Appears as an illustration in , "Green Grows Our Garden," A.P. Winzenried p 71. "Garden Instructor from 1926 to retirement in 1946…a very competent ornamental garden instructor. Popular with students." E.B. Littlejohn.Black and white photograph. Frank Weaver standing in a flower bed holding a pair of secateurs.On reverse, "Mr. F. Weavers "Frank" B.H.C. 1926.flower beds, frank weavers, e. chalmers (née fry), green grows our garden, a.p. winzenried, garden instructor

In letter (see B91.111) Ella Chalmers says, "Barney and Frank were all-round gardeners."2 copies black and white photograph. Frank Weavers, Ornamentals Instructor, standing behind a bed of flowers with the Californian Redwood (Sequoia sempervirens) behind.On reverse, "Mr. F. Weavers "Frank" B.L.H. 1926."frank weavers, flower beds, ella chalmers, barney, gardeners, ella fry, ornamentals instructor

Two wooden paddles with fine mettle pins on one side, wooden handles on each paddle.wool-knitting, handwork

Recorded from the original 33 1/3 vinyl disc by Ken HirstPlastic CD case containing a copy of the recording of the radio play 'The Weaver from Meltham'. Printed coverThe Weaver From Meltham The true story of an Old Colonial Mill by Ivan Southallgodfrey hirst, ivan southall

This recorded play of the book 'The Weaver from Meltham' - The story of Godfrey Hirst was made circa 1951 and aired on ABC radio. It was handed down to Ken Hirst from his father Ivan Hirst, grandson of Godfrey Hirst. At the end there is an additional recording . It is a speech and presentation to HRH Queen Elizabeth II on the occasion of the birth of Princess Anne of a baby blanket made by the employees of Godfrey Hirst woollen mills circa 1951Light green record slip containing a double sided record of the radio play of The Weaver from MelthamAWA custom long play Microgroove recording

Used to advertise vacant job positions at the entrance to Foster Valley Mill.Weaver

This postcard is a photograph of a section of a large tapestry , 1.8m x 1.9m, which hangs in the foyer of the South West Health Care. This tapestry was funded by the Geoff and Helen Handbury Foundation. It was woven at the Australian Tapestry Workshop, South Melbourne. The postcard “Concerning the Wading Birds of Warrnambool Wetlands” brings to a wider audience, the work of John Wolesley as well as the craftsmanship of the weavers in presenting his original watercolor in a different medium. The tapestry itself was commissioned by Warrnambool Base Hospital.Background is in muted shades of blue and browns with larger birds in foreground and smaller ones in the background. The texture of the tapestry is clearly visible. The back of the postcard has South West Healthcare logo in top left corner and credits in bottom section.South West Healthcare logo, Artist John Wolseley, Weavers, Chris Cochius, Pamela Joyce, Milena Paplinka, Photo credit, Jeremy Weihrauch. warrnambool, warrnambool base hospital, tapestry, john wolesley, south west health care, geoff and helen handbury foundation, australian tapestry workshop, weavers.

1929 Richmond £500 Trotting Cup, Won by Direct Home, Owner P Weaver, Trainer and driver W McKayLarge rectangular colour harness racing photo finish framed in wooden frame.Richmond 24/9/1928 / £ 500 Trotting Cup / Won by "Direct Home" / Owner P. Weaver Trainer and Driver W. McKay / Distance (?) Time 3 min 321/2 sec.trotting, richmond, direct home, p weaver, bill mckay, 1929, harness racing, wj mckay

Cup owned by Henry Hopwood, it was presented to his father by the weavers of Bolton UK.Hopwood was the founder of EchucaInscribed silver cup, thin gold plated inner, two handles. Engraved base.There are two incription on the silver cup, front and back. Front: The Cup is presented to Mr Hopwood by the Weavers of Bolton as a Token of gratitiude . Nov 3rd 1812. Reverse, Henry Hopwood Echuca Victoria, Youngest Son of Mr Hopwood Bolton le Moors Lancashire, 1857

