Banner was souvenired by Trooper Frank J. Fry, 3rd ALH Regiment No 2315. Trooper Fry also served in the Imperial Camel Corps in Palestine from 1916 to mid 1918 when he rejoined the 3rd ALH Regiment White silk banner featuring the flags of eight WW1 allied nations (Great Britian, France, Belgium, Japan, Serbia, Italy, Russia, Egypt.) The flags surround a raised life buoy over an embroidered anchor. Inside the life buoy is space for a photograph. At the bottom of the banner is a gold coloured rectangular frame housing a coloured print of a naval battle. The banner is topped with "Victory for the Allies."Over an embroidered King's Crown Banner is mounted on cardboard and covered with a clear cellophane Embroidered on top of banner. "Victory to the Allies."souvenier, ww1, flags, trooper frank j. fry.

Robert H. Baron featured on the left, soldier on the right is unknown. Part of the "Robert H. Baron" No. 3596 and Cooper Collections. See catalogue No. 1981P for details of R.H. Baron's service.Framed black and white photographs of two WW1 soldiers in uniform. Brown wooden frame. Photographs are set side by side in cloth covered card mat. Flags of Allied countries embroidered on mat above photographs. Australia's Red Ensign featured in the middle of the array of flags. "FOR UNITED PEACE" embroidered on a banner below flags. Red Ensign set in a white embroidered circle. Glass front. Wire attached to back for hanging on a wall.robert h. baron, cooper collections, photograph, ww1 flags

With map showing "Famous battle-fields of the Australian Forces" printed overfirst world war (ww1), 1914 - 1918, flags, ballarat rsl, ballarat

6 pointed star (white star, red back ground) " this flag belong to Cpl. F. T Malone finder please send on to 324 Drummond Street Ballarat Victoria Australia"first world war (ww1), 1914 - 1918, flags, ballarat rsl, ballarat

Inscribed with numerous signatures of serving members of 7th/37th Bn. "Sailed 19 Feb 1917 Arrived 25 April 1917", On back - photocopy of item 784.first world war (ww1), 1914 - 1918, flags, ballarat rsl, ballarat

This postcard is part of an album of postcards which date from late 19th century to mid 20th century.This postcard is in an album of postcards dating from the late 19th century to mid 20th century and, as such, indicate the popularity of postcards during that time.Postcard decorated with a floral arrangement in a basket with WW1 allies' flags from the Russian Empire, France, Belgium, Italy, United Kingdom and "Servia"Front of postcard: 'With Loving Wishes' Back of card: Blankpostcard, 1900s, world war i, world war one, first world war, "green postcard album"

8th Battalion HQ flag AIF WW1 Framedflag/banner

WW1 Australian Reg Ensign Flag (Names Embroided)stawell, ww1

Cream silk neckerchief (scarf) WW1 Souvenir printed with flags of allied countries & soldier playing a bugle surrounded by the words of an enlistment song titled 'fall in' by Harold Begbie.words by Harold Begbie reproduced from the Daily Chroniclecostume accessories, handkerchief, words by harold begbie reproduced from the daily chronicle / song titled 'fall in' by harold becbie

This literary work pertains to three brothers; FRANCIS GRANT HINDLEY Regiment No. 790 58th Battalion. HAROLD HINDLEY Regiment No. 2570 5th Infantry Battalion - Field Ambulance. JOHN JAMES HINDLEY Regiment No. 2747 21st Battalion. From donation sheet " It is our desire that this information be freely available for purposes of research and to enable the war experiences of the three Hindley Brothers to be told to future generations". Refer Cat No 1776.3P for their full service histories.Literary work presented in a facsimile book form with clear plastic front cover over title page and black colour cardboard back cover. Black plastic spiral binding. Title page has black ink print, illustrated with Rising Sun Badge and a colour illustration from a WW1 certificate with two flags shield with states emblem, Kangaroo and Emu. The words "1914, THE GREAT WAR 1919" on scroll bottom. 167 pages, cut, plain white paper. Illustrated with many examples of black and white and colour of photographs, document's, certificates, handwritten letters, postcards, diary notes, telegrams, newspaper cuttings etc. Facsimile copy book available on USB stick.publication, book, ww1, hindley brothers

