Brown leather round collar box with two white winged collars. One with cream stud.collars, wing collars, neckwear, collar boxes

Red lacquer Japanese stud bowl with lid & 2 cotton wing backed collars.bowls, collars, wing collars, neckwear

Men's collars - upright wing back style.collars, wing collars, neckwear

These starched winged collars were part of the Formal Suit worn by men in Melbourne c1960 when attending special occasions , events and ceremonies The collars were fastened to the shirt with metal studs at front and napeThese starched winged collars were typical of the Formal outfit worn by men in City of Moorabbin c 1960 White starched winged Collars detachable x2 worn by men as part of the formal wear for special occasions, ceremonies and civic functions all cotton/ made in England; a) Welmar 161/2 ;b) Kent151/2 clothing, craftwork, early settlers, moorabbin shire, cheltenham, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, maynard dennis, collars winged, collars detachable, dress shirts, dinner suits, tailcoats, formal wear,

Worn C 1960's with wing collared shirt.- Black bow tie, pre-tied - adjustable with hook fastening See NA5570 (white formal shirt) NA5571 (Trousers and Jacket) NA5576 (Cummerbund) and NA5576 (cuff links)Nilneckwear, formal wear

Mounted sepia photograph of a man and woman. Man seated dressed in suit and wing collared shirt, woman standing dressed in long dress with puffed leg of mutton sleeves both in late twenties / early 30s.At bottom of mount: "Vine's Studio | Beechworth, Victoria"portrait photograph, beechworth

Halls Gap's First Wedding between Maud Langley And Charles Perry which happened at Morningside.Slide of a young man with blonde hair, dressed in a winged tipped collar,cravat and suit coat.people, perry

Portrait: sepia coloured photo of baby sitting on ornate cane chair. Baby is wearing white lace over over garment, with long-sleeved garment underneath. Written on back of photo in fountain pen 'Freddie Hickson Age ten months' On bottom of photo Alan Spicer Williamson Street, Bendigo. Information provided with photos: Frederick George Hickson born 1884, Toolleen, Victoria. Father Edward George, mother Lucy MaryAnne Aylett, married 1879 in Kerry. Frederick died 1942, Heathcote, aged 86. Edward George Hickson, born 1837, father James, mother Barbara Godfrey, died 1915 Toolleen aged 78. Frederick George Hickson married Rose Victoria Louise Osborne in 1913. Rose Osborne born 1889 Raywood, father Louis, mother Margaret Ann Carmen. Children of Frederick and Rose : Edward George born 1914, Long gully. Margaret Lucy born 1916 Bendigo.Sepia coloured portrait of young male adult dressed in three piece suit, wing collar and tartan print tie. On bottom of photo : D. Mendelfsohn, View St., Bendigo. Photo likely to be Frederick Hickson as a young male adult. See information on 1632.2D. Mendelfsohn, View St., Bendigoperson, individual, frederick george hickson, toolleen, hickson

Black and white image mounted on buff board Man is dressed in formal suit, white wing collar, white bow tie. Woman dressed in dark dress, lace sleeves, jet necklace. Man wearing glasses, woman horn rimmed glasses. Written on bottom on board ' Vincent Kelly, Bendigo' in handwriting.cottage, miners, man and woman portrait. photographer vincent kelly bendigo.

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. Patricia Desmarchelier, the donor, purchased this and two other items of evening wear by Norma Tullo in a Brisbane CBD boutique fashion store during 1967/8 for her personal use. At the time, she was an undergraduate student who saved earnestly to buy the outfits to wear to college formals and balls that were popular during those years.Aesthetically significant dress by Norma Tullo.Long blue evening coat designed by Norma Tullo. The floor length coat has a wing collar, long sleeves and silver buttons at the front. The coat was worn over a long blue evening dress by the same designer and could be worn buttoned or unbuttoned. Dimensions: Shoulder width 38cm Bust: 96cm Waist: 87cm Hips: 116cmLabel: TULLOaustralian fashion, fashion designers, norma tullo, fashion -- 1960s, hippie style, evening wear, evening dresses, dresses, melbourne fashion houses

