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Artwork, other (1263)
Ceramic (764)
Decorative object (711)
Drawing (4606)
Mixed media (515)
Painting (2476)
Print (1657)
Sculpture (402)
Textile (1393)
Work on paper (2044)
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Swan Hill Regional Art Gallery
Painting, COLEMAN, Rosemary, Icarus flees the crowd, 1991
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Flagstaff Hill Maritime Museum and Village
Ceramic - Bowl, Broadhurst Staffordshire Ironstone Pottery, 1950s - 1960s
Broadhurst China was established in 1862 the firm was based at the Crown Pottery, Longton, Staffordshire until 1870 where James Broadhurst made a range of gold and silver lusterwares. In 1870 the firm moved to the Portland Pottery at Fenton, Staffordshire and continued to produce good quality earthenware. In 1897 "& Sons" was added to the company name and "Ltd" from C.1922. The full name, James Broadhurst & Sons Ltd. appears from 1957. In 1984 James Broadhurst & Sons Ltd became Churchill Tableware Ltd.Items made around 1950s or slightly later that are now collectors items made by one of the founders of ironstone pottery in England.Small ironstone willow pattern bowlThe back is stamped "WILLOW BROADHURST STAFFORDSHIRE IRONSTONE Made in England Detergent and Dishwasher Proof" Mass produce, Ceramic, Potteryironstone pottery, staffordshire pottery, flagstaff hill museum, crockery, dinner set, willow pattern -
Gippsland Art Gallery
Painting, Lehmann, Sandy, Beneath the Arches, 1983
Purchased, 1983Oil on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Lawrence, George, Street in North Sydney, 1961
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on boardgippsland, artwork, permanent collection -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - page, Flag and Arm Signal Code
Cardboard aide memoir card showing the arm semaphore, flag and horn or whistle signals as used within armoured unitssignalling, semaphore -
Gippsland Art Gallery
Painting, Fox, Allan, Untitled (blue and red), 2016
Purchased, 2018Gouache on papergippsland, artwork, permanent collection -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Black and white squared glazed border tileceramics, earthenware -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Word of mouth (Half Moon Bay), 2018
Word of mouth (Half Moon Bay) 2018 is a two-panel work which is the largest painting the artist has made to date. It is a colourful and fun, light-hearted scene of an imaginative party that the artist would love to attend at Half Moon Bay in Black Rock. Depicted in the work are over 30 figures, including international tourists, family and friends of McHaffie as well as famous identities such as musicians David Bowie and Solange Knowles, and fashion designer Karl Lagerfeld. McHaffie’s DJ friend Lucreccia Quintanilla has set up a DJ deck and speakers on the beach while the party goers are wading in the shallow waters, dancing on the cliff and mingling on the beach in what appears to be an idyllic summer’s day in Bayside.oil on linen (diptych)painting, beach, half moon bay, black rock, bayside, coast, party, rob mchaffie, dj, dance, musician, karl lagerfeld, david bowie, solange knowles, lucreccia quintanilla, port phillip bay, word of mouth, mooji, jon campbell, tourists, family, friends, cliff, rocks, water -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on canvas on board, John Irvine, Mrs G.W. Cole, c. 1858
John Irvine, Mrs G.W. Cole c. 1858, oil on canvas on board, 110 x 90 cm. Bayside City Council Art and Heritage Collection.oil on canvas on boardmrs g. w. cole, george ward cole, st ninian's, portrait, female, john irvine, thomasina anne mccrae, thomasina cole, brighton -
Geelong Gallery
Painting - Rainy Day, BECKETT, Clarice, 1930
Oil on canvas on board -
Horsham Regional Art Gallery
Painting, John OLSEN, Bird on window sill, 1955
Gift of Mack Jost, 1993 -
Glenelg Shire Council Cultural Collection
Painting, Port Phillip Bay (Sunset), n.d
UnknownScene of two sailing ships on a harbour at sunset. The ship on the left is in full sail, the ship on the right has furled sails. At front left is a flock of gulls and on front right is a figure in a row boat. At centre right is coastline with structures and several small boats. The sky has clouds reflecting the sunset in pink, yellow and indigo. These colours are reflected on the surface of the water. Framed in gilded wooden frame.Front: A.S. Murray (lower left) Port Phillip Bay (Sunset) (brass plate, l. centre of frame) Back: (no inscriptions) Conservation Centre, Melb. label. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Cyril Leyshon White, A Quiet Corner at Port Albert
Cyril Leyshon White was an official war artist and served with the Field Ambulance during the Gallipoli Campaign in WWI. He contributed a number of his sketches for “The ANZAC Book". After WWI he became a mentor to the young Sydney Nolan. Lt. White was a member of the 17th Garrison battalion attached to Tatura Camp 1. Leyshon White -
Bendigo Historical Society Inc.
