This fine white unglazed porcelain figurine is one of six donated together. The bisque material was easy to carve and allowed fine detail. Figurine ornaments were popular for table decorations between the mid-18th to early 19th centuries. This ornament was most likely made in Germany, and German manufacturers began to use bisque material to make realistic faces for dolls in the 1850s.The set of six bisque figurines is representative of popular table decorations during the 19th and early 20th centuries.Ornament, fine unglazed white porcelain, carved to represent a woman standing in front of a green vase. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, bisque, china ornament, white china ornament, german, porcelain, unglazed porcelain, 19th century, 18th century, european ornament, pottery, unglazed pottery, domestic ornament, decoration, table decoration, vase, woman with vase, germany

Ponsonby May CAREW SMYTH Ponsonby May Carew Smyth was born at Cork, Ireland, Carew-Smyth studied at the Belfast School of Art and Design. Carew Smyth taught at the National Art Training School, London and Rugby School. He arrived in Australia in January 1891 , and was appointed Principal of the Ballarat Fine Art Gallery School (Ballarat West Technical Art School) from 1891 to 1899. In 1907 Carew Smyth was Chief Inspector of Art for the Victorian Education Department. He designed commemorative wall plaques for state schools after World War One. In 1936 Carew Smyth was Acting Director of the National Gallery of Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil drawing of a woman carrying a vase.art, artwork, ponsonby carew-smyth, ballarat west technical art school, victorian education department inspector of art, drawing, art education

Greek community newspaper. Black and white photograph of a woman sitting with a flower vase.greek community

Black and white photo: young woman standing, leaning on sideboard, vase of roses on RH side of photo. Woman is dressed in dark long dress, buttoned down side, white lace collar. Image is edged in pink. On back of image : ' M. Bent, Photographer, Centre of Pall Mall, Sandhurst. Duplicates and enlarged copies on application.'Bent Photo, Pall Mall, Sandhurstperson, individual, female portrait, bendigo, sandhurst, female portrait

A mass produced utilitarian item made for domestic decorative use. No history or manufacturing provenance currently available.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown. The item is assessed as a collection asset as it is believed to have been produced after 1910 and before 1950.Container of pressed metal. The container has a broad, thin lip, and its round body flares outwards towards base, then tapers inwards to a short heel. A loop holding a metal ring is attached to the side, near the top. A decorative geometrical transfer pattern in blue and cream covers the body and inside of the lip. In the centre of one side is a round frame with the portrait of an Egyptian woman within.warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flower vase, decorative object, tin vase

This is a photo of Ida Stanton taken while setting up for the Wildflower Show in Halls Gap Hall. The show opened on 28/09/1985.Photo shows a woman wearing a red cardigan with her back to the camera. She is looking at a display of wildflowers in vases, set up on shelves and a trestle table. There are two windows in the background.events, wildflower show

The couple are May & David Mitchell in the front room of their holiday shack called "The Holiday Hut" - built by E.C. Mitchell of Stawell at the site of the Borough Huts. See Rec 586 for more information.The photo shows a man and a woman standing in a room. The walls have been papered. A double shelf behind the man has a china jug/vase on the top section and glasses on the lower one. Two lamps stand on the mantle shelf behind the couple. Both people are wearing glasses and the woman is wearing a cardigan with a cream blouse with a brooch. The man is wearing a tie, shirt and zipped cardigan.buildings, houses

The Tawonga branch of the C.W.A. commenced on the 7th Feb. 1946 and often combined activities with the other branches in the Kiewa Valley. The C.W.A. aimed to improve health, welfare and education for women and children in the country. The members achieved these aims by being involved in handcrafts of all kinds.Women living in Tawonga were mostly on farms and, in 1946, when the branch commenced would have been feeling more remote with WW11 having an effect on available workers and the well being of the women and children.The book has a cover with Autumn colours of flowers in a vase with the title in block letters of pale yellow. It has 47 pages bound by 2 staples. The crafts involve the use of plants in creating decorations.tawonga. country woman's association of australia. crafts. plant crafts.c.w.a.

