Showing 180 items matching "woman's own"
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National Wool MuseumBook, Knitting, Woman's Own Knitted Fashions
... Woman's Own Knitted Fashions......Woman's Own...It was produced as a supplement with the English womens magazine, "Woman's Own", and contains knitting patterns for womens garments....woman's own / Knitted Fashions / A supplement presented with Woman's Own...Knitting Handicrafts - history Woman's Own Knitting Handicrafts - history woman's own / Knitted Fashions / A supplement presented with Woman's Own Woman's Own Knitted Fashions Book, Knitting ...This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced as a supplement with the English womens magazine, "Woman's Own", and contains knitting patterns for womens garments.woman's own / Knitted Fashions / A supplement presented with Woman's Ownknitting handicrafts - history, woman's own, knitting, handicrafts - history -
Embroiderers Guild, VictoriaTextile - Swedish Näversöm Mat
... This embroidery would have become extinct had it not been for a Swedish woman, who owned a needlework shop in Hudiksvall, Sweden, who studied the Näversöm stitchery and began teaching this specialized embroidery in the late 1800s. ...This embroidery would have become extinct had it not been for a Swedish woman, who owned a needlework shop in Hudiksvall, Sweden, who studied the Näversöm stitchery and began teaching this specialized embroidery in the late 1800s. ...Originating in Sweden as early as the 17th century, Näversöm embroidery gets its name from a piece of birch bark that was used as a frame. Since the birch bark frame could be easily rolled up and carried to protect her work, the Shepherdess did her Näversöm embroidery while tending her animals. The Näversöm embroidery technique is unusual because it is entirely stitched from the back. The birch bark protected the front of the piece, and the final design was not revealed until the folk art was completely finished. This embroidery would have become extinct had it not been for a Swedish woman, who owned a needlework shop in Hudiksvall, Sweden, who studied the Näversöm stitchery and began teaching this specialized embroidery in the late 1800s. Näversöm had a revival in the 1960s and '70s in Sweden when several instructional articles were published. Näversöm was used as household linens, and in earlier times as lampshades that would display the beautiful artistry as the light shined through the needlework. Examples of new and old patterns are still available from Sweden. Swedish Näversöm MatCream mat in Swedish Näversöm technique. Mat design forms a diagonal cross.embroidery, mats, drawn thread -
Bendigo Historical Society Inc.Postcard - PORTRAIT - GROUP
... Woman standing behind chair wearing a white dress, hair tired back very tight, wearing glasses. Woman standing on her own, quite tall, wearing dark straight skirt, stripped elbow length top, a necklace. ...Woman standing behind chair wearing a white dress, hair tired back very tight, wearing glasses. Woman standing on her own, quite tall, wearing dark straight skirt, stripped elbow length top, a necklace. ...Postcard : Sepia photograph of 3 women of various ages. Woman sitting in a cane chair, wearing a dark no waist dress, black shoes and stockings. Woman standing behind chair wearing a white dress, hair tired back very tight, wearing glasses. Woman standing on her own, quite tall, wearing dark straight skirt, stripped elbow length top, a necklace. Photo taken in a back yard. House roof and chimney behind the women.postcard, photograph, portrait, postcard, photograph, portrait 3 women. -
Flagstaff Hill Maritime Museum and VillageFootwear - Pair of Ladies' Boots, Second half of the 19th Century
... How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned...How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned ...Starting in around 1850, women began wearing boots that resembled the ones already worn by men in high society. Women’s Victorian boots were slightly more feminine in nature, however, than those worn by their male counterparts. The boots first worn by women extended to the middle of the calf so that her ankle would stay properly covered underneath her many skirts. These boots often featured laces or a row of buttons to keep them secure to the foot and ankle. Although usually made from durable materials like rubber and leather, boots that were worn purely for fashion were sometimes made of more elegant materials like patent leather or dyed suede. Fashion boots from the Victorian era exude all of the opulence and decadence that are unique to that time period. Design elements like scalloped trims, intricate embroidery, and lace accents were also not uncommon when it came to elaborately