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Federation University Historical Collection
Notebook, Work Programme 1967, 1967
... Work Programme 1967...work programme... Notebook Work Programme 1967 This is a syllabus programme prepared ...This is a syllabus programme prepared for the education of students by a teacher for the year 1967, along with his comments regarding the itinerary for each week's classes. The first section is divided into the schedule for each term of the school year. They are "Term 1", "Term 2", "Term 3" and "Term 4". These terms are further divided into columns with the headings "Grade 1'", "Grade 2", "Grade 4", "Grade 5", and "Grade 6".The Rows are titled "Speech", "Reading", "English", "Poetry", "Spelling & Dictation", "Writing", "Maths", "Social Studies", "Nature", "Creative Activities", "Music", and "Health & Phys. Ed". along with comments regarding the events of the week's classes. What follows is the class plan for each grade level with an index detailing each aspect of that grades education for the 1967 school year. They are "Infant Syllabus Grades 1 & 2" with the sections "Reading", "Word Study", "Number", "Spoken Expression", "Written Expression", "Writing", "Social Studies", "Nature Study", "Health", "Physical Education", "Literature", "Creative Activities", "Music", and "Character Training". The "Primary Syllabus Grades 4, 5 & 6" features the section "Mathematics", "Grammar", "Reading", "Oral Expression", "Written Expression", "Spelling", "Speech", "Poetry", "Social Studies", "Health", "Physical Education", "Music", "Creative Activities", and "Nature Study". A inset has been included within the notebook titled "Psychological Research Group:Grade VI. Grouped Spelling List." which was kept in a homemade paper pocket.Included throughout the notebook are various images taken from various sources, cut out and stuck to the front page of each section. The registration no. "11932" is included on the front page in pencil.alex ball, 1967, work programme, syllabus, grade 1, grade 2, grade 4, grade 5, grade 6, mathematics, grammar, reading, oral expression, written expression, spelling, speech, poetry, social studies, health, physical education, music, creative activities, nature study, notebook, english, spelling & dictation, writing, nature, health & phys. ed -
Federation University Historical Collection
Booklet, Baxter & Stubbs, Ballarat Junior Technical School Prospectus, 1913
... programme. Images include: Modelling Class, Sheetmetal Work..., curriculum, compulsory drill, evening school, rules, work programme ...The Ballarat Junior Technical School was a division of the Ballarat School of Mines. It was a school for preparatory technical work in trade, art and science. it opened in 1913 in the bluestone building adjoining Dana Street Primary School. In 1921 in moved into a custom built brick building on the Ballarat School of Mines site. 23 page soft charcoal coloured book. Contents include: Aim of the School, curriculum, compulsory drill, evening school, rules, work programme. Images include: Modelling Class, Sheetmetal Work, Experimental Science, woodworkballarat school of mines, the ballarat junior technical school, alexander peacock, frank tate, donald clarke, d.f. skewes, w. stone, w. fenton, john fraser, p.j. pringle, a.e. cutter, hugh v. mckay, e.c. chamberlain, d. maxwell, f.a. event, frank hassell, clegg, miller, p.s. richards, john white, w.p. davies, m.b. john, jelbart, trahar bros, gower, benoit, stansfield and smith, w.h. chandler, arthur farrer, percival selwyn richards -
Bendigo Historical Society Inc.
Administrative record - Work program
... new curriculum work programme for rural schools 1943, school... called the revised new curriculum work programme for rural ...A set of thirty-seven drawing of mainly of animals done by children. The sketches are in a green folder called the revised new curriculum work programme for rural schools 1943, school no. 2396, name McKenzie Creek, Teache Maya McKebery.mckenzie creek, drawing -
Bendigo Historical Society Inc.
Document - Seventh Day Adventist Collection: School Record
... title is labelled 'Rural School Work Programme... has no title) Hardcover title is labelled 'Rural School Work ...Beige/Light brown hardcover with black tape on spine, wrapped in brown paper cover (paper cover has no title) Hardcover title is labelled 'Rural School Work Programme', but with no date. Year date is referenced on p 91 as being 1943. 92 pages including an Index on page 1 Ink writing inside. Contents are a record of topics taught in each listed subject, on a weekly basis for Grades 1-8. Information for each week is recorded on a double page spread from dates: Week ending Feb 5th until Week ending November 12th. List of Poems, Drawing Scheme, List of Songs, Yearly Scheme in Physical Culture & Yearly Scheme in Science are the last few back pages. education, seventh day adventist church -
Federation University Historical Collection
Brochure, Eureka Trail, c2000
... under the New Work Opportunity Programme.... governments. Much of the work was undertaken under the New Work ...The brochure gives information on the Eureka Stockade which took place on 03 December 1854. The Eureka trail aimed at enhancing the Eureka experience and was developed in 1996. It was managed by the City of Ballarat with funding assistance form the State and Federal governments. Much of the work was undertaken under the New Work Opportunity Programme.Blue and white brochure highlighting relevant Eureka Stockade site. The brochure includes a map showing the route the Government forces took on their way to the Eureka Stockade as well as sites of interest to Eureka which are marked by blue bollards. The brochure was presented by the City of Ballarat and the Eureka Stockade centre.eureka, eureka stockade, diggers' trail, trooper's trail, eureka stockade centre, city of ballarat -
Vision Australia
Text, Certificate of appreciation awarded by Our Lady of the Sacred Heart College, 26 July 2001
... of your participation in the work experience programme." Signed... in appreciation of your participation in the work experience programme ...Certificate reads "In appreciation. This certificate is awarded to RVIB Technical and Training Services in appreciation of your participation in the work experience programme." Signed by the Career Adviser A. M. Crowe, and Principal J. M. Lamb, dated 26th July, 2001. Certificate has an ornate gold border, and features the school crest at the top.1 certificateroyal victorian institute for the blind -
Bendigo Historical Society Inc.
