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Bendigo Historical Society Inc.
Document - BENDIGO AND DISTRICT TOURIST ASSOCIATION - BENDIGO & DISTRICT TOURIST GUIDE
... : historic buildings goldmines art gallery, museums, parks... art gallery, museums, parks and gardens annual features ...Pamphlet produced by the Bendigo and District Tourist Association Bendigo & District tourist guide Pamphlet highlights: historic buildings goldmines art gallery, museums, parks and gardens annual features district attractions city and district map One page , four fold pamphletBendigo and District Tourist Association -
National Wool Museum
Quilt, Sure as night follows day
... at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from...", held at The Queen Victoria Museum and Art Gallery. Essay ...The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
... Colour slide in a mount. The Los Angeles County Museum... / JUL 65M Colour slide in a mount. The Los Angeles County Museum ...Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. The Los Angeles County Museum of Art, Los Angeles, California, USA, 1965. (Architect: William Pereira.)Made in Australia / 20 / JUL 65Mcalifornia, slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
... Colour slide in a mount. The Los Angeles County Museum... / JUL 65M Colour slide in a mount. The Los Angeles County Museum ...Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. The Los Angeles County Museum of Art, Los Angeles, California, USA, 1965. (Architect: William Pereira.)Made in Australia / 23 / JUL 65Mcalifornia, slide, robin boyd -
Bendigo Historical Society Inc.
Document - BROCHURE - BENDIGO & DISTRICT TOURIST GUIDE
... ) Goldmines; (3) Art gallery, museums, parks and gardens; (4) Annual... Buildings, (2) Goldmines; (3) Art gallery, museums, parks ...Three copies (a. - c.) of tri-fold (8 pages) Bendigo & District tourist guide, including (1) Historical Buildings, (2) Goldmines; (3) Art gallery, museums, parks and gardens; (4) Annual features; (5) District Attractions; (6)District Map (two pages). A Bendigo and District Tourist Association Production.organization, government -
National Wool Museum
Book, Woollen or Worsted? An introduction to wool processing
... " Bradford Art Galleries and Museums, 1983.... processing" Bradford Art Galleries and Museums, 1983. Wool Processing ..."Woollen or Worsted? An introduction to wool processing" Bradford Art Galleries and Museums, 1983.wool processing woollen mills - history, bradford art galleries and museums, cloth - woollen, cloth - worsted, wool processing, woollen mills - history -
Robin Boyd Foundation
Slide, Robin Boyd, 1965
... County Museum of Art, Beverley Hills, Los Angeles, California... County Museum of Art, Beverley Hills, Los Angeles, California ...Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Ahmanson Gallery, Los Angeles County Museum of Art, Beverley Hills, Los Angeles, California, USA (1965). (Architect: William Pereira.)Made in Australia / 21 / JUL 65Mcalifornia, slide, robin boyd -
Federation University Art Collection
Drawing, 'Copse' by Tony Hanning, 2015
... including the V&A Museum in London and the Tacoma Art Museum... and the Tacoma Art Museum in the USA. The imagery in Tony Hanning's ...Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. The imagery in Tony Hanning's work often is representative of the Gippsland landscape. He has a PhD from Mondash University (2008), a Master of Arts from Monash University (1998); and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts Centre (later Latrobe Regional Gallery, Morwell)Framed and mounted charcoal drawing depicting large trees (conifers and probably deciduous) in a field rendered with hatchingLower right, signed Tony Hanning '15tony hanning, staffmember, landscape, trees, treescape, alumni -
Bendigo Military Museum
Literary work - MANUSCRIPT, Bob Marmion, The Victorian Volunteer Force on the Central Victorian Goldfields 1858 - 1883
... Photocopy of original held by Castlemaine Art Gallery...Bendigo Military Museum 37 - 39 Pall Mall Bendigo ...Photocopy of original held by Castlemaine Art Gallery & Historical Museum. The inscription is the Castlemaine Museum's Registration No & location code.Manuscript, M A Thesis. Plain A4 paper with cut edges, 144 pages with black & white illustrations. Pages secured with a metal clip.Page (ii) top R hand corner: “3247 S3 C/F5”documents - education, military history - volunteer forces -
Warrnambool and District Historical Society Inc.
