Knitting and crochet pattern book produced by the publishers of the women's magazine "Woman's Day" in 1969. Contains patterns for mens and womens garments, and some craft items.Knitting and crochet book, 84pp. Cover is light blue and is printed with a black and white photo of a family (father, mother, son, daughter) wearing knitted jumpers with patterned lower bands. Contains knitting and crochet patterns.Front: Woman's / Day / design / '69 / Knitting and Crochet / Pattern Bookhandicrafts history, knitting crochet, woman's day, handicrafts - history, knitting, crochet

Interview with Principal Mr. Littlejohn in "Woman's Day" September 7, 1970 p7. Photograph of magnolia with a glimpse of the Principal's Residence.woman's day, eric b. littlejohn, magnolia, principal's residence, students working outside

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola. A posed portrait of the artist Alma Figuerola. Figuerola lived in D'Estaville, Barry Street, Kew. This is a magazine photograph and may still be covered by copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in December 1970, so the photograph predates this. A stamp on the back identifies the publisher as Woman's Day No. 570.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Six New Idea Weekly magazines: 1956, 1960, 1962,1974,1978 and 1979. Featuring cookery, handcrafts, Travel, problems and Fashion. Please note page 100 of magazine dated 1/4/1978, which covers year round of family fashion. Two Woman's Day Magazines 1959, 1976New Idea, Woman's Daybooks, magazines

Magazine cutting - Woman's Day -15-2-1988 - titled "I eat, sleep and drink trams" about the transporting art W2 series purchased an auction by Laverton Scrap Metal Merchant, Jim Johnson. Gives the background to the story, why and possible tramburger plan. Story by Jenny Trustrum and photos Lynette Zeeng. Features photos of 439, 567, 497, 340 and 525.trams, tramways, transporting art, decorated trams, auctions, tram disposal, laverton, tram 439, tram 567, tram 497, tram 340, tram 525

Yields information about the viewpoint of The Courier about the future of the Ballarat tramway system with reference to Geelong.Part page 14 and page 15 of an article titled "Ballarat a City Clinging to History" from the Woman's Day, 8/2/1960, featuring a photograph No. 30, descending Bakery Hill to Bridge St, an aerial view looking west from the Town Hall down and workmen pulling weed from Lake Wendouree. Item looks at Ballarat's history, population, future, Bridge St, the bottleneck of bridge St, quotes Deputy Town Clerk, F. Rogers, and whether the city should grow. Interesting views of traffic in Bridge St. Also quotes Paul Simon of the Bridge St Traders Association. Contained originally within Reg Item 5507 at the back of the binder. For items see btm5507 loose items list.pdftrams, tramways, ballarat, bridge st, bridge st traders

A short portrait, including family tree, of the Boyd family, starting with Captain John Boyd (A.D.C), Robin Boyd's grandfather.Double page spread on pp 14-15, with family tree and photographs of David and Hernia Boyd and their children.walsh st library

An illustrated feature on sculptor Guy Boyd, Robin Boyd's first cousin.Double page. pp 10-11Mary in handwritingguy boyd, walsh st library

A large folder containing many pictures taken from a variety of sources. Sources include 'The Illustrated London News,' 'The Sun' and 'Woman's Day and Home.' 1933 - 1963.The Illustrated London News,' 'The Sun' and 'Woman's Day and Homeephemera, mementoes, history, lydia chancellor, collection, photos, pictures, ephemera, botany, plants, flowers, royal yacht britannia, history, british royal family, royalty, coronation, motor car history, automobile history, vintage cars, veteran cars, birds, art history, architecture, theatre, buildings, geography, adam lindsay gordon, australian poetry, children's games, australian art, albert namatjira, melbourne, christianity, religion, advertisements, london, tower of london, thames, river thames, brisbane, sydney, boats, ships, events, entertainment, exploration, heritage

A magazine article on Fraga's Cafe Restaurant and Marysville in Victoria.A magazine article on Fraga's Cafe Restaurant and Marysville in Victoria. This article was published in 2002 by Woman's Day magazine and featured some people, businesses, and locations in Marysville.marysville, victoria, fraga's cafe restaurant, fraga's cafe, woman's day magazine, steavenson falls, bruno's art and sculptures garden

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."The wonderful warmth of Eagley (lady in bed)The wonderful warmth of Eagley Pure Wool Blankets/In fascinating colours and intriguing designs/Hygienically wrapped in cellophane/Obtainable from All Leading Stores blanket, blanket fever, wool, eagley woollen mills, advertisement, woman's day

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." The wonderful warmth of Eagley (Cat on blanket)The wonderful warmth of Eagley Pure Wool Blankets/In fascinating colours and intriguing designs/Hygienically wrapped in cellophane/Obtainable from All Leading Stores blanket, blanket fever, wool, eagley woollen mills, advertisement, woman's day

