
Book, Jack Loney, Shipwreck Strait, 1993
Other items from this collection
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Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, In memory of Thelma Forster, 1946
Arched windows
st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, stained glass windows, win, memorial chapel, ww2, jesus, hlg, thelma forster, n. martin, b. martin
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Mission to Seafarers Victoria
Drawing - Architectural drawings, Howden & Wardrop Pty Ltd, Mission to Seamen Building, 1983
3 of the 4 plans by Howden and Wardrop Pty Ltd part of their 1983 report for renovations. They were made by T. Howes and P. Demetrios from their submission for the Mathew Flinders Measured Drawing Competition as mentioned in the report.
A4 copies of original plans
howden and wardrop pty ltd, 1983, vhr 1496, t. howes, p.demetrios
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Mission to Seafarers Victoria
Furniture - Prayer desk
Mrs Geo Higgins was Beatrice Elizabeth Shuter, the daughter of Mr and Mrs Charles Shuter. The plaque to Cecil De la mare Goldsmith who died in 1917 may have been added at a later date.
st peter chapel, beatrice elizabeth higgins (nee shuter), george higgins (c.1860-1943), orchard house, cecil de la mare goldsmith (1862-1917), gifts-1917
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Mission to Seafarers Victoria
Furniture - Chancel Screen, 1917
choir stalls, st peter chapel, heritage listed, chancel screen
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Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, Missions to Seamen Buildings, West Melbourne, Dome Over Gymnasium, 1916
In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.
The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.
Plan copied from the 1983 Howden and Wardrop A4 report.
flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916
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Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, New Missions to Seamen Institute Buildings Melbourne, 1916
In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.
The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.
Plan copied from the 1983 Howden and Wardrop A4 report.
flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916
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Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, New Missions to Seamen Institute Buildings Melbourne, 1916
In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.
The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.
Plan copied from the 1983 Howden and Wardrop A4 report.
flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916
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Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, New Missions to Seamen Institute Buildings Melbourne, 1916
In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.
The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.
Plan copied from the 1983 Howden and Wardrop A4 report. A large plan copy of the original is held in the MSTV archives.
flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916
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Mission to Seafarers Victoria
Plan - Architectural drawings, Walter Butler, New Missions to Seamen Institute Buildings Melbourne, 1916
In August 1916, Walter R. Butler presented the plans for the future central Seamen's Institute.
The drawings show the original plans with rooms' names and intended use. They also show the original concept for the chapel which was in the Spanish Mission style.
Plan copied from the 1983 Howden and Wardrop A4 report. A large plan on tracing paper (original or copy of the original) is held in the MSTV archives.
flinders street, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), norla dome, st peter chapel, spanish mission, arts and crafts, 1916
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Mission to Seafarers Victoria
Article, Royal Victorian Institute of Architects, Visit to Seamen's Institute Building, September 1918
non-fiction
rvia, royal victorian institute of architects, walter richmond butler (1864–1949), mission to seamen, flinders street, reinforced concrete, plans
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Mission to Seafarers Victoria
Painting, Kimberley Dunstan, Port Phillip Bay Bicentennial Fleet Departure, 1988
I was born in Guildford W.A. on 12 November 1940 and at an early age took an interest in painting. Over the years (between lapses) I have completed several hundred pieces of work including pencil and crayon sketches, lino cuts, oil colours - and water colours which have been my main focus. As painting has always been a hobby I’ve never bothered with selling my work through an art gallery - but have donated a good deal of work to fundraisers and charity auctions with some paintings attracting large prices, I’ve also sold quite a number (some years ago) via Joels Auctions before they went up-market, others have gone to friends and family. My pleasure has been in completing painting, I’ve never bothered about recovering costs (including framing) but happy when people take an interest in my work - and I know pictures have gone to a happy home – additional pleasure comes when people remind me they love the painting, sometimes I’ve forgotten what they have and other occasions have been able to see them in their homes and loved they way they have fitted-in. Regarding the little painting of the Bicentennial sailing ships – I did it as a quick sketch at the time (1988) when the ships departed Melbourne sailing down Port Phillip Bay - with the view to doing a larger painting which never eventuated and it has remained in my possession until recently when I decided to dispose of my remaining work/s as I have to move and ‘down-size’. As you will appreciate it is a very simple sketch but it captures a notable moment in time and would be very happy if the MTS could find a place for it in their collection. As it happens I spent 9 years in the Royal Australian Navy and feel a close connection to seafarers and would be honoured that you might wish to include the picture in your collection.