Photograph - Framed Photograph of the Proclamation of Warrnambool as a City, Arthur Jordan, 1918
... Proclamation- Warrnambool a City 23rd May 1918 Warrnambool Museum & Art... May 1918 Warrnambool Museum & Art Gallery Presented ...This is a framed photograph showing a key event in Warrnambool's history - the proclamation by Sir Arthur Stanley of Warrnambool as a city in 1918. Warrnambool was the fifth non--metropolitan town in Victoria to be declared a city and a large crowd gathered outside the Town Hall to see this event. Sir Arthur Stanley (Lord Stanley of Alderley) was an English nobleman, Parliamentarian and soldier who was the Governor of Victoria from 1914 to 1920. The photographer was Arthur Jordan who, like his father Joseph, was a prominent photographer in Warrnambool at the end of the 19th and the beginning of the 20th centuries and took many official photographs of civic affairs. The donor of the photograph, probably immediately after the event to the Warrnambool Museum at the time under the auspices of the Warnambool Mechanics' Institute, was George Mackay, a prominent Warrnambool lawyer, Councillor and Mayor. He was probably responsible for the framing of the photograph.This is a significant photograph as it is a record of an important event in Warrnambool's history and is a great research toolThis is a black and white photograph in a polished wooden frame with a card inset and a glass covering. The photograph shows the Governor of Victoria, Sir Arthur Stanley, in civilian dress standing on a platform outside the Warrnambool Town Hall proclaiming Warrnambool a city. Behind the Governor on the platform are many men and some women and in the foreground left is a band and in the foreground centre are Army school cadets. The photograph frame has a wooden backing with a piece of wire attached for hanging the object. In the photograph also is a columm with a sign on it.His Excellency the State Governor Sir Arthur Stanley Proclamation- Warrnambool a City 23rd May 1918 Warrnambool Museum & Art Gallery Presented by G.S.Mackay Warrnambool Arthur Jordanwarrnambool -a city in 1918, sir arthur stanley, george s. mackay, arthur jordan -
Federation University Historical Collection
Booklet, Lauretta Zilles, Maladies, Medicos & Miracle Cures: A Guide to the History of Medicine in Castlemaine and District from 1851-c1950, 04/1991
... at the Castlemaine Art Gallery and Historical Museum.... This is a catalogue supporting an exhibition held at the Castlemaine Art ...This is a catalogue supporting an exhibition held at the Castlemaine Art Gallery and Historical Museum.Grey soft covered booklet printed to accompany am exhibiton held at Castlemaine and Historical Museum during Heritage Week. The book lists information on Castlemaine and district doctors, Castlemaine Hospital, Pharmacists, Herbalists, Dentists, Veterinary Surgeons, Opticians, Nurses, Midwives, Chiropody, Benevolent Asylum, Private Hospitals, Caslemaine Infant Welfare Centre, Homelea Herb Farmdoctors, castlemaine hospital, pharmacists, herbalists, dentists, veterinary surgeons, opticians, nurses, midwives, chiropody, benevolent asylum, private hospitals, homelea herb farm, castlemaine infant welfare centre, richard bunce, william fisher preshaw, john cheyne, henry barraclough, daniel o. preshaw, ching chin, raymond francis duggan, enpo hong, l. goon, shee shok, algernon cyril yandell, augustus courts yandell, myrtle lucinda yandel, daniel cohen, max pincus, s. aaron, mrs foletti, vaughan, mary ann passalaqua, guildford, mary an martinoja, beatrice thurlby, elizabeth spencer, lenna hopkins, rebecca baxter, avonsleigh, ballara, jonathan chapple, alice kenyon, health -
Federation University Art Collection
Artwork, other - Artwork - Glass Plate, Tony Hanning, [Glass Platter] by Tony Hanning, 1998
... including the V&A Museum in London and the Tacoma Art Museum... and the Tacoma Art Museum in the USA. He pioneered the ‘cased’ glass ...Tony HANNING (1950- ) Dr Tony Hanning is an internationally recognised glass artist whose work is represented in all major collections in Australia and many overseas collections including the V&A Museum in London and the Tacoma Art Museum in the USA. He pioneered the ‘cased’ glass technique that involves two layers of different coloured glass carved in a cameo-like fashion. The imagery in Tony Hanning's work often is representitive of the Gippsland landscape. He has a PhD from Monash Univversity (2008); Master of Arts from Monash University (1998); and a Diploma, Visual Arts, Gippsland Institute of Advanced Education, Monash University, Melbourne (1971). From 1971-1980 Tony Hanning was the Director of Latrobe Valley Arts centre (later Latrobe Regional Gallery, Morwell) Glass platetony hanning, glass, artwork, gippsland campus, churchill, alumni, staffmember -
