Showing 79 items matching "writing room"
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Mission to Seafarers VictoriaPostcard, Valentines Real Photo Series, The Writing Room, Seamen's Mission Melbourne, Victoria, c. 1918
... The Writing Room, Seamen's Mission Melbourne, Victoria...writing room...Rare early postcard of the Flinders Street building depicting seamen writing letters in the Writing Room, located between the main hall and the Billiard Room with a written message from a sailor. writing room communication 717 flinders street letters sailors seamen postcard bentwood chairs valentine's postcards valentine-and-sons-publishing-co-ltd Written on verso in blue ink: I wrote from the end desk while in the institute in Melbourne Bottom right corner in pencil: 135 The Writing Room, Seamen's Mission Melbourne, Victoria Postcard Valentines Real Photo Series ...The Flinders Street building is part of an international network where sailors knew they could find similar services. Amongst them, reading material (a library, newspapers), the ability to receive and write letters and postcards.Rare early postcard of the Flinders Street building depicting seamen writing letters in the Writing Room, located between the main hall and the Billiard Room with a written message from a sailor.Written on verso in blue ink: I wrote from the end desk while in the institute in Melbourne Bottom right corner in pencil: 135writing room, communication, 717 flinders street, letters, sailors, seamen, postcard, bentwood chairs, valentine's postcards, valentine-and-sons-publishing-co-ltd -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - House Interior - Lounge Room - Writing Desk, Allan Doney, 1950 -1970
... House Interior - Lounge Room - Writing Desk...Negative House Interior - Lounge Room - Writing Desk Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - House Interior - Lounge Room - Writing Desk, Allan Doney, 1950 -1970
... House Interior - Lounge Room - Writing Desk...Negative House Interior - Lounge Room - Writing Desk Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - House Interior - Lounge Room - Writing Desk, Allan Doney, 1950 -1970
... House Interior - Lounge Room - Writing Desk...Negative House Interior - Lounge Room - Writing Desk Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - House Interior - Lounge Room - Writing Desk, Allan Doney, 1950 -1970
... House Interior - Lounge Room - Writing Desk...Negative House Interior - Lounge Room - Writing Desk Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - House Interior - Lounge Room - Writing Desk, Allan Doney, 1950 -1970
... House Interior - Lounge Room - Writing Desk...Negative House Interior - Lounge Room - Writing Desk Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Mission to Seafarers VictoriaPostcard - Postcard, Black and white, KODAK, The Mission to Seamen, Melbourne - Central Hall, Main Hall, c. 1950
... ...writing room...Visual record of the club area in the 1950s (before Queen Elizabeth's coronation) ready for the dances. stage curtains mission to seafarers seamen's mission main hall dancing events concerts band flowers drums piano paintings royal portraits flinders street melbourne mission to seamen wood floor writing room heater stairs chairs king george vi Queen mother Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . ...One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. Visual record of the club area in the 1950s (before Queen Elizabeth's coronation) ready for the dances.Black and white gloss postcard depicts the central club space facing stage with flowers on stage, a drum kit and a piano. Curtained backdrop with sixteen chairs in front of the proscenium. Shows dance floorboards. Note: Possible heater at far right of picture frame.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right is indicated by the word 'KODAK' on four sides.stage, curtains, mission to seafarers, seamen's mission, main hall, dancing, events, concerts, band, flowers, drums, piano, paintings, royal portraits, flinders street, melbourne, mission to seamen, wood floor, writing room, heater, stairs, chairs, king george vi, queen mother -
Bendigo Military MuseumPlaque - AUSTRALIAN COMFORTS FUND, Australian Comforts fund, C.1921
... After the renovations to the SMI 2016 - 18 it was placed in what was originally called "The Writing Room" now named "The Building and RSL History Room"...After the renovations to the SMI 2016 - 18 it was placed in what was originally called "The Writing Room" now named "The Building and RSL History Room" brsl smirsl Comforts "This Lounge was furnished by the Municipal Branch of the Australian Comforts Fund" Plaque brass with engraved writing in black attached by 4 screws to a backing piece on a wall. ...This plaque was originally placed in the Foyer (or vestibule on the original plans) of the Soldiers Memorial Institute Bendigo in 1921. After the renovations to the SMI 2016 - 18 it was placed in what was originally called "The Writing Room" now named "The Building and RSL History Room"Plaque brass with engraved writing in black attached by 4 screws to a backing piece on a wall."This Lounge was furnished by the Municipal Branch of the Australian Comforts Fund"brsl, smirsl, comforts -
Bendigo Military MuseumDomestic object - CLOCK, WALL PENDULUM, Gilbert Clock Co, C. 1918 - 1921
... This clock was placed in what was called the "Writing Room" of the Soldiers Memorial Institute when it was opened in 1921. ...This clock was placed in what was called the "Writing Room" of the Soldiers Memorial Institute when it was opened in 1921. ...This clock was placed in what was called the "Writing Room" of the Soldiers Memorial Institute when it was opened in 1921. After the renovations to the SMI in 2016 - 18 the clock was placed back in the same position in what is now called "The Building and RSL History Room".Pendulum Wall Clock, timber frame with glass front insets in door, clock face has Roman Numerals, chimes on the hour and half hour, wind up key inside. A small silver plaque is on the front bottom space.On clock face under hands, "J.T. Knowlton & Co watch makers Bendigo". Around edge of clock face, "W.M.L Gilbert Clock Co Winsted Conn U.S.A" On small Plaque, "Presented by Pioneer Comforts Fund 15.11.1921"brsl, smirsl, domestic -
Bendigo Military MuseumDomestic object - COAT AND HAT RACK, Pioneer Comforts Fund, c. 1921
... This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. ...This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. ...This item was placed in what was originally the "Writing Room" of the Soldiers Memorial Institute Bendigo when it was opened in 1921. After the renovations to SMI 2016 - 18 it was placed back in the same position. This room is now called the "Building and RSL History Museum.Coat and hat rack timber construction rectangular shape, has six hangars at top and six at the bottom. Each hangar holds two items, top hangars are different style to the bottom. A small silver oval plaque is central at the bottom.On the plaque, "Presented by the Pioneer Comforts Fund"brsl, smirsl, comforts -
Bendigo Military MuseumPlaque - 38TH BN COMFORTS FUND, 38th Battalion Comforts Fund, C.1921
... After closure in 2016-18 for the renovations to SMI the plaque was then placed in what was originally called the "Writing Room" now called "The Building and RSL History Room". ...After closure in 2016-18 for the renovations to SMI the plaque was then placed in what was originally called the "Writing Room" now called "The Building and RSL History Room". ...This plaque was originally placed in the Foyer (Vestibule on original plans) of the Soldiers Memorial Institute Bendigo in 1921. After closure in 2016-18 for the renovations to SMI the plaque was then placed in what was originally called the "Writing Room" now called "The Building and RSL History Room". The plaque had the gold paint renewed about 2012 - 15.Plaque marble, grey with streaks of white through, inscription is engraved with Gold paint. The plaque is attached via 2 screws to a backing board on a wall."38th BATTALION COMFORTS FUND supplied portion of the funds for this building. Rene Neill Hon Sec"brsl, smirsl, 38th -
Bendigo Military MuseumPlaque - GALLERY OF HONOUR, Returned Soldiers & Sailors Imperial League of Australia, c. 1921 onwards
... After the closure of the SMI for renovations 2016 - 18 the plaque was placed in what was originally called "The Writing Room" now called "The Building and RSL history Room"...After the closure of the SMI for renovations 2016 - 18 the plaque was placed in what was originally called "The Writing Room" now called "The Building and RSL history Room" brsl smirsl Plaque “THIS GALLERY of HONOR Instituted by the Bendigo Branch of the RS&SILA exclusively contains portraits of members of the AIF who in the service to King and Empire made the supreme sacrifice in the Great War 1914 - 1919 into the imperishable memory of the priceless heritage beqeathed by them to the nation. ...This plaque was originally in the Foyer (vestibule on the original plans) of the Soldiers Memorial Institute Bendigo to compliment framed photos of Soldiers who never came home from the Great War. This was unveiled on ANZAC Day 1927. After the closure of the SMI for renovations 2016 - 18 the plaque was placed in what was originally called "The Writing Room" now called "The Building and RSL history Room"Plaque brass with curved corners with inscribed text in black with several scrolls around. Plaque is attached via 4 screws to a backing board onto a wall.“THIS GALLERY of HONOR Instituted by the Bendigo Branch of the RS&SILA exclusively contains portraits of members of the AIF who in the service to King and Empire made the supreme sacrifice in the Great War 1914 - 1919 into the imperishable memory of the priceless heritage beqeathed by them to the nation. This Gallery is dedicated in reverent gratitude”brsl, smirsl, plaque -