Rev. Dr. Charles Strong arranged a meeting of some imminent citizens of Melbourne on the 17th of February 1885 when the decision was made to form the Melbourne District Nursing Society. Rev. Strong chaired the meeting, on 4th of March 1885, which accepted the Rules of the Society prepared by the Sub-committee. He chaired the first Annual meeting of the Society the following year and remained a Committee member for several years.Rev. Dr. Charles Strong had significant involvement in the establishment of the Melbourne District Nursing Society (MDNS), the first District Nursing Society in Australia. He was born in Scotland and came to Melbourne with his family in 1875, initially being Minister of Scots Church in Collin Street. He left the Presbyterian church and became the first Minister of the newly formed, free religious, Australian Church in 1885. Rev. Strong cared passionately about social welfare issues and was a member of the Australian Health Society from 1880 and also president of the Convalescent Aid Society. He was involved with improving lodging houses in the slums of Melbourne and recognized the need for nursing care of the sick poor in their own homes. Many eminent citizens of Melbourne supported this idea and he arranged a meeting of these citizens, fifteen women and four men, at Mrs. William McCulloch's home on the 17th of February 1885, when the decision was made to form the Melbourne District Nursing Society. Dr. Strong, along with Dr. Caffyn, had experience of social welfare work in Scotland and were able to explain the object and scope of a District Nursing Society. A Sub-committee was formed, with Mrs. Charles Strong among the members, to draw up a Constitution and for suggestions to carrying on the Society's work. Rev. Strong chaired the meeting, on 4th of March 1885, which accepted the Rules of the Society prepared by the Sub-committee. A Special General Meeting was held on the 9th of April and the first Officers and Committee members, were elected with the Rev. and Mrs. Charles Strong being elected as members. Rev. Strong chaired the first Annual meeting of the Society the following year and remained a Committee member for several year. Reverend Dr. Charles Strong died on the 12th of February 1942 aged 97 years.This black and white portrait photograph shows an elderly Reverend Dr Charles Strong who has receding and thinning white hair and is sporting a white trimmed moustache and beard. His face shows the lines of an aging gentleman. He is wearing a winged collar on his white shirt and is wearing a black tie. He is also wearing a black jacket.melbourne district nursing society, mdns, rdns, royal district nursing service, rev. dr. charles strong

Detachable collars enclosed in a leather box such as this one were used in the 19th and early 20th centuries, particularly by men in the business and clerical professions. The collars were attached by studs or buttons to a shirt. The collars were removed prior to shirt washing the shirt. The leather box was most useful for travelling. Detachable collars could still be used today particularly by clergymen. Two are named E R Twomey.This box and collars are retained as an example of vintage men's wear. It will be useful for display.A brown leather cylindrical case with a strap and buckle. It has white thread stitching around the rim and upper edge of the lid, the slot for the buckle, the rim and lower edge of the base . Inside are four detachable white winged collars for wearing with a shirt. Each has three holes, one for a button and two for a stud or for buttons at the front, two wings and a curved slot at the back.They are made of very fine cotton and linen.002215.1 J.T. MADE IN ENGLAND ESPECIALLY FOR Buckley & Nunn Ltd. MELBOURNE 002215.2 A stamped lion, WELCH MARCETSON 7 CO. LTD. 4 THE ALATUS TRADE MARK DES M 9 M 520 1 3/4 x 1/2 T14 002215.3 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY , A deer head with antlers in a pointed elipse E.R. THOMEY a red inverted drawn triangle two dots Lindum 2x 151/2 002215.4 MADE IN ENGLAND FOR BUCKLEY & NUNN MELBOURNE EXTRA QUALITY, A Deer head with antlers in a pointed elipse . T indecipherable . E.R.T.4 indecipherable. Lindum 2x15 002215.5 E.R. THOMEY Indecipherable Lindum 2x 15 ? warrnambool, detachable vintage collars, detachable men's shirt collars

