History is set out in N.H.S. Newsletter Series 2 - April 1999.Large 'Horseshoe' or Horse Lock made in England late 17th early 18th century.Patented Leavers Locksecurity - locks

From the 18th Century museums and individuals have collected man's manufacturing work, the bottle. In Australia some collections have been in existence for over 60 years although most collections stem from the mid- to late 1960s. This national exhibition, the ninth Australian exhibition, is conducted by the Colac Bottle Collectors Club in 1980 to foster the collection, study and preservation of old bottles. The majority of bottle shows are run on competitive lines with the host club setting the categories and judged by collectors considered to have wide knowledge and experience. Ninth National Bottle Exhibition, Colac, Victoria. Your souvenir booklet. Colac Bottle Collectors Club; Colac (Vic); 1980. 36 p.; illus. Soft cover.colac; bottles; collectors; history; glass; ceramics;

Calling cards, also called visiting cards, visiting tickets, or compliments cards, originated in their paper and ink form in France in the 18th century and their popularity quickly spread across Europe and the United Kingdom. Victorian calling cards were large and could be extremely ornate, with the names usually printed instead of handwritten. Women's cards were squarish and fairly large, usually about 2.5 x 3 inches. Men's cards were smaller and more rectangular, meant to fit in a breast pocket, while women often carried their cards in specially made cases of silver, tortoiseshell, ivory, or mother-of-pearl. (Source: Claire Green: Calling Cards and Visiting Cards: A Brief History)Nineteenth century silver, leather and silk woman's visiting card case, donated by M. Swanston MacDowell. The case has a tooled brown leather cover attached to a silver frame. The interior of the card case, used for visiting cards, is lined with maroon silk with brown leather pockets. The pocket on the left is embroidered in silk with a spray of flowers.On one of the interior leather pockets "Kew Historical Society" has been crudely inscribed in biro. A card placed in the item includes the words "Visiting Cards. M. Swanston MacDowell".visiting card case, card cases

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family. Long floral green crepe georgette dress.women's clothing, dresses, australian fashion - 1930s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'.Full length floral crepe evening dress with squared neck and short puffed sleeves.australian fashion - 1930s, women's clothing, evening dresses

The Municipality of Kew (1860-1863), the Borough of Kew (1863-1910), the Town of Kew (1910-1921) and the City of Kew (1921-1994) were local government instrumentalities in the State of Victoria. In 1994, the City of Kew was amalgamated, together with the former Cities of Camberwell and Hawthorn, into the new City of Boroondara (1994- ). Like other local government entities of the period, Kew was administered by town clerks. The two notable town clerks in Kew's history were H. H. (Henry Hirst) Harrison (1868-1955) and W. D. (William Dickie) Birrell (1899-1974). Harrison was appointed to the position in 1901 and retired in 1938 after 37 years. Birrell, appointed Acting Town Clerk in 1921, became Town Clerk in 1938, following Harrison's retirement. He continued in this role until his retirement in 1966.This card is part of an historically significant civic collection, containing hundreds of separate invitations, documents, greeting cards, programmes and tickets issued and/or collected by successive town clerks. Items in the collection illuminate the political, social and cultural history of the district. As a continuous record, ranging across most decades of the Twentieth Century, they reveal changing tastes in design, values and relationships in the history of local government in Victoria.IN HONOUR OF THE PRIME MINISTER OF AUSTRALIA / (THE RT. HON. R G MENZIES, CH, QC, MP) / AND DAME PATTIE MENZIES GBE / THE MAYOR OF KEW / (COUNCILLOR MARIE DALLEY OBE, JP) / REQUESTS THE PLEASURE OF THE COMPANY OF / ___________ / AT A RECEPTION AT THE RECREATION HALL, MONDAY 18TH JULY, 1955, AT 8.30 P.M. / TENDERED TO THE PRIME MINISTER IN RECOGNITION OF HIS RECORD TERM OF OFFICE. / RSVP TOWN CLERK, 4TH JULY / DINNER DRESScivic invitations -- kew (vic), commemoration of the sitting of the first parliament, civic ephemera -- city of kew, recreation hall - kew (vic), rt hon r g menzies, cr marie dalley

Index, maps, p.383.non-fictionAn examination of the chief events in England history in the eighteenth century.england - history, england - history - 18th century