Dr Briscoe was appointed Dean of the Faculty of Pain Medicine in 2008 and gifted the vase at the end of her term in 2010. Dr Briscoe was the first woman to be appointed Dean of the Faculty. The artist Robert Wynne is an accomplished glass artist in Australia. His artworks are held in significant public and private collections nation wide and overseas. Public collections include the Tasmanian Museum and Art Gallery, Artbank and the Queensland Contemporary Art Gallery. Wynne's artworks are also part of the private collections of Bill Clinton, Sir Elton John and the Royal Family Collection of Japan.Tear shaped, emerald green, hand-blown glassEtched on base - DENIZENdr briscoe, penelope (penny), wynne, robert, dean, faculty of pain medicine, fpm

The St Patrick's Fund Coronation was held at the Princess Theatre in Bendigo in 1927. The total amount raised was £ 2047/15/10. Miss Vera Comer was crowned "Queen of the Roses" raising £369/1/6.Photograph of a Black and White colour tinted photograph of Vera Comer. Head and shoulders profile image of a young woman dressed in a pink dress, standing beside a vase of pink flowers."Queen of the Roses Bendigo Vera Comer 1927".vera comer, queen of the roses

Shaped, brown wooden picture frame with rectangular picture in the centre and an oval one on each side of it. At each end are carved wooden gumnuts which have been glued on. Some pieces are missing. The left photo is a sepia, waist high portrait of two young women. Both are wearing lacy type dresses with high necklines. One is wearing a locket? and the other a brooch. The centre photo is a young woman sitting at a window. She is wearing a lacy type dress and a bracelet on her right arm and also a ring. There are some flowers in a vase and on her lap. The photo on the right is of an older woman wearing a dark embroidered high neck dress with a white frill collar. She has a brooch at the neckline. Also a waist high portrait.person, family, family, foster & wilson collection, photograph

BHS CollectionSepia photo of wedding group. Five adults. Three men, one seated and two standing. Men are wearing three piece suits, white shirts, butterfly collard and bowties, buttonholes and carrying gloves. Bride's bouquet has long trailing asparagus fern. Dress-length veil and headdress, spectacles. Other woman wears wide-brimmed hat. Flowers in vase on small table. Palms just visible left and right. Inscriptions: on cardboard - 'Croxton 831 High St Northcote Studio'.Croxton Studio, 831 High Street, Northcoteperson, group, wedding, see also 2001.323.01

Colour Photograph: Two People a man and a woman. the man holding a small white vase with blue decorations.

Professor Vernon PATRICK (1943- ) Born Havre, Montana, United States of America A lecturer at the Montana State University, Vernon Patrick was a visiting artist to the Gippsland Centre for Art and Design (GCAD).Woodfired stoneware vase form. jan feder memorial collection, vernon patrick, ceramics, gippsland campus, artwork, artist, jan feder memorial ceramics collection, patrick vernon

Portrait of a woman seated in an armchair with legs folded and two vases of flowers and a tea service. Signed (L.r) 'Clifton 25-29 April '82'. clifton pugh, portrait, adriane, painting

George Sandow was overseer at Mt Bute pastoral station for many years. He married Mary Ann Lewis in 1882 and they had seven children. After living at Gnarrkeet for many years they bought a property near Linton, on what is now the Geelong Road.Black and white copy of original photograph which shows a middle-aged man and a woman seated at a table, on which is a vase of flowers. The man has a beard, and he is holding a document. The woman's hair is parted in the centre and she is wearing glasses.george sandow, mary ann sandow (née lewis)

Born in 1901, Reta Murrell (spelled Rita in some records) was a granddaughter of Ambrose and Mary Murrell who ran the Victoria Hotel in Linton. She was the oldest child of William and Lily Murrell of Linton. Reta became a school teacher, and was teaching at Linton State School between 1918 and 1922. Later in her life she became a watercolour painter. Reta married Angus Brewster McLean in 1935, and they had two children - Marigold and Angus. Reta McLean died in 1998. Two paintings by Reta Murrell are in the LDHS collection. Colour photograph which shows a woman wearing a grey tunic dress over a mauve-coloured shirt. She is standing next to a table on which are vases of roses. Her right hand is resting on the back of a chair. Reta McLean, née Murrell.reta mclean née murrell

Around March to April 1994, the Arthritis Foundation of Victoria (AFV) opened a second oppportunity shop in Moonee Ponds. A woman impersonating satirist Barry Humphries' most well known character, Dame Edna Everage, was the star attraction at the opening. In this photo, Shops Co-ordinator, Margaret Scott, is serving a customer while others queue up near the counter with their purchases.B&W photo of several women inside a shop. One woman, who is standing behind a counter, is handing over a plastic bag to another woman. Behind them, there is another woman either sitting down or leaning on the other side of the counter. To the right of the frame, there are three other women standing near the counter. One of them (partially obscurred) appears to be talking to the woman who is sitting/leaning on the counter. The other two women (one partially obscurred) appear to be waiting to be served. There is a large bouquet of flowering gladioli stems in a large vase on the counter.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, opening, launch, gladioli, flowers, margaret scott, shops coordinator, members, volunteers, customers, moonee ponds, 1994

Around March to April 1994, the Arthritis Foundation of Victoria (AFV) opened a second oppportunity shop in Moonee Ponds. A woman impersonating satirist Barry Humphries' most well known character, Dame Edna Everage, was the star attraction at the opening. In this photo, Shops Co-ordinator, Margaret Scott, is holding a bouquet of flowers at the opening.B&W medium close-up photo of a woman holding a bouquet of flowers. Beside her stands another woman (partially obscured). On the counter in front of her is a large bouquet of flowering gladioli stems in a vase, a small portable television set, and various other items. One of these is a small box or container, on which there is some handwritten text. The heading of the text is "ARTHRITIS OP SHOPS!!", beneath which there is the Arthritis Foundation of Victoria logo and some more text. On the wall behind them, there are some posters and a 'No Smoking' sign.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, opening, launch, gladioli, flowers, bouquet, margaret scott, shops coordinator, members, volunteers, customers, moonee ponds, 1994

Around March to April 1994, the Arthritis Foundation of Victoria (AFV) opened a second oppportunity shop in Moonee Ponds. A woman impersonating satirist Barry Humphries' most well known character, Dame Edna Everage, was the star attraction at the opening. In this photo, a member volunteer assists customers with their purchases.B&W photo of several people inside a shop. In the foreground, one woman is standing behind a counter. She is holding a plastic bag. On the other side of the counter, there are two women standing (partially obscured). Another person, with their back to the camera, is reaching for something on a shelf along the wall. In the foreground, to the left of the frame, there is a large bouquet of flowering gladioli stems in a vase on the countertop. The photo has been taken from behind the counter, at a low angle.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, opening, launch, gladioli, flowers, bouquet, members, volunteers, customers, moonee ponds, 1994

In late 1999, the Arthritis Foundation of Victoria celebrated the 20th anniversary of the opening of the Malvern Opportunity Shop. A celebration was held at AFV's headquarters in Elsternwick. This photo depicts (from right to left) Dot Mortensen, Maureen Reid, and one unidentified woman at the event.COL photo of three women sitting around a table. On the table, there are wine glasses, a vase of flowers, and small plates with sandwiches. In the background, there is another group of people (seated) and a small rectangular table (covered with a white tablecloth) against the wall, behind some open bi-fold doors.arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, fundraising, 20th anniversary, celebrations, members, volunteers, 1999

At some point, Arthritis Victoria's Moonee Ponds opportunity shop was relocated to new premises at 10 Everage Street. In this photo, Alice Gilbert (Manager) poses for a photo in front of some shelves of kitchenware and bric-a-brac at the Everage St shop.COL medium close up photo of a woman inside a shop. She is wearing a red shirt over a black t-shirt. She is standing next to some wall shelving and has one hand on one of the shelves. On the shelves, there is a range of crockery, glassware, and pottery, including some vases. Alongside the shelving, there is a clothes hanging rack affixed to the wall. Hanging from the rod on coathangers is a range of linen. In the bottom right corner of the photo image, there is a date stamp in bright orange digits: "16 4 '02".[Handwritten in blue ink] Alice Gilbert Moonee Ponds op shoparthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, crockery, pottery, glassware, vases, relocation, linen, new premises, alice gilbert, manager, everage street, moonee ponds, 2002

At some point, Arthritis Victoria's Moonee Ponds opportunity shop was relocated to new premises at 10 Everage Street. This photo depicts, (from left to right), an unidentified woman (volunteer), Alice Gilbert (Manager), and Rachael Stevenson (volunteer) leaning on the counter while chatting at the Everage St shop.COL medium close up photo of three women leaning on a counter inside a shop. The woman to the left of the frame is holding a pair of spectacles in her hand. The other two women are looking at her, smiling. On the counter, there is some paper or an exercise book, with another pair of spectacles sitting on top. In the background, there are several posters on the wall, and a framed poster with the heading, "Arthritis, Active..." (partially obscured). There is also a white teddy bear with a yellow bow tie (partially obscured), and a vase of flowers with greenery (partially obscured). In the bottom right corner of the photo image, there is a date stamp in bright orange digits: "16 4 '02".arthritis foundation of victoria, afv, opportunity shop, op shop, charity shop, thrift store, teddy bear, posters, flowers, floral arrangement, relocation, new premises, alice gilbert, manager, rachael stevenson, volunteer, everage street, moonee ponds, 2002

