Includes copy of will of William Clark. Resident of the property at 9 Wolseley Close in 1910. Includes copy of the Alan Holts home occupier / tenant records - names from 1920 - 1980. Includes photo of Wolseley Close house, taken 1888/1889 plus colour photo of Wolseley Close house taken by Lin Merry, 2010. Land Title information, surveys, subdivision Includes list of occupants of the house, p.17Includes some plans of houses built in Wolseley Close, Mont Albert, Victoria. Outlines details of property at 9 Wolseley Close19p : col illcragg family, windsor crescent, surrey hills, (mr) william ainger, (mr) isaiah ainger, whitehorse road, noorn hill, house names, koonda, d j maloney, (mrs) louisa clara maggs, taramera, union road, st.abbs, york street, (mr) william henry cleverdon, wolseley street, windsor park estate, tarawera, merry family, clinton family, adams family, tel-el-kebir, farrell family, (mr) william clark, trafalgar street, (mr) (sir) matthew davies, (mr) c h james, (mr) james munro, (mrs) elizabeth clark, langdale, (mr) stanley dewar, (mr) john jose, (mrs) emily hampton, potton, (mr) alexander potton, (mr) john atkinson morris, freehold investment & banking co., mont albert, windsor park surrey hills, dalton family, (mr) henry wood, wolseley close

Booklet with drawings and specifications of Wolseley shearing equipment.Booklet with drawings and specifications of Wolseley shearing equipment.shearing machinery, wolseley sheep shearing machine co. ltd

Specification manual outlining all parts for a complete Wolseley set of shearing machinery, in text and images.Specification manual outlining all parts for a complete Wolseley set of shearing machinery.shearing, wolseley sheep shearing machine co. ltd

Wolseley No. 3 type shearing handpiece. Serial no. 52039.Wolseley no. 3 shearing handpiece.THE / WOLSELEY / SHEEP / SHEAR / 52039shearing, wolseley sheep shearing machine co. ltd

Commemorative booklet celebrating the progress of machinery made by the Wolseley Sheep Shearing Machine Company, from 1877 to 1927. The booklet includes the history of company, comparisons in tools and machinery, and various products. The manual was delivered to the donor's grandfather, Mr T. J. Gorman, along with four stands, installed in October 1925 at the property 'Plentyana', near Corowa, New South Wales. The manual remained at the wool shed until the property was sold in 2005. It has been soaked in linseed oil.Twenty page booklet with black and red printed text and graphics, three staples at binding. Front: [printed] 1927 / 1877 / 1877 / 1927 / THE / WOLSELEY / Sheep Shearing / Machine Co., Ltd.shearing, manufacturing, wolseley sheep shearing machine co. ltd, publication, manual, machinery, farming, tools, products

Radiator cap from a 1914 Wolseley owned by Maffra architect Steven Ashton and featured in a photo of Maffra Post Office and Court House, just prior to the Great War, held by the East Gippsland Historical Society.Solid brass, screw-on radiator cap with Vauxhall Griffion emblem attached. Griffion missing end of left front leg.Inscribed "REG No 729889" under leading edge and "JOSEPH FRAY LTD, BIRMINGHAM" under trailing edge. 1914, maffra, ashton, wolseley, vauxhall, steven

Painter, printmaker and installation artist John Wolseley was born in Somerset, England. He lived and worked throughout Europe before relocating to Australia in 1976. His work explores how people dwell and move within landscape. Wolseley see's himself as a hybrid mix of artist and scientist; one who tries to relate the minutiae of the natural world - leaf, feather and beetle wing - to the abstract dimensions of the earth's dynamic systems. Using techniques of watercolour, collage, frottage, nature printing and other methods of direct physical or kinetic contact Wolseley finds ways of collaborating with the actual plants, birds, trees, rocks and earth of a particular place. George Baldessin was one of the first artists John Wolseley met when he arrived in Australia in 1976. Both immigrated to Australia and connected through this shared experience. They were both at 'Realities Gallery' with Marianne Baillieu in the 1970s and 80s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'Life world of the Longicorn beetle' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Communion and collaboration with nature are central to Wolseley's practice. He assembles different drawing methods to represent a kind of inventory or document about the state of the earth. His interest is to paint the processes and energy field of the living systems of this land. 'Life world of the Longicorn beetle' is his continued exploration of Australia's natural eco-systems. The beetle attacks the eucalypt and in the process of tunnelling into the wood of the tree leaves scribbly patterns. The work celebrates the cycle of life, and the wisdom and delicacy of these creatures. This three dimensional work consisting of three layers of paper is a varied edition, offering just the slightest difference between each print, reflective of variation in nature. The found log used as a woodcut acknowledges the interconnectedness of nature and living beings; the log is not apart from the art and the beetle has become an active artistic collaborator. An intimate and layered print of a tree log with line trails from the Longicorn beetle. Patches of pink, yellow and orange watercolour placed randomly. Woodcut from found log and etching on chine-colle with water colour on Gampi (top layer), Mulberry (middle layer) and Arches (bottom layer) paper. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Life world of the Longicorn beetle' (title); right 'John Wolseley' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)woodcut, etching, chine-colle, landscape, environment, longicorn beetle, print, baldessin, ekphrasis2018, eco, mixed media