Hume City Civic Collection
Container - Bottle, wine, 1985
... for an exhibition in the Art Gallery (George Evans Museum). Note... for an exhibition in the Art Gallery (George Evans Museum). Note ...The bottle was donated to the Council by Hedley Elliott for an exhibition in the Art Gallery (George Evans Museum). Note that Goonawarra is misspelt on the label.Green glass bottle used for 1975 claret and bottled for the first Sunbury Fair. The label is printed in brown and cream and features a sketch of the Goonawarra Winery and surrounding area. There is a brief statement on the back about the winery and the background to production of the wine. On the back is a hand-written label, stuck on with clear tape giving an account of the origin of the bottle of wine, its donor and storage instructions. It has a black metal cap and miscellaneous markings on the flat bottom."Sunbury Fair / Goonawarra Vineyard (above) was established / in Sunbury in 1858 by the / Hon. J. G. Francis, former Premier of Victoria. / This 1975 Claret from the Stanley Wine Co. / was bottled by Emerald Wines especially / for the Sunbury Fair / WINE PRODUCED IN AUSTRALIA F100 750ml". The hand-written label is signed by John McKerrow in 1985.sunbury fair, wines, goonawarra vineyard, stanley wine company, emerald wines, elliott, hedley, mckerrow, john, festivals and celebrations, francis, j.g. (hon.), george evans collection, 1970s -
Federation University Art Collection
Painting - Watercolour, McGeorge, Norman, Untitled, c mid 1940s
... : Man of Art" at the Ian Potter Museum of Art, The University...: Man of Art" at the Ian Potter Museum of Art, The University ...Norman MacGEORGE (08 July 1872– 2 September 1952) Born Adelaide, South Australia Norman Macgeorge taught drawing at Wesley College, Melbourne from 1902-06. He also taught at Melbourne Teachers' College and at Melbourne Church of England Grammar School. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape depicting the confluence of the Darebin Creek and the Yarra River. Purchased by the Ballarat Teachers' College in 1964. This work was exhibited in "Norman MacGeorge: Man of Art" at the Ian Potter Museum of Art, The University of Melbourne, 22 September to 25 November 2001.art, artwork, norman mcgeorge, mcgeorge, watercolour, available, landscape, darebin creek, yarra river, ballarat teachers' college art collection -
Clunes Museum
Photograph, 1929
... - CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN... - CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN ...THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF - CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862 AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH OF AN OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF, CASTLEMAINE. (TAKEN FROM MAGAZINE)local history, photography, photographs, longstaff, sir john -
Federation University Historical Collection
Article - Article - Women, Ballarat Technical Art School: Women of Note; Nornie Gude, Artist, (1915 - 2002)
... , Castlemaine Art Museum, and Bendigo...., Castlemaine Art Museum, and Bendigo. nornie gude ballarat technical ...Eleanor Constance (Nornie) Gude was born in 1915 in Ballarat, Victoria to Stella Rehfisch and Walter Gude, musician and violin teacher, and conductor of the St Patrick's Cathedral orchestra and choir in Ballarat. Her parents met when Stella was 27 and the 42-year old Walter was teaching her the violin. Nornie and her sister Gilda were both raised in Ballarat before moving to Melbourne on the eve of World War II. She was accepted into the Ballarat Technical Art School at 15 because of her advanced skill in painting, and trained there from 1931-1936. She won the esteemed MacRobertson Scholarship in art worth £100 a year. She later went on to the National Gallery School from 1936-1939, studying with Sidney Nolan and Charles Bush, and became the first woman to win the National Gallery Students Travelling Scholarship. Gude won many awards for her painting both while at school and throughout her