In 2002, Arthritis Victoria (AV) presented an Osteoporosis Seminar. The seminar was held at AV's headquarters in Elsternwick. In this photo, an unidentified woman addresses the seminar attendees.COL photo of a woman speaking into a microphone at a lectern. Behind her is a projector screen displaying a slide image titled, "The Latest Views on Calcium & Healthy Eating". To the side, there is a large bouquet of flowers in a vase on a stand. On the wall, there is a poster with the image of two hands holding a wishbone, with the text "WORLD OSTEOPOROSIS DAY" below.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, seminar, presentation, elsternwick, 2002

In 2002, Arthritis Victoria (AV) presented an Osteoporosis Seminar. The seminar was held at AV's headquarters in Elsternwick. In this photo, an unidentified woman conducts a Question & Answer session after making her presentation.COL photo of a woman speaking into a microphone beside a lectern. Behind her is a projector screen displaying a slide image titled, "Any Questions?" (partially obscured). Beside her is a small table with a laptop computer, a slide projector, a glass carafe and two glasses of water. Behind the table, there is a large bouquet of flowers in a vase on a stand. On the wall, there is a poster with the image of two hands holding a wishbone, with the text "WORLD OSTEOPOROSIS DAY" below.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, seminar, presentation, question and answer, q&a, elsternwick, 2002

In 2002, Arthritis Victoria (AV) presented an Osteoporosis Seminar. The seminar was held at AV's headquarters in Elsternwick. This photo depicts three women chatting after the seminar, (although, the woman to the right of the frame is mostly obscured).COL medium close up, slightly blurred photo of three women speaking to one another in a room, (one woman is almost completely obscured). One of the women is holding a plastic cup of milky tea. There are two other people in the background. There are chairs placed in rows facing a large whiteboard affixed to the wall, and a freestanding slide projector screen to one side of the whiteboard. Also in the background, to the left of the frame, there is a large bouquet of flowers in a vase on a stand.arthritis foundation of victoria, afv, osteoporosis victoria, ov, arthritis victoria, av, seminar, elsternwick, 2002

In the mid 1990s, Australian actor, Val Jellay, was the special guest at an Arthritis Foundation of Victoria Volunteers' Luncheon. Promoting her autobiography, Stagestruck, at the luncheon, the actor donated any profits made from the sale of her book at the event to the Foundation. This photo depicts Val Jellay entertaining guests at the luncheon.Colour photo of a woman speaking into a microphone on a stand. She is standing behind a long rectangular table. There are several copies of a book stacked up on the table or on a display rack. Behind the woman, to the left of the frame, there is a large box, a large unidentified item, a tall wooden lectern, and a red fabric cover over an upright piano on the stage. Beside the piano, there is a floral bouquet in a tall vase and a small fire extinguisher affixed to the wall. There are colourful balloons in red, yellow, blue, and green hanging from the ceiling.arthritis foundation of victoria, afv, volunteers luncheon, val jellay, australian actor, author, special guest, fundraising, fundraiser, book sales, autobiography, stagestruck, donation, c1990s

