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Artwork, other (1265)
Ceramic (766)
Decorative object (713)
Drawing (4607)
Mixed media (518)
Painting (2482)
Print (1657)
Sculpture (402)
Textile (1394)
Work on paper (2050)
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Nillumbik Shire Council
Painting, John NIXON, Eltham, 2014
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Bendigo Historical Society Inc.
Painting - STONEHAMS CARRIAGE WORKS:OIL PAINTING OF BUSINESS INTERIOR, 1889
Coloured oil painting of Stonehams Carriage Works. Painting shows man on LH side working on anvil, man on right working on bench. Carriage wheel in centre of picture. Further Research need.by J. Swinton - Distonpainting, oil, coach maker business -
City of Greater Bendigo - Civic Collection
Decorative object - Corporate Gift :: Silver Bowl, 150th Field Artillery Army of the United States, 1942
Sterling Circa 1768 Paul Revere Reproduction Bowl manufactured by Shreve Crump & Low Co. Currently there is no information about the 150th Field Artillery visit to Bendigo in 1942 although Defence manufacturing in Bendigo has a long history with Thales continuing to produce machinery and vehicles on the original site of the Ordnance Factory which began operating in 1943.Large engraved silver bowl. Presented to / The City of Bendigo / By the Officers and Men / of the / 150th Field Artillery Army of the United States / In Grateful Remembrance of the Warm Hospitality extended to them / By the Citizens of Bendigo / In February 1942 Underside; Shreve, Crump & Low and Co/ sterling / 809 by / P. Revere / Boston 1768 / Sons of Liberty / reproductioncity of bendigo commerce -
Ararat & District Historical Society (operating the Langi Morgala Museum)
Decorative object - Necklace
Polished shell pendant with metal clasps, decorative edging and chain. Suspended on chain by gold-plated metal links. -
Horsham Regional Art Gallery
Painting, John OLSEN, Bird on window sill, 1955
Gift of Mack Jost, 1993 -
Darebin Art Collection
Painting - John Sheehan, John Sheehan, Green and Gold, 2005
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Bendigo Historical Society Inc.
Decorative object - Glass bottle
Glass bottle with glass stopper. Flowery motive on the bottom and circles on the body of the bottle. Part of the Aileen and John Ellison collection.bottle, glass -
Mont De Lancey
Decorative object - Vase
It was used as a vase for flowers.A small plain brown pottery vase which is darker brown at the bottom with a stripe below the textured lighter grey or green coloured speckled neck. It is finished with a glaze.Evelyn. nickvases, containers, domestic object -
Ararat Gallery TAMA
Decorative object, Murasaki - no, c. 1900s
‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Wangaratta Art Gallery
Painting, Norma Bull, Lifting Waves, c. 1960s
Norma Bull is an Australian painter who is most famous for her paintings and sketches made during World War II in Britain as an official war artist. Bull was a finalist in the Archibald prize twice, in 1952 and 1953. Her work is featured in collections around the world including the Royal Collection, the Imperial War Museum, the National Gallery of Australia, and the Bright Art Gallery.traditionalRural City of Wangaratta Collection. Donated by Associate Professor Leslie E Bolitho AM.A windy seascape painted in oil using blues, browns, greens, yellows, and whites.Obverse: Norma Bull/ (bottom left)wangaratta art gallery, norma bull, seascape, painting -
Port Fairy Historical Society Museum and Archives
Mixed media - Model, North Melbourne Boot Co, early 1970`s
This model was part of a panorama 11 pieces designs from photos in an almanac printed by Port Fairy Gazette. The panorama was used by the Historical Society rooms Bank Street as a display on an extended mantel piece, before being relocated to Gipps Street. It was made by Mr Alan Mewkill a member of the Port Fairy Historical Society.This model depicts in 3D, part of the streetscape of Port Fairy in 1892 as drawn in a calendar/almanac of the time. Small hand made model of a shop front form the 1892 almanacThomas Robinson - Managerpanorama, model, bank street, sackville street, mr t robinson, alan mewkill -
Castlemaine Art Museum
Painting, Miles Evergood, Untitled (Landscape), 1914-1939
Basil Hart Bequest Fund, 1983 -
Gippsland Art Gallery
Painting, Walsh, Judith, Heritage, c.1970s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Glenelg Shire Council Cultural Collection