Bendigo Military MuseumAccessory - CRIB BOARD
... They and a number of other Associations had cupboards for their use in what was the old Writing Room. Those cupboards still exist with the Association names on. ...They and a number of other Associations had cupboards for their use in what was the old Writing Room. Those cupboards still exist with the Association names on. ...The 6th Battalion AIF had an Association Branch in Bendigo. They met at the Soldiers Memorial Institute in Pall Mall Bendigo. They and a number of other Associations had cupboards for their use in what was the old Writing Room. Those cupboards still exist with the Association names on. The room is now Called the Building and RSL History room. Refer Cat No 5268 for 6th Bn AIF and their winding down.Crib Board, rectangular shape, solid wood base with a brass plate attached. On the brass plate are 4 parellel full length sets of small holes, centre of the 4 rows are 2 shorter rows with the centre clear. At each end are 2 holes. In the centre between the shorter rows are engraved the words, "SIXTH BTN SOCIAL CLUB".brsl, smirsl, crib, social club -
Bendigo Military MuseumFunctional object - HEATER METERS, ONE SHILLING, Landis & GYRS.A, Pre 1970
... .1) This one was used in the Writing room which later became a Meeting room then finally the RSL Building & History room. it was attached to the LH side of the Fire Place and ran an old Electric Heater on the Hearth. ....1) This one was used in the Writing room which later became a Meeting room then finally the RSL Building & History room. it was attached to the LH side of the Fire Place and ran an old Electric Heater on the Hearth. ....1) This one was used in the Writing room which later became a Meeting room then finally the RSL Building & History room. it was attached to the LH side of the Fire Place and ran an old Electric Heater on the Hearth. It was used up to about 2005. .2) This one was in the Old Kitchen built on the side of the Soldiers Memorial Institute in the mid 1960's This one ran the Electric stoves used by the Womens Auxiliary of the Bendigo RSL and to make the Rum & Coffee for the ANZAC Day Dawn service. The kitchen was removed as part of the Renovations in 2016 - 18..1) Heater meter, metal construction black coating, top face has a glass section with a "usage meter" saying "coins paid, unused", metal plate under with details re numbers, maker, coins per hour, on right side slot for "Shillings only" with knob, removeable lockable tray at bottom for coin storage and removing. .2)Same style as .1) but a different glass face style metering, it has 11 circular dials with one hand, these show "Coins paid, coins unused", this one shows the round meter going around when in use. The only differance between to two shapes is at the top re fixing to a wall..1) On plate, "Remote Control Switch - for alternating switch No 26 204 020 - Type Wik 36.1 - Adjustable 1-6 coins per hour, Adjusted for 1 coin per hour" On stickers, "insert 10 cents - Turn knob to right". .2) On glass section, "230/240 revs per KWH - 1200 - Serial No 8338380 - 5 - 50". On label stuck on, "10 c equals 1/2 hour"brsl, smirsl, shilling -
Bendigo Military MuseumContainer - ASSOCIATION CABINETS, Post 1921
... These 2 cupboards are in what was the “Writing Room” of the Soldiers Memorial Institute Pall Mall Bendigo where the Bendigo RSL held occupancy from the day the building was opened in 1921. ...These 2 cupboards are in what was the “Writing Room” of the Soldiers Memorial Institute Pall Mall Bendigo where the Bendigo RSL held occupancy from the day the building was opened in 1921. ...These 2 cupboards are in what was the “Writing Room” of the Soldiers Memorial Institute Pall Mall Bendigo where the Bendigo RSL held occupancy from the day the building was opened in 1921. The room is now known as the “Building and RSL History Room”, of the Bendigo Military Museum. The four Units on the 2 cupboards had large Associations in Bendigo. The 57th Bn basically had one Whole Company of Soldiers from the Bendigo region during WW1. The POW’s which were mostly from WW2 and held many great reunions in the Main Hall. The 38th Bn was raised in Bendigo in 1916 for the 1st World War, after the war it became a CMF unit up into the 1960’s. The 6th Bn was one of the first Victorian Bn’s to be raised for WW1. Third photo. A third cabinet was built on top of the L/hand side one at a later date. The photo gives a layout of the the 2 cabinets and fireplace..1).2) Both cabinets are built into the recess beside the fireplace, both are timber with 4 doors on each. Each set has brass or gold painted wording on..1) One above the other, in brass, “57th Bn”, in gold paint “Ex POW Social Club”, in brass “38th Bn”. .2) In brass, “6th Bn”.brsl, smirsl, associations -
Mont De LanceyPostcard - Postcards, Hotel Mark Hopkins, early 1900's
... On the back of the cards is room for writing a message and address, postage information and facts from the General manager....On the back of the cards is room for writing a message and address, postage information and facts from the General manager. ...The history of the InterContinental Mark Hopkins San Francisco is rooted in the Gilded Age mansion built by railroad tycoon Mark Hopkins on Nob Hill, which burned down after the 1906 earthquake. The current hotel was constructed in its place and opened in 1926, retaining the opulent spirit of its predecessor through its Renaissance Revival-style architecture and historical features, such as the "Top of the Mark" lounge. One of San Francisco’s "Big Four," Mark Hopkins was among those who founded what became the great Southern Pacific Railroad. In 1925, mining engineer and hotel investor George D. Smith bought the land where the Hopkins estate was built with the desire to build a luxury hotel. San Franciscans declared the new “Mark Hopkins Hotel” to be, "architecturally perfect, flawless in its erection, comprehensive in its accommodations, strikingly representative of the best there is in modern hostelry." The Mark Hopkins Hotel quickly became an immediate part of San Francisco’s rich and colorful history. This famous hotel is still in existence today.Two identical coloured vintage postcards from the Top of the Mark bar at Hotel Mark Hopkins in San Francisco in the early 1900's. Guests are illustrated seated in their fine clothes enjoying drinks together. The curved bar is in the background. The whole scene overlooks the Bay of San Francisco at night through the large glass windows. On the back of the cards is room for writing a message and address, postage information and facts from the General manager.'Top of the Mark' is printed on the front of the cards at the bottom right, as well as Hotel Mark Hopkins, Nob Hill, San Fransisco' 'Private Mailing Card' 'The Mark Hopkins will be happy to stamp and mail' Plus general information about the hotel from the General Manager.postcards, photographic postcards, postal stationery -
Mission to Seafarers VictoriaArticle, A Woman's Melbourne Letter
... These also have their own billiard room, writing and reading rooms, bath and dressing rooms. ...These also have their own billiard room, writing and reading rooms, bath and dressing rooms. ...A detailed description of the Mission and its activities written by a woman: Western Mail (Perth, WA : 1885 - 1954), Friday 13 December 1918, page 34 A WOMAN'S MELBOURNE LETTER. Melbourne, Dec. 4. There is an idea abroad, which as regards Melbourne, at any rate, is quite erroneous, that our sailors are not as well looked after as our soldiers, and that the noble men of the Mercantile Marine are much neglected ! For once, perhaps, my readers will pardon a letter dealing with only one subject, but the steady, unostentatious work done by the Ladies' Harbour Light Guild, in connection with the mission to seamen in Melbourne could not be adequately explained if dismissed in the usual short paragraph. Some of the most prominent names in Melbourne are associated with this guild and with the Mission Chaplain, and Mrs. Gurney Goldsmith, the members have made the Seamen's Institute a real home for those sailors of the Mercantile Marine, who touch our port. What we as a community owe to those men by their heroism in recent hostilities is certainly more understood by this band of enthusiastic workers than by the community generally. By using their unflagging energies, and influence on the sailor's behalf they endeavour to discharge a debt to which in some way or other we could and should all contribute. Even the most casual person can, if he thinks at all, sum up a few of the things our sailors - other than those belonging to our glorious navy - have done for us. On the spur of the moment we remember that those of the Mercantile Marine, are the men who manned our transports, who carried our wheat and wool, to oversea markets; who kept us in touch with our loved ones abroad; who kept the fires going in the furnaces of the great