Marine art, Maritime art
Kimberley Dunstan, Mission to Seafarers Collection
Small rectangular oil painting (landscape format) depicting sailing ships
Signtaure of the artist bottom left corner: KHD At the back in black ink: 1988 / Kim Dunstan / Port Phillip Bay / Bicentennial Fleet Departure / From End Of Martin St Brighton
bicentennial, 1988, fleet, kim dunstan, kimberley dunstan
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Mission to Seafarers Victoria
Photograph - Photograph, photocopy, John Browne, July 1947
Photograph was taken by John Browne who was third mate on the S.S. Stanley Park in July 1947.
1947, ss stanley park, john browne
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Mission to Seafarers Victoria
Postcard, c. 1921
The postcard addressed to Norman Fleming, was written on the 19th of April 1926
Sepia tone postcard written at the back with green one penny stamp depicting King George V
Written in black ink: Address: Mister N. Fleming / 24. Norlington Rd / Leytonstone E 11 / Essex / England SS P. Auckland / Melbourne / 19.4.1926 / Dear Norman /
gymnasium, norla dome, flinders street, seamen's mission, mission to seamen, mission to seafarers, walter richmond butler (1864–1949), king george v
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Mission to Seafarers Victoria
Flyer
Flyer from 1956-58 woth all the different activities free for seamen in the 3 locations: central Port Melbourne and Williamstown.
Copy
flyer, padre frank leslie oliver, david conolly, peter smith, lay readers, reverend c.j. eldridge-doyle, sports, socials, billiard, cinema, tennis, dance, randall stewart murray, programme
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Mission to Seafarers Victoria
Photograph - Digital photograph, Black and white, The war is over. Funds are hard to get. If you want to "throw in", here's your chance
Padre Oliver is shaking hands with sailors. On the flyer behind him we can read: The war is over. Funds are hard to get. If you want to "throw in", here's your chance. On the left is a Notice.
padre frank leslie oliver
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Mission to Seafarers Victoria
Photograph, Mr David Conolly and Ms Marjorie Stafford at a dance event at St Kilda Town Hall, 1956-1958
Subject had a long standing connection with the Mission
Visual Record of a member of the lady of the Harbour...
Black and White Gloss print photograph of a couple in evening dress
Hand written in black texta; David Conolly (Lay Reader) and Marjorie Stafford (LHLG) at a Dance in St. Kilda Town Hall Circa 1957
lay reader, david conolly, marjorie stafford, lhlg
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Mission to Seafarers Victoria
Postcard, Rose Stereograph, The Billiard room, Mission To Seamen, Port Melbourne, Vic, c. 1937
george v memorial institute, port melbourne, seamen's mission, harry norris, billiard room
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Mission to Seafarers Victoria
Postcard, Rose Stereograph, The lounge, Mission To Seamen, Port Melbourne, Vic, c. 1937
chairs, george v memorial institute, port melbourne, seamen's mission, harry norris, lounge, magazines, canteen, caretaker
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Mission to Seafarers Victoria
Postcard, Rose Stereograph, The Chapel, Mission To Seamen, Port Melbourne, Vic, c. 1937
chairs, george v memorial institute, port melbourne, seamen's mission, reed organ, harry norris, st andrews chapel
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Mission to Seafarers Victoria
Postcard, Valentines Real Photo Series, In the Main Hall, Seamen's Mission, Melbourne Victoria, c. 1917
stage, piano, chairs, concerts, seamen's mission, woodfloor, billiard, flinders street, seamen, sailors, newspapers, bentwood chairs, vienna chairs
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Mission to Seafarers Victoria
Postcard, Valentines Real Photo Series, Interior of Seamen's Institute, Flinders Street Melbourne, c. 1917
stage, piano, chairs, concerts, seamen's mission, woodfloor, billiard, flinders street, seamen, sailors, newspapers, bentwood chairs, vienna chairs
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Mission to Seafarers Victoria
Furniture - Credence, c. 1917
A credence is small table placed within the sanctuary of a church and near the wall at the Epistle side, for the purpose of holding the utensils required for the celebration of the Eucharist. From the 1917 list of gifts, the credence was donated by Captain and Mrs C.D. Goldsmith, brother of Reverend Gurney Goldsmith. Cecile De la Mare Goldsmith was born in 1861 in West Brompton and was in The Royal Naval Reserve (RNR) during WWI. He died on 21 January 1917 Commander RNR & late Master in the P.O. Service died at Madeira while acting as his Majesty's Vice Consul. He's buried in Funchal (Portugal).