designed Victorian boots. Unlike men’s boots, they also boasted a slight heel that was thinner and more feminine in design. How lavish a woman’s boots were greatly depended upon how much money her family had and her place within society. While footwear was standard during this time, shoes were still quite a luxury to the modern Victorian. Only very wealthy women owned multiple pairs of boots that featured eye-catching design elements. https://www.wardrobeshop.com/blogs/victorian-era/an-in-depth-look-at-victorian-footwear These boots appear to be of a practical nature, designed for comfort, warmth, and proof against the rain and mud, rather than high fashion.These ladies' boots are historically significant for their manufacture and use during the Victorian period.Pair of ankle length black ladies' boots with long tan coloured laces.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, boots, victorian, leather, footwear -
Frankston RSL Sub Branch
Plaque, Memorial, 1914-1918 Memorial Plaque, 1920 (estimated); Issued from 1920
... own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. ...own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. ...This round, bronze memorial plaque was presented to the family of Private Richard Evans Harkness, service number 3426, of the 37th Battalion, (8th Reinforcements) who was killed in action at Villers-Bretonneux on 12th August, 1918. Colloquially known as 'Dead Man's Penny' or 'King's Penny', this plaque was given to the next of kin of service personnel who died on active service in WW1. 1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls This plaque is significant because it commemorates the death of an Australian soldier on active service in World War 1. It is representative of some 60,000 issued to next of kin of soldiers killed in World War 1. Although Richard Harness was living at 52 Victoria Street, Abbotsford when enlisted, together with a scroll from the King, it was donated by a Frankston Family.This round, bronze memorial plaque was presented to the family of Australian Army private Richard Evans Harkness, service number 03426, of the 37th battalion, 8th re-inforcement. Harkness was killed in action on 12th August, 1918, near the French village of Proyart, during the 3rd Division's advance along the Somme Valley. further details can be found here: https://www.awm.gov.au/collection/U51477 Colloquially known as 'Dead Man's Penny' or 'King's Penny', these plaques were awarded to the next of kin of service personnel who died on active service during WW1. refer to link for further information : http://www.awm.gov.au/encyclopedia/memorial_scroll/plaque.aspAround the edge are the words 'HE DIED FOR FREEDOM AND HONOUR' On the righthand side of the plaque is the name of the soldier, in this case Richard Evans Harkness.commemorative, memorial, plaque, dead, man s, penny, king s, richard, evans, harkness -
Frankston RSL Sub BranchPlaque, Memorial, c. 1919
... own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. ...own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. ...Originally would have been issued with a scroll & letter from the King but neither with plaque. 1914-1918 Memorial Plaque In early 1920 it was announced that the next-of-kin of all Australian servicemen and women whose deaths were attributable to the First World War would receive a memorial plaque and scroll "as a solace for bereavement and as a memento". The memorial plaques were not uniquely Australian. In fact they were designed and produced in Britain and issued to commemorate all those who died as a result of war service from within the British Commonwealth. The idea for the plaques was originally conceived mid-way through the war. In 1917 a competition was announced to obtain a suitable design and 800 entries were eventually received. The winner, Mr. E. Carter Preston of Liverpool, England, was chosen in 1918. He was awarded a prize of 250 pounds. Mr Manning Pike directed the manufacture of the memorial plaques at the Memorial Plaque Factory set up at Acton, London. Some later plaques were also made at the Woolwich Arsenal. The cost of manufacturing so many plaques must have been considerable. Each plaque had the name of the soldier commemorated individually embossed (some were engraved) as part of the design. The full name was given without any indication of rank or honours to show the equality of sacrifice of all those who had lost their lives. The scroll designed to accompany the plaques was of thick paper, headed by the royal coat-of-arms, and bore the following message: "He whom this scroll commemorates was numbered among those who, at the call of King and Country, left all that was dear to them, endured hardness, faced danger, and finally passed out of the sight of men