The magazine was produced as a tribute to Lillian Roxan who was a great Australian and an international journalist. It is not dated but was published by Sungravure Pty Ltd circa 1974-75, The editor, Ailsa Craig wrote for the the magazine Woman's Day in the 1950s and 60s. she had an active career in journalism from 1960-1980. it contains b/w and sepia photographs. This magazine style paperback book contains photos of an earlier Australia.A paper magazine - AUSTRALIA ALBUM -THE PAST IN PICTURES. It contains prints of historic photos. On the front cover is a portrait of three young children dressed in early 19th century clothing. This is inside an oval frame with a gold border. There is a wreath of colourful flowers and butterflies surrounding this.The title is printed in red at the top. In the top right-hand corner is the price $1.50. It was edited by Ailsa Craig and contains photos and text from readers of Womans Day, The Sydney Morning Herald, the Sydney Mitchell Library and the Department of the Army. The magazine style book has 94 pp.magazine photos roxon-lillian craig-ailsa

Mette-Marit Høiby was an exchange student at Wangaratta High School before being crowned the queen of Norway.Two Magazines with colour covers featuring Mette-Marit Høiby. Se og Hør and Woman's Day

A cardboard folder covered with red striped paper. Contains short stories from various magazines - 'Womans's Day with Woman,' 'The Australian Women's Day,' 'Woman's Realm,' 'Woman's Illustrated,''The Saturday Evening Post,' 'Woman's Journal' and 'Woman's Home Journal.' 1950s.'entertainment, short stories, lydia chancellor, collection, short stories, stories, literature, magazines, entertainment, reading

A box with a picture of kittens on the front containing magazine and newspaper cuttings on animals and birds. Sources include, 'Woman's Day with Woman,' 'Sun,' 'Australian Women's Weekly,' 'Pix,' 'Walkabout' and 'Listener-In.'lydia chancellor, collection, animals, birds, cats, dogs, ephemera

A box decorated with pictures of animals. Contains magazine articles on animals throughout the world. Sources include, ' Woman's Day,' 'Princess,' and 'Animals.' Dated 1960s.'ANIMALS (2)sciences, general, animals, lydia chancellor, collection, animals, wild animals, insects, birds, ephemera, sciences

Supplement to the Womans Day Magazine - Anzac day Special 2000 - Titled "Enlist in the Sportsmens 1000". Stories from WW! with Pictures. 16 Page ANZAC Day Special

A tin with a picture of two dogs on the lid. It contains cuttings relating to dogs from various sources including 'The Sun,' 'Australasian Post,' 'The Australian Woman's Mirror' and 'Woman's Day.' 1938- 1961.dogs, lydia chancellor, collection, animals, dogs, tin, pets, ephemera

A box containing articles on famous people, eg Jack Davey, Princess Grace, Winston Churchill, Queen Mother Elizabeth, H.M. Queen Alexandria of Yugoslavia, Queen Alexandra, and Vera Lynn. Sources include 'The Sun,' 'The Australian Women's Weekly,' 'Homes and Gardens,' 'Everybodys,' 'Woman's Day with Woman' and 'People.' 1956 - 1960.Life stories ; Sir Winston Churchill's 'A History of the English-Speaking Peoples'person, individual, famous people, lydia chancellor, collection, famous people, men, women, male, female, individual, history, person

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of Pte Peter Lapsco, of Renmark, SA and Red Cross Nurse Janice Webb sharing something highly amusing in Woman's Day during her hospital rounds at the 8 Field Ambulance Hospital, Vung Tau, South Vietnam.photograph, 8 field ambulance hospital, pte peter lapsco, janice webb, red cross nurse, vung tau, gibbons collection catalogue, denis gibbons, photographer, vietnam war, janice webb (red cross), women's day

Bendigo Pottery was established in the 1850s, when Scottish migrant George Duncan Guthrie stumbled upon a local clay deposit and created a successful pottery business. Soon, it would rival the great Staffordshire potteries of 19th century England. It opened to tourists in 1971. Alex Gill began working at the Bendigo Pottery inn 1935 at the age of 13. Six months later he began an apprenticeship at the pottery and retired in 1986 as a Master Potter.Alex Gill works his potter's magic in Bendigo, Woman's Day Magazine Article by Heather Waby. The article is on Alex Gill about the 50 years that he began when he was 13 years old. It contains photos of Alex working at the pottery and some of his speciality products.history, bendigo, merle lummis collection, alex gill bendigo pottery

Paper patterns have been used by dressmakers and home sewers throughout the 20th century and are still used today. The Butterick Company was established in 1863 and was the first to mass-produce sewing patterns. The company was acquired by the CcCall Pattern Company in 2001. Jessen Dress Materials shop was at 116 Lava Street in the 1970s and 80s and Bargain Box Fabrics took over the shop in the 1990sThis pattern envelope is of minor interest as coming from a local Warrnambool shop. It may be useful for display This is a paper envelope containing the instructions and cut-out material for making a woman's dress (day and evening) The envelope contains four loose items. Butterick 6939 Dress Material. No Exchange, Average Moins facilewarrnambool, butterick patterns, jessen dress materials

Wedding of Walter (Norman) Jones and Lily Jones, nee Jeeves on 20/4/1946. Lily is a daughter of Ellis Jeeves and Eliza Jeeves (nee Hand). Black and white photograph of a man and woman on their wedding day. Woman wearing coat with fur collar and carrying floral arrangement and man wearing black suit. Both wearing glasses.jeeves, lily jeeves, norman jones, wedding

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHat Pin with a forest green opaque ball headclothing, millinery, hat accessories, 1920 fashion

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0356millinery, hat pin, female head wear, hat accessory