Part of the Meade Collection. See Cat No. 10785P for details of service for "Ernest James Meade" (No. 2112).1. Black and white studio portrait of an unidentified WW1 Australian soldier in uniform. Blank postcard proforma on back. 2. Black and white full length studio photograph of an unidentified WW1 soldier in uniform. Blank postcard on back. 3. Black and white full length studio photograph of an unidentified WW1 soldier in uniform. Blank postcard on back. 4. Black and white studio photograph of three unidentified WW1 service personnel. Person in middle is wearing a Navy style uniform. Two on either side in army uniform. All three seated. Blank postcard on back. 5. Black and white studio photograph of three WW1 soldiers standing. Australian flag in backdrop. Blank postcard pro forma on back. 6. Black and white photograph of two unidentified WW1 soldiers in uniform. One on right is seated. One on left standing and holding a swagger stick and wearing a bandolier. Blank postcard proforma on back. meade collection, ernest james meade, ww1, photographs

The sailors, officers and Reverend Gurney Goldsmith (centre) were picked up from the Siddeley Street mission by two double deck motorbuses. On the buses is written: "Motor Tyre, The place for tyre, 400-3-5 Swanston Street, Melbourne - Red Cross Hospital - The Globe". The Mission flag and the Union Jack are brought with the men to the St John's College, St Kilda East. The photograph appears in the Annual Report 1913. In the Age we could read: "SAILORS' PICNIC. The seamen from ships in port, were hospitably entertained on Christmas day by friends of the Victoria Missions to Seamen. The day was spent at St. John's College, East St. Kilda, by invitation of the warden and Mrs. Hart. The sailors enjoyed the treat, and entered heartily into the sports held during the afternoon. The evening was spent at the institute on the Australian wharf when every sailor received a Christmas' present from 'the brig." The photograph was used in the "Jottings fro our log" quarterly publication of the Mission in 1916.Sepia photograph with a thin black frame depicting seamen gathering in front of the Central Institute, Siddeley Street, where buses are waiting for them to take them on an outing.Handwritten at the back in pencil: "168" / Starting for Christmas picnic Handwritten in blue ink: "8" Handwritten twice in blue ink: 1914? at the top and 1914 at the bottom.siddeley street institute, ww1, christmas, transport, rev gurney goldsmith, flag, red cross, the globe, union jack, motorbus, 1913, xmas