career. Her work is represented in collections at the National Gallery of Victoria, Parliament House, and the Art Gallery of Western Australia, as well as regional collections in Ballarat, Geelong, Castlemaine Art Museum, and Bendigo.Portrait of Nornie Gude while a student at the Ballarat Technical Art Schoolnornie gude, ballarat technical art school, 1931-1936, women of note, artist, macrobertson scholarship, 100 pound per year, national gallery school, 1936-1939, sidney nolan, charles bush, first woman national gallery students travelling scholarship, parliament house, regional collections, ballarat, geelong, castlemaine, bendigo, national gallery victoria, eleanor constance gude -
Clunes Museum
Photograph, 1929
... OF EDNA THOMAS. DISPLAYED IN CASTLEMAINE ART GALLERY & HISTORICAL.... DISPLAYED IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ...THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF OF EDNA THOMAS. DISPLAYED IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OF AN OIL ON CANVAS EDNA THOMAS 1929local history, photography, photographs, longstaff, sir john -
Clunes Museum
Photograph
... OF SIR HARRY LAWSON. NOW HANGING IN CASTLEMAINE ART GALLERY...Clunes Museum 36 Fraser Street Clunes goldfields ...THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF OF SIR HARRY LAWSON. NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OF OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF - PORTRAIT OF SIR HARRY LAWSON. 1926local history, photography, photographs, longstaff, sir john -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1890s
... in the old Warrnambool Museum and Art Gallery, opened on 29th July...Warrnambool Museum and Art Gallery... previously used in the old Warrnambool Museum and Art Gallery, opened ...These oak and rattan arm chairs were previously used in the old Warrnambool Museum and Art Gallery, opened on 29th July 1886 with Mr Joseph Archibald as Curator, demolished in 1960. Chairs are significant to local history as they were originally purchased for use in the Warrnambool Museum and Art Gallery. The chairs were part of the social and cultural history of WarrnamboolChair, oak wood arm chair (set of 9), cureved back with decorated wooden edges, shield carved into top and protective metal plates on top at rear. Padded leather seat studded at edge, over rattan cane seat. Rattan cane is stitched onto wooden frame through drilled holes. Front and side legs each have two spindles between them. back legs have one. Legs are turned and slightly cambriol. Some chairs have written on back leg "1486". Made in England, c. 1896Some of the chairs have hand written black pen on back leg "1486"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, chair, arm chair, rattan chair, warrnambool museum, warrnambool art gallery, 1890s chair, 19th century furniture, domestic furniture -
Clunes Museum
Photograph, 1883
... LONGSTAFF OF STILL LIFE - NOW HANGING IN CASTLEMAINE ART GALLERY...Clunes Museum 36 Fraser Street Clunes goldfields ...THIS PHOTOGRAPH IS A COPY OF OIL PAINTING BY SIR JOHN LONGSTAFF OF STILL LIFE - NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. OIL ON CANVAS - SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH OF STILL LIFE, OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF. SUBJECT; VEGETABLES - POT AND RABBIT.local history, photography, photographs, longstaff -
Clunes Museum
Photograph
... -NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM... IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. ,EARLY SPRING SCENE ...THIS PHOTOGRAPH IS A COPY OF PAINTING BY SIR JOHN LONGSTAFF -NOW HANGING IN CASTLEMAINE ART GALLERY & HISTORICAL MUSEUM. ,EARLY SPRING SCENE IN SUSSEY 1916.- SIR JOHN LONGSTAFF WAS BORN IN CLUNES IN 1862, AND HAD HIS FIRST PAINTING LESSONS FROM A DR. BRUHN IN CLUNES AT A VERY EARLY AGE.PHOTOGRAPH COPY OIL ON CANVAS PAINTING. BY SIR JOHN LONGSTAFF, EARLY SPRING - SUSSEX 1916local history, photography, photographs, longstaff, sir john -
Federation University Art Collection
Work on paper - Artwork, Martin King, 'The Time Has Come' by Martin King, 2015
... and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing... in the UK, the Jinling Museum of Art in Nanjing, China ...Martin KING (1957 - ) Born Melbourne This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print Editioned lls '2/36' Signed lrs 'King'artist, artwork, printmaking, parallel prints, martin king -
