Showing 77 items
matching portrait 1932
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Uniting Church Archives - Synod of Victoria
Photograph, Rev Dr Alan Watson, c1960
B 1900 Fielding NZ, Educated Otago University, Dunedin NZ. Ordained assist 1925. 1st Church Dunedin, 1927 East Taieri NZ, 1932 Christchurch St Pauls NZ; 1942-1967 Toorak; 1953 Moderator Victoria; 1959-1962 Moderator General Australia; 1967 emeritus, Presbytery of Flinders. Died 15 January 1976. B & W seated studio portrait of the Rev. Dr Alan C. Watson dressed in the regalia of the Presbyterian Moderator.rev dr alan watson, presbyterian moderator general -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1952 - 1954
T G Allen was born 07/06/1890 and died 10/03/1970. He was ordained at Wilston Qld. in 1921. T G Allen served at Gympie 1921, Amidale NSW 1932, Eastwood NSW 1937, St. John's Essendon Vic 1943-1954 and Mowbranton Qld. 1955.F15.1 and F15.2 black and white portrait photographs of a Presbyterian minister with white borders. They show the Rev T G Allan looking at the camera wearing clerical robes. His right hand is in his pocket. (1) Essendon December 1954 T. G. Allan (signed). (2) Centenary year 1952 T.G. Allan 1943-presbyterian minister, t g allen presbyterian minister, t g allen, st john's essenden presbyterian church -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1955
The Rev John Edward Smith was born in 1900, ordained in 1932 and died 1986. He served in 1935 Port Campbell; 1937 Wychproof; 1940 Werribee; 1947 Bendigo St. John's; 1952 Albury; 1955 Essendon St. John's and 1967 Apollo Bay. He retired in 1969 and in 1971 was appointed Emeritus Presbytery Melb. West.Black and white head and shoulders studio portrait of Rev. John Edward Smith. He is wearing glasses, looking at the camera and is wearing his clerical regalia. The back has the photographer's name and address, also that of the Rev Smith. It laso has various numbers and measurements indicating that the photograph was to be used in a publication."Rev. J. (John) Edward Smith. 853 Mt. Alexander Road, Essendon, W.5 PHONE FU1085" "The Dover Studio 17 HOLMES ROAD, MOONEE PONDS"presbyterian ministers, john edward smith, st john's presbyterian church essendon -
Uniting Church Archives - Synod of Victoria
Photograph
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Seated sepia toned studio portrait of Rev A T Holden C.B.E. wearing clerical collar and sitting in cane chair, he looking at the camera with his body turned to his right. He has two badges on his left lapel. The photograph has the name of the photographer embossed at the bottom right. It has an inscription handwritten in white ink at the bottom."REV. A.T.HOLDEN. C.B.E. (Gen. superintendent)"rev albert thomas holden methodist minister, methodist home missions secretary, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria -
Uniting Church Archives - Synod of Victoria
Print - Photograph, C. 1915 - 1916
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Sepia tinted portrait print of a photograph of Rev Albert T Holden who is looking to his right and wearing his clerical collar. The print is a page that has been removed from a book."REV. ALBERT T. HOLDEN, B.A., President of the Conference, 1915."rev albert thomas holden methodist minister, rev albert thomas holden methodist conference 1915 president -
Uniting Church Archives - Synod of Victoria
Print - Photograph, 28/08/1935
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Black and white head and shoulders studio portrait print of Albert T. Holden wearing his clerical collar, sourced from supplement to the Spectator 28/08/1936.REV. A. T. HOLDEN, C.B.E., V.D., B.A., D.D., Ex-President-General Methodist Church of Australasia, Born 21st August 1866, Called Home 20th August, 1935."rev albert thomas holden methodist minister, methodist home missions secretary, victorian fourth contingent (imperial bushmen), methodist chaplain general, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria, australian imperial force -
Uniting Church Archives - Synod of Victoria
Photograph, 1930-34
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]F46.5.1, F46.5.2 and F46.5.3 - Sepia toned studio portraits of Rev. A. T. Holden standing next to an open window, with hands clasped behind back. He is wearing his clerical collar and has two badges on his left lapel. The photographs are on brown card mounts. F46.5.2 has the photographer's mark embossed on the bottom front. F46.5.3 has a deckle edge."REV. A. T. Holdne C.B.E. (Gen Superintendent)"rev albert thomas holden methodist minister, victorian fourth contingent (imperial bushmen), methodist chaplain general, australian imperial force, methodist home missions secretary, general superintendent of the methodist church of australasia, grand master of the grand lodge of freemasons of victoria -
Uniting Church Archives - Synod of Victoria
Photograph, C. 1881
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Sepia, head and shoulders studio portrait of Albert Thomas Holden, as a young man dressed in academic regalia. He is looking to his right.albert thomas holden, ormond college university of melbourne -
Uniting Church Archives - Synod of Victoria
Photograph, c. Boer War
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography] SubjectsSepia tinted portrait of Major Albert T. Holden, Wesleyan Chaplain to H. M. Victorian Forces, wearing his Victorian Forces Chaplain's uniform. major albert thomas holden, rev albert thomas holden methodist minister -
Uniting Church Archives - Synod of Victoria
Photograph
Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Sepia portrait of Albert Holden in WWI clerical/military garb pasted on brown card.Chap Gen Holden B. A.rev albert thomas holden, rev albert thomas holden methodist chaplain general wwi -
Uniting Church Archives - Synod of Victoria
Print - Photograph, 1951-1953
Born 1893. Died 1967. First parish NYAH, 1922 - 1932 at Geelong Yarra St. 1936 - 1959 professor of theology, Queens College. 1959 retired. Rep to WCC 1937 + 1948 and to World Methodist Con 1937. Presiednt Australian Council of Churches, 1952 - 1953. (See Australian Dict. of Biography entry).Oval black and white, oval, head & shoulders studio photographic print portrait of Rev. G. Calvert Barber in clerical dress. He looking to his left. The print is a page that has been removed from a publication."REV. G. CALVERT BARBER, M.A., B.D., PH.D. PRESIDENT-GENERAL"rev g clavert barber methodist minister, president australian council of churches, rev g calvert barber professor of theology queens college university of melbourne, george calvert barber methodist minister, world council of churches, australian council of churches -
Uniting Church Archives - Synod of Victoria
Photograph, Rev. C. G. Forward - Pastor 1937-1943, 1937-1943 - taken while at Black Rock Congregational Church
Born 3/4/1907 Launceston; died 10/10/1982 Adelaide. Attended Congregational College 1925-1930. Ordained Hughesdale 9/2/1931. Ministry: Hughesdale 1929-1931; Beechworth 1931-32; Gardiner 1932-37; Black Rock 1937-1942; Military Chaplain Aust & PNG 1942-45; Croydon/North Croydon 1945-51; College Park (SA) 1951-56; Luhrs Road Payneham/Hectorville (SA) 1956-60; Luhrs Road Payneham 1960-61; Colonel Light Gardens 1961-67; Port Elliott (SA) 1967-71. President Congregational Union of South Australia 1958-59. Married Madge (undated). Retired 1971. Further information - Portrait, SA Cong., February 1958, p. 4.Sepia photograph, mounted on light brown card of Charles Gilbert Forward wearing striped dark suit with clerical stock and collar, as well as glasses and a very light moustache.Rev. C. G. Forward - Pastor 1937-1943forward c. g., congregationalist, victoria, south australia congregational churches -
Hume City Civic Collection
Photograph
A b/w photograph (postcard) of a group portrait of a football team, unidentified but possibly taken about 1932.Printed on back: POST CARD / CORRESPONDENCE / ADDRESS ONLY / KODAK AUSTRALIA Stamped on back: SUNBURY PHARMACY L. M. LLOYD PH C, MPS V EVANS STREET SUNBURY Phone 56postcards, sunbury pharmacy, pharmacies, lloyd, l. m., evans street, sunbury, portraits, george evans collection -
Stawell Historical Society Inc
Photograph, Cr R H McCracken -- Mayor 1931-1932 & 1941-1944
Portrait of R.H. McCracken Mayor 1931-32 & 1941-44stawell government -
Duldig Studio museum + sculpture garden
Drawing, Karl Duldig, The Buddhist Monk, Guangqia by Karl Duldig 1940, 1940
The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner. -
Yarrawonga and Mulwala Pioneer Museum
Framed Photograph, Mary Langdon (nee Edwards) and Samuel Parker (Wilby), 1930
Mary and Samuel Parker were residents at Booahhnoomoonah and grandparents of Gwen Hagger. Samuel (1857-1932) Mary (1869-1954) was his second wife.Sepia portrait of man and lady in gold oval frame. Has handwritten family tree on backSee photos -
Stawell Historical Society Inc
Photograph - Portrrait, Wedding Photo
Huttley - Martin2 B/W: Studio Portrait: Bide and Groom Bride Veil and long white dress with bouquet. groom in dark suit with tie1: Lorna with our love 2/4/32. Madge Huttley & Jack Hull married at Stawell Congregational Church 2/4/1932 age 33 & 28 Madge's Jack 2: Jack Hull & Madge Huttley married at Stawell Congregational Church 2 April 1932 aged 33 & 28huttley, martin -
Ballarat Heritage Services
Photograph - Portrait, Thomas Pearce, survivor of the shipwreck Loch Ard, c1887, c1878
Thomas Pearce (1860?-1909) was an apprentice on the English merchant vessel the Loch Ard, which embarked for Victoria in March 1878 carrying 37 crew and 16 passengers, many from the Carmichael family. In stormy weather on 1 June 1878, just days from completing the three-month voyage, the Loch Ard wrecked against Muttonbird Island. Supported by an upturned lifeboat, the teenaged Pearce was washed ashore in a small bay, now known as Loch Ard Gorge; but when he spotted eighteen-year-old Eva Carmichael clinging to wreckage in the ocean, he swam out and struggled back to shore with her. As sole survivors of the wreck, Tom Pearce and Eva Carmichael became celebrities and posed for a number of Melbourne photographers after their recuperation. Pearce was presented with the first gold medal of the Royal Humane Society of Victoria. Popular sentiment was for a permanent union; but Eva returned to Ireland, and Pearce became a ship's captain. This photograph is in an album associated with the Fullerton Family. James Lucas Fullerton was born in Northern Ireland on 02 July 1842, and died on 23 November 1932. HIs wife Mary Carson was born on 30 May 1844 in Northern Ireland, and died on 22 April 1917. They married on 14 October 1869 at Brisbane before moving to Creswick where James Fullerton worked as a grocer. They later moved to Ballarat where they ran a grocery shiop. James and Mary had ten children, and are buried in the Ballaarat Old Cemetery. Photographic portrait of Thomas Pearce wearing the first gold medal of the Royal Humane Society of Victoria.thomas pearce, eva carmichael, loch ard shipwreck, loch ard gorge, royal human society of victoria gold medal -
Colac RSL Sub Branch
Medal - Medals x 4, a) Centenary of Melbourne medal. b) Borough & Shire of Colac. 1945 Peace & Victory Medal. c) Coronation Medal 1937. d) Victory Medal 1945, NK
Commemorative medallionsmediumRound commemorative medals x 4. a) Silver coloured medal with a with Red, white and blue ribbon. b) Bronze coloured medal. No ribbon c) Bronze " " with a red, white and blue ribbon d) Silver " " . No ribbon a) Front:- Centenary of Melbourne. 1932. Man looking at city skyline. 1835. Back:- Centenary of Victoria. 1934. Sailing ship/shoreline. 1834 b) Front:- Borough & Shire of Colac. Coat of Arms surrounded by wreath and crossed swords. Back:- Peace and Victory. Surrounded by a wreath c) Front:- King George VI & Queen Elizabeth. Portraits of King and Queen Back:- To Commemorate their Majesties' Coronation d) Front:- Man with a sword on a map of Australia. 1945 Back:- Map -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - gelatin silver photograph, Lafayette, Councillor Eustace M. Flannagan, Mayor of Brighton 1926-27, c. 1927
Eustace Menotti Flannagan (1868-1950) was a solicitor and a representative in the South Ward in Brighton Council for 16 years, retiring in 1932. He was elected Mayor of Brighton 1926-27. portrait, councillor, mayor, brighton, municipality, south ward, cr. e.m. flannagan, eustace menotti flannagan, mayoral robes -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - sepia photograph, The Sandringham Studio, Councillor C.A. Hartsman, J.P., Mayor of Sandringham 1923-1924, c. 1924
Carl Alfred Hartsman (1865-1932) was one of the first nine councillors of the new municipality of Sandringham in 1917. He was Mayor of Sandringham in 1923-24 and 1931-32.c.a. hartsman, councillor, sandringham, local government, municipality, mayor, justice of the peace, mayoral robes, portrait, carl hartsman, mayor of sandringham -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - sepia photograph, Dickinson-Monteath Studio, Councillor G.A. Brown, Mayor of Sandringham 1932-33, c. 1933
George Albert Brown (1877-1949) was a councillor at Coburg and Sandringham, and was Mayor of both cities. He was Mayor of Sandringham in 1932-33 and 1944-45.councillor, sandringham, local government, municipality, mayor, mayoral robes, portrait, city of sandringham, jabot, dickinson-monteath studio, cr. g.a. brown, george albert brown, coburg, mayor of sandringham -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Photograph - sepia photograph, The Sandringham Studio, Councillor F.N. Gibbs, J.P., Mayor of Sandringham 1924-1925, c. 1925
Francis Norman Gibbs (1864-1938) was one of the first nine councillors of the new municipality of Sandringham in 1917. He was Mayor of Sandringham in 1924-25 and retired from office in 1932.councillor, sandringham, local government, municipality, mayor, justice of the peace, mayoral robes, portrait, cr. f.n. gibbs, francis norman gibbs, mayor of sandringham -
Bendigo Historical Society Inc.
Photograph - Glass Slide Photos of Bendigo, Early 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Eleven Photos of Bendigo from Glass Plate Negatives, Campaspe River at Axedale, Axe Creek, Lake Weroona, White Hills Botanical Gardens, Conseratory Gardens, Bendigo Fernery. Slides are ex Bartlett Brother Bendigo. history, bendigo, bendigo conservatory gardens, campaspe river axedale, axe creek victoria, lake weroona bendigo, white hills botanical gardens bendigo, bartlett brothers bendigo, rosalind park bendigo -
Bendigo Historical Society Inc.
Photograph - Glass Slide Photos of Bendigo Cinema Advertising, Early 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Photos from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at one of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Bendigo Historical Society Inc.
Slide - Glass Slide Photos of Bendigo Cinema Advertising, Mid 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Nine Photos of vehicles from Glass Plate Negatives Slides are ex Bartlett Brother Bendigo. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princes Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Bendigo Historical Society Inc.
Slide - Glass Slide Photos of Bendigo Cinema Advertising, Mid 1900s
Bendigo followed much the same pattern as Ballarat, and was not ready for an up-to-date studio until 1880 when the Bartlett Bros. (Francis and Henry) who bad conducted a successful business in Melbourne for many years opened a small studio there. It was such a success that they decided to build large modern premises, and Francis made two trips to England and the Continent for the latest ideas. In 1884 Henry died, and to replace him, Francis secured the services of Robert W. Bugg, then employed by Foster & Martin (both pupils of Batchelder's) in Collins Street, Melbourne. In that studio Bugg made some fine portraits of Anthony Trollope during the novelist's long tour of Australia. Francis Bartlett was a keen business man, and Robert Bugg was a great operator and a fine painter. Together, their success was quite outstanding. Fifteen years later Bartlett retired with a fortune, and Bugg took over the studio. Robert William Bugg, one of our leading Painter-Photographers, was born in London in 1853, and came to Melbourne when he was five years old. He became a pupil of Louis Buvelot and, in 1879, a member of the Victorian Academy of Arts. In Bendigo he gave annual exhibitions of his oils and water colours, a number of his exhibitions being officially opened by his friend Alfred Deakin. There are a number of Bugg's Paintings in the Bendigo Art Gallery. All the portraits, landscapes, buildings, and city views illustrated in "Bendigo and Vicinity, 1897", are from photographs taken by Robert Bugg. He was a clever, genial and popular soul, and his influence on the cultural life of his adopted city was considerable. He retired in 1932 and died in his early eighties.Seven Photos of vehicles from Glass Plate Negatives. Slides are ex Bartlett Brother Bendigo, photographers. The Slides were used for advertising prior to the shows and during intervals; possibly at either of the three picture theatres, the Lyric, the Plaza, or the Princess Theatre. history, bendigo, bartlett brothers bendigo, bendigo theatre advertising -