leviathans, bringing our wounded soldiers home again; who never flinched when self-sacrifice was demanded; who cared, with that tenderness, innate in all sailors, for the women and children, when the passenger ships were struck a dastardly blow by the wicked enemy; who, mocking death, gave up life with a heroism all the more heroic because it was always taken as a matter of course! Is it any wonder, then, that the members of the Ladies' Harbour Light Guild make it their business to provide a bright, homelike, spot in Melbourne, where the sailors are always certain of a cherry welcome ashore? The members of the guild are admirably drafted! The 360 non-workers each pay £1 1s. per annum. The workers, of whom there are between 700 and 800, donate 2s. 6d. and school members - it is confidently hoped that gradually all the schools will take an active interest in the mission - 1s. a year. The knights of the guild - as the men members are designated - are responsible for any sum they wish to name, from 5s. a year upwards. Everything is paid for out of these revenues, with the exception of a small grant from the Home Mission Fund - and such is the organisation, and management, that the entire concern is quite free from debt. The Seamen's Church and Institute, where the "Harbour Lights" gleam so brightly, is situated right in the midst of all the bustle and turmoil of the wharves, at the end of Flinders-street. The building, comprising chapel, and institute under the one red tiled roof, is grey stuccoed, with a small tower, from which flaunts the flag of 'The Flying Angel" - the badge of the guild. A visit to the institute makes one fully appreciate the boon the place must be to the voyage worn, weary, sailor. The atmosphere is eminently social in its best sense. While the architecture imparts an elegance, and quiet dignity which soothes by the very subtlety of its charm. With its comfortable furniture, its wealth of flowers, and the happy, wholesome, feminine influence which prevails everywhere, the quality which stands for the magic word "home" abounds. The Chaplain in the course of conversation said: -"We try to make this really a free club for sailors." But the habitues would probably tell you it was far more than that to them. The Institute is excellently appointed, and every little corner seems to have its particular history. It was built after the model of one of the old mission churches in California, and retains something of the old world attraction, while yet it combines all the advantages of modern, practical, conveniences. On entering the door the first thing, one notices is a huge compass, inlaid upon the floor, evidently to indicate one's proper bearings for it points due north - to the chapel! Only one other seamen's mission in the world boasts such a compass. As the sailor swings through the entrance he finds the office on his right, and there is, here, always a smiling face to welcome the shy, or timid, new comer. Quite a real post office is staffed by members of the guild, and all the letters received are listed alphabetically. Therefore, the expectant sailor has just to run his eye down the list, and he can immediately see whether there is a letter for him or not. If he is fortunate, he comes up to the member in charge, who unlocks the box, and produces the longed for missive. The boys are always encouraged to answer letters - and to write them. Often a few words about their mother, and their own home, will provoke a sleeping memory into activity. The writing room is well stocked with paper, envelopes, pens, and ink. The tables are so divided to ensure the utmost privacy, and through a calculated chain of circumstances, many an anxious mother receives a letter from her sailor lad, who, perhaps, might not have written but for these kindly inducements. The central hall - where social evenings are held every other night besides two special concerts a week - is inviting in the extreme. A handsome piano affords opportunity for those musically inclined. The tables are strewn with papers. The walls are bright with pictures, and here, and there, is a carved model, of a ship. One, of especial interest, is a model of "The Roon" carved, and presented by a French sailor. This German vessel will always be remembered in Australia. For it was across her bows that the first hostile shot was ever fired in Australian waters. In the corner is the canteen. It was fitted up entirely from the proceeds of a quotation calendar compiled by one of the members. The sailors may at any time, get a teapot of tea, or a tray of eatables, at a nominal cost. Before the canteen was in existence they had to go out for refreshments! - and sometimes they did not come back! Groups of sailors sit chatting at the tables. Half a dozen Swedes laugh and talk among themselves, for the simple reason they know no other language than their own. Several British sailors cluster about a dark-eyed Welsh lad - a perfect Celtic type - who, although only about twenty years of age, has been the victim of the Hun five times. Mines and torpedoes sank the ships he was in, either in the Channel or off the English coast, four times; and it is to his fifth experience, when the Inverness was wrecked, that everyone is eagerly listening. "We were in the boats eight days," he was saying, "I was pretty well mangled when they picked me up. The sufferings we endured were awful. At last we managed to reach Rapa, a Hawaiian island. The natives thought we were Germans, and came at us with spears. When they found we were British, they were awfully good to us. They even cried when we left, and the day before the rescue boat arrived they begged us to go into the hills and hide." At another table a Canadian lad - once a sailor - then a soldier, who trained at the Broadmeadows camp - was telling his experiences : - "The voyage which will always stick in my memory," he said, "was to a place which must be nameless. We left the United States not knowing whether we were bound, or what we were going to do. After some weeks we sighted a group of wonderfully beautiful islands, and we headed for the most remote and most lovely of them all. Then, and only then, we learned our mission from the skipper. We were taking their year's supply to a leprosy station! Oh no! I don't blame the skipper for not telling us ! Someone has to do these things, you know. A naval guard saw they didn't come near - and we all got sixty dollars extra. When the job was over we were quarantined on another island for two months, and one little chap - the baby of the crew, not eighteen - developed leprosy, and died before we left. Yes! I'll never forget that voyage, mates! Sometimes, I seem to see Leper's Island yet, with its lavish tropical vegetation and the gorgeous sunsets which stained all the water with blood. Then, too" - here the voice deepened - "there was an English girl - a leper - there. We heard she used to be an actress, and she contracted the disease somehow or other. She was always alone, and always watching us. In the distance we could see her come to the water's edge, and from there she would watch. Just watch . .. . watch . . .watch. ..." "Here come a couple of North Sea chaps," broke in an elderly man after pause. "One of them wounded, too, poor lad." It is not strange that all the sailors flock to the Institute. It is so comfortable, and essentially inviting, besides being full of human interest. The men's quarters comprise reading, writing and dressing rooms - hot and cold baths are always available - billiard room, and a special baggage room, where any sailor may leave his kit for as long as he likes. The payment of 3d. covers its complete insurance. Upstairs are the officers' quarters. These also have their own billiard room, writing and reading rooms, bath and dressing rooms. Just close are the apprentices' quarters - "The Half Deck," as popular parlance has it! The lads also have a billiard room of their own, and indulge in an easy armchair - amongst others - which was a donation from the Milverton School branch of the Guild. It is hoped by the committee to some day utilise the huge empty rooms, which run the length of the whole building. Their ultimate intention is to fit them up as cubicles, or "cabins," as they are to be called. They trust these "cabins" will be donated, either in memory, or in honour, of someone dear to the donor. Another forward movement soon to be put in hand, now that materials are available, is the establishment of "Norla Gymnasium." In a sailors' club such facility for exercise is absolutely essential. The men both need, and miss, exertion. As one boy, who had been backsliding, once said pathetically : -"If only there was something to do to get me into a good sweat, I would be all right." Soon such an one will be helped to swing from the trapese of the Norla Gymnasium into the right track! Sunday is always a fete day at the Institute, for 40 or 50 sailors generally come into tea. The up-to-date kitchen, which is fitted with every labour-saving appliance - all paid for out of working members' half crowns - is then a hive of animation, and methodical order. A formidable row of teapots await filling. Mrs. Goldsmith -, the chaplain's wife - rightly thinks it is far more homely to pour out the tea from a pot, than to serve it straight from the urns. So tea is poured out by a member, who sits at the head of a table gay with flowers, and chats to the guests. These