This photograph shows the former Orbost Police Station in Wolseley Street before it was demolished and a new larger brick building was built behind it in Lawson Lane - late 1980s.This is a pictorial record of a significant community building no longer existing.A large black / white photograph of the Orbost township police station. It is a weatherboard building surrounded by trees. A sign "POLICE" is hanging from a pole.on back - " Orbost Police Station in Wolseley Street, Donated by Debbie Hall 31/8/94"orbost-police-station

l.r; Murray Sunset Wilderness, 2008, John Wolseleyaustralian artist, landscape, lizards, murray river, tree, flower, flora, abstract

This reference is part of the Lawless Collection. The Lawless family lived in Orbost from 1907 - c 1920. John Francis Lawless had a saddlery shop. He died at an early age - 47 years - June 7 1912, leaving his wife, Elizabeth and seven children. The eldest son, Victor Rowland lawless volunteered for serv ice in WW1 but did not leave Australia because of illness. The second son, Edward Vincent Lawless (b 1895 d 1917) worked for McCoy & Co. in Orbost, coachbuilding, undertakers, general blacksmiths and farriers, prior to enlisting in WW1. He was trained as a signaller and was sent to France where he was killed in action on 9.10.1917. Elizabeth Lawless worked as a ladies' nurse (midwife) in Orbost prior to leaving the district in 1920. She lived to 6.6.1975 aged 104 years.These personal documents, photographs and books give an insight into the human element of World War 1 ensuring that those who were part of the Orbost community and died while playing a vital role during this time are remembered.A photocopy of a reference given to Edward Lawless when he enlisted for service in WW1.It is signed by J.Y. McCoy his employer.Signed by J. Y. McCoy General Blacksmiths Wolseley Street Orbost June 20 1916lawless-family reference ww1 mccoy-blacksmith

Wolseley no.10 shearing handpiece. Helical spine with no.4 style rear joint. Pre 1910.Wolseleyshearing machinery, wolseley sheep shearing machine co. ltd

Wolseley, No.7 5591 N shearing handpiece with original parts and handgrip c.1916-1930's. 'N' indicates long one piece bush instead of shot pressed bush and shot bush.Wolseley. No.7 5591 N Wolseley No. 3 Wolseley Hardenedshearing

British born artist John Wolseley relocated to Australia in 1976, where he travelled extensively through the outback mainly recording the natural history of remote north Australia in large, minutely detailed paintings. Since 2009, he has travelled to Darwin annually to continue his exploration of the Top End, visiting Arnhem Land and Daly River to work with Indigenous artists to research and capture the detail and essence of particular landscapes. His works reflect how landscape can be thought of as fields of energy in which plant forms move or dance with rhythmic life. After The Fire - Leaf Surge represents the vibrant regrowth of new foliage emerging from a landscape recently ravaged by fire.

Maintenance tool for Wolseley and Lister handpieces. Brand - Lister.Maintenance tool for Wolseley and Lister handpieces.LISTERshearing machinery, r.a. lister & co. ltd., de josselin, mr john

Maintenance tool for Wolseley and Lister handpieces. Brand - Lister.Maintenance tool for Wolseley and Lister handpieces.LISTERshearing machinery, r.a. lister & co. ltd., de josselin, mr john

Maintenance tool for Wolseley and Lister handpieces. Brand - Lister.Maintenance tool for Wolseley and Lister handpieces.LISTERshearing machinery, r.a. lister & co. ltd., de josselin, mr john

Maintenance tool for Wolseley and Lister handpieces. Brand - Lister.Maintenance tool for Wolseley and Lister handpieces.LISTERshearing machinery, r.a. lister & co. ltd., de josselin, mr john

Maintenance tool for Wolseley and Lister handpieces. Handpieces size 10 marked 722 and 24.Maintenance tool for Wolseley and Lister handpieces.01 722 24 24 722 0 0 10 0shearing machinery, de josselin, mr john

Maintenance tool for Wolseley and Lister handpieces. Size - standard.Ferrule pliers. Maintenance tool for Wolseley and Lister handpieces.STANDARD GERMANYshearing machinery, de josselin, mr john

Shearing handpiece, Lister no. 3 (Hybrid). Copy of Wolseley no.3, circa 1909. Pattens ran and copied, becoming interchangable with burgon, ball, and wolseley. Lister handpiece contains Wolseley rear joint, fork, back joint and tension spring."Wolseley" "LISTER N 3 HARDENED 9055". Listershearing