Showing 4868 items
matching 'rabbit'
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Port Fairy Historical Society Museum and Archives
Photograph, Scott Barry
Rabbit factory employees possibly taken around 1890Black and white photograph of a group of men and boys posed outside the buildings of the rabbit factoryScott Barry/Mount Gambier S.Aindustry, employee, rabbit factory, moyne river, martins point -
Whitehorse Historical Society Inc.
Document, Exploring Military History - Amazing Women of Whitehorse and Manningham, 2017
History of the life of Janet Muir Gaff .History of the life of Janet Muir Gaff - including an urgent appeal for rabbit skins to be used in lining warm clothing for the troops.History of the life of Janet Muir Gaff .gaff, janet muir, world war 1914 - 1918, nurses, nursing, shire of nunawading, rabbit skins -
National Alpine Museum of Australia
Ski Pants, 1965
Ingrid purchased these rabbit fur ski pants on her honeymoon in St. Moritz, Switzerland in 1965. She immigrated to Australia in February 1968 with her husband, although she skied in Australia she never wore the pants here.Rabbit fur ski pants printed in tiger skin pattern. Side zip and slits at ankles.skiing, ski clothing -
Australian National Surfing Museum
DVD Movie, Bustin' Down The Door, Circa 2008
Feature length surf documentary which looks at events leading up to the clash between Hawaiian surfers and Australian surfers on the North Shore of Oahu in the early seventies. Includes interviews with Wayne 'Rabbit' Bartholomew, Shaun Tomson, Mark Richards, Peter Townend, Ian Cairns and others. Award winning documentary that focused on a pivotal moment in world surfing history as Australian and other surfers strove to 'bust down the door' in the surfing Mecca of Hawaii.Cover photograph of Wayne 'Rabbit' Bartholomew hand raised with inset image of Mark Richards surfing Sunset Beach.Certification (M) and Madman logokelly slater, mark richards, gerry lopez, shaun tomson, bustin down the door, wayne rabbit bartholomew, peter townend, ian cairns, michael tomson -
Tatura Irrigation & Wartime Camps Museum
Book, Rabbits & Spaghetti, 1995
Dedicated to the remarkable spiriit of kindness and humanity, which, in the middle of one of history's worst wars, enabled so many men and women to see strangers not as the enemy but as fellow human beings.Black/grey light card cover with cream rectangle encasing title and a picture of a truck loaded with produce.Rabbits and Spaghettiitalian pows, ww2 italians -
Yarrawonga and Mulwala Pioneer Museum
Rabbit Trap
Metal rabbit trap -
Kiewa Valley Historical Society
Rabbit Traps x3
Rabbits are recognised as a pest in Australia. They were often trapped and eaten especially during the depression years of the 1890s and 1930s but also the 1950s and 1960s. Steel-jaw traps work by snapping shut on the leg of an animal, holding it until a trapper arrives, or until the animal dies or wrings its paw off. They became illegal in Australia during the 1980s on animal cruelty grounds. Some old rabbit traps are valuable.Used by residents in the Kiewa ValleyA steel jaw trap has jaws that are designed to spring together. It is illegal to use them in Australia. 2 of the rabbit traps are 'S. Griffiths 3 stars IXL Ref. "one of the pioneers, well known among long-experienced trappers' Page 21 Farmyard Relics by Ken Arnold. The other trap ha a picture of a bird engrave on it.rabbit traps, steel-jaw traps -
Hume City Civic Collection
Photograph, Aitkens Gap Police Barracks, c1922
Frank Millett and his nephew Hopper Cahill are the two people standing by the building after spending the day shooting rabbits in 1922. They are standing in front of the Aitkens Gap Police Barracks. In the 1860s the gaol and stables were sold to George Millett and added to the Millett property. The Barracks and the new farm homestead were built by Mick Morrison. The Bald Hill Hotel at Aitkens Gap on the Bendigo Road (Calder Highway) was guilt by George Millett in 1854 and functioned until the gold began to run out after the Victorian Gold Rush of the 1850s. The Millett family continued to farm until 1967. The family also and operated hotels in the local area. A black and white photograph backed onto a white board of a man and a child holding some dead rabbits and standing in front of the doorway of a bluestone building. frank millett, george millett, aitkens gap gaol, hopper cahill -
Stratford and District Historical Society
Poison Cart