latter are of all nationalities. But the French, the Spanish, Scandinavian, Norwegian - or any other sailor is equally welcome with the British. Two enthusiasts belonging to the Guild actually learnt Norwegian, so that men of this nation would have someone to talk to, and so be less lonely when they reached this, to them, foreign port ! The members of the Guild have their own private suite where they arrange the flow-err and do other necessary odds and ends undisturbed. No one appreciates flowers like a sailor, and the earliest and most beautiful may always be seen adorning the tables and rooms. Teas are served and lectures are held in the "Celia Little Hall," one of the most beautiful portions of the institute. It was erected by the chaplain in memory of his aunt from whom the hall takes its name. The Gothic windows open upon the cloisters, where, in the hot weather, the sailors enjoy their meals out of doors. The cloisters, indeed, form an exquisite spot. They are between a series of sweeping arches which lead to the chapel, and are sheltered by the open balcony of the chaplain's quarters. Grace of contour marks the architecture on every turn. Just around the corner is the chaplain's garden - a patch of green and colour, transformed from a desert waste, by a well-known woman horticulturist. The book room is a department especially valued by the sailors. There are two secretaries, one for home and the other for foreign literature. Books in French, English, Spanish, Scandinavian, Norwegian, and German may be found on the shelves. Each week about 36 convenient parcels of reading stuff are made up. These contain illustrated papers, books in various languages, and magazines. These parcels are eagerly accepted by the sailor with a long monotonous voyage before him. But complete as is every corner of the institute, no part is so well equipped as the memorial chapel erected by the Ladies' Harbour Light Guild, in memory of the officers and men, who have lost their lives during the war. St Peter's - for it is called after the sailor's patron saint - with its hallowed gentle dignity is a veritable sanctuary of peace, perhaps all the more so because it sprang out of war. The fittings are entirely of Australian wood. The pews, given in memory of some loved one by one of the members, are of Tasmanian hardwood. The reredos and altar chairs of carved blackwood. The rich carpet was provided by the members' magical half-crowns. Already this chapel holds memorials of peculiar historical interest. The altar lectern was given in memory of Commander Elwell, who, it will be remembered, was killed at Rabaul, in the early part of the war. The font commemorates two heroes - Nigel Hockley and Fred Hyde, who lost their lives at the hands of the Germans, although they survived the actual torpedoing of their ships, the Galgorn Castle off the coast of Ireland. The mother of one of them wrote out that her son had died as an Englishman should - fighting for the right. This noble sentiment is suitably paraphrased upon the inscription engraved upon the font. Practically every-hing enshrined in the chapel has its own sentimental value. The alms salver of beaten copper, studded with agate, is fragrant with the memory of a saintly woman.The eye of the sailor is caught and held by the pulpit, which is fashioned like a ship's hull and only a twist of rope guides the chaplain up the steps. For the last 13 years the Rev. A. Gurney Goldsmith, M.A., has acted as chaplain to the Seamen's Mission in Melbourne. Before that he and his wife worked in China. Mr Goldsmith visits all the boats and gets in touch personally with the sailor, over whom he has great influence. He is not only their chaplain and friend, but, amongst a wide range of other things, their banker besides. An exchange system exists between the various Missions, and the sailor who has "banked" his money with the chaplain, upon going away, receives a cheque which is cashed - minus exchange - by the chaplain of the next port. Mr. Goldsmith will tell you he has a soft spot in his heart for on old sailor he calls "Paddy." This ancient mariner has been wrecked ten times. It was a long time before the chaplain prevailed upon "Paddy" to partake of the spiritual and secular advantages afforded by the institute. He would not come, he said, until he could do so "with a good heart." Finally he frankly admitted that he had no "friends like those of 'the Flying Angel,' " and that he eventually proved his own "good heart" will be shown in this story. One day he came in to the chaplain and said bluffly, "Well, sir, I've been payin' off some old scores up Carlton way, an' I tells yer, plain, sir, not one of 'em would have seen a penny of their money but for the Mission." The Ladies' Harbour Light Guild has over thirty working suburban branches, and the excellent results achieved at the Institute now will no doubt be considerably augmented in the future. The practical actions of the members do more than anything else to convey the subtle meaning of the name of the Guild. To the visiting sailors the word "ladies" signifies the bread givers; "harbour" safety ; "lights" welcome; "guild" the welding of fraternity, and they one and all tell you the ideals thus embodied are unselfishly carried out by all the ladies who have banded together to care for the sailors' welfare.The article describes the Mission and the use of several spaces a year after its opening and gives details about the daily activities.Digital copy of an article published in the Western Mail on the 13th of December 1918. 717 flinders street, seamen's mission, norla dome, lhlg, reverend alfred gurney goldsmith, celia little room, garden, frederica godfrey -
Mission to Seafarers VictoriaPostcard - Postcard, Black and white, KODAK, The Mission to Seamen, Melbourne - Central Hall, Celia Little Lounge, c. 1950
... Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing....Stamp location is top right and is indicated by the word 'KODAK' on four sides Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing. ...One of a series of Mission to Seamen postcards produced in the immediate post-war and post WW2 period. The other reason for creation could be the 1956 MTS centenary celebrations. The photograph was take before 1957 as the bell from the SS Morton Bay is not on the wall yet.Visual record of the club area of Mission to Seafarers, 717 Flinders Street, Melbourne mid 20th C.Black and white gloss postcard depicts the Celia Little room furnished with several chairs, tables with flowers, and five seamen or club members sitting reading or writing.Printed on back: 'POST CARD/CORRESPONDENCE ADDRESS ONLY/' . Stamp location is top right and is indicated by the word 'KODAK' on four sidesclub, celia little room, sailors, literature, armchairs, flowers, artworks, magazines, reading, seamen, mission to seamen, mission to seafarers, seamen's mission -
Federation University Historical CollectionPhotograph - Black and White, Interior of the Former Ballarat East Library, c1979, c1979
... Three black and white photographs of the interior of the former Ballarat East Library. .1) Room in the former Ballarat East Library housing remnants of the Ballarat Historical Society (probably during transfer of the Ballarat Historical Society Collection to the Gold Museum) .2) Room in the former Ballarat East Library with built in show cases at one end, and modern classroom tables and chairs. Brian McLennan sits writing...The proposal included maintaining the building in optimum condition. ballarat east library ballarat east free library school of traditional crafts brian mclennan ballarat historical society Museum Three black and white photographs of the interior of the former Ballarat East Library. .1) Room in the former Ballarat East Library housing remnants of the Ballarat Historical Society (probably during transfer of the Ballarat Historical Society Collection to the Gold Museum) .2) Room in the former Ballarat East Library with built in show cases at one end, and modern classroom tables and chairs. Brian McLennan sits writing ...This photo was most probably taken when the Ballarat School of Mines was considering the former Ballarat East Library as a campus. In 1980 the Ballarat School of Mines Council presented a proposal to the Ballarat City Council regarding occupying and managing the Ballarat East Free Library as a School of Traditional Crafts. The proposal included maintaining the building in optimum condition.Three black and white photographs of the interior of the former Ballarat East Library. .1) Room in the former Ballarat East Library housing remnants of the Ballarat Historical Society (probably during transfer of the Ballarat Historical Society Collection to the Gold Museum) .2) Room in the former Ballarat East Library with built in show cases at one end, and modern classroom tables and chairs. Brian McLennan sits writing at a table. .3) Roofing detail in the former Ballarat East Libraryballarat east library, ballarat east free library, school of traditional crafts, brian mclennan, ballarat historical society, museum -
The Beechworth Burke MuseumPhotograph, 1990s--estimated