This ring belonged to Captain William Henry Bacchus who was one of the first British colonists to establish a farming property on Wurundjeri and Wadawurrung First Nations people lands 55 kilometers west of Melbourne. The land occupied by Bacchus in 1838 came to be known by the early colonists as Bacchus’s Marsh before later changing officially to Bacchus Marsh. The ring is believed to have been made to commemorate the death of Captain Bacchus’s father Wm (William) Bacchus in Somerset, England in 1788.This ring has significance because it is an object associated with a significant historical person in the history of the region of Bacchus Marsh. It is a rare, probably unique example of an 18th century mourning ring connected to the local community. It also has aesthetic value as an object and is in excellent condition.Gold ring with blue and black coloured inlay. Contains writing on the outsideWM Bacchus Esq OB: 10th JUNE 1788 Æ: 38 bacchus family, rings, william henry bacchus 1782-1849

Index, bib, p.123.non-fictionThe author has traced the origins and development of Scottish country dancing from the ritual of medieval days through the French influence of Mary Queen of Scots and the elegant assemblies of 18th century Edinburgh to the highly respected conservation work of the Royal Scottish Country Dance Society.scotland - country dancing, scotland - history

Index, bib, maps, plates, ill., p.320.non-fictionSocial history of the 18th and 19th century Ireland, England, Van Diemen's Land, Norfolk Island, Victoria and Western Australia via the life story of a woman convict, later free settler of the above named colonies.women convicts - australia -biography., irish - australia -biography

This silk dress belonged to Edith Irene Marshall (née Horsefall), who married William George Townsend Marshall at St David's Presbyterian Church, Albury on the 18th September 1937. The dress contributes to our understanding of social and family life in twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history and women's history.A handmade 1930s silk and lace wedding dress with a long, circular train, waist sash and lace collar. 1930s, wodonga, albury wodonga, wedding, wedding dress, christianity, marriage, social history

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This object is a German bible printed in 1702. It was published by Sebastian Göbels at the town of Schleusingen in the Thüringian Forest, and has 1770 pages. The bible was brought to Australia by the Haeusler-Klinge family when they migrated to South Australia in 1846. Ferdinand Haeusler came to Wodonga with other German families in 1866, bringing the bible with him. This item significant due to its age and rarity. It has well documented provenance and a known owner. It forms part of a significant and representative historical Haeusler Collection, which reflects the local history of Wodonga. It contributes to our understanding of European colonisation and settlement in Wodonga and north east Victoria in the mid nineteenth-century. A large bible printed in German and bound with brown leather. bible, christianity, german, germany, immigration, 1800s, 1700s, prussia

This microscope belonged to James William Manifold Aitkin (1835-1905) who was born in Tasmania and came to Warrnambool in 1852. He was a shopkeeper, produce merchant and flour miller who came to live at the property of Carracoorte, Grasmere in the late 1880s. He was a member of the Warrnambool Municipal Council from 1861 to 1868 and was Chairman of the Borough in 1863 when Warrnambool was declared a town and an early Mayor. The microscope was an improved model of a design by Benjamin Martin, an 18th century instrument maker considered one of the greatest designers and manufacturer of microscopes of his time. This microscope is of great significance because: 1. It is a beautiful object with high antiquarian and scientific interest 2. It has strong local significance as it belonged to James William Manifold Aitkin, a prominent Warrnambool and district businessman and farmer 3. It has social significance as it demonstrates the interest in natural history by the more affluent and educated men of the time. This microscope is in a polished wooden box with a metal lock (no key). The microscope is an English Martin Improved drum microscope (c. 1850) and made of brass. Inside the box there are two divisions, one to house the microscope. The other has a drawer containing six slide samples made of ivory or bone and five glass slides (with the listed material missing) and five other small items. On top of the drawer is a section for the microscope attachments contained in ten small inserts. The ten attachments are made of brass. There are also six items not in any particular inserts. There are two small slots for the pincers and slides etc. The only writings are the names and information on the slidesjames aitkin, microscope, benjamin martin, benjamin martin microscope, warrnambool

Hardback cover book with white Title (see above) and author text, KVERNDAL, Roald, on pink grey cover. pp 903, ills. Cover image depicts a masted galleon ship at anchor with interior lights at dusk or dawn flying from the stern of the ship is the blue BETHEL flag featuring a star and dove of peace in top and lwr corners respectively. xxviii, 903 p. : ill. ; 24 cmnon-fictionThis book will long stand as the foundational study of church missions and ministry to men and women of the sea. International in scope, it covers in detail the efforts, particularly during the past two centuries, to serve the spiritual and moral needs of seafarers. The author, himself a former seafarer and seafarers' chaplain, spent more than fifteen years of painstaking research to compile this fascinating and authoritative book.merchant seamen, missions and charities, royal navy chaplains, missions-to-seamen, mission to seafarers, roald kverndal, bethel, welfare, shangaing, crimping, health