W.B. Withers wrote the 'History of Ballarat'.Line drawing of a balding man and a jacket. He is journalist and local historian William B. Withers.w.b. withers, william b. withers, willaim bramwell withers

Portrait of William Bramwell Withers, journalist and author of 'History of Ballarat.'william bramwell withers

William Withers and Edward Ryan drowned near Point Lonsdale on 19 October 1954 when they tried to enter the Rip at Port Phillip Heads against an ebb tide with a strong south-west wind blowing. They were sailing a large crayfishing boat, the 'Robert John', returning with a load of crayfish from King Island.Photograph shows William (Bill) Withers and Edward Ryan who worked in the local Queenscliff and Victorian fishing industry. The commercial fishing industry developed in Queenscliff from the 1860s, with early fishing developing around the couta boat and barracouta fishing. Crayfishing and shark fishing also became important, especially as the supplies and popularity of barracouta as a commercial species waned. Local Queenscliff fishermen often fished outside Port Phillip into Bass Strait and had to navigate the dangerous entry to Port Phillip, known as 'The Rip', with its turbulent and variable water and weather conditions. This added to the everyday dangers of sailing faced by fishermen in their industry. The local fishermen often had the local knowledge of these waters, but the fishing community in Queenscliff also lived with the threat or fear that the Rip could rob them of one of their own. The entrance to Port Phillip with this Rip is the scene of many shipwrecks,often resulting in tragic loss of life or injuries, including passenger and cargo ships travelling to/from Melbourne and Geelong as well as accidents to local Queenscliff and Port Phillip sailors such as the fishermen or sea pilots. A B/W photograph of two Queenscliff fishermen, William (Bill) Withers and Edward Ryaninformation about photo and donation handwrittten on backfishermen, queenscliff fishermen, withers, william withers, ryan, edward ryan, robert john crayfish boat, shipwreck, port phillip

The History of Ballarat Has name Carl Archibald on front end page Author: William Bramwell Withers, Publisher: FW Niven and Co Date: 1877 Label on spine with typed text RA 994.53 WIT warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the history of ballarat, carl archibald, william bramwell withers

Ballarat identities - many associated with the Ballarat School of Mines, a predecessor institution of Federation University Australia.36 page newspaper supplement geoffrey blainey, albert coates, john curtin, james oddie, henry sutton, william withers, nathan spievogel, peter tobin, william yuillle, matilda thompson, tillie thompson, w.s. urquhart, william wills, professor alfred smith, alfred mica smith, henry seekamp, arthur nicholson, hugh mackay, percy beames, edgar bartrop, mother gonzaga barry, jack chisholm, bella guerin, david haymes, charles h. beanland, c. howard beanland

The Ballarat School of Mines was the first school of technical education in Australasia.Large format brown scrapbooks with newsclips relating to the Ballarat School of Mines.ballarat school of mines, newsclips, art examinations, ballarat west art school, st john ambulance association, andrew anderson, university affiliations, university of melbourne, professor kernot, geological cause and effect of faults, cassilis chlorination works, electric rock drills, museum, ballarat school of mines museum, latham watson, william barnard, krause, blucher amalgamator, f.m. krause, photography, ludovico hart, pyrites works, ballarat school of mines puries works, pyrities roaster, ballarat east school of art, art gallery association technical art school, hannay electro-cyanide process, x-ray, roetgen x-rays, xray, bairnesdale school of mines, technical education in germany, ballarat amateur photographic club, moonta, moonta excursion, moonta visit, broken hill visit, broken hill excursion, wallaroo excursion, ballarat west election, ballarat mechanics' institute, dr kenworthy, james oddie, william b. withers, william collard smith, duncan gillies, john phillips, james long, ballarat industrial institute

Copies of all images from the 1887 version of Withers' 'History of Ballarat'. The images include copies of the Eureka Stockade reward posters. mail coach, eureka graves, ballaarat old cemetery, mining registrar's office, reward posters, lake wendouree, bakery hill, madame berry gold mining company, ballarat from bath's hotel, quartz crushing, black hill, horse puddler, pennyweight flat, aborigines, creswick, withers, william b. withers, history of ballarat