... Vale stocked a wide range of literary, historical and religious works, textbooks, periodicals and newspapers, as well as hosting a reading and writing room on Camp Street{?}. James Ingram was a 'devoted instigator and supporter of the town's welfare institutions', who raised funds for to establish a hospital, primary school and benevolent asylum, and assisted people who'd fallen on hard times with his wife. ...Taken in 1990, this photograph depicts a row of shops in Beechworth, with the shopfront of watchmaker and jewellers, William Turner and C.F. Falck, in the foreground, and newsagent and bookseller James Ingram's shop in the background.This photograph is of social significance to the Beechworth community in depicting the Street of Shops, the creation of curator, Roy Harvey, which opened in 1979 at Burke Museum. According to the Indigo Shire Council webpage for Burke Museum, this addition 'began a new period of collecting with Roy Harvey calling to the community for donations. The response resulted in an influx of material adding to the town history/ development and local identities collections. The Shops and their contents reflect another period in museology.' The historic shopfronts in this image portray those of local settlers, William Turner and CF Falck's Watchmaker and Jeweller store, and James Ingram's news agency and bookshop. William Turner was originally a goldfields official who became a commissioner on the Ovens goldfield, and later a resident warden, at times performing magisterial duties and chairing the Local Court. Charles Frederick Falck, born in Korlin, Germany, in 1833, a skilled watchmaker and jeweller, ran the jewellery business from 1862. Along with William Turner and Melbourne barrister, George Milner Stephen, he prepared a dazzling display of gems and jewellery from Beechworth for the Royal Society's Exhibition in Melbourne in 1865. This act signposted Beechworth's progress as a nineteenth-century gold rush town with a population of around 3000. In the mid-1850s, newsagent James Ingram established a newsagency and supplied papers and stationary to the goldfields. He and bookseller R.T. Vale stocked a wide range of literary, historical and religious works, textbooks, periodicals and newspapers, as well as hosting a reading and writing room on Camp Street{?}. James Ingram was a 'devoted instigator and supporter of the town's welfare institutions', who raised funds for to establish a hospital, primary school and benevolent asylum, and assisted people who'd fallen on hard times with his wife. He was also a mainstay of the early Baptist church, holding meetings in his house. He died in 1928, six weeks short of his 100th birthday. Ingram's Rock, north-west of Beechworth near where he lived in later life, was named after him. Colour rectangular photograph printed on matte photographic paper.Obverse: FALCK 1880 / maker & Jeweller/ WARDENS OFFICE/COACHING OFFICE/ EST. ??55/ ????ON HOUSE/ JAMES INGRAM/ NEWS?????? AND BOOKSELLER/ TOYS visible above shopfront in left foreground. Reverse: Catalogue item number 3305 pencilled in top right-hand corner.beechworth, beechworth historic shops, william turner, cf falck, james ingram, turner and falck watchmaker and jeweller, james ingram newsagent and bookseller, burke museum, promoting settlement, marketing and retailing, living in country towns, making regional centres, preserving traditions and commemorating, beechworth founders, victorian gold rush towns, beechworth pioneers, ingram's rock, 1860s beechworth, street of shops, roy harvey -
The Beechworth Burke MuseumPhotograph, c.1980
... The building was originally established as the Beechworth Athenaeum in 1857 to provide a lecture hall and reading room at the peak of the gold rush. In 1859, it became the Beechworth Public Library, which is why the writing embossed above the main entry says 'Library' rather than 'Museum'. ...The building was originally established as the Beechworth Athenaeum in 1857 to provide a lecture hall and reading room at the peak of the gold rush. In 1859, it became the Beechworth Public Library, which is why the writing embossed above the main entry says 'Library' rather than 'Museum'. ...This photograph depicts the entrance to the Burke Museum in Beechworth, most likely in 1980. The building was originally established as the Beechworth Athenaeum in 1857 to provide a lecture hall and reading room at the peak of the gold rush. In 1859, it became the Beechworth Public Library, which is why the writing embossed above the main entry says 'Library' rather than 'Museum'. The building was turned into a museum and renamed the Robert O'Hara Burke Memorial Museum in 1863 in honour of Robert O'Hara Burke, former Police Superindendent of Beechworth who died in 1861 on the Burke and Wills expedition. The Burke Museum has been in almost continual operation since that time. In the 1970s, the building underwent renovations to create several verandas, though the main façade visible in this photograph remained as it was when originally built. The Burke Museum currently contains over 30,000 individual objects, including the Gold Rush era items and the Ned Kelly collection advertised on the a-frame in the photograph. The photograph itself is also part of the Burke Museum collection.The Burke Museum itself is very significant to Victorian history. It is on both the Victorian Heritage Register and is part of the National Trust due to its relevance to the history of the Gold Rush period, its architectural features, and its significant collection. Photographs of it throughout its history are an important part of telling the museum's story. This photograph in particular highlights what the museum staff believed would be appealing to a 1980s public, evident by the A-frame advertising board.A black and white rectangular photograph printed on photographic paper.Top right text: 5147. Bottom left text: Beryl Seatt (or possibly Scatt) & friend 1980beechworth, burke museum, beechworth museum, beechworth historic precinct, architecture, museum, library, 1980s, 1980s australia, museum staff -
Marysville & District Historical SocietyPostcard (item) - Novelty postcard, Valentine Publishing Co. Pty. Ltd, Having a Thrilling Time at Marysville, 1940's-1960's
... writing, Letter Postage is required/ TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD. COPYRIGHT Printed in Great Britain Shape Passed/ by G.P.O./ for/ Printed Paper/ Postage Rate/ 34-2 To Postcard has an illustration of a narrow road going around a cliff face. On the road there is a bus and a car traveling towards each other with no room ...A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 11 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Having a Thrilling Time/ at MARYSVILLE 1765 PRINTED PAPER/ MAILING NOVELTY/ SHAPE PASSED BY THE G.P.O./ FOR PRINTED PAPER POSTAGE RATE/ Only Name and Address of Sender Allowed/ If any other writing, Letter Postage is required/ TO OPEN RAISE FLAP From VALENTINE'S "MAIL NOVELTY" POST CARD. COPYRIGHT Printed in Great Britain Shape Passed/ by G.P.O./ for/ Printed Paper/ Postage Rate/ 34-2 Tomarysville, victoria, postcard, souvenir, valentine publishing co, acheron way (image 1), keppel's falls (image 2), cumberland falls (image 3), stevenson falls (image 4), mount margaret (image 5), main st (image 6), nicholl's lookout (image 7), the old ford (image 8), the acheron way (image 9), taggerty river (image 10), the road to cumberland valley (image 11) -
Marysville & District Historical SocietyPostcard (item) - Black and white postcard, Rose Stereograph Company, Talbot Drive, Marysville, Vic. No. 3, The Taggerty River, 1913-1967
... Dear John,/ I am writing this note in my room/ at Mt. Kitchener House before sallying forth for/ dinner. ...Dear John,/ I am writing this note in my room/ at Mt. Kitchener House before sallying forth for/ dinner. ...A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph taken along Lady Talbot Drive, Marysville, in Victoria, of the Taggerty River. Lady Talbot Drive is a 24 kilometer scenic rainforest car journey which passes a number of walks and waterfalls in the Yarra Ranges National Park. Lady Talbot Drive is named after Lady Sarah Elizabeth, the wife of Sir Reginald Talbot, who was the Governor of Victoria from 25th April, 1904 to 6th July 1908. This postcard was produced by the Rose Stereograph Company as a souvenir of Marysville.POST CARD The "Rose " Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co./ Armadale, Victoria. Dear John,/ I am writing this note in my room/ at Mt. Kitchener House before sallying forth for/ dinner. Unfortunately space does not permit/ me to tell you much, but I must let you know/ that yesterday morning (Monday), a blanket of/ snow covered the township of Marysville to a/ depth of three or four inches. Further up, near/ Keppel's Lookout, which we visited yesterday, it/ was nearly a foot deep everywhere, and it snowed/ the whole time we were walking./ Will tell you all later, your friend, Billtalbot drive, marysville, victoria, taggerty river, p. 2308, rose series postcard, postcard, souvenir, sir reginald talbot, lady sarah elizabeth talbot -
Federation University Historical CollectionPamphlet - Graduate Diploma of Education Pamphlet, Pamphlets for Education Courses at Ballarat College 1980s, 1980s