Cart was operated by the Briagolong Rabbit Suppression League. It was purchased by the donor at the clearing sale for Jim Kelly in the late 1980s/early 1990s. Jim was the son of the main organiser of the Briagolong Rabbit Suppression League. Copies of the Minutes and accounts have been obtained, and are catalogued separately. Wood on cart was in much degraded condition, whole cart repaired by George Parker of the Stratford and District Historical Society, 2010.Rabbit poison cart by T.H. Hicks of Sydney. Consists of wooden frame and floor 80cm high, wheels with cast iron hubs. Chain-driven from one wheel, operator's seat at rear, with a lever mechanism to control the trench forming attachment. Horse shafts 2.6 metres long. Serial number is cast in one side of the bait bin, and not on the other."Ideal" / T.H. Hicks / Patentee / Nth Botany No 5102 / N.S.W.rabbits, vermin destruction -
Orbost & District Historical Society
rabbit traps, First half 20th century
During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra. Rabbit populations are controlled in the 21st century by poisoning, destroying or 'ripping' burrows (warrens), biological control with rabbit haemorrhagic disease and myxomatosis, and by shooting. Rabbit-proof fences also prevent the spread of rabbits into some areas. (ref. Powerhouse Museum) Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster.Two iron rabbit traps. Each consists of a pair of jaws held closed by spring tension and a triggering mechanism. When the trap is triggered the jaws close over the top of the bridge, plate and tongue mechanism that is designed to trigger the trap. A chain is attached by a hook on the bent end of the trap's spring with a long steel spike looped over the last link of the other end of the chain. The trap is designed so that the metal jaws snap shut against each other when the trap is activated by the application of weight to the pressure plate. In use, traps are set with open jaws, buried lightly just below the surface of the earth. When an animal steps on the pressure plate, the jagged teeth of the jaws snap around the animal's leg, usually breaking bone and sinew. Thus the animal is immobilised.rabbits rural trapping -
Orbost & District Historical Society
rabbit trap, first half 20th century
During the Great Depression from 1929 to 1932, rabbit trapping was a means of survival for many people. Rabbits provided meat and pelts which were sold for making felt hats such as the Akubra. Rabbit populations are controlled in the 21st century by poisoning, destroying or 'ripping' burrows (warrens), biological control with rabbit haemorrhagic disease and myxomatosis, and by shooting. Rabbit-proof fences also prevent the spread of rabbits into some areas. (ref. Powerhouse Museum) This trap was used in the Orbost district. Steel-jawed rabbit traps were widely used in urban and rural Australia from 1880 to 1980. This trap is symbolic of the battle that Australians have waged against burgeoning rabbit populations for over a century. Rabbits cause enormous damage to Australian soils and biodiversity. The introduction of rabbits to this country was an environmental disaster.A rusted iron rabbit trap which consists of a pair of jaws held closed by spring tension and a triggering mechanism. When the trap is triggered the jaws close over the top of the bridge, plate and tongue mechanism that is designed to trigger the trap. A chain is attached by a hook on the bent end of the trap's spring with a long steel spike looped over the last link of the other end of the chain. The trap is designed so that the metal jaws snap shut against each other when the trap is activated by the application of weight to the pressure plate. In use, traps are set with open jaws, buried lightly just below the surface of the earth. When an animal steps on the pressure plate, the jagged teeth of the jaws snap around the animal's leg, usually breaking bone and sinew. Thus the animal is immobilised. rabbit-trap rural -
Whitehorse Historical Society Inc.
Photograph, Mr. J. Herring with Shot Rabbits, 1938
Black and white photograph of Mr. J. Herring with Shot Rabbits.herring, jack -
Mont De Lancey
Pottery - Rabbits, 1953-54
Part of collection of hand and wheel pottery by Mrs. Annette Lord - 1953. Bisque fired.Pair of two pottery rabbits joined - eating a leaf. White.pottery, rabbits -
Kew Historical Society Inc
Clothing - Beige Lapin Jacket, 1950s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Beige coloured rabbit fur jacket comprised of contrasting bands of peltswomen's clothing, australian fashion -- 1950s, fur jackets -- coats -
Flagstaff Hill Maritime Museum and Village
Rabbit, 19th century
This toy rabbit was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife This toy rabbit is classified as Fiji 4 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. China toy rabbit salvaged from the wreck of the Fiji. The rabbit is in a lying pose. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is an orange-sandy colour with darker orange markings. The surface is slightly pitted.1891, china, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwrecked artefact, flagstaff hill maritime village, shipwreck coast, warrnambool, porcelain, moonlight head, wreck bay, cargo, bisque, toys, miniature animals, rabbit -
Bendigo Historical Society Inc.