German 1867 - 1945Etching K.44, related to the Weavers cycleArtists estate stamp l.r

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Weavers, probably Bangkok, ThailandMade in Australia / 14 / AUG 64Mthailand, slide

German 1867 - 1945Etching K.32 iv b, Plate 4 in the Weaver's cycle

Coloured photo of Spinners & Weavers Display at Heritage Week Open Day, 1999.nunawading and district historical society, heritage week, 1999

German 1867 - 1945Etching K.25 vii, rejected version for Plate 3 in the Weavers Cycle

German 1867 - 1945Etching and emery, K. 33 v b, Plate 5, Weavers cycleEstate Stamp

German 1867 - 1945Etching, aquatint , emeryK.37V, Plate 6, Weavers cycle

Coloured photo of Spinners & Weavers Group Display at Schwerkolt Cottage and Museum Complex for Society's Open Day during Heritage Festival 2000.nunawading & district historical society, heritage festival 2000

Obtained by Ken Hirst, great grandson of Godfrey Hirst while working at the mill during 1970's -80's. All employees received a copy of the book during this time.Hardback book with dust cover "The weaver from Meltham" " The true story of an Old Colonial Mill by Ivan Southall"

Note by P. Haynes, "subsequently to the time of this photo shrubs were planted in front of the Principal's Residence."Copy of b/w photograph lent in the Centenary Year, 1991, by P. Haynes (1928). Front view of the house with Frank Weavers, Head Gardener, in the drive.centenary, 1991, p.haynes, frank weavers, head gardener, principal's residence

number in album 03553.02Colour photograph Noel Stroud from Lions Club and Ann Weaver recieving award at the 17th Garden Club Spring Competition. Lakes Entrance Victoriaclubs, awards

Made by Portland Fibre Group, 1996-2004: specifically Mary Sharrock, Dot Kelly, Ollie Dellar, Doris Amor and Ede Bailey.Tapestry woven in wool on twine warp. Cream coloured background with pale blue flecks of colour, central motif of coat of arms - features two birds standing on grey platforms to either side of shield. Central to the shield is a masted sailing vessel sitting atop blue and white horizontal lines representing the ocean. Around the sails of the vessel are radiating yellow rays and a blue surrounds representing sunburst against blue sky. The top third of shield shows a pair of sheep heads against a red background. Above the shield is depicted a helmet, crowned with a whale. Blue plumage is shown coming from the helmet and framing the whale.Front: (Weavers' initials, except Ede Bailey, woven into tapestry and are seen on the hem). Back: (no inscriptions)town of portland, textile, tapestry, weaving

Rural scene with children identified as Lorna Weaver, William and Annie May Partington with baby Jack, Alan Partington and Nancy Weaver. The Weavers were friends of the Partington family. Alan's father, William Partington, can be seen in the left background, with Alan Partington centre foreground.The Partington family were Greensborough pioneers. Descendents still live in the area.Copy of sepia photograph of children and cows.alan partington, lorna weaver, nancy weaver, william partington

An undated newspaper article announcing an archaeological survey of the Plenty Valley corridor to be undertaken by Isabel Ellender and Fiona Weaver. The findings were published separately by Ellender and Weaver.Digital copy of newspaper articleplenty valley, plenty river, victoria archaeology, victorian archaeological survey, isabel ellender, fiona weaver

(verso) stretcher bar: col Jordan/(illeg.) Yarran RD/OATLEY N.S.W, (verso) u.l; Jordan/7/78/WEAVER 6painting, australian artist, abstract, pastel, colourful

Archaeological survey of the Lower Plenty River undertaken in 1989-1990 by Fiona Weaver for the Board of Works. Indigenous heritage sites along the Plenty River are examined and recommendations made for the preservation and to lessen the impact of development on these sites.Printed on white A4 paper. Approx 92 pages (not numbered). Illus., maps. 2 copies.plenty river, board of works, aboriginal heritage sites, fiona weaver