... .1 Orange bifold pamphlet with black writing and image of a class room 1985 .2 Orange bifold pamphlet with black writing and image of a class room 1984 .3 Orange bifold pamphlet with black writing and image of a class room 1983 .4 White pamphlet with two tone orange checkerboard pattern on front 1988...Ballarat College of Advanced Education is a predecessor of Federation University Graduate Diploma in Education Ballarat College of Advanced Education Jackie Cartledge Peter Ryan Peter van Pinxteen Sharon van de Brule .1 Orange bifold pamphlet with black writing and image of a class room 1985 .2 Orange bifold pamphlet with black writing and image of a class room 1984 .3 Orange bifold pamphlet with black writing and image of a class room 1983 .4 White pamphlet with two tone orange checkerboard pattern on front 1988 Pamphlets for Education Courses at Ballarat College 1980s Pamphlet Graduate Diploma of Education Pamphlet ...Ballarat College of Advanced Education is a predecessor of Federation University .1 Orange bifold pamphlet with black writing and image of a class room 1985 .2 Orange bifold pamphlet with black writing and image of a class room 1984 .3 Orange bifold pamphlet with black writing and image of a class room 1983 .4 White pamphlet with two tone orange checkerboard pattern on front 1988graduate diploma in education, ballarat college of advanced education, jackie cartledge, peter ryan, peter van pinxteen, sharon van de brule -
Mission to Seafarers VictoriaLetter - Correspondence, 15/09/1951
... room she shares with her husband in London. Quinn Collection letters-from-abroad allan quinn alette andersen Letter commences "My dear Allan" and concludes "...Until then, Yours, Pat Two sheets of thin, unlined off-white paper folded in book form (0886.a1-2). There is writing ...This letter concerns the imminent arrival of Allan and Alette in London. Pat gives directions to the bed-sitting-room she shares with her husband in London.Quinn CollectionTwo sheets of thin, unlined off-white paper folded in book form (0886.a1-2). There is writing on both sides of the first sheet (four pages of writing); the second sheet of paper has some writing and a street plan on the first 'page' only. The letter is headed 19 Luxemburg Gardens, Hammersmith W6 and dated 12/09/51. The light brown envelope (0886.b) is addressed Mr Allan Quinn, Passenger on "Patricia", and below, in brackets, Arriving Sat. morning 15/9/51. The back of the envelope is badly torn. It would appear the letter was hand-delivered to the shipping office as there are no stamps or post-mark on the envelope Letter commences "My dear Allan" and concludes "...Until then, Yours, Patletters-from-abroad, allan quinn, alette andersen -
Flagstaff Hill Maritime Museum and VillageContainer - Ink Bottle & Case, 1934 – Mid 1950’s
... writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room...writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room ...Pens, nib pens and later fountain pens, with suitable inks, were commonly used for writing communications from the 18th century to the mod 20th century. Fountain pens continue to be used and enjoyed. Dip pens with a wide variety of nibs are used for calligraphy writing, a hobby enjoyed by many people. The quality of the pen handle, the nib and the ink all work together to produce fine handwriting that expresses the character and mood of the writer. This Bakelite ink case has been specifically moulded to snugly contain an ink bottle, with just enough room to wrap the bottle with a padding or card or blotting paper. The screw top lid fits the case well and this container would be a good way to travel with ink because any spillage would be kept within the waterproof case. The Bakelite material is lightweight and strong. Ink bottle cases, or travelling cases, have been made as an accessory for nib pen writers. The first patent for a “pocket-case for bottles”, a wooden case, was applied for in the US in 1891. Other materials such as steel, pewter and aluminum as well as Bakelite have also been used. The British Museum has an elaborately decorated bronze ink pot holder that is inlaid with turquoise. Today ink bottle cases are even available in fabric with loops to attach to a belt. Bakelite, the material used for this ink bottle case, is made from synthetic materials and is an early form of plastic, developed in 1907 and used extensively until the 1940’s. It is still in used today for specific applications but has been largely replaced by more modern forms of plastics. This ink bottle case carries the imprint of Mabie, Todd & Co. (Aust.) Pty. Ltd. This form of company name was used from 1938 to the mid 1950’s. The Swan ink bottle’s information says it was made by Mabie, Todd & Co. Ltd., London and Sydney, so dates the ink bottle from about 1908 until 1934. (Australian newspapers display advertisements dated 1908 until 1934 for Sydney wholesalers and agents for Mabie, Todd & Co. Ltd.) ABOUT PERSONAL FOUNTAIN PENS (FOUNT PENS) A 1917 newspaper advertisement recommends that the owner of a “Swan” doesn’t lend it to anyone else to use due to its qualities of it personalised to the owner. It reads “Don’t lend your “Swan” fountpen, recommend it, but don’t let other people use it. You see, a good pen doesn’t wear, but its “tamper” (or spring) works into the writer’s pressure and manner of holding. Another person with a dashing style of writing may strain it do that it will no longer feel just like your own.” This personalisation of nib pens may be the reason that legal documents in the past being acceptable only if they were signed using a ‘wet ink’ pen. Forgeries of signatures could be easily detected as the nib takes on the character of the pen’s owner. A ballpoint pen was not acceptable. This is a strong contrast to modern times when a digital signature is widely accepted. ABOUT MABIE TODD Pty Ltd. The American company Mabie Todd began by making pencil cases in New York in the 1860’s. The Bard Brothers, makers of Gold nibs, joined Mabie Todd and the company was established in the 1870’s as Mabie Todd and Bard. In 1878 the company filed a patent for the design of a fountain pen and in 1884 the first Swan fountain pen was released. In 1884 a Mabie Todd and Bard office and showroom was established in London. In 1906 the company’s name changed to Mabie Todd & Co, New York. The UK offices also used this new name and in 1907 the UK began producing their own Swan pens. Manufacturing was going so well in England that New York sold their rights to European and Colonial business to the new Mabie Todd & Company Ltd of England. By the end of the 1930’s all components for the pens were being made in the UK; the pens in the London factory, the gold nibs in Birmingham and the ink in Liverpool. Newspaper articles from 1934 stated that Mabie Todd were large buyers of Tasmanian iridium, which had been welded with gold and used since 1834 for the tips of nib and fountain pens. Fountain pen points were the largest market buyers for Tasmanian iridium, which was classed as “the best in the world”. Production growth continued up until WWII times, when the headquarters and main factory were destroyed. Mabie Todd & Company Ltd of England rebuilt out of the inner city and by 1946 pen production began again. The market for nib and fountain pens was diminishing by this time, with people beginning to use the new ballpoint ‘Biro’ pens. The Mabie Todd bought shares in Biro Pens and in 1952 became Biro Swan. They went on to make more ballpoint pens than any other manufacturer in Britain. The ink refills that Biro-Swan produced came in five different viscosity or thickness xhoices, depending on the season and location of where the pen would be used . Along with the ballpoint pens, Biro-Swan also introduced a range of Calligraph pens to attract those following the new trend for italic writing. In 1948 Mr. T. Burke, a director for Mabie Todd & Co. (Aust.) Pty Ltd., announced that there would be a £40,000 factory built in Sydney in 1949 for the manufacture of ink. The plant for the factory would be imported from overseas. Sadly the company struggled against competition and in 1956 Mabie Todd closed business and no more Swan pens were produced. The ink bottle and container was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The ink bottle case is significant for its association with writing methods commonly used during the colonisation of Australia until the mid-20th century. The protective Bakelite case demonstrates the value placed on caring for the user’s supply of ink and protecting other belongings of the user, enabling writers to easily carry and safely transport their ink without the concern of spilling it. The case’s design is a good example of the use of new technology. The properties of Bakelite have enabled its moulded design and make it waterproof and lightweight, easily cleaned, closely fitted to the shape of the ink bottle within and lid and base join together using a smooth screwing action. The maker’s marks have also been moulded into the Bakelite, therefore not distracting from the simple but elegant design. This ink bottle case also represents the period of early to mid-20th century when handwriting materials for writers using ink and nib pens were imported into Australia and developed for the Australian market and sold by wholesalers on behalf of overseas companies. Vintage brown Bakelite travelling ink bottle case (or holder, pot, well) containing glass ink bottle and original textured cardboard liner, made by Swan Ink, Mabie, Todd & Co. (Aust) Pty.. Ltd. The Bakelite container is shaped to fit snugly around the ink bottle. It still retains its original shiny finish, the lid screws on and off perfectly. The maker’s name is embossed on lid and base of the Bakelite container. The inkwell contains a glass Ink bottle with a tiny amount of dried up ink Swan triple filtered ink inside. The bottle is cylindrical with curved shoulders tapering to a neck of around 2cm. The white metal screw-on lid and the white and red paper label on the side of the bottle both have a printed description of the ink and maker. Circa 1934-1950’sBAKELITE INK CASE - embossed on either side of the lid “ “SWAN” INK / ”SWAN” INK “ - embossed into base, written in a circle “MABIE TODD & Co (Aust.) PTY. LTD.” GLASS BOTTLE – printed on lid “SWAN”/ [corporate logo combining letters ‘M, T, co’]/TRIPLE FILTERED/ INK.” - printed on label “SWAN” INK /FOR FOUNTAIN & / STEEL PENS / A BLUE BLACK INK OF/ THE FINEST QUALITY/ MADE IN ENGLAND/ MABIE. TODD & CO LTD …….. LONDON. SYDNEY/ Makers of “SWAN” Pens, Gold Pens & Ink“ - moulded into the base of the ink bottle and written around the bottom outside edge of the bottle are the words “THIS BOTTLE ALWAYS REMAINS THE PROPERTY OF/ MABIE TODD/AUST”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ink bottle holder, ink bottle case, ink bottle pot, travelling inkwell, portable inkwell, travelling ink pot, travelling ink bottle case, ink bottle, inkwell, ink well, swan ink, bakelite, dip pen ink, nib pen ink, fountain pen, fontpen, writing methods, stationery, mabie todd & co, swan fountain pens, biro-swan -