Beni Carr Glyn Burnett (also known as B. C. G. Burnett or Beni Burnett) was born in 1889 to missionary parents in Mongolia. When he was 15 years old he began training as an architect with a firm in Shanghai. He worked in Singapore, Japan and China before moving to Australia around 1933. In 1937 he was appointed as the Commonwealth principal architect in the Northern Territory. He went on to design a series of houses for senior public servants and military personnel which became very popular as they were specifically designed for the tropics - incorporating louvres, high ceilings and good ventilation. When Darwin was bombed in February 1942, he was evacuated to Alice Springs where he continued to work as an architect. He also became a Magistrate and Coroner in Alice Springs. In later life he was well known for sketching clientele in public bars. He died in 1955. Beni Burnett was living in Sydney in 1933 when he produced these three artworks. There were several photography firms operating in Sydney at this time who specialised in photographing ships and the shipping trade (e.g. Samuel J. Hood and William James Hall) and whose photographs were used by artists to produce ship portraits. Both of these photographers took photographs of the two ships in B. C. G. Burnett's watercolours. The "Magdalene Vinnen" was photographed by Samuel J Hood in a series of photos taken in March 1933. It was a 4 masted steel barque, built in 1921 in Kiel, Germany and for almost 80 years was the largest traditional sailing ship in operation. It was used extensively as a cargo ship. It sailed into Sydney Harbour on 27th Feb 1933, loaded with almost 16,000 bales of wool destined for Falmouth, England. In March 1933 (whilst in Sydney) the German Republic flag (on orders from Adolph Hitler) was lowered and replaced with the old monarchist flag which was then to be the official flag and beside it the Nazi flag was to be flown on all ceremonial occasions. It visited Australia again in 1935 with its cargo being wheat from Port Broughton, S. A. In 1936 it was renamed "Kommodore Johnsen" and in 1945 (after WW2) the ship was awarded to the Soviet Union as war compensation and renamed "STS Sedov". The "Winterhude" (originally called "Mabel Rickmers) was a three masted Finnish barque built in 1898 by Rickers - Werft Bremerhaven for use on the East India rice trade and later the South American nitrate trade. After WW1 it came under French control as war compensation. It was also sold several times and at one stage was called "Selma Hemsoth" but in 1925 it was bought by Gustaf Erikson who restored the name "Winterhude" and the vessel became a regular transport in the Australian wheat trade. In 1944 it was sold to the German navy before being taken over by the British at the end of WW2. It was photographed in Sydney by William James Hall in 1931 on its way to Port Lincoln, South Australia to load wheat for Europe. The third ship depicted by B. C. G. Burnett is a pen and wash sketch labelled "The White Ship" and exactly matches a photograph pasted into his personal scrapbook which is in the "Library and Archives N. T.". The name of the ship is unknown and B. C. G. Burnett may have taken some artistic licence with the colouring as in the original photograph, the ship had a dark hull.This set of three small artworks is significant as examples of shipping (particularly the use of sailing ships) that were still being used as late as the 1930's in Australia. They are also important because their creator (B. C. G. Burnett) went on to become a well-known public figure in the Northern Territory in the late 1930's due to his innovative approach to designing homes for the tropical climate.A set of three artworks by B. C. G. Burnett of sailing ships in Sydney Harbour. They are all on rectangular watercolour paper with small diagonal edges at each corner. Painting 1 is a watercolour painting of a sailing ship called "Magdalene Vinnen". It shows a 4 masted barque with a blue and red steel hull in full sail heading towards the viewer. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Painting 2 is a watercolour painting of a sailing ship called "Winterhude". It shows a 3-masted barque with a blue and red steel hull in full sail heading away from the viewer. A small figure can be seen at the wheel at the rear of the ship. The painter's name (B. C. G. Burnett) and date (1933) are written on the bottom left-hand corner of the painting. Sketch 3 is an ink sketch of an unknown sailing ship moored to a dock. There are several small boats tied up near the sailing ship and a large steel freighter can be seen in the background. There is a faint wash of colour on parts of the sketch - the bottom of the ship, the masts and booms and the water at the end of the pier. The title (The White Ship) and the artist's name (B. C. G. Burnett) are written in ink in the top left corner. 1 (front) - "B. C. G. BURNETT. 1933 2 (front) - "B. C. G. BURNETT. 1933" 3 (front) - "THE WHITE SHIP / B. C. G. BURNETT"flagstaff hill maritime museum and village, warrnambool, great ocean road, sailing ships, ships, barque, magdalene vinnen, winterhude, beni carr glyn burnett, b. c. g. burnett, beni burnett, painting, watercolour painting, sketch, ink sketch, sydney harbour, architect, darwin, burnett house, photography, samuel j. hood, william james hall, sedov, kommodore johnsen, mabel rickmers

Medals and Documents relating to Cecil Walker Madden - Served 1st AIF and 2nd AIF member of Department of Defence who served during WW1 and WW25 x Defence Medals Full Size, 5 x Defence Medals Miniatures, various medallions, 3 x Australian Military Forces Soldier's Pay Book's, 1 x Sons and Daughters of the AIF Certificate, The Australian Flag, a black and white photograph of Dvr C.W. Madden.Medals & Pay Books 1st AIF 5112 Dvr C W Madden Medals & Pay Books 2nd AIF V4574 C W Madden Sons & Daughters Certificate Mavis Maddenww2, medals and documents