Document - Seventh Day Adventist Collection: School Record 1943
... 1943 Term and Monthly Programme of Work, Prep. Grades 1-3... Programme of Work, Prep. Grades 1-3. Teacher - V. Mobbs. Red hard ...1943 Term and Monthly Programme of Work, Prep. Grades 1-3. Teacher - V. Mobbs. Red hard cover with red tape on spine. 60 numbered pages inside, content information written in ink. education, seventh day adventist church -
Melbourne Legacy
Document, The Work of 1941, 1941
... , and trying to implement the social welfare programme of Legacy... Document The Work of 1941 White quarto paper, black type. Pages ...The document covers the year of 1941. Mention is made of the restrictions and difficulties (petrol rationing, scarcity of paper to name some) that occurred with running a wartime economy, and trying to implement the social welfare programme of Legacy. In particular, The Welfare Committee. Despite the difficulties of the time, Legacy not only continued its work but expanded the programme e.g. the establishment of a Legacy Dental Clinic in Collins St, Melbourne. The document also notes with some sadness the death of some Junior Legatees due to war service, and the realisation that the work of Legacy will need to be expanded due to World War 2. Legacy Probation Officers paid tribute to the never failing support of the Police department. To quote, "In all cases the Police were just as anxious as we to save the boys from the Reformatory of Gaol." There are many documents styled as 'The work of 19XX' so it was a way legatees reported the main events of the year. Many were put into the original archive started by Frank Doolan and were labelled with the letter 'H' to signify History.A record that Legatees were recording the major events of the year in a report for future reference. Significant in that the Law Courts valued the work Legacy was doing to reform their Junior Legatees who had appeared before the courts.White quarto paper, black type. Pages held together by a sewing pin. Pages numbered in pencil, top right hand corner. The documents are enclosed in a Melbourne Legacy badged envelope, stating the title written in black biro.annual summary, history -
NMIT (Northern Melbourne Institute of TAFE)
Report: Life skills and TAFE programs in Victoria, TAFE Board, 1985
... that are relevant to the issue. The report focuses on: 1. Work... to the issue. The report focuses on: 1. Work and Engineering Programme ...A4 size report, aqua cover and various pagings, written in 1985. The primary aim of this project was to report to the TAFE Board, Victoria on the implementation of life skills material into mainstream vocational education at Royal Melbourne Institute of Technology (RMIT), with parallel emphasis on implementation models for statewide courses. The report is divided into 3 parts. Part A attempts to define the notion of life skills that developed from the work of Dr Stewart Sharlow’s ‘TAFE and basic life skills’, TAFE Services, Victoria, 1982 and the ‘Audit of TAFE middle level and technician humanities subjects,TAFE Services, Victoria, 1982. As a result of these publications a conference ‘Life Skills and the TAFE Practitioner’ was held in October, 1983 at Preston College of TAFE in Victoria with the aim of seeking a definition of the term life skill with regard to curriculum developments and classroom teaching. This report draws on these events and a number of programs developed or piloted in Victoria that are relevant to the issue. The report focuses on: 1. Work and Engineering Programme (RMIT,1984); 2. Diploma of Architectural Technology (RMIT); 3. Certificate of Law Enforcement Studies (RMIT); 4. Office and Secretarial Studies Certificate; 5. Life Skills at the Gordon College of TAFE; 6. Life Skills in the V.O.P. at Box Hill College of TAFE. Part B focuses on the experience of these activities towards curriculum and implementation needs, and evaluation and staff development requirements particular to these programs. Part C presents conclusions and recommendations.tafe board victoria, nmit -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, John O'Loughlin, 13 July 2000
John O'Loughlin was born in 1922 in Warracknabeal, Victoria and moved to Beechworth in February 1969. Following a brief time working in the real estate business, John gained employment as a prison officer at Beechworth Gaol. The gaol had initially closed its doors in 1918 but was reopened after the completion of alterations in 1926 as a reformatory prison for habitual male criminals. In his new role, John was able to pursue management in the farming industry, taking trusted prisoners out to a farm on the Wodonga side of Beechworth to work the land. This area was known as The Rockery, a grazing property of two-hundred and eighty acres about two miles north of Beechworth. This work done by the prisoners included timber cutting, land maintenance and the grazing of livestock, mainly Black Poll cattle. The programme was an instrumental component of prisoner rehabilitation, allowing freedom and responsibility. When he retired from his work in 1987, John observed that many improvements had been made towards the living conditions and daily life of the prisoners. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. The cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. John O'Loughlin's account of his life in Beechworth and the local area during the twentieth century is historically and socially significant to the cultural heritage of the region. He details important information surrounding Beechworth Gaol and the daily life of its prisoners; it is a place that still holds significance for the residents of Beechworth today. This oral history account is socially and historically significant as it is part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth century Beechworth'. While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the twentieth century, much of which would have been lost if they had not been preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white stripe and is currently stored in a clear flat rectangular plastic container. It holds up to forty minutes of recording on each side. John O'Loughlin / beechworth gaol, old beechworth gaol, john o'loughlin, beechworth prison, beechworth, gaol, prisoners, beechworth prison officer, prisoner reform beechworth, the rockery, black poll cattle, daily prison life beechworth, prisoner farmwork, beechworth training prison -
Federation University Historical Collection
Programme, T.Evans & Sons, Grand Armistice Concert 1951 Polikoff Canteen 'The Rainbow', 11 November 1951
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A 12 page booklet with a buff cover containing information about the music - 'The Rainbow', the composer - Dr Thomas Wood, the guest conductor and music scorer - Frank Wright and the solo cornetist - Ken Smith. Along with the programme the booklet also contains the words of the work.frank wright, conductor, brass band, grand armistice concert, polikoff canteen, the rainbow, dr thomas wood, ken smith -
Federation University Historical Collection
Programme - pink sheet folded in half, Alex. King & sons, Printer, Ballarat Junior Technical School - Speech Night Programme - 1956, 1956
For a period of time the Ballarat Junior Technical School was co-educational. It catered for boys and girls to Form IV. Awards for Meritorious Work, Dux of Form, Athletics and Swimming and Magazine contributions were given. A strong musical programme was provided at the school and on show at Speech Night.Pink sheet of paper folded to allow 4 areas for printing. 1. Title page; 2. Programme for night; 3. Awards and recipients; 4. Continuation of awards and School Song. Title page includes names - The School of Mines & Industries; Ballarat Junior Technical School; Guest Speaker: Mr Colin Badger M.A.; Date, Time and Place of Speech Night.the ballarat junior technical school, co-educatioal, form iv, meritorious work, dux of form, athletics, swimming, musical, programme, speech night -
Federation University Historical Collection
Document - Document - Letter, VIOSH: Letter to external and internal OHM Staff from Derek Woolley, 1984
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. This letter to OHM Staff outlines the delay in the re-accreditation of the Grad Dip in Occupational Hazard Management course due to the need to appoint a specialist to the staff in this area. Dr Dennis Else of the University of Aston was appointed but not due to arrive until October 1984. Programme would proceed once he arrives.One page letter - typedLetterhead of Ballarat College of Advanced Educationviosh, victorian institute of occupational safety and health, graduate diploma in occupational hazard management, derek woolley, dennis else, re-accreditation, university of aston -
Federation University Historical Collection
Document - Document - Information, VIOSH: Occupational Hazard Management Course, 1979, information
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Meeting called by Derek Viner to discuss the Occupational Hazard Management Course 1979 draft dates. Session 1 would be 21st and 22nd January and 9th February. Session 2 would be 17th and 18th June and 6th July. Prescribed texts, detailed syllabi, teaching programmes and assessment also to be discussed. Eric's letter gives possible publicity contacts to promote what is being done in Ballarat.Two foolscap pages, one A4 page -type writtenRoyal Australasian College of Surgeons letterhead. Signature of Eric Wigglesworthviosh, victorian institute of occupational safety and health, royal australasian college of surgeons, occupational hazard management course, course dates 1979, derek viner, m brook, g fernandez, b rollins, j harvey, e wigglesworth, dr k brown -