An advertisment for Withers' History of Ballarat.Framed newspaper poster of Ballarat, with details of buildings. This is an advertisement for William Bramwell Withers 'History of Ballarat', 1887.f.w. niven, ballarat, foord, panarama

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Leather covered ledger with thin copies of handwritten details relating to donations to the Ballarat School of Mines Museum. The book has been written by curator Ferdinand Krause.ballarat school of mines museum, curator's donation book, museum donations, james oddie, ferdinand krause, rivett henry bland, w.h. bacchus, w. corbould, a. doepel, c. flude, j. fussell, m. gould and co, hugh gray, w. little, w. lapslau, r. menz, madame berry mine, r.m. sergeant, d.w. spence, willaim bramwell withers, m. zwar, moonta, william corbould, william little

This book came into our collection via a donation to the Book Barn, which operates as a second-hand book shop. The donor is unknown.This book was published in 1887, a time of consolidation of wealth after the initial gold rushes in Ballarat in the 1850s. Its full title is 'History of Ballarat from the First Pastoral Settlement to the Present Time.' By William Bramwell Withers, Journalist. Second Edition with Plans, Ilustrations and Original Documents. It is an invaluable history of the origins of Ballarat and its mining history, with a chapter devoted to the Eureka Stockade. Book bound in green cloth on hard cover. On cover: Title incised in black on gold: HISTORY/OF/BALLARAT In gold: REVISED EDITION In black:By/W.B.Withers/PUBLISHED/BY/F.W.NIVEN &Co/Ballarat. Front cover embossed with gold pictures, one of a spray of wattle, one of a spray of eucalyptus leaves, a picture of a miner standing at a winch, and two panoramas of Ballarat, one in its early days as a gold-mining camp, and one as a built-up city. On spine: In green on gold: HISTORY/OF/BALLARAT : BY W.B.WITHERS 1887 Picture of two miners in a lift cage descending a mine shaft. On back cover: In black, picture of an aborigine looking into the sun, which is either rising or setting. On inside front cover: label pasted in. Inscription in gold: PRESENTED TO/THE/MEMBERS/OF THE/Empire Commerce Congress/BY/BALLARAT'S PIONEER DIGGER,/MR.JAMES ODDIE,1851. Front brown flyleaf partially torn off. ballarat gold rush, w.b.withers, eureka stockade, mining history, early maps of ballarat, mr james oddie, empire commerce congress

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, 1917, nancy josephine pitt withers, southernwood

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, nancy josephine pitt withers, postcard

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, nancy josephine pitt withers

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, nancy josephine pitt withers

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, nancy josephine pitt withers

Nancy Josephine Pitt Withers born 17 May 1897 at Heidelberg, Victoria married William Lawrence Bogle 5 November 1926 at Sacred Heart St Kilda, VictoriaMany items in this collection have suffered from significant water damage and black mouldjohn withers collection, eltham, nancy josephine pitt withers, scan - 620 format 6x9 negative