1289 Sgt Horace Rangecroft was serving overseas during WW1 with 38th Battalion, these cards were sent by him to his Mother.These are the original cards that were sent by 1289 Sgt Rangecroft to his Mother Mrs C A Rangecroft.One x embroidered greeting card, one post card, two by oblong cards - one Christmas 1917, onr New Year 1918. Cards are made from paper and cardboard and embroidery materials.Silk Card - to my dear Mother, Post Card dated 22 October 1918, cheerio for a pleasant Xmas, small card One King, One Flag, One Empire New Year 1918, small card Christmas 1917.greeting cards, ww1, sgt rangecroft, 38 battalion, 1289 h rangecroft, ww1, 38th battalion, greeting cards,

The magazine has been produced for ANZAC Memorial Day 25 April 1918, the pages are full of photographs of Australain Troops preparing for departure overseas and preparing for their service overseas. There are two pages 'Heroes of the Southern Cross' authored by A M David, Secretary Victorian Branch, RSL.This magazine is an original of those printed for ANZAC Memorial Day 25 April 1918. The magazine contains photographs of the period 1914-1918 and a dedication authored by the then Secretary of the RSL Victorian Branch, A M David.An oblong magazine, colour photograph on the front page with a soldier at a grave site and the Australian Flag on the left side, 6 paper pages the cover of the magazine has a grease proof paper cover.The magazine has been printed by D W Paterson Co Pty Ltd for the Victorian Branch of the RSL, J W Mc Kenzie, President, A M David Secretary.anzac memorial day, 1918, magazine, ww1, photographs

The Australian Red Cross Society (ARCS) was formed just after the outbreak of the First World War in August 1914, originally as a branch of the British Red Cross. It came into being as a branch of the British Red Cross Society on August 13th 1914 to succour the wounded in the First World War. Carnivals were held in Orbost during war times to raise money for the overseas troops. This is a contemporary record of a significant event in Orbost. It reflects the involvement of Orbost, a small town, in the efforts of the Australian Red Cross Society to provide comforts to soldiers during World war 1.A black / white photograph / postcard of four women in white uniforms standing in front of a cart filled with goods for sale. The cart is decorated with Union Jack flags.on back - "Patriotic Carnival 1914-1918"orbost-red-cross ww1

Black and white photograph of Fancy-Dressed Children celebrating the end and victory of World War One. A child is dressed in a Dutch dress, others in a dressing gown, grass skirt, a soldier with gun. The parents and other adults are in the background, some learning on the fence. There is a building the top right corner. Possibly the old Ringwood sports ground in Ringwood Street. Some children have displays with "Victory" on them. Another has the British and Australian flags.

The original artwork painted by William Yates Holt Titcomb (1858-1930), an English artist specialist in religious subjects, is located in Clifton College Chapel, Bristol, England (visible in their virtual tour online). The original title draws on the Giving of Communion words: The body of our Lord Jesus Christ, which was given for you, preserve your body and soul unto everlasting life. Take and eat this in remembrance that Christ died for you, and feed on him in your heart by faith with thanksgiving. The blood of our Lord Jesus Christ, which was shed for you, preserve your body and soul unto everlasting life. Drink this in remembrance that Christ's blood was shed for you, and be thankful. The body of Christ. The blood of Christ. The body of Christ keep you in eternal life. The blood of Christ keep you in eternal life. The body of Christ, broken for you. The blood of Christ, shed for you. The bread of heaven in Christ Jesus. The cup of life in Christ Jesus.FigurativeReproduction ( Lithograph?) framed mounted and glazed print. The image shows a group of soldiers kneeling before a makeshift altar during World War One in Flanders field with a Red Cross flying on a flag pole at the far right of the composition. A Union Jack flag is being used as an improvised altar cloth. A priest or chaplain in a surplice, also a soldier , administers the sacrament to the reverent congregation. The print is glazed with a substantial window mount and housed in a dark wood frame with eyelet screws and very rusted hanging wire.Preserve Thy Body + Soulpainting, world war one, ww1, wwi, soldier, priest, altar, union jack, red cross, red cross flag, titcomb, andre sleigh and anglo ltd, clifton college, royal academy exhibition, 1915, preserve thy body and soul, reproduction print, the soldiers' communion, william yates holt titcomb (1858-1930), artwork-paintings