Federation University Historical Collection
Photograph - Photographs - colour, VIOSH: Derek Viner and Dennis Else
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Derek Viner was involved in the development of the VIOSH program and the first course in 1979 was under his leadership. He completed a Bachelor of Science Mechanical Engineering in the 1960s and then a Master of Science Air Transport Engineering in the 1970s. Dennis Else came to join the staff at Ballarat College of Advanced Education in 1984. He came here from the University of Aston in Birmingham, England. While a member of the engineering staff he established the Health and Safety Unit within the School of Engineering and very involved with the VIOSH programme.Two colour photographs - portraitviosh, victorian institute of occupational safety and health, derek viner, dennis else, ballarat college of advanced education, bachelor of science mechanical engineering, master of science air transport engineeing, university of aston birmingham, health and safety unit, school of engineering, course co-ordinator -
Federation University Historical Collection
Letter - Correspondence, Walter M. Hitchcock, Letters from Walter M. Hitchcock concerning a model of a Ballarat tent (and more), 1911, 1911 (exact)
The tent model mentioned in the letters was displayed in the Ballarat School of Mines Museum. During the 1960s it was transferred to the Ballarat Historical Society. Two handwritten letters on paper with black mourning edge written by Walter M. Hitchcock to the Ballarat School of Mines, and another written by Walter's brother George M. Hitchcock.Letter transcription follow: Letter from Walter M. Hitchcock regarding the death of James Oddie and early gold mining at Ballarat, 1910 and 1911 48 The Memorial Hall Farringdon St London Dec1/10 The Secretary Ballarat Museum Dear Sir, I am just now sending you this line, i anticipation of further correspondence later on, simply to forward you a Post Card of the 1st mining tent erected 1851 on the site of he then newly proclaimed Township of Ballarat, which, as the sole survivor of the party who built the original, I have had the pleasure in making, and have decided to present it to your museum, Sir Jno Lasenor out Agent General for Victoria came to a Bazaar recently held in London. where I had it on view in the museum from 3 days, - and desired I would allow its [ ? ] exhibited in the first large window of the beautiful new building of the Victoria Agency situate in the Strand. It is there for the past few days and he may wish it to remain a week or two longer, I know of no other exhibition of it to delay it being packed and shipped to my relatives in Geelong (Mr [?] Bright of Hitchock's Firm) who may wish to show it in one of their windows before forwarding it to your museum - I have had an itemised pane glass case made for it with drop down end and [?} it stands on a plateau of moss, to represent grass 32 x 13 x 13 high and chimney 14 1/2 - the case is made 34 x 26 x 20 high inside - I shall have it very carefully packed - tent emptied tools, beds, &c &c in separate packing and insured for 50 pounds - I will send you full details later on. I hope and believe your President will accept it in due time Meantime believe me to be very truly Cat Walter Hitchcock G.F.B. 48 The Memorial Hall Farringdon St London March 15th 1911 The Secretary Ballarat School of Mines Dear Sir, Thanks for your letter received last week – I have unaccountably mislaid it, so cannot address you personally, shall no doubt find it among office papers. The model is being fetched today from Victorian Agent General’s (Sir John [Lavernor?] office window in the Strand where many thousands, he tells me, have stopped in passing to see it (their first peep of Ballaarat). It will be on view at Blackheath (Kent) for a week, then packed and shipped without further delay. I shall enclose in the glass case (which is 26 x 34 x 16 in high) some spare minced moss and gas (smoke) in case in transit the plateau suffers by shaking (though it is well glued down). All the tools, mining appliances, cradle, windlass, &c will be separately packed enclosed – which you can easily place in respective positions. HRH Prince of Wales has graciously accepted a photo of it – and in my letter to him when sending it for his acceptance I said – as he would probably ere long visit Australia as did his grandfather and father, which ought to (and certainly will) include at least a day or two in seeing your beautiful City, and also something of your mines &c instead of the hurried visit of his father (2 hours) when he, as Duke of York, unveiled a statue to the memory of those slain in the sad Boer War, which now is admitted by almost everybody to have been a big political mistake, - though in the future with England’s present wise policy towards that country it will prove for Africa’s welfare. It may interest you to know that when I ascertained that Geelong was not to be visited by the Royal Pair – I went up to St James’s Palace by appointed time the Duke’s private Secy Sir Arthur Bigge – taking with me a specially illustrated paper issued in Melb. showing many pictures of the beauties and industries of Geelong – Sir Arthur was impressed but said all the arrangements for the Royal stay in Victoria (10 days) were made locally, by Lord Hopetoun and collegues and committee, and were practically closed – which meant that only a brief trip to Ballarat to uncover the memorial was intended outside Melbourne. Perhaps if we were Melbourne residents we should have succumbed to the prevailing spirit of selfishness – forgetting (or trying to forget) that there are many beauty spots in Victoria and centres of great interest - Ballarat, Geelong, Bendigo, &c that ought to have been visited instead of Melbourne only. Finding Sir Arthur favorably impressed about Geelong I thanked him and returned to City work again. I at once called to Geelong whose mayor and friends had been twice unsuccessful in trying for the Melbourne functions programme being altered to include a visit to Geelong and lovely spots in the Western District, reporting my interview with Sir A B and his favourable reception of my representations, but that any alteration to the programme of engagements during the Royal visit must be made locally and by the local authorities. This had the desired success for on receipt of my message the Geelong mayor and colleagues again reopened the question and went to Melbourne, resulting in a concession (but what an altogether inadequate one) and they graciously ? consented to the train, on its way with the Duke and Duchess to your city, to stop at the Geelong stn (15 minutes) and so it came about that by a hasty local effort, 3,000 school children, and not a few of the leading people including the Mayor &c were gathered to welcome them in Geelong. The National anthem being sung, an Address read and presented and kindly replied to. Now Ballarat should doubtless has influence. See to it when our P. Of Wales visits Victoria – an unselfish ¬ programme is fixed up – and HRH afforded ample opportunity of visiting leisurely your city, Geelong, Bendigo and other centres of beauty and importance. The Prince himself will be the gainer by such an equitable and enlightened programme, - and come back with all the more favourable views of the marvellous development ever since our family first settled in Geelong in 1850. A far preferable result of such a visit than night after night having Melbourne Banquets and the visiting of its undoubted attractions - whilst all the rest of the State remained unvisited. Such an official mistake must not be made again. I will write you again, stating name of steamer of which the model is shipped and date of departure – it is firmly built on a backing of 3/8 in oak tall uprights so through the 7/8 in plateau and am entrusting the packing be very careful. I expressed firm – so that except possibly any breakage in glass case – it should reach you in due time all right. The top of case will be screwed so that it can be readily removed temporarily to enable my [ ? ] firm to show it in one of their windows. Believe me Yours very truly Captn Walter M. Hitchcock My brother will deliver it on my a/c – all carriage paid. Mt very kind regards to my friend since 1850 Jas Oddie. University of Ballarat Historical Collection Cat. No. 8133.3 & .4 Letter from Walter M. Hitchcock regarding the death of James Oddie and early gold mining at Ballarat, 1911 48 The Memorial Hall Farringdon St London April 20th 1911 My Dear Sir, It is with no ordinary feeling of regret that I received the tidings of the death of my good friend, your fellow citizen for many years, Mr James Oddie. Living at Geelong from March 1850 I came to know him there as carrying on a foundry business in Ashby. With the discovery of gold at Ballarat started off almost of the working people, as well as of all other classes of the male population. Mr Oddie arrived in Ballarat I believe on or about September 1st 1851. My three comrades and I arrived October 1st 1851 – among the many thousands soon gathered within a mile or so of Golden Point – my friend Oddie and I often met. I returning to Geelong after a year mining – my friend on the other hand remaining at Ballarat ever since – a marvellous record, and I am sure his life has been one of unique value to