Functional object - SMALL BISQUE VASE
Small bisque vase with cupid and 2 rabbits, green and gold floral decorations.No 8530ornaments, ceramic, vase -
Tatura Irrigation & Wartime Camps Museum
Biscuit Cutter, 1940's
Used for making Easter biscuits by internees at Camp 3.Tin biscuit cutter in shape of a rabbit with straight ears, soldered together. Handmade.wied l, camp 3, cooking, biscuit cutter, camp 3 cooking utensils, cooking utensils -
Ballarat Heritage Services
Image - Black and White, War on Rabbits, Laying Poinson in the Western District, Victoria, c1950, c1950
A black and white image of a man laying rabbit bait in Victoria's Western District. rabbit baits, poisoning rabbits, vermin -
Canterbury History Group
Photograph - Maling Road view of shop at No. 118 Maling Road, Jan Pigot, 1994
Coloured photograph of the shop called Peter Rabbit and Friends at No. 118 Maling Road.canterbury, maling road, shops -
Mont De Lancey
Fur, Ajax Furs Melbourne, c1940
Owned by Mrs. Ellen Cornell.French rabbit fur capelet. Fawn dyed and stripped. With black satin lining.capes, fur clothing, fur coats -
Bendigo Historical Society Inc.
Domestic Object - RABBIT TOOTH PICK HOLDER
Silver plated pot metal tooth pick holder in shape of a rabbit holding an egg.JB 220domestic equipment, containers, tooth picks -
Whitehorse Historical Society Inc.
Textile - Child's Tray Cloth, circa 1948
Embroidered by donor (Richardson Pat) at Primary School in Grade 6 in 1948A rectangular tray cloth embroidered with a Faun and two Rabbits, Flowers and edged with yellow thread.Meal Mat by Semco No 1handcrafts, embroidery, domestic items, infants -
Ringwood and District Historical Society
Book, Roberty Rabbity Mervin Mouse, <2000
Childrens' Book. Large print with black and white sketches. Coloured covers with rabbit on front. 5pp.Roberty Rabbity Mervin Mouse -
Tatura Irrigation & Wartime Camps Museum
Biscuit Cutter, 1941 - 1946
Made in Camp 3 for internees making Easter biscuits.Tin biscuit cutter handmade in shape of a rabbit with flat ears - life size (for Easter bunny).camp 3 cooking utensils, rabbit biscuit cutters, biscuit cutters, easter biscuits -
Ringwood RSL Sub-Branch
Headgear Army Slouch Hat, Mount Castle Hat Makers
Commercially made military hat. Pure rabbit fur felt. Size 60. Slouch style. -
Bendigo Historical Society Inc.
Negative - PETER ELLIS COLLECTION: NEGATIVES IN ENVELOPE
Rabbit Photo envelope containing 35mm negatives of the National Folk Festival. 24 negatives in strips.entertainment, music, national folk festival, peter ellis collection, 35mm negatives, national folk festival negtives -
Tatura Irrigation & Wartime Camps Museum
Book, Horace Carlton, 1899
Tatura State School book prize. Awarded to Alfred Reilly 1899Hard cover, red and black letters. Sketch of girl reading a book. Rabbits and grass. Title on spine.State School 1441. 29th Dec. 1899. 4th Prize. Class 3. Alfred Reilly. Samuel Hill, Head Teachertatura state school 1441, jarrold & sons, london, tatura, mrs h b paull, education in tatura -
Anglesea and District Historical Society
Book, Penguin Books, The Tale of Jemima Puddle-duck, 1986
By Beatrix Potter. Author of "The Tale of Peter Rabbit". Original publisher Frederick Warne. First publisher 1908.A Farmyard Tale for Ralph-Betsy.jemima puddleduck, beatrix potter, book -
Clunes Museum
Photograph, 1883
THIS PHOTOGRAPH IS A COPY OF OIL PAINTING BY SIR JOHN LONGSTAFF OF STILL LIFE - NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH OF STILL LIFE, OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF. SUBJECT; VEGETABLES - POT AND RABBIT.local history, photography, photographs, longstaff -
Ballarat Heritage Services
Photograph - Black and White Photograph, Tom Fitzgerald at Tarrone Starion
Torrone Station was on the Moyne River near Koroit. A black and white photograph with Tom Fitzgerald and his horse at Torrone Station. Many rabbits hang in the background.tom fitzgerald, torrone station