224 pages, 19 pages of plates : illustrations (chiefly colour), colour facsimiles, colour portraits ; 27 cm.non-fiction“Abalone Pioneers is the Australian story of the divers, deckhands, researchers and processors who established and developed the zone's abalone industry. The book chronicles the amateur fisherman of the 1950s and the hazy crazy tribe of ‘scruffy longhairs’, who were attracted by the hedonistic lifestyle and fantastic profits in the 1960s, to the professional enterprise of today. It charts the development of the Victorian Western Abalone Divers Association and it role managing and protecting the Victorian Western Zone’s resources, and explores the successful diver-led commercial processors. Illustrated with over 100 historical photographs and featuring over 50 interviews, Abalone Pioneers is an exuberant and fascinating account of the establishment of one of Australia’s valuable but little-known fisheries.”--Back cover.western abalone divers association (victoria) -- history., divers -- victoria, western -- biography., abalone fisheries -- victoria, western -- history., abalone industry -- victoria, fishers -- victoria, abalones., fisheries -- victoria., sports &​ active outdoor recreation., local history., abalones -- victoria, western., abalone industry -- australia., deep diving., fisheries -- australia -- victoria., victoria, victoria., australian, book

Honkie & Ginny is a journey that travels from the cottages of Port Melbourne to Gallipoli, the battle fields of the Western Front and the gold fields of Bendigo. A personal tale from a grand niece.Biography. Honkie & Ginny from Black Sheep to Holy Dove - Henry Foster Midgley 1894 - 1917. Soft cardboard cover, black print on front, spine & back, yellow background. Front has 2 sepia portraits, smaller one of women superimposed over corner of soldier in uniform, small colour photo of At Peace in Flanders poppies below portraits. Back cover has colour photo of a wreath. 220 pages, cut plain paper. Illustrated in black & white photos, line drawings, posters & paintings. Handwritten in black ink on title page: "To Bendigo Memorial Museum with many thanks. Brenda S-C, August 2013" books, biography, western front

This is a hardcover book of 635 pages. The dust cover is multi-coloured with an image of a painting of the woolshed at Rich Avon on the front. The book has a dark red cover.non-fictionBiography of Thomas Guthrie (1833-1928)western victoria early farming sheep farming and droving guthrie affleck, early farming sheep farming and droving guthrie affleck, droving guthrie affleck, guthrie affleck

This is a soft cover book of 304 pages. It has a blue cover with a black and white photograph of Mary Gaunt in an oval shape on the front cover. There is white lettering on the front cover and black lettering in an oval shape on the back cover. The book has an introduction, 35 chapters, acknowledgements, endnotes, a list of publications and an index. It has several illustrations, sketches, maps and black and white and colour photographs,non-fictionBiography of novelist and travel writer, Mary Gaunt (1862-1942)mary gaunt, australian literature, history of warrnambool

This booklet was written by the Rev. H Clark of Terang in 1947 and gives the details of the life and work of the Rev. William Hamilton who came to Kilnoorat in 1847 and was the pioneer Presbyterian minister in the Western District.This is an important little biography of a a pioneering Presbyterian minister in the Western District.This a soft covered booklet of eight pages. It has a grey cover with black print and a photograph of a bearded gentleman reading a book. This book has been stapled but the staples are removed.The Pioneer of Presbyterianism in the Western District. Rev. William Hamilton.presbyterianism history

Biography of Goldfields Commissioner Joseph Anderson Panton for whom Panton Hill was named for. The cover painting "J.A. Panton, Esq., PM" 1904 is by Frederick McCubbin. Sections in the book refer to : J. A. Panton CMG, Discovery of gold, 1854 Year of Exhibitions, Mining commission, Europe, Bohemia, art and marriage, artist in the western district, patron of Victorian Academy of Art, First Police Magistrate of city court, pioneer pastoralist, aboard the yacht "Cushie Doo", fellow of Royal Geographical Society, London, Inaugural President of Victorian Artists Society, Later Life of Joseph Panton.Softcover bookjospeh anderson panton, biography, frederick mccubbin, cushie doo (ship), gold discovery, police magistrate, victorian artists society

Soft cover book. Soft cover - cardboard, red, gold oval black print on front and back. Illustrated - top front colour photograph of red poppies. Lower front - sepia, half portrait photographs of five soldiers in uniform. Back in colour - poppies. 47 pages, cut plain, white. Illustrated black and white and colour photographs, maps, portrait photographs. Handwritten inscription on title page.Title page - handwritten in blue ink "Dear Peter/ may we never forget their courage and/ sacrifice. Allison."books, biography, ww1