your City in many ways, - his age (87) naturally prepared me for his call home – and only two mails before the news came I received from him on of his kindly chatty letters in which amongst other things – he referred with pleasure to having received from me two 10 x 12 photos – one being of my model and that he was arranging to have it placed in a shop window in your city. I am interested in the fact of your having known each of my three comrades of 1851/52. It was J.M. Garrett and I who got permission to conduct public Sunday morning service in their large Marquee – used all the week for issue of Licenses in the absence of any church buildings, and it being on wet Sundays impossible to have services as usual under the trees – Ballarat then was more like a Gentleman’s Park – than bush country – but the axe soon did its work – and all were felled for our cooking, and hencewith to make our kindling etc. Shafting of holes not being at first done because too shallow – our deepest (at Eureka) was only 115 ft. Bendigo I hear had now mines of 4,000 ft in depth (deeper than our tin or coal mines here). I fortunately have, in excellent state of preservation, my last of 12 licenses dated October 1 1852 and have recently purchased here a Miner’s Right dated 1864, to that when explaining on matters re Gold Licensing I can show sample of each. With kind regards Believe me Yours sincerely Walter M. Hitchcock Geelong June 20/11 Dear Sir, By rail to day through Messrs Bannister I send the model of miner’s tent packed in a case 50 donated by my brother Captain Walter M. Hitchcock of London. This model was made by my brother and represents the tent he worked in on the Ballarat Gold Fields in the year 1851 or 2. In a separate parcel a few extras omitted from the case. Please send me receipts in duplicate, one for my brother, the other for the Customs, Geelong, as being donated to your institution, after some little correspondence it was admitted [??] any payment for duty. You probably have my brother’s address and would like to acknowledge its arrival, direct. I hope it is in good order. I did not open it for show in Geelong, as there would be less risk of breakage on repacking. With kind remembrances. I am Yours Faithfully Geo. M. Hitchcock. A Mr G. F. B. Sharick who is living near my home called in to see my model – he said he knew FM [Fred Martell] and was lately at Ballaratballarat school of mines, frederick martell, fred martell, james oddie, walter m hitchcock, walter hitchcock, f m garratt, george hitchcock, hitchcock, golden point, gold discovery, j m garrett, gold license, j.m. garrett, t.m. hall, george m. hitchcock, f.m. garratt, walter m. hitchcock -
Kiewa Valley Historical Society
Book - Maths, Whitcombe's Federal Mathematics for Grade VIII, 1920
Education in Mathematics in the Victorian Education Department Schools in the 1920s. Tas Davies was a farmer in the Kiewa Valley.Historical: Education compared over the years with the use of Mathematic text books and the Victorian education Department. Provenance: Tas Davies local farmer of the Kiewa Valley and his education. He worked on the Kiewa Hydro Electric Scheme.Grey thin cardboard cover with two black lines around the perimeter the outside one being thicker than the inside one. Writing in blackWhitcombe's / Federal / mathematics / for / Grade VIII. / Edited by J. McRae, M.A. / Vice Principal Teachers' College Victoria / Re-written to meet the requirements of the 1920 Revision / of the Victorian Programme of instruction / emblem / Revised Edition / Melbourne / Auckland Christchurch Dunedin Wellington / and Londaon / Whitcombe & Tombs Limited / 1/9 Written in ink on inside cover page 'Mrs Davies'. In pencil 'Tas Davies'education. victorian education department. tas davies.mathematics. schools -
Bendigo Military Museum
Book - BOOK WW1, Honouring Victorian Railway Service, Bendigo 23.6.2017, 23.6.2017
.1) Soft cover, Honouring Victorian Railway Service, Bendigo 23.6.2017, 50 pages, details Bendigo men who worked at Bendigo LOCO Drivers, details 37 men, their service, sections from the Nominal Roll, newspaper articles. .2) Order of Service 23.6.2017 Honouring Victorian Railway Service held at the Bendigo Station.books -history, documents - programmes, transport-railways -
Kiewa Valley Historical Society
7 small black and white photographs of Pretty Valley, c1948
In 1947 it was proposed to construct a dam on the Pretty Valley branch of the East Kiewa River. This was part of the initial planning in 1937. The Pretty Valley Reservoir was to be part of a pumped-storage scheme with a pumping station located immediately below the main structure. Preparatory work was commenced in 1946 with erection of staff accommodation. Between 1947 and 1950 the main camp was erected, access roads, constructed and banks and benches at the dam site undertaken. Following the financial crisis in 1951, a review of the scheme was carried out and work ceased in June 1951. Construction of the dam was deleted from the programme of works and all buildings removed.A pictorial history of part of the initial planning in 1937 for a dam to be constructed at Pretty Valley as part of the Kiewa Hydro Electric Scheme.7 small black and white photographs of Pretty ValleyAll photos have a circular stamp on the back with 'Print by Willson White Albury' enclosed. Photo 1 - on the back, handwritten in ink 'New 22Kv pump line - Pretty Valley Nov. 1948'. In pencil '18'. Photo 2 - On the back, handwritten in ink 'Pretty Valley - Staff mess on right Nov. 1948'. In pencil '18'. Photo 3 - On the back, handwritten in ink 'Pretty Valley Basin - looking S.E. Nov. 1948'. In pencil '5'. Photo 4 - On the back, handwritten in ink 'New pump 22Kv line, Pretty Valley - looking towards Mt. Mackie. Nov. 1948'. In pencil '5'. Photo 5 - On the back, handwritten in ink 'Pretty Valley. Mt. Cope just out of picture extreme right. Nov. 1948'. In pencil '78'. Photo 6 - on the back, handwritten in ink 'View from Pretty Valley Ruined Castle in Background Nov. 1948'. In pencil '78'. Photo 7 - on the back, handwritten in ink 'Pretty Valley Pump line (Nov. 1948)'. In pencil'78'.construct, dam, pretty valley -
Ringwood and District Historical Society
Booklet, City of Ringwood 1986 Information Guide, 1986
Community information booklet issued by City of Ringwood for 1986 - covering the facilities and activities of the Ringwood Council and other local organisations and associations. Cover photographs: Front - Wombalano Park; Back L-R - Barbecue at Ringwood Lake, Housing construction at Ringwood, Enclosing swimming centre, Water cascade at rear of Ringwood Lake, Croquet at Jubilee Park, Playground at Ringwood Lake.CONTENTS: (page no.) After School Care Programme 30 & 31 Amalgamations 16 Aquatic Centre 14 & 15 Building Information 22 By-Law and Traffic Regulations 23 Chief Executive Message I0 Churches 38 Civic Centre 4 Committees of Council 5 Community Plan 12 & 13 Construction Work 34 Council Meeting Dates 4 Council Representatives 8 Councillors 6 & 7 Disabled Persons Facilities 41 Eastern Corridor Road Action Plan 17 Emergency Telephone Nos. 63 European Wasps 27 Family Day Care 30 Finances 18 Golf Course 22 Health 20 Historical Research Group 44 Home Help 33 Hospitals 45 Immunisations 2 i Incinerators 34 Infant Welfare Centres 45 Knaith Road Child Care Centre 30&31 Library 24 Local Area Traffic Management 17 Management Executive 11 Mayoral Message – Cr. W.R. (Bill) Wilkins, J.P. 3 Meals on Wheels 32 Members of Parliament 9 North Ringwood Senior Citizens 29 Parks for People 28 Playgroups 49 Pre-Schools 50 Rates 19 Rubbish — See Waste Ringwood District Centre 16 Schools 52 Swimming Pool — See Aquatic Centre 14 & 15 Waste 26rinx -
Ringwood and District Historical Society
Booklet, Impact Printing (Vic.) Pty. Ltd, City of Ringwood 1987 Community Information Guide, 1987
Community information booklet issued by City of Ringwood for 1987 - covering the facilities and activities of the Ringwood Council and other local organisations and associations. Cover photograph: Ringwood Aquatic Centre at night. Middle page photographs: (from top L-R) Putting at Golf Course, Reclaimation work Mullum Mullum Creek, Poppett Head rear of Ringwood Lake, Wattle in bloom. (Middle row) Aquatic Centre Toddlers Pool, Fern Gallery at Lake, Aquatic Centre Diving Tank, Wedding at Ringwood Lake. (Bottom row) Lawn Bowls, Bike Path, Community Garden. Also includes lift-out City of Ringwood map.CONTENTS: (page no.) After School Care Programme 29 Aquatic Centre 12 & 13 Building Information 19 By-Law and Traffic Regulations 21 Chief Executive Message 10 Children's Services 28 Churches 40 Civic Centre 4 Committees of Council 5 Community Plan 11 Community Services 37 - 59 Construction Work 26 Council Elections 19 Council Meeting Dates 4 Council Representatives 8 Councillors 6 & 7 Disabled Persons Facilities 43 Domiciliary Care 30 Emergency Telephone Nos. 62 Family Day Care 28 Finances 16 Garbage 36 Golf Course 23 Health 25 Home Help 31 Immunisations 24 Incinerators 20 Infant Welfare Centres 45 Joint Use Facilities 35 Knaith Road Child Care Centre 28 & 29 Local Area Traffic Management 18 Management Executive 11 Mayoral Message – Cr. Lillian Rosewarne, J.P. 3 Meals on Wheels 30 Members of Parliament 9 Parks 23 Playgroups 53 Pre-Schools 53 Rates 17 Recycling 35 & 36 Ringwood By-Pass Road 15 Ringwood Convention and Performing Arts Centre 34 Ringwood District Centre 14 Schools 52 Swimming Pool - See Aquatic Centre 12 & 13 Town Planning 19 Vandalism 27 rinx -
Warrnambool and District Historical Society Inc.