Painting - WES HARRY COLLECTION: S.T. GILL PRINTS, 1852 - 53
A collection of nine prints of watercolours by S.T. Gill, depicting life on the goldfields in 1852 - 53. (a) Tin dish washing, (b) Mt. Alexander Gold escort on road to Melbourne, (c) Road from Forest Creek to Bendigo, (d) Diggers Licensing, Castlemaine Camp, (e) Eaglehawk Gully, Bendigo, (f) Cradling, (g) The license inspected, (h) Puddling, (i) Fryers Creek Nr. CastlemaineS. T. Gillpainting, watercolour, gold diggers, s.t. gill, life on the goldfields, diggers, mining -
Mont De Lancey
Painting
Hand painted by Margaret Quayle.Original painting of Heidelberg, Victoria by Margaret Quayle. River scene with house and bridge, in a wooden frame.paintings, artworks -
Gippsland Art Gallery
Painting, Perrins Shaw, Peggy, Arabia, 1969
Donated by the artist, 1974Gouache and pastel on papergippsland, artwork, permanent collection -
Darebin Art Collection
Painting - Adriana Cosshall, Adriana Cosshall, Not All That Glitters is Gold, 2010
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Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Painting - NO 2 CLEARING THE FOREST
Card with coloured illustration showing a group of loggers chopping trees and sawing timber titled Clearing The Forest.unknownartwork, print, group -
Gippsland Art Gallery
Painting, Piggott, Owen, Gully Trees, 1979-80
Donated from the estate of the artist, 2016Acrylic, Canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
City of Greater Geelong
Painting - Oil on Canvas, Ray Reardon, Erupting Fantasies
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Wangaratta Art Gallery
Painting, Ron Muller, Garage Corner, c. 1993
Rural City of Wangaratta Collection, Wangaratta Art Prize 1993.A still life watercolour of an old garage painted with a colour palette of brown, green, grey, and yellow.Obverse: RON L MULLER/ (bottom left corner) Grand Winner 1993/ Garage Corner/ By/ Ron L. Muller/ Judge - Barbara Beasly-Southgate/ (plaque mounted on frame)wangaratta art gallery, ron muller, watercolour, garage, still life -
Wodonga & District Historical Society Inc
Decorative object - Brooch from the Sarah Coventry jewellery range, c. 1970s -1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Oval gold-toned metal brooch from the Sarah Coventry jewellery range, with a central brown faux stone surrounded by four small faux pearl inlays and four small circular brown faceted glass inlays."©SARAH COV / MADE IN / CANADA" raised maker mark on the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch, brooches -
Glenelg Shire Council Cultural Collection
Painting, A S Murray, Tasmanian Coast Scene, n.d
CEMA Art Collection Previously located in History HouseThe painting depicts a large body of water with a shore line in the foreground on the left. Depicted in shades of grey, the calm water features a patch of white in the centre. In the background to the right, is a distant view of a small patch of land covered in trees. Behind the land is an out of focus view of mountains in the distance. The top half of the work features a grey cloudy sky. The work has a gilded ornate frame with cardboard and gold mounts and glass.Front: A.S. Murray Label attached to glass front: Presented to Council in 1984 by A.S. Murray Dunrobin Back: W. Hamer 189 Sturt Street Ballarat VICTORIA BUILDINGS, OPPOSITE CITY FIRE BRIGADE -
Gippsland Art Gallery
Painting, Markham, Arthur, Untitled, c.1970s-80s
Donated, 1983Watercolour on papergippsland, artwork, permanent collection -
Bendigo Historical Society Inc.
Decorative object - CHINESE HEADSTONE
Chinese Headstone - Broken. This is a piece of a Chinese headstone from what appears to be a form of Basalt. Approx 250mm x 150mm. Contains several chinese characters.chinese -
Federation University Art Collection
Painting, [Abstract]
An abstract painting on canvas.horsham student collection, abstract, available -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Luzorn, Seebrucke
Done by Leonhard Adam, internee at Tatura. 6 September 1960leonhard adam, tatura internee, luzorn seebrucke -
Federation University Art Collection
Ceramic, Sarah Canham, #Fliporflop1, 2 & 3, 2021
'Home' is a symbol of hopes, dreams, comfort, love, family and future. It is both a place and an idea, nor does it remain in time and space. It can also represent a time of sadness , fear and loss. Through the roller-coaster of the past year, I have used a series of homes belonging to family and friends. Each artwork of home tells a different story about its occupants, their story, and what home mean to them. Sarah CANHAM Sarah has had a life-long love of creative arts and a passion for nature she has pursued in her career. She has a Bachelor Applied Science degree from Charles Sturt University, a Masters of Environment from University of Melbourne, and works in natural resource management and conservation. Studying part time Sarah Canham completed a Bachelor of Visual Arts at Federation University Arts Academy in 2021. Her art is an expression of the awe she has for the natural world, and concerns for the future, including for our indigenous culture, and native flora and fauna in Australia. She also reflects on the current and past women and mother artists who have experienced the challenge of juggling art, career and motherhood, and have been under-represented in the arts community for millennia.Three handbuilt, slab construction, stoneware formsceramics, sarah canham, dvc art award, alumni