The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history,

Title Vol. 2567 Fol. 294 in the name of The Greensborough Estate Company Limited, 164 acres four and a half perches, being part of Crown Portion 17 Parish of Keelbundora, County of Bourke. Dated 22nd May 1895. Northern boundary Greensborough Road (now Grimshaw Street), Southern boundary Nell Street, Eastern boundary Plenty River, Western boundary road (now named McDowell Street); Title Vol. 3134 Fol. 605 in the name of Adolphe Frederic Seelenmeyer, land as described above, LP 4759 and transfers and other instruments to 9 March 1948Folder containing two Certificates of Title (3p. + 9 p.) and twenty pages of miscellaneous documents, including historical summary, brief biography of A. F. Seelenmeyer, two Death Certificates and photocopied extracts from probate documents, as listed in table of contents, ed. by Peter Simmenauergreensborough, greensborough estate company limited, grimshaw street greensborough, plenty river, nell street greensborough, mcdowell street greensborough, adolphe frederic seeley, formerly seelenmeyer, adolfe frederic seelenmeyer

This is the biography of Father John Brosnan (1919-2003) who was well-known as the Catholic Chaplain at Pentridge Prison in Melbourne for 30 years and the person who attended the hanging of Robert Ryan, the last man hanged in Victoria in 1967. Father Brosnan was born in Keilambete and spent his early years in Cudgee, attending Cudgee State School. This book is of interest because it tells the life story of Father John Brosnan who was born in the Western District and spent his early years at Cudgee, 15 kilometres from Warrnambool. Father Brosnan achieved fame as the Catholic Chaplain at Pentridge Prison and as the priest who campaigned to save Ronald Ryan from hanging and who was with Ryan when he was hanged. This is a soft cover book of 170 pages. The cover has an image of Father Brosnan in sepia tones set against a background of the front of Pentridge Prison in dark blue tonings. The title of the book is in red, black and yellow tones. The back cover has a photograph of Father Brosnan and the Pope. cudgee, father brosnan, pentridge prison, warrnambool history

Index, notes, ill, maps, p.222.non-fictionIt would be hard to find anyone better qualified the "Sally Home of the "11th Hussars to tell the story of the Cavalry on the Western front during the First World War.soldiers - great britain - biography, world war 1914-1918 - western front - cavalry corps

Index, bibliography, ill, maps, p.187.non-fictionThe biography of Capt George Ingram VC, MM, the last Australian VC recipient of the First World War. From country childhood in Bagshot and Seville to a gunner with the Australian Garrison Artillery and the Tropical Force's Matupi Battery. He then served with the 24th Battalion AIF on the Western Front where he was awarded the Military Medal and the Victoria Cross. After the war he became a soldier settler, an original Shrine Guard and during World War Two he served with the Royal Australian Engineers. Throughout his life he carried the physical and mental scars of his service in the war.soldiers - victoria - biography, george ingram - biography

bibliography, index, notes, ill, p.152non-fictionTen years after the end of World War I, the Sydney Sun reported that an unknown ANZAC still lay in a Sydney psychiatric hospital. David Hastings follows this one unknown ANZAC, George McQuay, from rural New Zealand through Gallipoli and the Western Front, through desertions and hospitals, and finally home to New Zealandworld war 1914-1918 - biography, mcquay george

index, ill, maps, p.343.non-fictionThe the compelling story of Lieutenant Joseph "Darkie" Maxwell DCM, MC and Bar, VC – the second highest decorated Australian soldier of the First World War."A flash blinds me... We are lost in a chaos of flying mud... Smoke, filth,confusion, racket! I spit and splutter and swear... Oh Christ! I think I'm flamin' well dead." This is the compelling story of Lieutenant Joseph "Darkie" Maxwell DCM, MC and Bar, VC – the second highest decorated Australian soldier of the First World War. Meticulously researched by historian John Ramsland, Maxwell's colourful life is traced from his childhood on the Hunter coalfields until his death at age 71 in a soldier's settlement home in Matraville Sydney. Maxwell was a vivid storyteller who wrote Hells Bells and Mademoiselles, telling of his experiences in the war. In telling Maxwell's story, Ramsland has uncovered many forgotten documents to piece together an extraordinary life of an extraordinary man.wold war 1914-1918 - campaigns - western front, joseph maxwell - biography