Federation University Art Collection
Work on paper - Artwork, Antoinetta Covino-Beehre, 'Shadow of the Night' by Antoinetta Covino-Beehre
... in the UK, the Jinling Museum of Art in Nanjing, China... and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing ...This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.lls '2/36' lc 'Shadow of the Night' lrs ''Antoinetta Covino-Beehre'artist, artwork, antoinetta cravino-beehre, printmaking, parallel prints -
Federation University Historical Collection
Postcard - black and white, New Art Gallery, Birmingham
... Birmingham Museum and Art Gallery (BMAG) first opened... Birmingham Museum and Art Gallery (BMAG) first opened in 1885 ...Birmingham Museum and Art Gallery (BMAG) first opened in 1885. It is housed in a Grade II* listed city centre landmark building. There are over 40 galleries to explore that display art, applied art, social history, archaeology and ethnography.Black and white postcard showing a grand four storey building with clock tower. It is the new Art Gallery in Birmingham. chatham-holmes family collection, birmingham, birmingham art gallery, postcard, clock tower, world war one -
Federation University Art Collection
Work on paper - Artwork, Deborah Williams, 'Ubiquitous' by Deborah Williams, 2015
... and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing... Museum of Art in Nanjing, China, and the Whangarei Art Museum ...Deborah WILLIAMS (1967 - ) Printmaker Deborah Williams completed a Masters by Research at the National Art School, Sydney in 2011. She later worked at RMIT in the Visual Arts TAFE program teaching Printmaking and is the Advanced Diploma Coordinator, and lectures sessionally in the Drawing and Printmedia department at the Victorian College of the Arts, School of Art. This work was exhibited as part of "Parallel Prints", a Prints project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etchingEdition 2/36deborah williams, parallel prints, artist, artwork, printmaking etching, dog, animal, shadow -
Eltham District Historical Society Inc
Folder, Percy Leason, 1930s
... , 1999 17. Works by Percy leason held by Castlemaine Art Museum..., 1999 17. Works by Percy leason held by Castlemaine Art Museum ...Folder of information on Percy Leason, Artist, Cartoonist, Historian, Anthropologist, Eltham, 1930s. 1. Photo: ANOTHER WIREGRASS PROBLEM: A well known artist who has gone to the bush to be alone with Nature, is discovered, By Percy Leason 2. Photo: SCENE DURING THE EIGHT HOURSS' DAY SPORTS AT WIREGRASS, By Percy Leason 3. Photo: "FIRE!": "An unfortunate occurrence. When the members of the Wiregrass Fire Brigade assembled at the Fire Station last evening for their weekly practice, they were horrified to discover that the building was on fire." - WIREGRASS WEEKLY CLARION, By Percy Leason 4. Photocopy: "Goliath and the Prodigal David" by Percy Leason 1931 5. Photocopy: "Yes you are improving the place. I'll have to increase your rent." by Percy Leason 1933 6. Photocopy: Cartoon by Percy Leason 1931 7. Photocopy: Cartoon by Percy Leason 8. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, XIVth Edition 1950 9. LEASON, Percy Alexander, Painter and Illustrator; Who's Who in Australia, date unknown 10. Percy Leason 1889-1959 11. LEASON, Percy Alexander, 1889-1959, Painter and Illustrator 12. Percy Leason: Artist, cartoonist and Historian, by L.J. Blake, B.A., B.Ed., M.A.C.E. (President of the R.H.S.V.); An Address to the Society on Tuesday evening 27 August 1968; The Victorian Historical Magazine, pp 158-180 13. Catalogue: The Percy Leason Collection on view in The la Trobe Library 20 September - 29 October 1971 14. Invitation: Christmas Exhibition, The Wiregrass Gallery, 4 December 1977 15. Newspaper clipping: Artist's retreat, 1980 16. Newspaper clipping: Sharper than snapshots by Giles Auty; Arts, Review, The Weekend Australian, November 13-14, 1999 17. Works by Percy leason held by Castlemaine Art Museum, October 2018alan whitmore estate agents, biography, eltham*, exhibition catalogue, la trobe library, landscape, percy leason, rhsv, shire of eltham pioneers photograph collection, wiregrass gallery -
Flagstaff Hill Maritime Museum and Village
Craft - Scrimshaw, After 1975
