipoli, centenary

Hard Cover Book with Dust cover.Harold Freedman was an Artist of enormous drive, ambition and achievement. While best known for his series of painted and mosaic murals, the largest ever created in Australia. He was also an influential teacher, an official war Artist and book designer.

Ivor Hele was the Australian Official War artist of WW2.Print on glossy paper. Colour copy of an oil painting. Two soldiers positioned within a jungle scene. Black printing below print of painting. Unframed.print, ww2, jungle

Information relating to artist William Longstaff, one-time Eltham resident, famous for his painting Menin Gate (held at the Australian War Memorial) Colour Brochure: Will Longstaff: Art and Remembrance November 2001-February 2002 (Australian War Memorial) 4 pages. Copy of Letter from C. Pell to Mr (Clem) Christesen re research on Longstaff and residents of the property Stanhope, 1984 Copy of press cutting from The Sun news pictorial January 20, 1928 Photocopy From "Kangaroo Ground: A highland taken" by Mick Woiwod with reference to Longstaff enlisting from Kangaroo Ground Photocopy of news clipping “Captain honours lost soldiers with his art” by Brittany Shanahan, Diamond Valley Leader, Wednesday, April 22, 2015 Photocopy from book about Longstaff, possibly "Encyclopedia of Australian Art" by Alan McCulloch. Newspaper article: “Stepping into the breach” by Mark Barker, The Sunday Age, Extra. January 27, 2013, p21 with references to Longstaff’s Menin Gate painting Copy of article from journal possibly from the Australian War Memorial, September 1987 re art works at AWM, “Menin Gate at Midnight” by John Connor, (page 390) Misc. hand written biographical notes by Harry Gilham harry gilham collection, william longstaff, kangaroo ground, menin gate at midnight, shire of eltham war memorial, artist

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat. No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts "several soldiers, in uniform and wearing tin helmets sitting in a dugout. "Holding a candle, one reads a precious letter from home". Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; "FRANK CROZIER (1883-1948) Diggers sitting in dugout 1918". FRANK CROZIER "enlisted with the Australian Imperial Force in 1915 and was trained in Egypt before serving at Gallipoli", 22nd Battalion. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

From information book - " Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting on canvas. This painting depicts Anzac Cove - with soldiers going about various activities, some unloading crates, stacking crates and moving supplies. Background of sea, sand and hills. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. " FRANK CROZIER (1883 - 1948) The Beach at Anzac 1919". Frank Crozier - enlisted with the Australian Imperial Force, 22nd Battalion in March 1915. Trained in Egypt before serving in Gallipoli. Appointed an official war artist in 1918.framed accessories, prints, ww1, gallipoli, centenary

Items from the collection of the Australian War Memorial, including works of official war artists and others relating to World War 1Paperback, 80 p. text, black and white and col. illustrationsworld war 1, war art, australian war memorial

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary

The card was produced by the Australian Comforts Fund for Christmas and New Year 1918 - 19. The first illustration is of the Capture of Villers-Bretonneaux on 8th August 1918. This is a copy of painting by War Artist Capt. Will Longstaff. The second illustration details the capture of Hamel on 4th July 1918. A. Pearse was the War Artist who produced this scene. Part of the Robert H. Baron, No. 3596, and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.Colour illustrated folded card featuring battlefield scenes and written descriptions. The first illustration features actions from Villers-Bretonneaux. Inside the second illustration features action from Hamal. Text on the card is in blue ink.Handwritten at the bottom of the back page in blue ink: 'Bob'.robert h. baron, cooper collection, australian comfort fund, ww1, villers-bretonneux, hamel