Index, bib, ill, map, p.230.non-fictionThis is a study of Sir Ian Hamilton VCs command of the Gallipoli campaign. Appointed by Kitchener after the failure of the initial Allied naval offensive in the Dardanelles, Hamilton was to lead the ambitious amphibious landings that were intended to open the way to Constantinople. In the event, however, opportunities immediately after the landings were squandered and, in the face of unexpectedly effective Turkish resistance, soon stalled in attritional trench warfare like that on the Western Front. Hamilton has often been criticized for this failure and in many ways seen to typify the stereotype of a British general clinging to outdated Victorian thinking. Yet this fresh reappraisal, drawing on original archival research, shows that Hamilton did display some progressive ideas and a realization that warfare was rapidly changing. Like all generals of this period he faced the challenge of unprecedented technological and tactical revolution as well as the political and media battle.world war 1914-1918 - campaigns - gallipoli, generals - great britain - biography

Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs

The sisters were born in New Zealand. They travelled not only around Australia and New Zealand but around Europe, the British Isles and Canada in a caravan performing songs, dances and tales they collected. Often there was little scenery. They established a Theatre of Youth (T.O.Y.) near Circular Quay in Sydney and later founded the Australian Children's Theatre. Mavis Thorpe Clark (1909-1999) began her writing career as a schoolgirl. She was educated at Methodist Ladies College in Hawthorn. Her first story for children was published as a serial in The Australasian newspaper when she was 14 years old. Her first book was written when she was 18 and published in 1930. She was a prolific writer. She wrote mainly for children and teenagers, but also authored several biographies, a number of non-fiction titles, and many articles, short stories and scripts for newspaper, magazine and radio. During the 1960s, 1970s and 1980s she travelled extensively in South Australia and Western Australia gathering material for her stories. In 1967 she won the Children's Book Council of the Year award for The Min-Min which was set in outback South Australia.164p illus. This history details the careers of the New Zealand born sisters, Joan and Betty Rayner.(ms) joan rayner, (ms) betty rayner, australian children's theatre, children's play, (ms) mavis thorpe clark, theatre of youth (t.o.y.)

"The breeze going through the eel trap gives a feeling of water flowing through the vessel with the feathers softly waiving as the water flows. My grandfather Nicholas Couzens and my uncles made eel traps to fish the Hopkins River - this is how my mother learnt the techniques which she passed on to me."Bronwyn RAZEM Gunditjmara/Kirrae Whurrong Bronwyn Razem is an Indigenous Australian basket weaver and painter. She is a Gunditjmara woman of the Kirrae Whurrong clan of western Warrnambool on the Victorian coastline. Bronwyn’s practice involves an exploration of her Indigenous heritage and identity, and she creates symbolic representations of places and events that are meaningful to her family. She integrates ochres, sand and other materials into her paintings, and her works also draw on the possum skin cloak traditions of her ancestors. In 2008, Bronwyn was chosen by the Australia Council for the Arts to be part of a delegation of Indigenous artists to attend the 10th Pacific Arts Festival in Western Samoa. Bronwyn’s mother, Aunty Zelda Couzens, was a well-respected basket weaver and elder who taught Bronwyn basket-making techniques. Bronwyn now regularly conducts basket weaving workshops with Victorian Indigenous communities in order to facilitate the revival of cultural traditions. She has a Bachelor of Arts with Honours at Deakin University, and in 2008 she was enrolled in a Master by Research degree at Deakin Institute of Koorie Education, Geelong, and was living in Ballarat. (https://www.daao.org.au/bio/bronwyn-razem/biography/, accessed 18 April 2016) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Bronwyn RAZEM (1953- ) Gunditjmara/Kirraw Wurrong A woven New Zealand flax eel trap with emu feathers. This work won the University of Ballarat Acquisitive Award for work reflecting Victoria's Western District. The judges were impressed by Bronwyn Razem's translation of the traditional eel trap into a sculptural form evocative of the flow of water and possible the passage of time. The design and technical knowhow which Razem inherited from her mother, uncles, and grandfather connects this work to the family;s life and traditions. She then enhances the simplicity of this very functional object by the addition of delicate emu feathers, creating a work that creatively and symbolically transcends its original form. art, artwork, bronwyn razem, razem, eel trap, aboriginal, indigenous, available