Programme - Rookery Nook, Collett and Bain, 1955
This is a programme of the stage production of the Warrnambool Musical and Dramatic Society of "Rookery Nook" in 1955. This is one of the earliest productions associated with Joyce and Cyril Hayward who founded the Warrnambool Musical and Dramatic Society and who were the dominant theatrical couple in Warrnambool for thirty years. Today the Warrnambool Theatre Company is the successor of the Warrnambool Musical and Dramatic Society.This programme is retained as a memento of a 1950s Warrnambool theatre performance and of the early work of the Haywards who dominated the arts and theatre scene in Warrnambool in the second half of the 20th century. This programme has ten pages with a thickened card cover, sixteen advertisements and printed material, some in black and some in blue. The pages have been stapled but the staples have now been removed. Warrnambool Musical & Dramatic Society Proudly Presents "ROOKERY NOOK" by Ben Travers. TOWN HALL, WARRNAMBOOL 2nd, 3rd & 4th November 1955. Programme 1 /-cyril and joyce hayward, warrnambool -
Kew Historical Society Inc
Journal, Kewriosity : July 1991
Not blowing in the wind [recycling paper] / p1. Completing the picture [Disability access at The Alexandra Gardens] / p1. Business seminar / p1. Manna from the heavens [water consumption and water rates] / p1. Willsmere go-ahead [Jennings development] / p1. Diary dates for July / p2. Winter: a good time for bushwalking [Kew Bushwalkers Club] / p2. Kinder's 40th [J.J. McMahon Memorial Kindergarten] / p2. Study Camp / p2. Commentary / Cr Daryl Oldaker / p3. Chief Executive's Column [amalgamation of local government entities] / Malcolm Hutchinson p3. Your chance to stand [Council elections] / p4. Letter to the editor [Kew Junction] / Tim Warmington p4. Looking into windows [Property revaluations] / p4. Mayor opens park [bicycle path in Outer Circle Linear Park] / p4. Gisborne passes this motion [Dog Act] / p4. Traffic Management updates - Speed cameras? [Area 6, Area 7, Area 10] / p5. Nit picking again [new head lice brochure] / p5. Concerned about possums? / p5. Your tobacco taxes at work / p5. Taste it ... you'll like it [Beatrix Potter] / p6. Literacy programmes [Kew Community House programmes] / p6. Royal Guide Dogs needs your help / p6. Youth Leadership course / p6. Rock bottom prices [petrol price competition] / p7. Arthritis AGM [Kew Arthritis Self Help Group] / p7. Cheque for Blind Mission [fundraising for Christian Blind Mission International by Carey Grammar School] / p7. Live comedy at Hartwell [Hartwell Players] / p8. Peel Street Anniversary [Sir Robert Peel PM] / p8. Holeproof factory future [Holeproof Hosiery plant in Surry Hills] / p8. What topics arose? [architectural and garden roses] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionNot blowing in the wind [recycling paper] / p1. Completing the picture [Disability access at The Alexandra Gardens] / p1. Business seminar / p1. Manna from the heavens [water consumption and water rates] / p1. Willsmere go-ahead [Jennings development] / p1. Diary dates for July / p2. Winter: a good time for bushwalking [Kew Bushwalkers Club] / p2. Kinder's 40th [J.J. McMahon Memorial Kindergarten] / p2. Study Camp / p2. Commentary / Cr Daryl Oldaker / p3. Chief Executive's Column [amalgamation of local government entities] / Malcolm Hutchinson p3. Your chance to stand [Council elections] / p4. Letter to the editor [Kew Junction] / Tim Warmington p4. Looking into windows [Property revaluations] / p4. Mayor opens park [bicycle path in Outer Circle Linear Park] / p4. Gisborne passes this motion [Dog Act] / p4. Traffic Management updates - Speed cameras? [Area 6, Area 7, Area 10] / p5. Nit picking again [new head lice brochure] / p5. Concerned about possums? / p5. Your tobacco taxes at work / p5. Taste it ... you'll like it [Beatrix Potter] / p6. Literacy programmes [Kew Community House programmes] / p6. Royal Guide Dogs needs your help / p6. Youth Leadership course / p6. Rock bottom prices [petrol price competition] / p7. Arthritis AGM [Kew Arthritis Self Help Group] / p7. Cheque for Blind Mission [fundraising for Christian Blind Mission International by Carey Grammar School] / p7. Live comedy at Hartwell [Hartwell Players] / p8. Peel Street Anniversary [Sir Robert Peel PM] / p8. Holeproof factory future [Holeproof Hosiery plant in Surry Hills] / p8. What topics arose? [architectural and garden roses] / p8.publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
RMIT Design Archives
Work on paper - Newsletters, Fashion-Able, 1984
The Fashion Design Council (FDC) was founded by Robert Buckingham, Kate Durham and Robert Pearce in 1983. This issue of the Fashion Design Council of Australia Newsletter describes the role, purpose and motivation of the FDC. It also lists the programme of events for November 1984 - September 1985 and includes minutes of the General Meeting held 16th June 1984. The newsletter was designed by graphic designer, Robert Pearce. The FDC ceased operation in 1983, and its archive of some 1,500 artefacts is held at the RMIT Design Archives.The Fashion Design Council of Australia Newsletter. It describes the role, purpose and motivation of the Fashion Design Council. It also lists the programme of events for November 1984 - September 1985 and incudes minutes of the General Meeting held 16th June 1984.fashion design, australian fashion, graphic design -
Federation University Art Collection
Work on paper - Artwork - Printmaking, 'Personal Best' by Geoffrey Ricardo, 2000