by the path of duty and self-sacrifice, giving up their own lives that others might live in freedom. Let those that come after see that his name is not forgotten". Underneath the message the serviceman or woman’s name, rank, honours and unit were written by hand in red ink. Because of the late arrival in Australia of the plaques many scrolls were sent out separately. A message from the King, "I join with my grateful people in sending you this memorial of a brave life given for others in the Great War", was included with the scroll. The first plaques were distributed in Australia in 1922. Each plaque was sent out from Base Records Office at Victoria Barracks in Melbourne by second-class mail. Approximately 60,000 plaques were issued in Australia. Families of deceased members of the Royal Australian Navy and the Australian Army Nursing Service also received plaques and scrolls Bronze Memorial Plaque 1914-1918 for 4876 Pte. Harry Milne , 46 Battalion KIA 10/5/1918, In a cardboard square envelope. http://www.awm.gov.au/research/people/roll_of_honour/person.asp?p=493414Embossed around edge of plaque "HE DIED FOR FREEDOM AND HONOVR" Name of serviceman embossed on plaque right of centre "HARRY MILNE"ww1, dead mans penny, kings penny, memorial plaque -
The Beechworth Burke MuseumPhotograph, Approximately 1930
... woman stands beside the ruins, observing them solemnly. The owner of this once prominent dairy, John Brewer, was born in Cornwall, England in 1832. After coming to Australia in 1849, Brewer worked in various forms of livestock transportation. Upon hearing of the vast discovery of gold in Victoria's north-east, he engaged in mining in the Ovens Goldfield district before starting his own...woman stands beside the ruins, observing them solemnly. The owner of this once prominent dairy, John Brewer, was born in Cornwall, England in 1832. After coming to Australia in 1849, Brewer worked in various forms of livestock transportation. Upon hearing of the vast discovery of gold in Victoria's north-east, he engaged in mining in the Ovens Goldfield district before starting his own ...Taken in approximately 1930, this photograph depicts the ruins of Rosehill Dairy. A woman stands beside the ruins, observing them solemnly. The owner of this once prominent dairy, John Brewer, was born in Cornwall, England in 1832. After coming to Australia in 1849, Brewer worked in various forms of livestock transportation. Upon hearing of the vast discovery of gold in Victoria's north-east, he engaged in mining in the Ovens Goldfield district before starting his own dairy on Wooragee road (now Old Wooragee road). The Wooragee Valley, approximately five kilometres north of Beechworth, was used extensively during the nineteenth century to build farming practices in the area, possessing eighteen farms by 1860. Brewer enjoyed a prosperous career in the dairy industry, personally delivering milk to the residents of Beechworth. He died on the thirteenth of August 1915, a few weeks shy of his eighty-third birthday. As this photograph is dated approximately fifteen years later, it can be assumed that the dairy fell into neglect following his death. This photograph is historically significant as it provides insight the development of the dairy industry in Beechworth in the second half of the nineteenth century.Black and white square photograph printed on matte photographic paper Reverse: 1997.2912 / John Brewers / Rosehill / Dairy / top of the 'rising sun' /john brewer, 1930 beechworth, rosehill dairy, dairy industry beechworh, dairy factories beechworth, dairying, dairy farm beechworth, wooragee road, wooragee valley, old wooragee road, dairy farm ruins -
Nhill Aviation Heritage CentreNews Print Poster, 20/10/1934
... owned by Nhill garage owner FJ Williams and was at Nhill for seven years from 1946. 1. STAR, Plane Search Drama Supplement to The Star, October 20, 1934 Printed by Wilson and Mackinnon, Melbourne 2. WORLD NEWS, Most talked of woman ...The airliner, Miss Hobart a four engine DH86, went missing in the vicinity of Wilsons Promontory on a flight from Launceston to Essendon on the morning 19 October 1934. The Desoutter VH-UPR was one of the planes involved in the search. The Desoutter aircraft VH-UPR was later owned by Nhill garage owner FJ Williams and was at Nhill for seven years from 1946.News print poster, red paper with black and blue print1. STAR, Plane Search Drama Supplement to The Star, October 20, 1934 Printed by Wilson and Mackinnon, Melbourne 2. WORLD NEWS, Most talked of woman in the world. Tragedy on the naked mountain. Supplement to the WORLD NEWS, Wed October 24, 1934 Printed by 'The Sun' newspapers LTD -
Federation University Historical CollectionPhotograph - Ambrotype, Ambrotype of a woman and child, c1850 ?