Small credence
gifts-1917, cecil de la mare goldsmith (1862-1917), c.d. goldsmith, rnr, royal naval reserve
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Mission to Seafarers Victoria
Document - Thesis, Liam Brooks, The 1928 Waterfront Strike and the Fall of the Victorian Government, 2008
Liam Brooks School of Social Sciences 26 November 2008 Fourth Year Honours Thesis Faculty of Arts, Education, and Human Development Victoria University, Footscray Park, Australia
Digital version of the 2008 thesis by Liam Brooks
australian coal strike, strikes, 1928, allan whittaker, port melbourne, stevedores, depression
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Mission to Seafarers Victoria
Ceremonial object - Altarn lectern, in memory of Charles B. Elwell, c. 1916
Gifted in 1917 by Mrs Balfour Neil in memory of Charles Bingham Elwell, R.N.(1882-1914) : in the Jotting 44 (Michaelmas 1916). Mrs Balfour Neil was born Roma Mary Hill James, a daughter of Dr Edwin M. James of Armadale and sister of Mrs Molesworth. She married in 1904 with Mr Balfour Henderson Neil, a barrister and they lived in Dunedin, New Zealand. He died in 1911 and Roma came back to Melbourne where she remaried in 1917 with Norman Bayles. Charles B. Elwell was killed in action in Rabaul, German New Guinea, on 11 September 1914. He was first commander of HMAS Melbourne. In the news: " THE LATE LIEUTENANT-COMMANDER ELWELL. Lieutenant-Commander Charles Bingham Elwell was a son of the late Mr. P. B. Elwell, former electrical engineer to the New South Wales Railway and Tramway Department. The deceased officer was lent to the Royal Australian Navy by the Imperial authorities, and returned to the Commonwealth as first lieutenant of the cruiser Melbourne last year. He afterwards joined the gunnery tender Pioneer, and at the beginning of 1914 was attached to the Royal Naval College at Geelong as skilled instructor. He then became Lieutenant-commander. When the mixed force was lately sent away from Sydney, Lieuenant-commander Elwell was appointed to the command of the Royal Naval Reservists who went with it. He was an officer who was intensely popular with the cadets at Geelong and with his brother officers. He had a great charm of manner, and though quiet in speech was full of energy in action — in work and games. The college boat's crew owes its efficiency to his coaching."
Engraved at the base: September 12th 191?
altar lectern, st peter chapel, charles b. elwell, mrs neil, new guinea, hmas melbourne, ran, royal australian navy, gifts-1917
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Mission to Seafarers Victoria
Flyer - List, Gifts, St Nicholas Seamen's Church , List of Gifts, 1946
St Nicholas Seamen's Church was furnished thanks to donations of supporters of the Mission.
The document lists all the gifts donated by generous supporters of the Mission in 1946. The chapel was built during World War 2 as memorial to the merchant seamen lost during the war. These items were donated to the Flagstaff Hill Maritime Museum in 1979 to furnish the chapel.