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VIC SOLO EXHIBITIONS 2012 ‘Collection of Works’ The Art Vault Mildura ‘Deeper Meanings’, The Incinerator Gallery, Melbourne ‘Three Projects’, Australian Galleries, Glenmore Road, Sydney Melbourne Art Fair Stand F33, Australian Galleries, Melbourne 2009 ‘Anno Domino, Antarctica and The Anatomy Lesson’, Australian Galleries Derby Street, Melbourne The Art Vault, Mildura, VIC 2008 MV Orlova (Quark Expeditions), The Drake Passage, Antarctica 2007 ‘Herd’, BMGArt, Adelaide ‘Herd’, Australian Galleries Painting & Sculpture, Sydney 2006 ‘Herd’, Australian Galleries Painting & Sculpture, Melbourne 2004 ‘Recent work’, BMGArt, Adelaide 2003 ‘The Rapunzel Suite and Other New Works’, Australian Galleries Works on Paper, Sydney ‘Recent Works’, Australian Galleries Painting & Sculpture, Melbourne ‘Recent works’, Cowwarr Art Space, Cowwarr, VIC 2002 ‘The Rapunzel Suite’, Australian Galleries Works on Paper, Melbourne ‘Strange Games’, Australian Galleries Works on Paper, Sydney 1999 ‘A Dark City Narrative’, Australian Galleries Works on Paper, Sydney ‘A Dark City Narrative’, Australian Galleries Works on Paper, Melbourne 1998 Cullity Gallery, School of Architecture and Fine Art, University of Western Australia, Perth 1997 Delaney Gallery, Perth Chapman Gallery, Canberra BMGArt, Adelaide ‘Menagerie’, Australian Galleries, Sydney ‘Menagerie’, Australian Galleries, Melbourne 1995 ‘Paintings, Prints and Sculpture’, Australian Galleries, Sydney ‘Prints, Paintings and Sculpture’, Australian Galleries, Melbourne 1994 Lawrence Wilson Art Gallery, University of Western Australia, Perth Graham Galleries + Editions, Brisbane ‘Wishful Thinking, Prints and Sculptures’, Lawrence Wilson Art Gallery, University of Western Australia, Perth 1992 ‘Prints, Sculptures and Watercolours’, Australian Galleries, Melbourne and Sydney 1990 ‘Watercolours, Prints and Small Bronzes’, Australian Galleries, Sydney ‘Paintings, Prints and Sculptures’, Australian Galleries, Melbourne GROUP EXHIBITIONS 2013 ‘Sculpture by the Sea’ Cottlesloe, Western Australia 2012 ‘Brave New World’, Toyota Community Spirit Gallery, Port Melbourne, VIC ‘Sculpture by the Sea’, Bondi, Sydney 2011 ‘Sculpture by the sea’, Aarhus, Denmark ‘Artwork to Tapestry’, Tarrawarra Museum of Art, Healesville, VIC Burnie Print Prize, Burnie Regional Gallery, Burnie, TAS ‘large exhibition of small works’, Australian Galleries, Roylston Street, Sydney ‘large exhibition of small works’, Australian Galleries, Derby Street, Melbourne ‘Nature of the Mark’, Australian Galleries, Smith Street, Melbourne Rick Amor Print Prize, Montsalvat, Eltham, VIC 2010 ‘Summer show’, Australian Galleries, Glenmore Road, Sydney ‘Summer stock show’, Australian Galleries, Smith Street, Melbourne ‘Sub10’, Substation, Melbourne ‘McClelland Sculpture Survey and Award 2010’, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘Artists’ Prints made with Integrity I’, Australian Galleries, Smith Street, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC 2009 ‘Artists’ ink: printmaking from the Warrnambool Art Gallery Collection, 1970-2001’, Ararat Regional Art Gallery, Ararat, VIC ‘Lorne Sculpture’ (Winner), Lorne, VIC 2008 ‘Summer Stock Show’, Australian Galleries Smith Street, Melbourne 2007 ARC Biennial (Art, Design and Craft), Queensland University of Technology Art Museum, Brisbane ‘Prints Tokyo: International Print Exhibition’, Tokyo, Japan Seoul International Print, Photo and Edition Works Art Fair, Seoul, Korea Guanlan International Print Biennial, Guanlan, China ‘Summer Stock Show’, Australian Galleries Works on Paper, Sydney ‘Summer Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Antipodean Bestiary’, Project Space / Spare Room, RMIT University, Melbourne Montalto Sculpture Prize, Montalto Vineyard and Olive Grove, Red Hill South, VIC McClelland Sculpture Survey and Award 2007, McClelland Gallery + Sculpture Park, Langwarrin, VIC ‘2007: Works from the studio’, Lancaster Press, Melbourne ‘50 - a print exchange portfolio’, Geelong Art Gallery, Geelong, VIC ‘Small Pleasures’, Australian Galleries Painting & Sculpture, Melbourne ‘Stock Show’, Australian Galleries Painting & Sculpture, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne 2006 ‘Partnership or perish’, Academy of the Arts, School of Visual and Performing Arts, University of Tasmania, Hobart Libris Awards, Artspace Mackay, Mackay, QLD ‘Summery’, Australian Galleries Painting & Sculpture, Sydney ‘Summer Stock Show’, Australian Galleries Works on Paper, Melbourne ‘Bookish’, Australian Galleries Works on Paper, Melbourne Melbourne Art Fair, Australian Galleries, Melbourne ‘Artists for Kids Culture’, Brightspace, Melbourne ‘50th Anniversary Exhibition’, Australian Galleries Painting & Sculpture, Melbourne 2005 ‘End of Year Group Exhibition’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Works on Paper’, Australian Galleries Works on Paper, Melbourne ‘Expansion’, Lancaster Press, Melbourne ‘The Art of Collaboration’, Singapore Tyler Print Institute, Singapore ‘Double take’, Arts Project Australia, Melbourne ‘Small Treasures - 20 emerging and established artists’, TILT Contemporary Art, Melbourne Jacques Cadry Memorial Art Prize, Fox Studios and State Library of NSW, Sydney ‘Tales of the City’, Australian Galleries Painting & Sculpture, Melbourne ‘A Decade of Collecting 1995-2005’, Cairns Regional Gallery, Cairns, QLD ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Surface Tension: 21 Contemporary Australian Printmakers’, University of Tasmania, Launceston, TAS ‘Neo-millenium’, Toyota Community Spirit Gallery, Melbourne 2004 ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Group Exhibition’, Australian Galleries Painting & Sculpture, Melbourne ‘Species’, Australian Galleries Works on Paper, Melbourne ‘In the presence of creatures great and small’, Australian Galleries Works on Paper, Sydney ‘Tapestries from the Victorian Tapestry Workshop’, Australian Galleries, Melbourne ‘Sculpture’, Australian Galleries Painting & Sculpture, Sydney ‘Contemporary Australian Prints’, National Arts Club, New York, USA ‘Contemporary Australian Prints’, Gallery 101, Melbourne ‘Contemporary Australian Prints from the Collection’, Art Gallery of New South Wales, Sydney ‘Bridge’, Toyota Community Spirit Gallery, Melbourne ‘Vivid’, Fortyfive Downstairs, Melbourne Lake Gallery, Paynesville, VIC 2003 ‘Paper matters’, Lawrence Wilson Art Gallery, University of Western Australia, Perth ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Less is more’, BMGArt, Adelaide ‘The ink’s on me: Bill Young master printmaker’, Wangaratta Exhibitions Gallery, Wangaratta, VIC ‘Fantastic and Visionary Art’, Touring: Global Arts Link, QLD; Ipswich Regional Gallery, QLD ; Orange Regional Gallery, NSW; Manning Regional Gallery, NSW; Parramatta Heritage Centre, Sydney; Ballarat Regional Gallery, VIC 2002 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Artists for Kids Culture’, Brightspace, Melbourne 2001 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Six Degrees of Collaboration’, RMIT Faculty of Art, Design and Communication Gallery, Melbourne ‘Reciprocal Moves’, Warrnambool Art Gallery, Warrnambool, VIC International Print Triennial, Kanagawa, Japan ‘Fantastic Art’, Orange Regional Gallery, Orange, NSW ‘Dancing Made a Man out of Me’, The Switchback Gallery, Monash University, Gippsland, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Celebration’, Regional touring exhibition, VIC 2000-01 ‘Workings