Carved wooden plate depicting a happy event - a baby. Father and Mother are looking at the baby in the beautifully decorated cradle, with sign IHS and flowers at the head end. In the background is a kmečka peč - a huge heart for bread making, cooking and warming up.IHSslovenian association melbourne, carved wooden plate, slovenian folk art, wooden cradle

Wooden plates a traditional Slovenian item for various souvenirs and celebration items. The plates were produced for the 25th Anniversary of the Slovenian Association MelbourneCelebrated anniversaryWooden carved plate with the carved text -Slovenian Association Melbourne, Silver Anniversary and some floral and geometrical ornamentsSlovensko društvo Melbourne v priznanje in spomin ob 25. letnici - Slovenian Assocaition Melbourne in appreciation at the time of Silver Jubillee. SDM 1954-1979wooden carved plate, slovenian association melbourne, silver jubillee

These oak and rattan arm chairs were previously used in the old Warrnambool Museum and Art Gallery, opened on 29th July 1886 with Mr Joseph Archibald as Curator, demolished in 1960. Chairs are significant to local history as they were originally purchased for use in the Warrnambool Museum and Art Gallery. The chairs were part of the social and cultural history of WarrnamboolChair, oak wood arm chair (set of 9), cureved back with decorated wooden edges, shield carved into top and protective metal plates on top at rear. Padded leather seat studded at edge, over rattan cane seat. Rattan cane is stitched onto wooden frame through drilled holes. Front and side legs each have two spindles between them. back legs have one. Legs are turned and slightly cambriol. Some chairs have written on back leg "1486". Made in England, c. 1896Some of the chairs have hand written black pen on back leg "1486"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, arm chair, rattan chair, warrnambool museum, warrnambool art gallery, 1890s chair, 19th century furniture, domestic furniture

Wooden shield with plaque painted onto haut relief carved badgeOn Shield: USS FIFE DD-991 SUCCESSUM MERERE CONEMUR On Presentation Plate: PRESENTED TO NAVY LEAGUE OF AUSTRALIA MELBOURNE CHAPTER FROM COMMANDING OFFICER USS FIFE (DD–991)

A rasp with a flat metal plate with a rough edge. It has a raised metal arm with a carved wooden handle.rasp tool

Sewing machine, portable, hand operated, with Premier logo. Has folding crank handle, body painted black with floral design, wooden base and separate wooden cover with lock. Base has compartment with accessories, covered by curved ended, sliding wooden panel. Decorative linework on side, carvings on each corner. Wooden handle on cover is carved in rings, folds down. Below handle is decorative inlaid pattern. Serial number on plate at back of machine. Accessories include 13 attachments, key (broken), screwdriver, sewing machine needle, razor blades (2) and buttons. Attached to inside of case is a square of paper with a number on it. Instruction book for Singer Sewing Machines is included. Also with machine are white tailor's chalk and a cut out, fabric pocket with tissue paper pattern pinned to it.Serial number "579200" is stamped into plate at back of machine. Brand on transfer on front of machine is "Premier". Paper inside case has hand written number "334A". Instruction book "Instructions for using Singer Sewing Machines No. 66 - Oscillating hook for family use" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, permier sewing machine, hand operated sewing machine, dressmaker, fasion, singer no. 66 manual, textile, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, permier sewing machine, hand operated sewing machine, dressmaker, fasion, singer no. 66 manual, textile

This cake stand was hand turned from osage orange wood. The wood was sourced from a grove of osage orange trees in the Fisken/Taverner Street area. This grove was planted by Mr A C Simon, an orchardist, who brought the seeds from North America in the 1860's to create a protective hedge for his plants The wood from these plants produces a beautiful toned affect of dark brown and yellow/orange when turned and polished. The significance of this cake stand is that it has been carved from the osage orange which grows well in Bacchus Marsh although originated in America. Mr Simon made many items from this wood. This gives it local significance.This polished wooden stand would have been used for cake to be displayed It consists of a round 'plate' of wood as the top, with a fine narrow turned wood pedestal and a round base. The stand is made of osage orange giving it the unique tones of dark brown and orange wood.turned wood, osage orange, food stand, food display, brown orange wood, wooden, cake stand, parlour item, table centre piece, polished wood, ornamental stand

A block and tackle is a simple but highly effective lifting device, thought to have been invented by Archimedes. These systems were used extensively for construction in the ancient world, and continue to be used today for various applications, especially at sea, where non-motorised lifting systems are highly useful. A basic block and tackle includes a single fixed pulley or block, and at least one additional pulley, linked with rope, to form a complete set. Depending on the size of the load being lifted, additional sets may be used to further distribute the weight.A mid-twentieth example of a wooden block that shows advances in the design of the marine block compared to late 19th century blocks, with hook and pin and its compliance plate meeting the marine standards of the time.Two sheave rope block; two metal sheaves in polished wooden block with a metal inner pin with a ring on top and a bucket on the bottom. Rectangle carved into one cheek with inscriptions on the attached compliance plate with inscriptions. Stamped within a lozenge: "2 ↑ CS"flagstaff hill museum, flagstaff hill village, shipwreck coast, flagstaff hill, block & tackle, rope, lifting heavy weights, ship rigging, cargo lifiting, two sheave block, compliance plate, marine technology

Offering Plate circa 1890s. The decorated plate features a carved Scottish thistle and turned handle. These were used in the 19th century and hung on pegs at the back of the church when not in use. Velvet lined wooden offering plate with turned handle. Features a carved thistle. offering plate

Carved wooden trophy on stand. Dark polished wood; features five carved rounded shapes fixed with dowel onto a square wood base. Under base is written "ANDREW POTOCNIK/"SENTINEL" 1/9/REDGUM" Brass engraved plates affixed to each side of the base.

Part of the Cooper Collection. See catalogue No. 9586.2 for details of service 'Keith Cooper' No. 3798359.Shield shaped light brown wooden plaque with raised border and star shaped indented pattern. Border edge painted black. Edge of raised section painted white. Carved 'RAEME' insignia in centre of plaque. Gold coloured engraved plastic plate at bottom of plaque. Lettering in black.Engraved on name plate: 'Presented to SGT K.E. COOPER from HQ 2MD (EIS), 1984.cooper collection, keith cooper, plaque, raeme

The Jade Buddha for Universal Peace, the largest Buddha carved from gemstone-quality jade in the world, is the centerpiece of the Great Stupa of Universal Compassion in Bendigo, Australia. Standing 2.5 meters tall and weighing 4 tonnes, this priceless Buddhist statue toured over 120 cities across 20 countries from 2009 to 2018, inspiring peace in families, schools, and communities worldwide. After attracting an estimated 12 million visitors, it returned to the Great Stupa in May 2018, where it continues to be a potent symbol of peace.This wooden plaque with an engraved metal plate symbolizes formal recognition of Ian Green’s exemplary leadership, generosity, and commitment to spreading the message of universal peace. His efforts in guiding the Jade Buddha’s journey helped forge meaningful connections between Buddhist communities and individuals worldwide. The significance of this plaque extends beyond personal acknowledgment, representing an appreciation for Green’s impact on the success of the Jade Buddha’s global tour and the values it embodies. Preserving this plaque ensures continued recognition of his contributions and reinforces the ongoing importance of fostering peace and interfaith harmony. jade buddha, memorabilia