Painting, Harry Rosengrave, (Untitled - Landscape), 1969
Caltex $500 Prizewinner at Portland Arts Festival - retained for Portland Collection.Landscape scene, densley treed. There is a clearing on the left with 3 houses and possibly a figure in the centre of the clearing. Blue sky with a long cloud. Mounted in a tan-coloured matt in a wooden frame with a faux-distressed gold finish.Front: H. Rosengrave 69 (lower right). Back: Top right - yellow sticker "1969-". Bottom centre - "Gary Hayman. Picture framer. 41 Julia Street, Portland, 33-5. 055 233154. Custom framing, framed printed, photos and oils." -
Wodonga & District Historical Society Inc
Decorative object - Lacquer Jewel Box, c1900
This item belonged to Mrs. Eliza Reardon, great grandmother of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A rectangular black lacquered jewellery box. The lid in decorated with an image of 3 Chinese women, a man and a child in traditional clothing. They are looking at an open box on the floor which has mice coming out of it.decorative items, jewellery, lacquerware -
Kew Historical Society Inc
Decorative object - Embroidered tray cloth
Embroidered tray cloth. Pink and yellow flowers in each corner. tray cloths, household textiles -
Gippsland Art Gallery
Painting, Voigt, David Jeffrey, Cup Day Crowd 2, 1973
Purchased with the assistance of the Visual Arts Board of the Australia Council, 1973Acrylic, Canvasgippsland, artwork, permanent collection -
Flagstaff Hill Maritime Museum and Village
Decorative object - Ornament, Early 20th century
The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as originally produced as a decorative item fro the home and is believed to have been produced in the early 20th century.A mass produced utilitarian item made for domestic use, there is no history or manufacturing provenance currently available.Badly corroded metal ornament, 3 masted, medieval sailing ship front sail has cross on it, centre sail has shield with a cross and 4 x below. Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ornament, metal ornament, sailing ship ornament, home decoration -
Darebin Art Collection
Painting - Hua Wen Xu, Hua Wen Xu, Flower Paintings, 2009
flowers -
Gippsland Art Gallery
Painting, Farmer, John, Headland, San Remo, c.1965
Donated by John Leslie OBE, 1965Oil on canvasboardgippsland, artwork, permanent collection -
Federation University Art Collection
Painting - Watercolour, 'Mount Dandenong' by Dr Sydney Pern
Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour landscape glued onto card depicting a view towards Mount Dandenong.art, artwork, sydney pern, landscape, mount dandenong -
National Wool Museum
Painting, The White Farm, 2020/21
The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed -
Gippsland Art Gallery
Painting, Weir, Brett, Untitled, 2018
Donated by the artist through the Australian Government Cultural Gifts Program, 2019Enamel and acrylic on aluminiumgippsland, artwork, permanent collection -
Stawell Historical Society Inc
Painting, Will Rees, Bush Scene, 1930's
Bush scene with path and mountains in background, probably Grampians. Gum tree in right of painting. Oil on PaperWill J Rees David Morcom 29/8/1987 on back -
Heidelberg Golf Club
Decorative object - Badge, Heidelberg Golf Club, Ladies' monthly medal, 1960c
Small gold badge/pin awarded as a ladies' golf prize. Round metal and enamel badge in plastic case; with crossed golf clubs in centre and Heidelberg Golf Club inscribed around edge. Clasp on back "Heidelberg Golf Club"monthly medal, ladies golf, badges, nora gonzales -
Bendigo Historical Society Inc.
Painting - FORTUNA COLLECTION: WATERCOLOUR OF FORTUNA VILLA
Watercolour painting of Fortuna Villa. Lake in foreground, palm tree left hand side. Perspex sheet overlay with 'Fortuna' embellished in ornate font. Possibly used to develop promotional material for Department of Defence, Cartography section, then resident in Fortuna. Artist name on bottom right hand corner ' Bill Walls'bendigo, house, fortuna villa -
Federation University Art Collection
Painting - Artwork - Painting, The Street Scene, c1970
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, bicycle, available, neville bunning, ballarat artist's society, ballarat society of artists, neville mirvane bunning, sport -
Darebin Art Collection
Painting - Lesley Sinclair, Lesley Sinclair, Still Life Chrysanthenemums, N/A