This is one of a series of photos donated by Arthur Lyons. From 1907 a cab service operated from near the railway gates in Union Road. It was established and maintained by Mr C Fraser until c1916. George Rea either took over then or set up in opposition. Fred Lyons initially worked for George until he set up his own business. In time he changed over to a motor vehicle and continued his service until 1960. Frederick Adolphus Lyons (1891-1980) was born in Surrey Hills, son of Thomas and Catherine Lyons. He married Elizabeth Ruby Hall in 1918. They lived just around the corner at 55 Sunbury Crescent. The Lyons’ home in Sunbury Crescent was called ‘Knopshambury’ - this was probably a misspelling of Knockshanbally in Co Kilkenny, the birth place of Fred’s father, Thomas Edmund Josias Lyons (1846-1915). Arthur Lyons was born in Surrey Hills on 12 Jun 1920. He became a motor mechanic / welder and lived at 55 Sunbury Crescent. The donation was made while he was in hospital. He died shortly afterwards (23 Sep 1990). Donation was finalised by a neighbour, Mrs Florence Ann Armitstead, wife of Glen Victor Armitstead. Glen was a local hairdresser. They moved to 11 Sunbury Crescent after their marriage in 1939. Arthur had no relatives to distribute the material to. Empire Day celebrations were held in Surrey Hills from 1906-1911; they were revived between 1933-1938 by the Surrey Hills Progress Association. They featured street parades with highly decorated vehicles provided by local businesses and bonfires, including the one in Beckett Park.Black and white photo of Mr Fred Lyons with his taxi decorated for Empire Day. The tourer car is parked in the street and is festooned with flowers and ribbons on the hood, bonnet radiator, running board and in the tyre spokes. Mr Lyons stands by the driver's side door. He is wearing a suit with a winged collar and tie. A small child is watching from the footpath on the left just behind a mature tree. There are houses in the background. empire day, motor vehicles, festivals and celebrations, taxis, fred lyons, frederick adolphus lyons

1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers,

Sepia photograph (mounted). Man in frock coat with satin. Reverse wing collar with patterned tie. Gold watch chain and medallion. Left hand in trouser pocket. Inscriptions/markings - Hand-written in ink in BR corner 'Yours truly Wm Honeybone, 21/1/0---?' Printed on board at BL 'D Mendelssohn'. At bottom right 'View Street, Bendigo'. Printed on back - 'William Honeybone, Town Clerk'., 'P670', Round stamp 'Royal Historical Society of Victoria, Bendigo Branch'.person, individual, william honeybone

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Percy Uebergang and Myrtle Wright were married on 3 September 1924 at Koroit. The attendants were Miss Ida Wright and Carl Uebergang. Newspaper reports of the wedding and welcome home reception are held in the collection. Myrtle's cousin, Florence Trigg, recalls that the wedding was held at 6am at Koroit in order to catch the train to Melbourne at 7am. This photograph was taken following their return. Percy and Myrtle are the parents of Ray and Joyce Uebergang. Black & white photograph of the wedding party of Percy Uebergang and Myrtle Wright and their attendants. The bride is wearing a calf length suit trimmed with a lace collar and shoes with lattice weave uppers. She has a horseshoe on her left arm and a small handbag in her right hand. The bridesmaid is wearing calf length long sleeved dress featuring a shawl collar and a sash at the waistline. She is carrying a handbag. The men are wearing 3 piece suits and lace-up boots, shirts with winged collars and ties.allansford, uebergang, percy, wright, myrtle, wright, ida, uebergang, carl, marriages, trigg, florence, koroit

Photograph: black and white photo mounted on tan board. 52 school students standing/seated in five rows, outside school weatherboard building. Male teacher standing on Right Hand side, dressed in three piece suit, wing collar and tie. Students are dressed in various types of clothing, not uniform. Student centre front row is holding blackboard with '3505, Spring Gully, 25.5.20' written in white chalk. On back of photo is written in biro: Mrs. J. Noble, 232 Carpenter Street, Spring Gully, Bendigo Bottom Right Hand side of board : Photo, G.W. Bolton, Artist.G.W.Boltonphotograph, person, school children, spring gully, g.w. bolton, cook, noble, j. spring gully school. education

Black and white photo - image shows group of 6 women and one man. Women dressed in dresses, one with coat, and hats. Man on RH side dressed in suit, tie, wing-type formal collar. No markings.person, group, 6 women, one man, bendigo, group0, 1940's

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre-tied black bow tie with a metal spring clip to attach to the shirt collar. The 2 spring clips have 'alligator teeth' to grip the collaron spring clip MADE IN AUSTRALIA SPRINGmenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied Bow ties are available, in which the distinctive Bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable Bow tie. Bow ties are worn by magicians, country doctors, paediatricians, lawyers, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A pre tied white Bow tie sewn on a neckband with an elastic clip fastenermenswear, clothing, bow ties, cheltenham, moorabbin, bentleigh, early settlers, pioneers, market gardeners, male neckwear