... Emma and her husband George Henry Smith emigrated to Australia and settled at Happy Valley near Linton (Victoria) on the invitation of her brother Edward who owned two houses there. Ambrotype .1 Ambrotype of a woman and child .2 Photo taken off ambrotype. ...Possibly Emma Smith (b Keys) and daughter Clara Emma Smith. Emma and her husband George Henry Smith emigrated to Australia and settled at Happy Valley near Linton (Victoria) on the invitation of her brother Edward who owned two houses there..1 Ambrotype of a woman and child .2 Photo taken off ambrotype. Woman and childambrotype -
Flagstaff Hill Maritime Museum and VillageBook - A Fictional Story, Charles Dickens et al, The Mystery of Edwin Drood, 1966
... There is also a mysterious figure named Datchery who arrives in Cloisterham to investigate, and an elderly woman from an opium den called Princess Puffer who begins shadowing Jasper. The label on the spine cover with typed text PAT 823 DIC Pasted own front end paper has a sticker from Warrnambool Public Library. ...Charles Dickens (1812–1870) was one of the great English novelists of the Victorian era, famous for vivid characters, social criticism, and stories that were first published in serial form. He began as a journalist, rose to enormous popularity during his lifetime, and wrote major works such as Oliver Twist, David Copperfield, and Great Expectations. The Mystery of Edwin Drood is Charles Dickens’s final, unfinished novel about the mysterious disappearance (likely murder) of a young man named Edwin Drood in the fictional cathedral town of Cloisterham, England. The theme centres around Edwin who is engaged to Rosa Bud in a marriage arranged by their fathers. Both are unhappy with the arrangement and decide to break it off. Edwin’s uncle John Jasper, is the cathedral’s choirmaster, and secretly obsesses over Rosa and is an opium addict. After a tense Christmas Eve dinner with Edwin and the hot tempered Neville Landless (who also likes Rosa), Edwin disappears. Neville is suspected because he was last seen with Edwin, but there’s no body and not enough evidence to charge him. There is also a mysterious figure named Datchery who arrives in Cloisterham to investigate, and an elderly woman from an opium den called Princess Puffer who begins shadowing Jasper.The Mystery of Edwin Drood Hard Cover, Blue. Author: Charles Dickens Publisher: Oxford University Press Date: 1966 Further Information: With twelve illustrations by Luke Fildes and two by Charles CollinsfictionCharles Dickens (1812–1870) was one of the great English novelists of the Victorian era, famous for vivid characters, social criticism, and stories that were first published in serial form. He began as a journalist, rose to enormous popularity during his lifetime, and wrote major works such as Oliver Twist, David Copperfield, and Great Expectations. The Mystery of Edwin Drood is Charles Dickens’s final, unfinished novel about the mysterious disappearance (likely murder) of a young man named Edwin Drood in the fictional cathedral town of Cloisterham, England. The theme centres around Edwin who is engaged to Rosa Bud in a marriage arranged by their fathers. Both are unhappy with the arrangement and decide to break it off. Edwin’s uncle John Jasper, is the cathedral’s choirmaster, and secretly obsesses over Rosa and is an opium addict. After a tense Christmas Eve dinner with Edwin and the hot tempered Neville Landless (who also likes Rosa), Edwin disappears. Neville is suspected because he was last seen with Edwin, but there’s no body and not enough evidence to charge him. There is also a mysterious figure named Datchery who arrives in Cloisterham to investigate, and an elderly woman from an opium den called Princess Puffer who begins shadowing Jasper.book, the old curiosity shop, charles dickens, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, flagstaff-hill-maritime-village, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road -
Flagstaff Hill Maritime Museum and VillageAccessory - Vanity Set, Circa late 1800s or early 1900s
... The vanity set was owned by a local woman who lived in the Harbour Master's house at Warrnambool after it was decommissioned. ...The vanity set was owned by a local woman who lived in the Harbour Master's house at Warrnambool after it was decommissioned. ...The vanity set was owned by a local woman who lived in the Harbour Master's house at Warrnambool after it was decommissioned. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House, a business in Timor St (and later Liebig St) from 1876. The vanity set is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) three-piece vanity set that includes a hand mirror, hair brush and comb. All pieces feature a beautiful ornate moulded rose/flower design on the back, handles and edge of the comb. The hair brush no longer has bristles and is purely ornamental. The comb teeth and hair brush insert are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, brush, comb, pewter, celluloid, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush -
Flagstaff Hill Maritime Museum and VillageAccessory - Hand Mirror, Circa late 1800s or early 1900s
... The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house -
Flagstaff Hill Maritime Museum and VillageAccessory - Hair Brush, Circa late 1800s or early 1900s