Mission to Seafarers VictoriaFurniture - Writing Desk, 1928
... In the Jottings Midwinter 1928: " We have had a splendidement addition in the Apprentices' Room (Level 1) - a beautiful polistes oak writing table with a glass top. ...In the Jottings Midwinter 1928: " We have had a splendidement addition in the Apprentices' Room (Level 1) - a beautiful polistes oak writing table with a glass top. ...In the Jottings Midwinter 1928: " We have had a splendidement addition in the Apprentices' Room (Level 1) - a beautiful polistes oak writing table with a glass top. It is large enough for two people to write letters at the same time, and is the lift of the Misses Breaks, in memory of their mother." Alice Jobson was born in 1856 Alice, born at St. John’s Westminster, England. On the 23rd. May, 1876 she married James Lennox Breaks at Holy Trinity Church of England at Williamstown, Victoria. James Breaks was born c.1848 in Portsmouth, England. At age 22, he sailed on the maidden voyage of the HMVS Cerberus from England to Australia via the Suez Canal. He was one of the 3 junior engineers. James and Alice Breaks had two daughters – Louise Amy born at Williamstown in 1877 and Alice Maud born at Williamstown in 1879. James remained associated with the Cerberus until his death. On the 6th. February, 1919, James Lenox Breaks, “Engineer Commander R.A.N.”, died at 34 The Strand, Williamstown from Chronic nephritis and Cardiac failure. James, aged 70 years at the time of his death, was buried in the Williamstown Cemetery. In 1920, Alice donated the model of the Cerberus made by James, to the Melbourne Museum. Alice Breaks passed away on the 31st of May 1927 in her 71st year.The Breaks were a locals of Williamstown. James Breaks was Engineedr-Commander on the HMS Cerberus and Mrs Breaks and their daughters (Maud and Louise) were all volunteering at the Williamstown Mission.Wooden table with two drawers and plaque on the top.On the plaque: In memory of / Alice Breaks / Mother to many a sailor lad / Far from his native home / Whose praise is in the seven seasmaude breaks, louise (lulu) amy breaks, alice breaks nee jobson, ladies harbour lights guild, williamstown, hms cerberus, james l. breaks -
Halls Gap & Grampians Historical SocietyPhotograph - B/W, C 1930s
... Room. PEOPLE Eltze BUILDINGS Shops The photo shows a young woman sitting on kerosine tins outside a building (shop). behind her are blackboards with chalk writing advertising Kodak films developing and printing, various items for sale, Horses for hire, houses to let and railway information. ...The young woman is Clare Eltze. The building is the shop and home of Gilbert Rogers, a resident guide and photographer. The back of the photo records that it was an "everything place". The third copy of the photo is on display under the glass on the table in the History Room.The photo shows a young woman sitting on kerosine tins outside a building (shop). behind her are blackboards with chalk writing advertising Kodak films developing and printing, various items for sale, Horses for hire, houses to let and railway information.people, eltze, buildings, shops -
Flagstaff Hill Maritime Museum and VillageDecorative object - Peacock, Minton Majolica life-size model, Paul Comolera, artist, Designed: c. 1873; Made: c. 1875
... Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing...Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing ...This majestic peacock embodies the technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897) and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians loved majolica, and the large peacock would have been the ultimate home accessory as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became a famous pottery and porcelain manufacturer. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best-known work. Comolera kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today, some historians now believe that twelve were fired at the Minton factory; research is ongoing. These peacocks were so admired that Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, ensuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics and tiles, and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares, including the peacock, at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria, in calm foggy weather in June 1878 on the final leg of the ship's journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case, onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with a Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods, including this peacoc,k back into the sea. The two men found the peacock in its case ‘bobbing along in the water’ and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue, the head had broken from the body. This account was proven to be true in 1988, following the birds' display in Brisbane. This peacock began its life in Australia, not in the grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton & Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home at Malvern for many years and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Miss Florence Miller tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell her Loch Ard relic, it was displayed in the window of the old Argus newspaper office, which was at 76 Collins Street, Melbourne; the Argus had relocated to the corner of Elizabeth and La Trobe Streets in 1926. Between 1935 and 1939, the old Argus building was occupied by the Joshua N. McClelland Print Room, which sold not only paintings and prints but also antiques and authentic replicas, as well as hosting exhibitions. Miss Florence Miller loaned her peacock for display at the Victorian Historical Exhibition held in the National Gallery on 1st June 1935, the 57th anniversary of the Loch Ard wreck. As a result, the peacock attracted public attention in books, newspapers and magazine articles that told the story of its survival from a shipwreck. Miss Florence Miller was keen to sell the peacock, even writing overseas to Captain Blain on November 30th, 1938, about the possibility of a sale, but this became no longer possible due to the outbreak of war. Recent information points to the Loch Ard peacock being owned by John S R Heath before its sale to Frank Ridley-Lee in May 1941. Research is ongoing, but it seems likely that John Samuel Robert Heath, a leading Melbourne dentist with a practice in Collins Street, and his wife, a dental mechanic, had purchased Miss Miller’s Loch Ard peacock before its sale in 1941. They were lovers of fine arts, music, wine and food. The peacock in the window of the old Argus building could have attracted their attention as they had already purchased the old stone Presbyterian Church on Warrigal Road, Oakleigh, in 1933 and had converted its interior. The home, renamed The Studio, even included Melbourne’s first all-electric kitchen. The peacock was perfect for display in the Studio’s entrance. A magazine article published after the conversion was completed included photographs of the interior. The picture of the ‘portico’ had a caption below that stated, “Some of her [Mrs Heath’s] finest pottery was salvaged from the Loch Ard Wreck”. In 2025, Heath’s two remaining sons remember running around in the entrance with the peacock standing there, oblivious to its value. Heath was an accomplished artist, studying under Max Meldrum. He painted and exhibited his works at The Studio and in a public exhibition, and he was a finalist eight times in the coveted Archibald Prize portrait competition, including the submission of his self-portrait that is now part of his grandson’s collection. The next owner of the Loch Ard Peacock was Frank Ridley-Lee. He displayed it at his home in Ivanhoe after buying it at an auction in May 1941. The peacock remained in the hands of the Ridley-Lee family until it was offered for sale by auction in 1975 as part of an art collection belonging to Mrs Ridley-Lee's estate. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to collect the necessary money through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half the cost. On 9 September 1975, the Loch Ard peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since then, it has only left Warrnambool twice. Firstly, in 1980, at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton Majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire, john samuel robert heath, peacock statue, loch ard peacock, majorca peacock -