Framed World War One embroidered banner. Multicoloured flags of the Allies and the words 'Victory for the Allies' are embroidered on a blue background, with a crown at the top, a lifebuoy in the centre and a floral sheaf at the bottom.Victory for the Alliesembroidery, world war one, 1918, 1919, world, war, one, banner, allies

This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard

The proceeds of the raffle assisted in the War Relief collection fund. These tickets were purchased by Hilda Margaret Kerr. She was the daughter iof Dr and Mrs Kerr. The prize of an Australian flag was donated by H.James. Henry James (1860-1932) was a well-known identity in the Orbost district.He was a stock agent and auctioneer who helped to establish the seed bean industry in Orbost. He was the second secretary of the Snowy River Shipping Co. as well as a shire councillor and prominent member of MUIOOF. These raffle tickets are a reminder of the efforts made by the families and friends of those who served in the WW1 conflict.Four raffle tickets. They are in black print on white paper. The tickets are for a War Relief Raffle of the Australian flag which was a gift of H. James Esq. The tickets were purchased by Miss Hida Margaret Kerr and each cost 1/- (one shilling).On ticket nos. 337 and 338 - in handwriting H.M. Kerrraffle-tickets war-relief ww1 kerr family james-h

Postcards from “Patrick Joesph Frawley”. Enlisted No 563 on 6.4.1915 age 21 years in 13th Light Horse B Sqd, embarked for Eygpt 28.5.1915, record is unclear as states again embarked 5.9.1915 and then disembark Eygpt from Mudros early 1916, does not clearly state going to Gallipoli. Hospital 27.4.1916 (unclear) rejoin unit 28.4.1916, embark for France 2.6.1916, taken on strength of 1st Anzac Army Corps LH Regt 7.7.1916, hospital 4.10.1917 with “Boils, Debility”, from here he is diagnosed with Chronic Bronchitis and returns to Australia 21.4.1918, discharged Medically unfit 17.7.1918.1. White postcard. French writing and address on back. Front has silk embroidered material attached with a small card in pocket. Embroidered image of woman in dress with UK/Belgium/French flags on it. 2. Small card with picture of child holding presents, playing in the snow and message "A Loving Kiss" and message on back., 3. White postcard. On back a short message. On front silk embroidered pocket. Embroidered flags of UK, France, Belgium, Italy and one other. 4. Small folded card with French flag on front & 1916, and message inside.1. Address on back "Mrs. A.D. Norman, 52 Laity St, Richmond, Vict". 2. Message on back "From where I am Lila, Best Love xxxx". 3. Written on card, No, Division and short message. 4. Written on card "Greetings from France" and "P.J. Frawley - to my Love". postcards, france

From Title page - "THE ANZAC BOOK/ Written and Illustrated in Gallipoli by/ The Men of Anzac" This is a reprint copy published by Sun Books in 1975.Soft Cover Book. Cover - cardboard, white print on front, spine and back, on a dark purple colour background. Front colour illustration of a soldier in front of a flag. 169 pages - cut, plain white colour paper. Illustrated, colour drawings (on plates), black and white photographs and line illustrations. Contains writings, drawings and creative works. This is a reprint copy of a 1916 book with changes only to the book cover.publications, books, ww1, gallipoli