Warrandyte artist, Clara Southern, features on the Artists Trail. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p189 Since early in the 20th century this district has attracted artists and other creative people. So much so, that Eltham has been compared to the Left Bank in Paris, New York’s Greenwich Village and London’s Bloomsbury. That is until the 1970s when Eltham rapidly expanded into a suburb. However many artists still flourish not only in Montsalvat, Dunmoochin and the Bend of Islands but elsewhere in Nillumbik. Some artists who have worked or lived in Nillumbik are well-known nationally and internationally. Artists are attracted to the hilly district’s subtle colours, unique light and the Yarra River and Diamond Creek. The railway’s extension to Eltham in 1902 brought artists to paint for the day or to camp. Then many settled in Eltham, perhaps also because the poor quality land, far from the city, was cheap. Following World War Two they found they could build houses and studios cheaply by making their own mud-bricks. The flexible material, with its warm tones blending into the bush, also satisfied their aesthetic sensibilities. As early as 1900, Will Longstaff, known for his painting The Ghosts of Menin Gate at the National War Memorial in Canberra, lived at Stanhope in Peter Street, Eltham, later to become the home of intellectuals Clem and Nina Christensen. Members of Australia’s first significant art movement, the Heidelberg School of Artists, painted in Eltham, Warrandyte and Diamond Creek. Walter Withers lived at the corner of Bolton and Brougham Street, Eltham and taught Sir Hans Heysen, who for a short while stayed with the Withers family. In Warrandyte were Clara Southern, whom Frederick McCubbin taught at the National Gallery School and Penleigh Boyd, who is represented in all Australian state galleries and the National Collection in Canberra. May Vale, daughter of politician William, lived in Diamond Creek. With Jane Price they feature on the Heidelberg School Artists Trail, part of which runs through Nillumbik. The trail includes signs each displaying a reproduction of a painting by an artist and located near where the artist lived or painted. In Nillumbik the trail includes parts of Warrandyte, Eltham in the Alistair Knox Park, Main Road shopping precinct and Wingrove Park, the Research walking track on Main Road and the Diamond Creek Reserve. In 1916 artist William ‘Jock’ Frater lived at the corner of Arthur and Bible Streets, Eltham. Before then, Frater, with other artists including Percy Leason (who moved to Eltham in the mid 1920s) painted in Eltham on weekends. They camped near Bible and Pitt Streets and along the Diamond Creek where the Eltham Retirement Centre now stands.4 In 1921, painter Peter Newbury (father to painter David Newbury, who was born in Eltham) moved to Cromwell Street, Eltham. Max Meldrum, the first Australian painter to formulate a consistent theory of art largely based on tone,5 taught local artists Alan Martin, Clarice Beckett, Peter Glass and Justus Jörgensen. Meldrum visited Eltham then rented a house there for 18 months opposite Wingrove Park. In 1934, artist and architect Justus Jörgensen and his doctor wife Lil and friends built Montsalvat, the artists’ colony. Montsalvat has played an important part in attracting artists to Eltham and its mud-brick, pisé, stone and recycled building materials has had a major influence on Eltham’s built environment. Jörgensen’s students who also helped him build Monstalvat included Arthur Munday, Lesley Sinclair, Helen Lempriere, Joe Hannan, Helen, Sonia and jeweller/sculptor, Matcham Skipper. Among artists who visited Montsalvat were Clifton Pugh and Angry Penguins’ artists Albert Tucker and Arthur Boyd. Some who painted after World War Two were Alan Martin of Eltham and Warrandyte artists Frank Crozier and Harry De Hartog6, one of Melbourne’s first painters influenced by Cubism.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, clara southern, main road, research (vic), heidelberg school artists trail