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. This white bow tie is a 'fixed length' type that needs to be tied by the person wearing it. MAKO SIZE 15 1/2 menswear, clothing, shirts, collars, early settlers, fashion, cheltenham, moorabbin, dairy farmers, market gardeners, bow ties, mako pty ltd

The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh

This Man's White 'Silk' Dress Scarf, with a black and white silk fringe, was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies This Man's White 'Silk' Dress Scarf was worn with a dress suit as part of the formal wear for men in City of Moorabbin c 1960 for special occasions, events and ceremonies Man's White 'Silk' Dress Scarf with a black and white silk fringe . Tootal Scarf / Wash as Silk / Men's Wear Centre / Smythes / 115 Glenhuntly Rd E'wick clothing, evening wear, dinner suits, formal wear, scarves, collars winged, tailcoats, bow ties, cheltenham, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork , bentleigh, maynard dennis, post world war 2 estates ,

Clothing. Black silk-satin fabric, mid-calf length dress, gathered from the waistline. A black, pleated cummerbund encircles the waist, fastening at the left side with three metal hooks, and hand stitched loops. Long set in sleeveshave a fine piping around the arm holes, and have a hand stitched neatening to finish. Shoulder seams are also piped. A long, narrow collar of lace, bound in 2.5 cm satin edging, attaches almost to the waistline-finishing just 9 cm above the waist. A 'bib front' attached at the right side to the bodice lining, attached to the eaistline, and closing on the left hand shoulder side, with metal hooks, and hand stitched loops. Bodice closes over the top with a metal press-stud. Front bodice has three tiny pleats on each shoulder seam and gathers into the waistline seam. Fine georgette fabric, backed with fine net fabric, is with tiny glass beads, and forms the top of the 'bib front'. Fine beading of tiny beads outlines the high round neck. Larger glass beads and silky lace trim the lower 'bib front'. The lg sleeves are gathered lightly at the shoulder, which isoutlined with fine piping. Cut as a straight piece of fabric, a rectangular 'wing effect' at the wrist, is lightly gathered into a 13 cm deep lace cuff, fastening with two metal hooks, and hand-stitched eyes. Sleeves are lined with fine fabric.costume, female, black silk satin dress

This man’s dress box contains accessories that a man would use, perhaps in a formal situation – bow ties,buttoning studs and detachable collars. The contents of the box may not be what was originally in the box. Bow ties and studs are still used on occasions but detachable collars are no longer in vogue because wash and wear shirts are freely available. Both of the companies which made the detachable collars, Pelaco and Cremorne, were based in Richmond in Melbourne. The Warrnambool jewellery business of M. Salamy and Son, has the known dates, 1912 to 1938. There were two Salamy shops, one in Timor Street, opposite the Post Office and one at 179 Liebig Street. This box and contents are retained because they are reminders of accessories men used in the past, especially for formal occasions. Also, one of the items came from the well-known Warrnmbool jewellery business of M. Salamy and Son..1 This is a circular-shaped leather box with a lid attached by stitching and a strap and a metal buckle for closing the box. Inside the box is a blue cardboard lining. The leather is scuffed. .2 & .3 These are two black cloth bow ties with metal clips at the back. The ties are housed in a blue wooden box. .4 These are seven elasticised bands for holding back shirt sleeves. Two of these are covered with red and blue cloth and five are made of silver-coloured metal .5 & .6 These are two white detachable collars. They are somewhat stained. .7 These are four metal studs with white inserts. .2 The box is marked ‘M.Salamy & Son, Jewellers’ .5 ‘Pelaco Best Quality Made in Australia’ .6 ‘Cremorne Collar Co. Melbourne’ men’s accessories, history of warrnambool, detachable vintage collars, winged detachable collars

Manufacturers label inside jacket M.TX Size 22

Label on inside of right hand pocket displays, Jackets Field Wool O.D Stock No. 55-J-384-605 36S Cancelli & Desiderio P.O No. 12280 Dated June 13, 1944 Pattern Dated 5/10/44 Spec. P.O.D No 437 Phila Q.M. Depot