Ringwood and District Historical SocietyFlyer - Catalogue, Public Auction - Brick Residence and Contents of Dwelling, "Wyncliff", Whitehorse Road, Ringwood. 1935
... .; Five Spanners; Box Tools 4 pieces; Four Coal Chisels; Box 7 pieces of Tools; Box of 5 pieces of Tools; Box of Docket Books; One Printing set; Large Figure Printing Set; Small Figure Printing set; Price Ticket Box; Air Brush Writing Set Complete; Six Shelves & Brackets, one Hat Rack, in store room; Box of Three Hammers; Two Boot Lasts; Tin of Polishing Oil; Box of Gardening Sundries; 2 Bicycle Pumps Saddle & Clips; One Covered Baking Dish; 200 c.p. ....; Five Spanners; Box Tools 4 pieces; Four Coal Chisels; Box 7 pieces of Tools; Box of 5 pieces of Tools; Box of Docket Books; One Printing set; Large Figure Printing Set; Small Figure Printing set; Price Ticket Box; Air Brush Writing Set Complete; Six Shelves & Brackets, one Hat Rack, in store room; Box of Three Hammers; Two Boot Lasts; Tin of Polishing Oil; Box of Gardening Sundries; 2 Bicycle Pumps Saddle & Clips; One Covered Baking Dish; 200 c.p. ...Double-sided A5 size advertisement for public auction under instructions from the owner on Monday, September 23, 1935 on the property - seven room brick residence with frontage 456 feet by approximately 280 feet and contentents of dwelling fully listed over 4 pages. Agent - J.B. McAlpin, Ringwood, opp. station. Phone Ringwood 7; after houres 236. Auctioneer - ED. Haughton & Co., 379 Collins Street, Melbourne. Phone Central 4101.Contents of Dwelling List - includes: DINING ROOM - Dining Room Suite - 6 pieces; Oval Blackwood Dining Table; Blackwood Sideboard; Axminster Carpet, Occasional Table hand carved; Oak Trays; Seascape, Landscape and other Pictures; 2 Marble Vases; Marble Monkey and 3 other Small Ornaments; Ash Tray and Poker; One Pair Stencilled Curtains. Two Large Vases, 1 with floral design; Salad Bowl and Servers; One Dozen Dessert Knives; Nine Stainless Teaspoons (new); Plated Vases; Plated Jam Dishes; Plated Cream Bowl; Silver Plated Cake Dish; One Pair Plated Shell Butter Dishes; Lino Border. LOUNGE ROOM - 2 Pictures and 1 pair with Circular Frames; Floral Jardinere and Pot Plant; Cabinet Gramophone "Singola"; Records; Player Piano "Cable"; Piano Stool; 31 Rolls; Roll Cabinet; Quantity of Music; Music Case, Leather; Portable Gramophone "Decca"; Floral Design Jardinere; Wicker Occasional Table; 2 Wicker Chairs; Cane Lounge Settee; Blackwood Bookcase; 9 Volumes Universal Encyclopedia; 10 Vols Children's Encyclopedia; Floral Vase; Black and Gold Vase; One pair Plated Vases; Ash Pan; Lino Border (Lounge Room); One Carpet, green 13.6 x 10.6; One Cushion; Hall Stand; Pedestal; Floral Design Jardinere; Painting on Canvas (Landscape); Hall Runner Carpet 25 feet; Hall Lino 29ft 5 in.; Five Door Mats (small). FIRST BEDROOM - Arm Chair (Leather); English Oak Dressing Table; English Oak Wash Stand Marble Top; Toilet Set (Four pieces); Silk Fire Screen; Blackwood Occasional Table; Black and Gold Vase; Pair China Vases; Pair Glass Vases; Single Glass Vase; One Kewpie Lavender Bag; Bedroom Lino 15.6 x 13.6. SECOND BEDROOM - Arm Chair (Leather); Dressing Table; Wash Stand; 3 Piece Toilet Set; One Vase (Pink Cameo Design); Two Ornaments (one round); Bedroom Lino 13.5 x 12.10; 3 Pictures; 2 Pairs Curtains (applique, stenc'ld); Pair Curtain Poles. THIRD BEDROOM - Lino approx 14ft x 10ft; Two Green Mohair Mats; Pair Pictures (White frames); One Picture ("The Mourners"); Picture ("The Wanderer Found"); Small Picture; Wicker Chair. FOURTH BEDROOM - Duchess Chest 5 drawers; Corner Wardrobe and Curtains; One Single Bed & Wire Mattress; Single Bedding; Lino on floor 14ft x 6ft 6in.; Occasional Table; 3 Pictures; Two Door Mats; Hall Runner (Carpet) 21ft. BREAKFAST ROOM - Two Wicker Chairs; Cushion; Brown Cushion; Four Vienna Chairs; Jardinere; Kerb (Wooden). 3 Pictures; Oil Painting (Canvas); 2 Pictures; Lino 14ft x 14ft; Brown Table Cover; Fruit Set; Robur Tea Pot; Plaque; China Biscuit Barrel; Glass Fruit Bowl; Pair Pickle Jars and Stand; Wooden Inkstand; Pair Ash Trays; Two Marble Vases; Glass Vase; Electric Jug and Electric Toaster (practically new); Picture; Cushion; Pair Lace Curtains; Curtain Rod; Three Lace Curtains; Brass Curtain Rods (3); Lino in Vestibule 10ft x 8 ft; Lino in Kitchen 12.6 x8.6; Coal Scuttle; Two Small Tables (1 Baize Cover). STORE ROOM - Briquette Grate; Three Coir Mats (one new); Three Small Door Mats (new); Glass Fire Screen; 2 Alm Pot Stands; Steel Pot Stand; Lady's Bicycle; 2 Electric Radiators (one large); White Cabinet; Stretcher Bed; Large Cot with Wire Mattress; Kerb; Fender and Irons; Lino on floor 12ft x 12ft; Lino in Storeroom 6ft x 6ft; Three Large Window Blinds; Clothes Horse; Dressmaker's Fitting Stand; Dressmaker's Bust; Window Display Bust; Blouse Stand; Small Display Stand; Meat Cover (Metal); Leather Portmantau; Leather Kit Bag; Four Large Wooden Drawers; Picnic Basket; Mattress, Bolster and Pillow; Cot Quilt; One Long-handled Feather Duster; Feather Duster; Wicker Lounge; Cane Soiled Linen Basket; One New Washing Tub; Copper Preserving Pan; Lino in Laundry 8 x 6 approx; Carpet Sweeper; Small Jardinere; 2 Shopping Baskets; Kitchen Safe; Kitchen Table; Three Buckets; 1 Horse Rub patent (prac new); Wooden Pot Plant Stand; Bird Cage and Stand; Pair Steps; Pair Small Steps; Metal Meat Safe; Wooden Safe; Hand worked Table Cover; Pair Poplin Silk Curtains (new); Leather Table Centre. VERANDAH - 12ft Shelving with doors; 35ft Shelving; Wooden Stand; Axe Stand (wooden); Nine feet Wooden Shop Fittings; Small Filing Cabinet; Three Window Frames & Glass; 38 Pot Plants Fernery; 9 Hanging Baskets Fernery; Electric Shop Sgn Storeroom; 2 Small Electric Shop Signs Storeroom; 2 Garden Sprays; Doll's Pram and Doll; Two Boxes Paint and Slate; Crystal Radio Set; New Canvas Blind & Roller 6ft.; Electric Light Reflectors (two); Two pieces of Painted Baize; Small Vice; Sprinkler; One Gallon Tin of Spray Oil; 2 Packets of "Aresto"; Two Hurricane Lamps; One Pair Spring Balance Scales; Small Pair Spring Balance Scales. WASH HOUSE - Pair Heavy Tracers (2); Pair Reins; Back Band; One Tug; Pair Hames; One Pair Neck Bands (2); Four Manger Balls; Pair Knee Pads; Kicking Strap complete; Leather Head Stall; Collar Pad; Knife Board and Tin Polish; Fork Cleaner; Foot Spray Pump. TOOL SHED - One Stewart Horse Clipper; Approx 120ft Ribbed Hose; 100ft ½in Hose; Child's Scooter; Tin Box; Ferret Box; One Tool Box; Tomato Hoe; Sprinkler; Two Large Augers; Large Watering Can; Medium Watering Can; Small Watering Can; Wooden Tool Chest; Rope, Tackle and two Pulleys; Six pieces of Lino; Three Small Canvas Blinds; Lawn Mower 14in.; Lawn Mower 12in.; Grass Catcher; 8 Pieces Garden Tools; Barrow; Quantity of Timber; Quantity of Flower Pots; Quantity of Wire; 4 Egg & 1 Fowl Crates Feed Room; 1 Gallon Demijohn Feed Room; Quantity of Shelving Feed Room; Quantity of Cement, Lime; Six Small Doors; Roll of Perforated Cardboard; Boot Rack; Coat Rack; 3 Automatic Sanitary Disinfectant; Pair Neck Straps and Rope; One Chimney Top & 3 Vent Bks.; Desk; Large Pump; Large Safe; Pair Sliding Door Rollers & Fittings; Two Wooden Doors; Box Sundries; Wooden Frame and Glass; 2 Vienna Chairs; Delivery Cart; Five Boxes Tiles; Quantity Agricultural Pipes; Wooden Bench; Wood Horse; Earthenware Drain Pipe; Wooden Tool Box; New Brass Spray "Rego"; Two Wood Planes. YARD - Pair Hedge Clippers; Box Containing 2 prs Secateurs & Punch; Box Tools seven pieces; Box Sundries; Lawn Weeder and Seed Sower; Box Tools 6 pieces; Two Saws; Bundle Files; Three Braces; Box of 13 pieces Gimlets etc.; Five Spanners; Box Tools 4 pieces; Four Coal Chisels; Box 7 pieces of Tools; Box of 5 pieces of Tools; Box of Docket Books; One Printing set; Large Figure Printing Set; Small Figure Printing set; Price Ticket Box; Air Brush Writing Set Complete; Six Shelves & Brackets, one Hat Rack, in store room; Box of Three Hammers; Two Boot Lasts; Tin of Polishing Oil; Box of Gardening Sundries; 2 Bicycle Pumps Saddle & Clips; One Covered Baking Dish; 200 c.p. Globe (Vestibule); Two "Dimolite" Fittings; Set of Five Canisters; Earthernware Jar; Two shopping Cases; Dinner Set 11 pieces; Box of Sundry Tins; Alm Fish Pan and Drainer; Two Ventilators; Knife Board & 3 Bread Saws; Soap Box and Jewel Case; Three Glass Articles. OFFICE FURNITURE - Steel Safe (Office Safe); Office Table five drawers; Cabinet 8 drawers; Cupboard three shelves; Selves 2ft3in x 1ft6in; Cheque Protector; Remington Typewriter; Typewriter Adjustable Table; Burroughs Bookkeeping Machine and Stand Complete; Small Office Table; Glass Show Case3ft9 x 2ft.; Four Sheets M. Glass; Five Sheets P. Glass; Gent's Overcoat new; Boy's Pullover New; Small Show Case; Duplicator (complete); Webster's Dictionary; Family doctor's Book. Two Dictionaries; Bundle of Three Books; Art Decorating Book; Bundle of Three Books; Bundle of Three Books; Two Books (Children's); (Multiple) Bundles each containing Three Books; Leather Riding Whip; Tort-shell Inkstand & Calendar; Tort-shell Folding Letter Rack; Water Filter; Thermos Flask and Case; Two Waste Paper Baskets.