... as tribal art in many cultures. Today, scrimshaw is recognized...Flagstaff Hill Maritime Museum and Village 89 Merri Street ...When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called panbone–and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas Painstakingly carved deliberate replicas are directed towards the scrimshaw collector and seldom appear in the general market. Pieces of contemporary art and museum copies are usually clearly marked and openly sold for what they are. The biggest problems in the general antiques market are the mass produced synthetic reproduction pieces, such as this item, that can be mistaken for the genuine item. The scrimshaw is a modern reproduction of a typical scrimshaw scene and engraved onto a synthetic substance. It has been created as a decorative piece and is currently displayed as a representation of the craft of scrimshaw.Scrimshaw carved on a non-natural material in the shape of a whale tooth. Engraving depicts a grizzly bear with two cubs next to a fallen tree. Nonewarrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, craft work, carving on bones, whale bone carving, engraving, scrimshaw, carving, reproduction scrimshaw -
Tatura Irrigation & Wartime Camps Museum
Photograph, Johannes Matthaeus KOELZ
... was received from New Walk Museum and Art Gallery, Leicester, England... was received from New Walk Museum and Art Gallery, Leicester, England ...Original painting, a self portrait of Johannes Mattaeus KOELZ, completed in 1943, after his return to the UK following his internment in Australia (1940-1941). This copy was received from New Walk Museum and Art Gallery, Leicester, England with their permission to have a print made. Colour photograph of J H Koelz in a light coloured frame with matt and glass. label on back: koelz, leicester museum, internment camps victoria -
Federation University Art Collection
Work on paper - Artwork, Bruno Leti, 'Those Trees' by Bruno Leti, 2015
... Museum of Art in Nanjing, China, and the Whangarei Art Museum... in the UK, the Jinling Museum of Art in Nanjing, China ...Bruno LETI (1941- ) Born Rome, Italy Arrived Australia 1950 Bruno Leti was nine years old when he came from post World War Two Italy. Known as a painter, printmaker, photographer and publisher of artists’ books, he studied at RMIT, studying Printnaking under Tate Adams, and Melbourne Teachers' College. He taught art in Italy, Canada, USA, and Melbourne, Australia. This work was exhibited as part of "Parallel Prints", a limited edition print project which presents the same exhibition simultaneously in New Zealand, at Art at Wharepuke and at a gallery in another part of the world. Eleven Australian artists were invited to join New Zealand-based printmaker Mark Graver to contribute to a portfolio that will be shown simultaneously at Art at Wharepuke, New Zealand and the Art Gallery of Ballarat, Victoria. Using the uniqueness of the reproducible print allows for the same works to be viewed at the same time on opposite sides of the world. This highlights the democratic nature of printmaking and questions the aura of the unique. Which venue is showing the 'real' work? Which the reproduction? The Australian artists showing alongside Mark Graver are James Pasakos, Bruno Leti, Martin King, David Frazer, John Neeson, Antonietta Covino-Beehre, Deborah Klein, Deborah Williams, Melissa Smith, Jodi Heffernan and Susanna Castleden. The original concept, Parallel Prints NZ-UK in 2013, included invited artists from the UK and New Zealand. It featured the work of twelve diverse artists presented in a portfolio set. Each artist contributed one work on 300 x 300 mm paper in an edition of thirty-six. Part of the concept behind the project was to donate twelve of the portfolio sets to international collections. Institutions that have accepted a portfolio include the Victoria & Albert Museum and The Ashmolean Museum in the UK, the Jinling Museum of Art in Nanjing, China, and the Whangarei Art Museum, in New Zealand. In 2015 a portfolio set was donated to the Federation University Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching on papertrees, printmaking, etching, bruno leti, artist, artwork, parallel prints, landscape -
Nillumbik Shire Council
Public Art: Helen BODYCOMB (b.1964, South Australia) and Enver CAMDAL (Lives and works Turkey), Enver Camdal et al, Nest (Location: Roundabout, Main and Luck Street, Eltham), 1997
... acquisition' was Rhonda Noble, Director of La Trobe University Museum..., Director of La Trobe University Museum of Art, Jeph Neale, Eltham ...Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush