We acknowledge the Traditional Owners of the place now called Victoria, and all First Peoples living and working on this land. We celebrate the history and contemporary creativity of the world’s oldest living culture and pay respect to Elders — past, present and future.
Please be aware that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Aboriginal and Torres Strait Islander people are advised that this website may contain culturally sensitive material — images, voices and information provided by now deceased persons. Content also may include images and film of places that may cause sorrow.
Some material may contain terms that reflect authors’ views, or those of the period in which the item was written or recorded but may not be considered appropriate today. These views are not necessarily the views of Victorian Collections.
Users of this site should be aware that in many areas of Australia, reproduction of the names and photographs of deceased people is restricted during a period of mourning. The length of this time varies and is determined by the community.
Reuse of any Aboriginal or Torres Strait Islander material on this site may require cultural clearances. Users are advised to contact the source organisation to discuss appropriate reuse.
Untitled image
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
Have a question? Contact Melbourne Athenaeum Archives
Untitled image
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
Have a question? Contact Melbourne Athenaeum Archives
Untitled image
Can you reuse this media without permission? No (with exceptions, see below)
All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
Have a question? Contact Melbourne Athenaeum Archives
Paper program for a film screened at the Athenaeum Theatre 1948; coloured illustration; 4 p. includes articles about the film and the actors. The first Australian screening of Hamlet was screened on 11 June 1948 with the Oliviers in attendance.
Coloured poster
athenaeum theatre, vic trevino jnr, steve micheals, gino monopoli, elvis:american triology
colored event program
lisa anderson, white night, melbourne athenaeum
15th year anniversary featured reunion of "the phones " as well as Rachel Dunham and Luke Gallagher
Coloured flyer
dolly diamond, melbourne gay and lesbian chorus, footscray-yarraville city band, melbourne rainbow band, rachel dunham, luke gallagher, melbourne athenaem theatre
coloured flyer
ben portmouth, melbourne athenaem theatre, taking care of elvis
colored paper flyer
dave hughes, melbourne comedy festival, athenaeum theatre
ran for 2 weeks instead of the month that was originally booked
coloured flyer
whitney houston, belinda davis, athenaeum theatre
colored paper flyer
adam levine, wierd life tour
Coloured paper flyer
luke mcgregor, melbourne comedy festival, melbourne athenaeum
Stick mercury barometer, named after Admiral Robert Fitzroy of the Royal Navy (1805 - 1865) for his detailed instructions on interpreting the weather that are included with the instrument. Fitzroy was the captain of the Beagle, a weather forecaster to Charles Darwin and the second Governor of New Zealand. He developed many different types of barometers and was the first person to introduce the science of weather forecasting to the British Isles. A local manufacturer of scientific instruments, Thomas Gaunt, produced the barometer and it was adapted for the southern hemisphere by Robert Ellery, the State Astronomer based at the Melbourne Observatory. Described as "Gaunt's Fitzroy Barometers" in the original sale catalogue, it was priced from 25/- to ₤9.9s. [See Miller, M., Gaunt’s Time, 2014]. Thomas Gaunt's business was originally located at 14 Bourke Street East from 1858. In 1869-1870 he moved to new premises in the Royal Arcade, Collins Street. Gaunt's business became an institution in Victorian Melbourne and Gaunt its leading clock maker. PROVENANCE According to official minutes the barometer was purchased by the Melbourne Athenaeum in 1874. In particular, at the March meeting of the General Committee the House Subcommittee was instructed to "obtain a Fitzroy or other reliable barometer" to be "fixed in the Reading Room". The 1874 Annual Report records the purchase at ₤3.10.0.
The barometer is historically significant as an example of the work of Melbourne’s leading scientific instrument maker, Thomas Gaunt. The barometer has social significance as an example of the type of accoutrements provided by the committee of the Melbourne Athenaeum for the comfort of its members. Further social significance lies in the fact that Robert Ellery, the Government Astronomer, who designed the local version of the barometer, has a direct connection with the Athenaeum being a subscription member and committee member of the Athenaeum during the 1870s. There are also records of a T Gaunt as a subscription member of the Athenaeum during the 1870s and 1880s which may be Thomas Gaunt, however, this is yet to be verified.
Stick mercury barometer known as the Admiral Fitzroy Barometer. It comprises an oblong wooden case with glass front panel, ornate pediment, barometer with bulb cistern (empty of fluid),printed instructions for interpreting information given by the gauge affixed to left and right face of instrument. Includes a thermometer. The barometer appears to be intact except for the turning knobs which are missing and the mercury in the tube which is not present. Whether the instrument could be restored to working order is unknown.
Front right panel, metal plaque: "Thos Gaunt, Barometer Maker, Royal Arcade, Melbourne"
melbourne athenaeum, barometer, thermometer, admiral fitzroy, thomas gaunt of melbourne, robert ellery
colored flyer
the united nations comedy gala, just another entertainment co, george kapinaris, joe avati, gab rossi, hung lee, dave o'neil, john burgos, izzy ali
Coloured double sided flyer
alice in wonderland, athenaeum theatre
historical popular play by Dylan Thomas
Coloured theatre program
under milkwood, don mackay, athenaeum theatre
The completion of Donizetti Tudor Trilogy this opera was first performed at the Teatro Di San Carlo, Naples on October 28 1837
colored program
melbourne opera, athenaeum theatre, robert devereux, donizetti tudor trilogy
colored flyer
a- list comedy sampler, melboure international comedy festival, athenaeum theatre two
coloured flyer
issac lomman, melbourne comedy festival, athenaeum theatre
newspaper article
my dad wrote a porno, athenaeum theatre, alice levine, james norton, james cooper
coloured flyer
tom segura, athenaeum theatre, no teeth,no entry
Based on a true Story of eleven W1 members who posed nude for their annual calendar to raise money for the Leukemia Research Fund ,Calendar Girls is a raucous comedy about determination ,friendship and hope .
colored flyer
athenaeum theatre, calendar girls, w1
coloured Flyer
athenaeum theatre, beatlemania
coloured Flyer
athenaeum theatre, chris d'elia
Coloured Flyer
abba, athenaeum theatre
coloured flyer
athenaeum theatre, kylie minogue, madonna
coloured flyer
kylie minogue, athenaeum theatre
coloured flyer
rosie waterland, athenaeum theatre
colored information booklet 89 pages
melboure international comedy festival
Coloured flyer
Medium size theatre poster in black white and yellow
straight outta compo, tahir, joe avati, george kapinaris, rob shedie
Jon English was one of few Australian performers to combine a stellar career in music,television and stage. For over four decades he remained one of this country's most successful.loved, and enduring recording and performing artists.Jon sadly and unexpectedly passed away on the 9th of march 2016,just as he was about to record a new album and embark on a national tour . on the first anniversary of Jon's passing we present 'Six Ribbons'' - a two and a half hour tribute show to an extrodinary man who.over the coursr of his long professional life, brought such joy and entertainment to so many in many genres
tribute show
coloured flyer
jon english
small coloured
melbourne comedy festival, stephen k amos
coloured flyer-Double sided
queen, freddie mercury
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.