... The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The hair brush is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hair brush is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hair brush that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back and handle of the hair brush. The hair brush insert is most likely made of celluloid, it no longer has bristles and is purely ornamental. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, hair brush, hairbrush, brush, celluloid -
Flagstaff Hill Maritime Museum and VillageAccessory - Comb, Circa late 1800s or early 1900s
... The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. ...The comb is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The comb is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A ladies hair comb which features an ornate flower design on the pewter (or possibly silver-plated) edge. The comb teeth are most likely made of celluloid.flagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, pewter, silver plate, toilet set, harbours master's house, staffordshire house, celluloid, comb -
Flagstaff Hill Maritime Museum and VillageAccessory - Clothes Brush, Circa late 1800s or early 1900s
... The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. ...The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. ...The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. The clothes brush and vanity set were possibly a wedding gift from her mother-in-law, a local business woman who was an importer of 'china and fancy goods'. The item is significant socially as an example of accessories available to, and used by, women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St, Warrnambool, where it most likely came from. The top of the clothes brush has an ornate dragon design constructed from pressed metal (possibly tin or chrome). The natural bristles of the brush have been glued together in small clumps and placed in holes in a wooden base. The wooden base is held within the metal top using small nails.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, metal, pressed metal, tin, chrome, natural bristles, staffordshire house, harbour master’s house -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Clothing - Clothing, blouse short sleeve, c1900
... This white, cotton, short-sleeved blouse with eyelet work for a young woman is an example of the dressmaking skills of the women pioneer settlers and market gardeners of the Moorabbin Shire c 1900. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. ...This white, cotton, short-sleeved blouse with eyelet work for a young woman is an example of the dressmaking skills of the women pioneer settlers and market gardeners of the Moorabbin Shire c 1900.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families. A white, cotton, short-sleeved blouse, with eyelet work for a young woman .brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work, maggs geoff -
Greensborough Historical SocietyPhotograph - Digital image, The Reverend, 1933_
... Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph "The Reverend" is of a young woman...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph "The Reverend" is of a young woman ...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph "The Reverend" is of a young woman in fancy dress as a minister of religion.Digital copy of black and white photograph.dorris mclaughlin -
Greensborough Historical SocietyPhotograph - Digital image, Couple canoeing on the Plenty River in 1937, 1937_
... Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a man and woman...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a man and woman ...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a man and woman canoeing on the river.Digital copy of black and white photograph. -
Greensborough Historical SocietyPhotograph - Digital image, Unknown and Joy Etherton, 1935, 1935_
... Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a seated man and woman...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a seated man and woman ...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows a seated man and woman (Joy Etherton).Digital copy of black and white photograph.dorris mclaughlin, joy etherton -
Greensborough Historical SocietyPhotograph - Digital image, Mrs Mac Loused, 1935, 1935_
... Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. Photograph of woman...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. Photograph of woman ...Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. Photograph of woman on steps of house.Digital copy of black and white photograph.dorris mclaughlin -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Manufactured objects, safety matches Bryant & May Ltd, 20thC
... owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. The British match brands continue to survive, as brands of Swedish Match, and are made outside the UK. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman...owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. The British match brands continue to survive, as brands of Swedish Match, and are made outside the UK. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman ...Bryant and May was a United Kingdom (UK) company created in the mid-nineteenth century specifically to make matches. Their original Bryant and May Factory was located in Bow, London. They later opened other match factories in the United Kingdom and Australia, such as the Bryant and May Factory, Melbourne; and owned match factories in other parts of the world.Bryant and May survived as an independent company for over seventy years, but went through a series of mergers with other match companies and later with consumer products companies. To protect its position Bryant and May merged with or took over its rivals. In 1971 the Northern Ireland factory, Maguire & Patterson closed down following a terrorist attack.. In the 1980s, factories in Gloucester and Glasgow closed too leaving Liverpool as the last match factory in the UK, until December 1994. The former Australian match factory, in Melbourne, closed in the mid-1980s. The registered trade name Bryant and May still exists and it is owned by Swedish Match, as are many of the other registered trade names of the other, formerly independent, companies within the Bryant and May group. The British match brands continue to survive, as brands of Swedish Match, and are made outside the UK. Matches were first produced by Bryant & May in Australia in 1909. The Redhead name applies to the red striking heads of the matches which were introduced to Australia in 1946. The logo on the matchbox depicted the head and shoulder of a redheaded woman and has had four major updates since that time with a number of special issues depicting animals, birds and notable persons also producedThe Bryant & May Ltd factory in Church St Richmond is a listed building and has been converted to apartments following the closure of the Company 1980. Bryant & May's Ltd were influential in fighting against the dreadful disease known as Phossy jaw which was caused by white phosphorus used in the manufacture of the early matches. They were also the object of the 'Match Girls Strike' in London 1888, which won important improvements in working conditions and pay for the mostly female workforce working with the dangerous white phosphorus. The public were slow to purchase these safety matches because of the higher price .A box of safety matches with unused matches made by Bryant & May Pty Ltd , Richmond Victoria Australia. The tray containing the matches slides inside the open ended cover.. The striking patch is on both sides of the cover.PREVENT FIRES/ BRYANT & MAY'S / a crown in an oval shape / SAFETY MATCHES/ MOTORISTS USE ASHTRAY/ AV. CONTENTS 60 / Made in Australiasafety matches, bryant & may's pty ltd, phosy jaw disease, early settlers, moorabbin, bentleigh, richmond, cheltenham, lights, lamps, tobacco -
Orbost & District Historical SocietyFunctional object - Watch fob
... Mary Gilbert) Owned by a local Orbost woman's family. watch fob silver chain pocket watch 1900s elsie cooke Silver-plated watch fob, with two blackened silver double chains connected to a small clasp at base and a t-piece of silver-plated metal at the top for the button hole. ...From the estate of Elsie Cooke. Elsie Cooke was a librarian in Orbost for many years. She was the daughter of John Cooke early Brodribb settler. Elsie Cooke lived all her life in Gippsland,. She was born at Brodribb in 1895 and died in 1970, Elsie Cooke lived at Bruthen for a short time and, in 1937, moved to live with her aunt, Miss Jean Munro. Miss Cooke was Librarian at the Mechanics Institute for many years. Kindness and consideration for other were Miss Cooke’s attributes and she endeared herself to all who knew her. She was a loyal member of the Presbyterian Church and a stalwart of the Ladies’ Guild, an energetic worker for the Municipal Auxiliary and a member of the Red Cross. (ref. Mary Gilbert) Owned by a local Orbost woman's family. Silver-plated watch fob, with two blackened silver double chains connected to a small clasp at base and a t-piece of silver-plated metal at the top for the button hole. Approximately 20cm in length.watch fob, silver chain, pocket watch, 1900s, elsie cooke -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)Personal Effects, lady's hat pins various x 14, c1880 - 1950
... woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. ...woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. ...These hat pins represents women's fashion in the late 19thC and early 20thC. As the material used in the construction is not of a high monetary value it can be assumed it was everyday woman's apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important and many women used their craftwork skills to create their own hat pins. This item is a reflection of the fashion mode of the late 19thC and early 20thC when long hair needed to be controlled by hair pins It is also an example of society's mores of tidiness 14 lady's steel hat pins in various styles numbered A -i A) 6x pearl tear-drop ; B) 1x pink metal beads;C) gold ball in 'oyster shell'; D) gold ball; E) pink plastic weave; F) silver metal ball; g) black bead; h) white ball; i) pale blue glass set in brassmoorabbin, brighton, early settlers, pioneers, cheltenham, craftwork, clothing -
Glenelg Shire Council Cultural CollectionPostcard - Sounvenir, Valentines "Mail Novelty" Post Card, unknown
... Owned by Wilma Harris nee. Bowering resident of Merino Victoria. womens history Ros Harris Merino Photography Printed 'ITS 'APPEALING' AT LEETON Post card. Cream card with a picture of a woman ...Owned by Wilma Harris nee. Bowering resident of Merino Victoria.Post card. Cream card with a picture of a woman with short curled brown hair, bare decalage looking crossed eyed with surprised at a red and swollen nose. yellow back ground, pink border.Printed 'ITS 'APPEALING' AT LEETONwomens history, ros harris, merino, photography -
Glenelg Shire Council Cultural CollectionBook - Comic Book, Beaumont Book Company et al, Blondie's Back!, 1983