of the Mind: Melbourne Prints of the 1960s to the 1990s’, Touring: Grafton Regional Gallery, NSW; Toowoomba Regional Art Gallery, QLD; Nolan Gallery, Canberra; Bendigo Art Gallery, VIC; PercTucker Regional Gallery, QLD 2000 Shell Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA The Hutchins Art Prize, Long Gallery, Hobart ‘Artists for Kids Culture’, Brightspace, Melbourne 1999 Shell Fremantle Print Award, Fremantle Arts Space, Fremantle, WA ‘We are Australian’, George Adams Gallery, Victorian Arts Centre, Melbourne Rena Ellen Jones Memorial Print Award, Warrnambool Art Gallery, Warrnambool, VIC ‘National Works on Paper’, Mornington Peninsula Gallery, Mornington, VIC ‘Artists for Kids Culture’, Brightspace, Melbourne ‘Pleasure’, Australian Galleries, Melbourne 1998-99 ‘Australian Prints’, Art Gallery of New South Wales, Sydney 1997 ‘KNOCK, KNOCK’, Australian Galleries, Melbourne ‘Woven Colour, The Art of Tapestry’, Dr Earl Lu Gallery, Singapore 1996 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Academy of Art & Culture, Calcutta, India ‘Synergy’, Touring: Lalit Kala Akademi, New Dehli, India; Jehangir Nicholson Gallery, Bombay, India; Birla, India ‘Contemporary Australian Tapestry’, Frederikshavn Kunstmuseum, Denmark; Australia House, London, UK 1995 ‘Interweave - Tapestry A Collaborative Art’, Heide Museum of Modern Art, Melbourne ‘Contemporary Printmakers’, La Trobe Regional Gallery, Morwell, VIC ‘Contemporary Australian Tapestry’, Australian High Commission, Singapore ‘Circus Capers’, Caulfield Arts Complex, Melbourne 1994 M.P.A.C. Print Award, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA Australian Universities of Visual Art, Australian High Commission, Singapore ‘Prints, Paintings and Sculpture’, BMGArt, Adelaide Fourth Australian Contemporary Art Fair, Royal Exhibition Building, Melbourne 1993 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA 1992 Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Transitional Times’, Print Council of Australia, Melbourne ‘Second Kochi International Triennial Exhibition of Prints’, Japan 1991 Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA ‘Table Top Sculpture’, Australian Galleries, Melbourne ‘Art 91’, London Contemporary Art Fair, London, UK 1990 M.P.A.C. Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Fremantle Print Prize, Fremantle Arts Centre, Fremantle WA ‘The Christmas Show’, Intaglio Printmaker, London, England ‘Australian Contemporary Art’, AZ Gallery, Tokyo, Japan 1989 National Student Art Prize, Mitchell College, Bathurst, NSW Fremantle Print Award, Fremantle Arts Centre, Fremantle, WA City of Doncaster Acquisitive Print Prize, Manningham Gallery, Melbourne ‘Affiliations’, Monash University Gallery, Melbourne 1988 M.P.A.C. Acquisitive Print Prize, Mornington Peninsula Arts Centre, Mornington, VIC Henry Worland Memorial Print Prize, Warrnambool Regional Art Gallery, Warrnambool, VIC 1987 ‘The Comedy Show’, Print Guild, Melbourne ‘Fluxus Art Flow’, Melbourne 1986 Mornington Peninsula Arts Council Acquisitive Print Prize, Mornington Peninsula, VIC Chisolm Institute of Technology, Graduating Students exhibition, Melbourne AWARDS 2013 King Valley Art Prize (printmaking) 2009 Lorne Sculpture Exhibition (Winner), Lorne, VIC 1989 Windsor and Newton International Travelling Bursary, UK Linbrook International First Prize for Printmaking, Australia COMMISSIONS 2005 Tapestry design for Bairnsdale Hospital (woven by the Victorian Tapestry Workshop, Melbourne), Bairnsdale, VIC 1999 Tapestry design ‘Emblem’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1995 ‘A Night of Infectious Laughter’ Poster, St Kilda Festival, Melbourne 1994 Tapestry design ‘Elephant Gingham’ (woven by the Victorian Tapestry Workshop, Melbourne), Australia 1993 Tapestry design for the Festival of Perth Official Poster (woven by the Victorian Tapestry Workshop, Melbourne), Perth RESIDENCIES & PROJECTS 2013 ‘Come In Outside’, Collaboration set design for Pocketfool 2011 Mildura Wentworth Arts Festival Project, Mildura, VIC Residency, The Art Vault , Mildura, VIC 2010 ‘Wish’, Collaboration set design for Pocketfool, Artplay, Melbourne The Art Vault (included continuous public flag making workshops which were flown as part of The Wentworth Mildura Art Festival), Mildura, VIC 2009 The Art Vault (included two public printmaking workshops), Mildura, VIC 2008 Artist in residence, MV Orlova, Quark Expeditions, Antarctica 2003 Residency, Bairnsdale Regional Health Service, Bairnsdale, VIC 1998 Residency, School of Architecture & Fine Art, University of Western Australia, Perth 1997 Residency, La Salle/Fia, College of the Arts, Singapore 1996 Artist in residence, Victorian Tapestry Workshop, Melbourne 1993 Reduction Aquatint Workshop & Residency, Graphic Investigation Department, Canberra School of Art, Canberra NB: all residencies have included workshops involving students, children or the general public COLLECTIONS Artbank, Sydney Art Gallery of New South Wales, Sydney Canson Australia Pty Ltd, Australia City of Box Hill, Melbourne City of Whitehorse, Melbourne Downlands College, Toowoomba, QLD Geelong Grammar School, Geelong, VIC Gold Coast City Art Gallery, Gold Coast, QLD Griffith University, Gold Coast, QLD Helensvale High School, Brisbane Holmes à Court Collection, Perth Latrobe Regional Gallery, Morwell, VIC Monash University, Melbourne Mornington Peninsula Arts Council Collection, Mornington, VIC National Gallery of Australia, Canberra National Gallery of Victoria, Melbourne Parliament House Art Collection, Canberra Print Council of Australia, Melbourne Private collections in Australia, Switzerland, USA, UK, Singapore, Germany, Japan, Malaysia, Holland Queen Victoria Museum & Art Gallery, Launceston, TAS Queensland Art Gallery, Brisbane Queensland University of Technology, Brisbane Shire of Diamond Valley, Diamond Valley, VIC Star of the Sea College, Melbourne The Melbourne Club, Melbourne University of Central Queensland, Brisbane University of Technology, Sydney Wagga Wagga Regional Art Gallery, Wagga Wagga, NSW Warrnambool Regional Art Gallery, Warrnambool, VIC BIBLIOGRAPHY PERIODICALS AQ Journal of Contemporary Analysis, Vol. 70, Issue 4, July-August 1998 AQ Journal of Contemporary Analysis, Vol. 70, Issue 6, November-December 1998 AQ Journal of Contemporary Analysis, Vol.71, Issue 7, April 1999 Backhouse, Megan; “Going out of print and back to basics”, The Age, February 2003 Bellamy, Louise; “Renaissance of Western Art”, The Age (A2 section), 26 November 2005 