Kew Historical Society Inc
Photograph, C Stuart Tompkins, Cr. F.K. White, Mayor [of Kew] 1932-'33, 1945-'46, 1932
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of Cr. F.K. White, Mayor of Kew 1932-33, 1945-46. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.Cr. F.K. White / Mayor 1932-'33, 1945-'46 C. Stuart Tompkins / Junction / Camberwellmayors of kew (vic), australian photographers - c. stuart tompkins - junction - camberwell, cr. f.k. white, kew (vic.) — municipal collection -
Kew Historical Society Inc
Photograph, Alice (Henty) Hindson (1852-1932), 1906-1930
The Henty family and their descendants were notable settlers in Australia, initially in Western Australia, then in Launceston and finally in Victoria. While most family members settled in Victoria from 1834, others remained in England and in Tasmania. The portrait was purchased by the Society as part of a small collection of Henty memorabilia and portraits from the owner of Moorabool Antiques, Geelong in 2021, which had in turn acquired the item from the estate of Dennis Alston of Alston's Antiques in Hamilton, Victoria.Members of the extended Henty family were notable British settlers of southeastern and southwestern Australia. The connection to Kew (Vic.) is that members of the Henty family owned important mansions in Kew in the 19th century. Stephen George Henty's family lived at 'Findon', and Francis Henty of 'Merino Downs' in the Western District lived in his final years at 'Field Place', Kew. Alice (Henty) Hindson, born in Portland in 1852, died at 'Field Place' in Kew in 1932. She was the daughter of Francis Henty. The portrait has added artistic and aesthetic significance as a signed photographic portrait by Lafayette Photographic Studios, Collins Street, Melbourne. The studio flourished from 1906-1930. Photographic portrait of Alice (Henty) Hindson (1852-1932), one of the daughters of Francis Henty and Mary Ann Lawrence, taken and signed by the internationally renowned London photographer 'Lafayette'. The oval photograph is encased in a brown calf skin case. The portrait represents the sitter in middle age, wearing a black dress and a white lace collar. Alice Henty had married John Hindson in 1875 at Trinity Church, East Melbourne. The couple were to live at 'Shrublands' in Canterbury from 1883. Her husband died in 1919 and it is likely that the portrait was taken after that date. She was to donate 'Shrublands' to the Anglican Church in 1923, after which it became St John's Home for Boys (and girls). Alice Henty's sister Louisa Henty died at her home 'Field Place in 1924. Alice was also to die at Field Place in 1932. Signed: "Lafayette / Melb."henty family, alice henty, alice hindson, shrublands, field place, john hindson, francis henty, louisa henty, mary ann lawrence, mary ann henty, lafayette photographic studio -- mebourne (vic.) -
Freemasons Victoria - United Grand Lodge of Victoria
Painting, MWBro. Lord Somers D.C.M.G., D.S.O.M.C. Grand Master 1927-1932, 1930s
The right honourable Lieutenant-Colonel Arthur Tennyson Somers Cocks, was born in Herefordshire. Served with distinction in the Army and was twice decorated with bravery, before being appointed as Governor of Victoria. This portrait of Lord Somers is the only one in which a Grand Master is not in masonic regalia. Lord Somers insisted he not be seen dressed in a manner which could give offence to any other organization, with which he was associated in Public Life or Private Life. He was deeply involved in the Scouting Movement and was Chief Scout in Victoria and succeeded Baden-Powell as Chief Scout of the British Commonwealth.The portrait of Lord Somers holds great significance as it is the only painting within the Library and Museum collection of a Grand Master without his masonic regalia. Lord Somers stands beside his hat and is in uniform, no apron or other freemason regalia. Freemason Victoria coat of arms in upper left corner.Framed oil painting on canvas with stretcher/strainer. Wood/metal composite brackets used to fix painting to wall. 'Compo' ornamented gilt frame with running designs. Metal placque with two screws holding it to frame. portrait, painting, freemasons victoria, freemasonry, victoria, grand master