A4 document on cream colour paper, wording in black ink with flying angel flag on top
date written in ink: May 24th 1946 / signature from Frank L. Oliver
gifts, mission to seafarers, mission to seamen, padre frank leslie oliver, williamstown, nelson place, st nicholas seamen's church, 1946, flagstaff hill maritime museum, warrnambool
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Mission to Seafarers Victoria
Photograph - Photographs, Serie, Mission to Seafarers Victoria, The sea is all around us, 29 May 2015
EXHIBITION in the DOME The Sea is All Around Us - Margaret Woodward 11-21 May 2015 Dome Gallery – Mission to Seafarers, 717 Flinders Street, Melbourne, Australia. 37 º 49'21" S 144º 57'03"E Hours: Daily 11.00am - 4.00pm The sea is all around us is a multi-layered event which will create a memorable experience for those visiting the Dome Gallery and the Mission to Seafarers in Melbourne’s Docklands. The event will acknowledge and raise awareness of the working lives and journeys of seafarers by making visible their role in transporting commodities, materials and objects to and from Australia’s shores. This installation invites seafarers and visitors to participate in a global project which aims to witness sea journeys and trace the mobile life of seafarers and souvenirs. For a fortnight in May 2015, the Dome Gallery will become an architectural large scale compass, with the circular floor marking the intersection of its latitude and longitude (37 º 49'21" S 144º 57'03"E). Over these two weeks the Dome Gallery will be inscribed with marks recording journeys made by seafarers, recording destination and departure ports, home lands and waterways, and in doing so making visible a small segment of the global patterns of seafaring. Custom-made souvenirs designed for the installation will be given to seafarers as gestures of welcome and a memento of their visit. The souvenirs originating in Poland will continue their journey by sea, to destinations beyond the Dome becoming part of the global network of seafaring, with an invitation for seafarers to record their future journeys using QR code scanning technologies. It is hoped that by releasing the 200 limited edition souvenirs accompanying the seafarers the mobile life of souvenirs and seafarers will also become visible. For more information visit the website: sensingtheremote.net Margaret Woodward is Associate Professor of Design at Charles Sturt University For a fortnight in May 2015, Margaret Woodward was ‘in residence’ at the Mission to Seafarers Norla Dome Gallery with her participatory installation project "The Sea is All Around Us". The floor of the gallery became a large scale compass. Seafarers were welcomed to the gallery their ships, journeys and destinations were recorded and mapped on the floor drawing. Seafarers were welcomed with cake and souvenir mugs of tea. These mugs, a momento for the seafarers, were inscribed with a scannable QR code and an invitation for seafarers to record their journeys on a dedicated project website. Around 120 souvenirs are now continuing their journey by sea and seafarers have scanned the mugs from locations including Singapore, Brisbane, Fremantle, Adelaide, Busan and Johor! After the exhibition Margaret Woodward was able to follow the seafarers' whereabout: ""The Sea is all Around Us". I am in awe of where this project might go, well done Margaret. One week has passed since finishing up at the Mission to Seafarers Victoria. Today I check my website and can see that the cup-carrying seafarers are reaching warmer climates, they tell me it’s getting hot as some are already in Suva and Port Lautoka. I’ve watched the souvenirs travel and fan out from Melbourne, some West to Adelaide and Fremantle, others going north to Sydney Brisbane, Singapore and Busan. Another seafarer scans in from Changi Airport, excited to be going home for some time with his family in the Phillipines. I keep an eye on my ‘fleet’ of 22 ships that visited the Dome Gallery, and see where they are on the Live Shipping website, watch some of them sail up the coast of Western Australia and marvel at the steady pace this journey takes. I am so used to flying over coastlines and countries in a matter of hours, impatiently watching the tracking screen from my airline seat, this shipping pace seems so much more real, so much more of a passage. I feel connected to these ships, to the people on board, to know that an object has passed from my hands to theirs, now holding in it my cargo of concern."
margaret woodward, installation, exhibition, norla dome, 2015, sea voyage, sea journey, cultural events
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Mission to Seafarers Victoria
Photograph
As we celebrate #InternationalWomensDay, did you know that to reflect its role as an international organistaion caring for all seafarers regardless of gender, our name was changed from the Mission to Seamen in 2000? Pictured here is Cadet Hamer with one of Catherine Bell’s mugs from The Sea-fairer Sex (2017) - an installation that explores the global history of women in seafaring recorded in newspaper articles and sourced from the State Library of Victoria. #IWD2018
women, cadet hamer, seafaring, 2018
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Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fiction
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.
jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910)
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Mission to Seafarers Victoria
Print - Reproduction, The Light of the World
The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will come in to him, and will sup with him, and he with Me".
Pre-Raphaelite
jesus, william holman hunt (1827-1910), pre-raphaelite, allegory, reverend alfred gurney goldsmith
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Mission to Seafarers Victoria
Map, Public Lands Office, Township of Sandridge [cartographic material] / lithographed at the Public Lands Office, March 30th 1859, 30 March 1859
The map shows where the land of the Customs House was and where the Bethel church was built in 1860. It also shows the name Gregory, a family of land owners who became the managers of the new building on the same site in 1889.
sandridge, bethel church, customs house, gregory