Clabburn, Anna; “Fables and Foibles”, Art Monthly, September 1994 Dutkiewicz, Adam; “Edge of the sublime”, Advertiser, 1 December 2003, p. 76. Erickson, Dorothy; “The Festival that could have been”, The Bulletin, March 1994 Farmer, Alison; “Ricardo makes poster splash”, Sunday Times - Entertainment Extra, 19 September 1993 “Festival taps weaver’s art”, The West Australian, 11February 1994 Fiasco (web-page), March 2003 Jenkins, John; “A Dark City Narrative”, Imprint, Vol. 34, No. 4, 1999 Grishin, Sasha; “Multiplicity – collecting Australian prints”, Australian Art Review, Issue 13, March-June 2007, pp. 52-55 Grishin, Sasha; “Profiles in Print - Geoffrey Ricardo”, Craft Arts International, Issue 76, 2009, pp.1-4 Lloyd, Tim; “The elephant man”, The Advertiser (Review section), December 2007 Manzana Arné, Josep; “De L’Ex-Libris a L’Ex-Webis: Ex-Libris a Internet”, Ex-Libris, Associació Catalana D’Exlibristes, Barcelona, No. 27, July-December 2002, p.11 McDonald, John; “Dreams of hope and menace” The Sydney Morning Herald, 18 March 1995 McMillan, Peter; “Darkness visible”, The Age, 11September 1999 Nelson, Robert; “Circuses can be curated, but not cured”, The Age, 18 January 1995 Nelson, Robert; “Dream Weavers”, The Age, June 1995 Nelson, Robert; “Paen To Ricardo”, Imprint, Vol. 29, No.1, April, 1994 Nelson, Robert; “Revealed: Mother Nature’s vulgar past”, The Age, September 6, 2000 Nelson, Robert; “Riddled with hidden meaning”, The Age, September 8, 1999 Quadrant, April, 1995 Quadrant, Jan/Feb, 1995 Quadrant, October, 1995 Quadrant, November, 1994 “Ricardo’s surreal works at gallery”, Times-Spectator, 25 July 2003, p.7 Snell, Ted; “Art”, The Australian, 18 February1994 Snell, Ted; “Visual arts at the Festival of Perth”, Art Monthly, April 1994 Sunday Arts, ABC TV, 6 May 2007 Timms, Peter; “Geoff Ricardo: emerging from darkness”, Art Monthly, Issue 140, June 2001 Wallace, Dr Carmel; “Ways of seeing Australia”, Asian Art News, May/June 2004 BOOKS & CATALOGUES A Dark City Narrative, Australian Galleries, Melbourne, 1999 ARC Biennial Exhibition (Exhibition catalogue), Queensland University of Technology Art Museum, 2007, pp. 78-79 Clabburn, Anna; “The Collaborative Spirit”, Australian Tapestries: Victorian Tapestry Workshop, 1995, p. 37 Fantastic Art, Orange Regional Gallery, NSW, 2001 Field, Caroline; Herd, catalogue essay, Australian Galleries, Sydney, 2007 Grishin, Sasha; Australian Identities in Printmaking, Wagga Wagga Regional Art Gallery, 2000 Grishin, Sasha; Australian Printmaking in the 1990’s, Craftsman House, 1997 Havighurst, Sophie (Illustrations by Geoffrey Ricardo); When Lester lost his cool, The University of Melbourne, 2007 Kolenberg, Hendrik & Ryan, Anne; Australian Prints, Art Gallery of New South Wales, 1998 Lawrence, Michel; Framed; photographs of Australian Artists, 1998 Modern Australian Tapestries, Victorian Tapestry Workshop, 2000 The Rapunzel Suite, Australian Galleries, Melbourne, 2002 Wallace, Dr Carmel (Essay); Surface Tension, Twenty One Contemporary Australian Printmakers, Gallery 101, Melbourne, 2004 Workings of the Mind : Melbourne Prints of the 1960s to the 1990s, Queensland University of Technology Art Museum, Brisbane, 2000 TELEVISION Sunday Arts, ABC TV, 6 May 2007 Inside Art TV, Channel 31, July 2012Framed coloured etchingon paper. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.Under image in pencil ' state proof ', "personal best" Ricardo 2000'. From Strange Games series. geoffrey ricardo, printmaking, framed print, available framed, available, sport -
Federation University Art Collection
Work on paper - Printmaking, 'Bonfire' by Geoffrey Ricardo, 1992
GEOFFREY RICARDO (1964- ) Born Melbourne, Australia 1984-86 Bachelor of Arts (Fine Art), Printmaking, Chisholm Institute of Technology, Melbourne 1987-89 Printing Assistant at Bill Young Studios, Editioning intaglio prints, King Valley, VIC 1988 Full-time Studio Technician at Printmaking Department, Chisholm Institute of Technology, Melbourne 1989-90 Graduate Diploma (Fine Art), Printmaking, Monash University, Melbourne 1991 Traveled to England, France, Spain and USA (Winsor & Newton International Travelling Bursary, National Students Art Prize) Worked in private studios in Gaucin, Spain and New York, USA 1994-95 Master of Fine Arts, Monash University, Melbourne 1995 Guest Lecturer, Victorian College of the Arts, Melbourne Traveled to Europe and America 1996 Guest Lecturer, Royal Melbourne Institute of Technology, Melbourne 1990-98 Sessional Lecturer, Monash University, Melbourne 1998 Traveled to America and Mexico 2001-05 Sessional Lecturer, The Victorian College of the Arts, Melbourne 2003-10 Printmaking Workshops, Warrnambool TAFE, Warrnambool, VIC 2004 Traveled to Europe, Mexico and Cuba 2005 Lecturer, National Art School (Summer School), Sydney Sessional Lecturer, Monash University, Melbourne Lecturer, Institution of Koorie Education, Deakin University, Geelong, VICFramed etching with aquatint depicting a silhouette of man in front of a bonfire. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood.LowerLHS 'State AP' Lower RHS 'Ricardo'geoffrey ricardo, bonfire, printmaking, available -
Federation University Art Collection
Work on paper - Drypoint print, Richard Spare, 'Cycle to the Quay' by Richard Spare
Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print. Donated through the Australian Gifts Programme by Katherine Littlewood.37/125richard spare, printmaking, boat -
Federation University Art Collection
Work on paper - Drypoint print, Richard Spare, 'Rowing Boat 1' by Richard Spare, c1999
Richard SPARE (1951- ) Born and lives England Richard John Spare studied at Maidstone College of Art (1971-1974). Primarily a printmaker who draws directly onto copper plate before creating a dryplate etching which is then hand coloured. Framed limited edition print of a boat. Donated through the Australian Gifts Programme by Katherine Littlewood.AP 6/15richard spare, printmaking, boat, sailing -
Federation University Art Collection
Work on paper, Jack, Kenneth, 'Swamp Gum' by Kenneth Jack, 1961
Kenneth JACK (1924 - 2006)Framed limited edition print of a landscape of gnarled trees. Donated through the Australian Gifts Programme by Katherine Littlewood. kenneth jack, printmaking, trees, landscape -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Geoffrey Ricardo, by Geoffrey RICARDO, 1992
Framed limited edition print. Donated through the Australian Government's Cultural Gifts Programme by Katherine Littlewood. printmaking, geoffrey ricardo, available