... Owned by Wilma Harris nee. Bowering resident of Merino Victoria. womens history Ros Harris Merino book Comic Book Comic Book Front cover 'Blondie's Back!' Underneath the pictured man in a suit and a woman ...Comic BookPaperback orange cover with black and white text and imagesComic Bookwomens history, ros harris, merino, book, comic book -
Phillip Island and District Historical Society Inc.Photograph, Isle of Wight Fire Phillip Island, 23/04/1925
... The Isle of Wight property originally owned by Joseph Richardson and was built in 1870. phillip island isle of wight hotel fire phillip island jessie smith joseph richardson penguin cafe cowes phillip island "Fire from back to front Isle of Wight Cowes 23/4/1925" Three identical photographs - black & white - of the Isle of Wight Hotel fire 23/4/1925. Woman ...Three of a collection of photographs taken by Jessie Smith ("girlie") of San Remo who owned the Penguin Cafe in Thompson Avenue, Cowes. The Isle of Wight property originally owned by Joseph Richardson and was built in 1870.Three identical photographs - black & white - of the Isle of Wight Hotel fire 23/4/1925. Woman and dog in foreground"Fire from back to front Isle of Wight Cowes 23/4/1925"phillip island, isle of wight hotel fire phillip island, jessie smith, joseph richardson, penguin cafe cowes phillip island -
Phillip Island and District Historical Society Inc.Photograph, Early 1900's
... owned by the Small family then purchased by the Maclellan's. Grace Christian is the lady in the photograph. Her sister was Dorothy who married John Dunstan. John Dunstan was at state school in San Remo with Ray Maclellan, father of Peter Maclellan who stills resides in San Remo. shetland heights san remo jessie smith Photograph of a woman in cape and long dress sitting on top of tall gate post. ...Donated by Jessie Smith (nee Small) Shetland Heights San Remo was originally owned by the Small family then purchased by the Maclellan's. Grace Christian is the lady in the photograph. Her sister was Dorothy who married John Dunstan. John Dunstan was at state school in San Remo with Ray Maclellan, father of Peter Maclellan who stills resides in San Remo. Photograph of a woman in cape and long dress sitting on top of tall gate post. Homestead in far background. Homestead is "Shetland Heights". The lady's name is Grace Christian.shetland heights san remo, jessie smith -
Phillip Island and District Historical Society Inc.Photograph, Anderson Family & Homestead, 1888
... Now owned and run as a Boutique B & B by Ian & Madeleine Baker - as at 2019. local history photography photographs slides film buildings historic glen isla homestead phillip island black & white photograph mrs emma anderson jacobs homesteads Photograph of full front view of 2-story weatherboard house with gable roof. Filials at each point of gabled roof. Upstairs wrought iron verandah. Twin gable roofed. Single story adjoined buildings, wooden, wrought iron verandah. figure of woman ...Built 1868 for Boarding House. Additions in 1887 - 88. Sold when Robert Anderson's second wife died. Several subsequent owners, back into Anderson Family with Grandson Stan Anderson. Sold again when Stan died. Glen Isla sold to Mr & Mrs Lunn who have restored it to its present condition. Now owned and run as a Boutique B & B by Ian & Madeleine Baker - as at 2019.Photograph of full front view of 2-story weatherboard house with gable roof. Filials at each point of gabled roof. Upstairs wrought iron verandah. Twin gable roofed. Single story adjoined buildings, wooden, wrought iron verandah. figure of woman and large bush in front, one brick chimney.local history, photography, photographs, slides, film, buildings, historic, glen isla homestead, phillip island, black & white photograph, mrs emma anderson jacobs, homesteads -
Phillip Island and District Historical Society Inc.Artwork, other, Hector Goodall's Illustrations
... owned the Porpoise pool in Coolangatta was an avid cartoonist and artist. Historical hector goodall cartoons 01- Hand painted colorful humorous illustration of people, grim reaper and a virus bubble. Size A4 02- Hand painted colored cartoon panel of a woman ...Hector was a past resident of Phillip Island, moved to Queensland as an adult and owned the Porpoise pool in Coolangatta was an avid cartoonist and artist. Historical 01- Hand painted colorful humorous illustration of people, grim reaper and a virus bubble. Size A4 02- Hand painted colored cartoon panel of a woman, child and a detective. Size A4 03- Hand painted colorful cartoon panel of two people in a field. Size A4 04- Painting on two common hourglass patterned dolphins. Size A3 05- Hand painted comic strip. Size A3hector goodall, cartoons -
Halls Gap & Grampians Historical SocietyPhotograph - B/W, C 1900
... The Langley family owned Morningside at this time and took in paying guests PEOPLE Langley PEOPLE Perry Charles John Perry, Alice Maud May Langley Photograph of frame with oval photos plus etching on original frame which appears to be wooden Photos show a man and woman 'Charles John Perry' and Alice Maude May langley Photograph B/W ...The Langley family owned Morningside at this time and took in paying guestsPhotograph of frame with oval photos plus etching on original frame which appears to be wooden Photos show a man and woman 'Charles John Perry' and Alice Maude May langleyCharles John Perry, Alice Maud May Langleypeople, langley, people, perry