Part of the Meade Collection. See Catalogue No. 10785P for details of service for "Ernest James Meade, (No. 2112).1. Sepia toned photograph. Copy of original. Photograph features two Australian soldiers standing in front of a thatched cottage. Blank postcard format on back. 2. Sepia toned photograph. Copy of original. Photograph features two Australian soldiers and a lady standing in front of a thatched cottage. Blank postcard format on back. 3. Sepia toned photograph. Copy of an original. Photograph features five Australian soldiers. Four seated on a bench with one standing behind. 4. Sepia toned photograph. Copy of an original. Photograph of four Australian soldiers around a tree. Two sitting in front and two either side of truk. Blank postcard format on back. 5. Sepia toned photograph. Copy of an original. Photograph depicts two Australian soldiers standing on a footpath with arms on each's shoulders. Each is leaning on a walking stick. Blank postcard format on back,. 6. Sepia toned photograph. Copy of an original. Photograph depicts four Australian soldiers standing in a row. Blank postcard format on back. 7. Sepia toned photograph. Copy of an original. Photograph depicts six men seated. Two in Australian AIF Uniform. Blank postcard format on back. 8. Sepia toned photograph. Copy of an original. Photograph features two Australian soldiers standing in front of several flags including USA, Australia, Australia with YMCA written on it. Blank postcard format on back. 9. Sepia toned photograph. Copy of an original. Photograph features two white swans in grassland. Blank postcard format on back.1. Inscribed in white on front, "NORM & BILL". 3. Inscribed in white o front, "THE ??" 4. Inscribed in white on front, "LE COM.....?" 5. Inscribed in white on front, "DINKUM....?" 6. Inscribed in white on front, "Indecipherable caption". 9. Inscribed in white on front, "WHITE SWANS".meade collection, ernest james meade, 1st aif, ww1, photograph

The 8th Brigade Infantry Band comprised of the 29th, 30th, 31st & 32nd Battalions. .3) This most likey taken at Wars end, the Soldier with "X" has not been identified. Staley collection, refer Cat No 10758.2P for details..1) Postcard sepia tone, Band group of 30 Soldiers with instruments in an open space, trees behind, text on the bottom in white. .2) Postcard B & W showing a group of 25 Soldiers in 3 rows outside a hut No 35. .3) Postcard B & W showing 5 Soldiers and a civilian in an open car with flags and a sign on the front, an "X" has been marked over one of the Soldiers..1) On the front in white, "8th Brigade Band A.I.F somewhere in France". .3) Sign on the front of the car, "Well done Aussies"tmstaleycollection, postcard, 8th

In November 1914, the 67th (Bendigo) Infantry C.M.F. were called up for full time service to guard the heads at Port Philip. The Lord Mayor, Cr Beebe, noted the Battalion did not have their own "colours" so he promised to have one made. This was done, then the "Colour" of the 67th Bendigo Infantry was presented to the Battalion in Bendigo, April 1915. The flag or colour is held in the Bendigo Military Museum, along with two Union Jacks from the Boer War.Off white sheet of paper with the Company letterhead, phone no's and address. Dated 1915, May 11. All printing is in black ink. Glued to the receipt is a small pink slip which is the receipt for cheque of .25.13.00. (25 pounds 13 shillings). That pink slip has a one penny Victorian Stamp Duty stamp on it. Dated 7 July 1915. The receipt shows; 1 Regimental Flag cost 25.5.6d. Packing case for flag 0.7.6d. Total .25.13.00.Stamp on top RH Corner = "Jun 1915". Pencilled on back are: "160 + 10"ww1, 67th bendigo infantry, admin record

Certificate from the Patriotic Committee District of Epsom presented to Thomas Staley by the People of Epsom, dated May 31st 1919. Signed by the Chairman and Secretary (Hon) Refer Cat No 10759.2P for Thomas Staley’s service details. Staley collection, refer Cat No 10758.2P for more details.Certificate framed, Colour with “Honour the Brave” at the top, “Patriotic Committee - District of Epsom - Sergeant Thomas Staley”. Flags either side with scroll and flowers around central text, an oval space has a B & W image of a Soldier arms crossed, at the bottom, “He Answered his Countries Call. Frame is timber plain design with gold edging.tmstaleycollection, framed, epsom