Walter Withers once lived at the corner of Bolton and Brougham Streets, Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p105 Walter Withers, one of Australia’s most famous artists, once lived in Southernwood, the weatherboard house at the corner of Bolton and Brougham Streets, Eltham. Withers, one of the first prominent artists to live in Eltham, was known for his lyrical paintings of the Australian bush and is associated with the Heidelberg School of artists. Withers was born in 1854 at Handsworth, Warwickshire, England, the grandson of an artist. He studied art at the Royal Academy of Arts, London. But in 1882 his father, opposing an artistic career for Withers, ordered him to go to Australia. However, after working as a jackaroo on several country properties for 18 months, Withers resumed painting in Melbourne, where he enrolled in evening art classes at the Melbourne National Gallery school of painting under G F Folingsby. Employed as a draughtsman by William Inglis & Co, then by Ferguson & Mitchell, lithographic printers, Withers produced portraits in black-and-white for several periodicals. His work was exhibited in the Old Academy, Melbourne. At this time he met and became life-long friends with artists Frederick McCubbin, Tom Roberts and Louis Abrahams. In 1887 Withers went to England and married Fanny Finn. They lived in Paris for awhile, where Withers studied at the Academie Julian. After his return to Melbourne in 1889, Withers lived at the artist camp at Eaglemont, then moved close to the Charterisville mansion, where he established a studio and sub-let cottages to other artists. Around 1892 Withers opened a Collins Street studio, had his first exhibition, and started giving painting classes. One of his pupils was Norman Lindsay, also to become a prominent artist. Withers had long been attracted to Eltham, but had to wait until 1903 to live there, after the railway line was extended to Eltham in 1902. He could then commute to the painting classes he gave in Melbourne. Withers lived on the two and a half acres (1.0ha) Bolton Street property with his wife and five children. They were joined for a short time by prominent painter Sir Hans Heyson who took lessons from Withers. Withers added a studio to the Queen Anne/Edwardian style seven-bedroom home, which had been built in 1891. Each bedroom included a fireplace and most rooms had 12 foot high (3.6m) ceilings. The house retains several fine leadlight windows. Withers painted his largest canvas The Return from the Harvest in 1905, at his Eltham studio. He is represented in national, state and regional galleries, and in many private collections in Australia and abroad. In 1904-05 Withers was president of the Victorian Artists’ Society. Withers at times stayed during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham. Withers lived in Eltham until his death in 1914, aged 60 years. He had been plagued by rheumatism and in later life by heart and lung disease. It is said he died of a stroke peacefully in a rocking chair in front of the lounge-room fire. He is buried at St Helena in the St Katherine’s Anglican Church cemetery. In 1983, the auction of the house sparked fears that it would be pulled down, or substantially altered. Fortunately the new owners decided to retain the house. Some security was given to the house’s future when it was later included in the Heritage Overlay to the Nillumbik Planning Scheme. The property is also important because it is one of only a few left in the district, which were once owned by noted artists. These include three in Warrandyte: one formerly owned by Penleigh Boyd, another by Frank Crozier, and the other by Danila Vassilieff; and two in Eltham: Percy Leason’s in Lavender Park Road and Justus Jörgensen’s Montsalvat. A small park at the corner of Bible and Arthur Streets, Eltham is named in Walter Withers’ honour.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bolton steet, brougham steet, eltham, southernwood, walter withers house

Grave of John Huxley Carse (died 1926) in Plot#J15 Greensborough Cemetery. Photograph taken by Noel Withers 2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites and 350 people buried there. Digital copy of colour photograph of grave/headstone.john huxley carse, greensborough cemetery

Grave of James Chapman (died 1875) and Susan Chapman (died 1895) in Plot#H6 Greensborough Cemetery. Photograph taken by Noel Withers 2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there.Digital copy of colour photograph of grave/headstone.james chapman, susan chapman, greensborough cemetery

Grave of Beatrice A Chapple (died 1922) in Plot# G15 Greensborough Cemetery. Photograph taken by Noel Withers 2009. [Caption by Bruce McDowell: Beatrice Alice Chapple was the daughter of William McDowell & Susan McDowell (nee Poulter) - who are both also buried at Greensborough Cemetery]Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.beatrice chapple, greensborough cemetery

Grave of George S Davis (died 3/6/1942) in Plot# Q19 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009. The Davis family lived in Britnell's Road, Briar Hill.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there.Digital copy of colour photograph of grave/headstone.george s davis, greensborough cemetery

Grave of Mary England (died 1951) in Plot# P1 Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried thereDigital copy of colour photograph of grave/headstone.mary england, greensborough cemetery

Grave of John Fleming (died 08/06/1945) in Plot# P9 Greensborough Cemetery. Photograph taken by Noel Withers 2009.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there. Digital copy of colour photograph of grave/headstone.john fleming, greensborough cemetery

Grave of Joseph Goodman (died 04/07/1932) and Dorothea (Dora) Goodman (died 24/02/1955) in Plot# P7[?] Greensborough Cemetery. Photograph taken by Noel Withers 30/07/2009. . The Goodman’s lived in Alexandra Street, Greensborough.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many of the early settlers in the district. The cemetery holds approximately 250 grave sites with 350 people buried there.Digital copy of colour photograph of grave/headstone.joseph goodman, dorothea goodman, dora goodman, greensborough cemetery