Chinese sleeve embroidery bands, or wanxiu became popular in the late 19th century during the Qing Dynasty, evolving from the traditional Han cuff embroidery and Manchu styles. These detachable, decorated bands were added to women's informal jackets and robes, often featuring symbolic motifs like landscapes, flowers, and auspicious symbols. They served both a decorative function, displaying artistic skill and personal wishes, and a practical one by covering the sleeves when hands were folded at the waist. History and evolution: Origins: The practice of embroidering cuffs on robes existed during the previous Ming Dynasty for Han women, and this was adopted by the Manchu rulers who founded the Qing Dynasty. Qing Dynasty (1644-1911): The practice was popularized and elaborated upon during this era, with detachable bands becoming a fashionable element for informal wear. Symbolism: The embroidery included a complex visual vocabulary of wishes for a long life, many offspring, and a happy marriage, derived from nature, mythology, and classical literature. Functionality: Women would fold their arms, often with their hands inside the sleeves, so the embroidered bands, which were sewn to hang down the back of the jacket, would be displayed prominently down the front. 19th century peak: The late 19th century was the peak of their popularity, with intricate designs becoming fashionable and even influenced by court tastes, such as those favoured by the Empress Dowager Cixi. Later developments: The late 19th century saw the introduction of chemical 'aniline' dyes from Europe, leading to brighter, bolder colours in embroidery. Motifs and their Meanings: Auspicious symbols: Designs often included symbols for good fortune, wealth, and longevity. Natural imagery: Birds, flowers, and landscapes were common motifs that could represent natural beauty or convey specific symbolic meanings. Figurative scenes: Bands could also feature narrative scenes from classical stories or legends. The choice of motifs allowed women to express personal desires, cultural values, and aesthetic preferences, reflecting a more personal and informal style than official court attire. Looking at the cuffs from bottom to top: there is a rock formation, a zig zag fence and flowers (chrysanthemums and a branch with Buddha's hand citron). Next is a male figure carrying a halberd over his shoulder and surrounded by flowers, foliage and hillocks. Above are two more males in a boat. One is standing, the other kneeling. The one kneeling holds a bamboo pipe, while the one standing holds a branch with pomegranates. The men are surrounded by more flowers, foliage, rocks and bats . Three more figures come next. A male holding a fan, a woman holding a dish and another male. The woman on the left cuff holds a dish which appears to hold fruit, whereas the woman on the right cuff holds a dish containing a ? hat. Further up is a pagoda with a pomegranate tree and two more male figures. One holds the sacred fungus, the other a vase with a lotus flower. Finally there are two pagodas, leaves, flowers and clouds. Symbolism: Buddha's (foshou) hand citron. This plant derives it's name from the shape of the fruit, which is said to resemble Buddha's hand. 'Foshou' is used as a pun from blessings (fu) and longevity (shou). Chrysanthemum - longevity. Halberd - a spear like object symbolizing rank and military achievement. Halberd (ji) is a pun for rank (ji) and represents rapid promotion and doing well in officialdom or politics. Bamboo pipe or mouth organ (skeng) is a pun for giving birth (skeng). The image of a boy with a mouth organ implies the wish for a son. Pomegranate- symbolizes many sons (or possibly children). Boat - may be travelling from or to. Fan (shan)- longevity, and also a pun for goodness (shan). Boy pointing upwards (?to the sun) - may you rise in rank (zhri goosheng). The act of pointing at the sun is a pun for 'soon' (zhri). Fungus - resembles the head of a wish granting wand (ruyi) and has the same meaning of 'as you wish'. Lotus flower - (he) is a pun for harmony. Vase - (ping) a pun for peace (ping'an) therefore a vase with lotus - peace and harmony. These sleeve bands are more generic but they do convey a wish for many sons who will become officials and bring fortune. Dr Rachel Silberstein, visiting Associate Professor at Rhode Island School of Design.Pair of Chinese Sleeve bands using Pekin knots, satin stitch. Depicts an outdoor scene with pagodas, people, zig zag fences, boats and plants embroidered on a pale green silk ground. Both cuffs have been joined at the bottom.embroidery, garments, silk embroidery, china, sleeve bands, late 19th century, garden, figures

Symbolism: Woman with a fan (shan) - a symbol of longevity and a pun for goodness. Gourds: fertility and good fortune. Peony: wealth and honour (fugui). Blossoms: bring forth fruit and therefore bring forth prosperity. Meander pattern: represents longevity.Lemon silk skirt lined with coral coloured silk. There is a broad cotton waist band with loops at each end, through which a tie would have been used to fasten the skirt. The reason for the cotton at the top was so that it didn't slip, as silk would have done. There is a central front panel bordered in black satin. within this is an embroidered floral and 'meander' or Greek key pattern. The 'meander' pattern is done in couched goldwork. Within this is another border of embroidered, machine made braid. The central motif of two women in a garden setting is embroidered on silk mesh and appliqued onto the background fabric. One of the women holds a fan, the other has her arms raised up and she bends slightly forward. Behind the woman with the fan there a is a little fence/bridge. To the left of the other woman is what appears to be a vase with a flower, next to what may be a gourd shaped vase. Worked in Pekin knot stitch and couched gold.embroidery, garment, silk embroidery, oriental, 19th century, china