Black Range Quarry SiteOn Reverse 3 Black range quarry sites - Granite Cox's Property Lot 13 Bullocky Mary Rd. Don Rickard - May 1999stawell

Black Range Quarry SiteOn Reverse 5 Black range quarry sites - Granite Lee's Property Lot 16 Bullocky Mary Rd. Don Rickard - May 1999stawell

Black Range Quarry SiteOn Reverse 6 Black range quarry sites - Granite Lee's Property Lot 16 Bullocky Mary Rd. Don Rickard - May 1999stawell

Black Range Quarry SiteOn Reverse 4 Black range quarry sites - Granite Lindsay? Lee's Property Lot 16 Bullocky Mary Rd. Don Rickard - May 1999stawell

A digital copy of a black and white postcard of the Black Spur Hotel and Narbethong House in Narbethong.A digital copy of a black and white postcard of the Black Spur Hotel and Narbethong House in Narbethong. A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Narbethong. narbethong, victoria, australia, postcard, rose series postcard, the rose stereograph company, p. 2258, souvenir, black spur hotel, narbethong house

Alexander Black was a painter and decorator who operated a business in Timor St below Swinton’s. Some of the customers in this book are town council baths, Mr Fritz Landmann, St John’s Church, Thomas Redford, Thomas Robinson, Public Works Department, J W Crawley, Jas McLeod, W J Jackman among many more.Listing many local people and being associated with a local business, it has social and historical significance.Large rectangular hard card cover. Maroon, blue and cream patterned card cover with dark green spine binding. Hand written entries listing details of work completed at front and tenders for work at the back of the book. Paper label pasted to front cover “Working account book from 5th December 1899 to August 1918 Tenders at back of book 1900.” Purple oval stamp Alexr Black Painter Importer of paper hangings Warrnambool. Handwritten inside front cover: Mr Alex Black Timor Street Warrnambool. warrnambool, alexander black, alex black painter, black painterwarrnambool,

Niel Black was an early settler in the Western District of Victoria who held large tracts of land including Glenormiston and The Sisters estates. Black was responsible for bringing many employees to the area. The employees' names, birthplace, arrival date, marriage partner/s, other employers are tabulated. An overview of Black's properties and conditions of the time is also included.This booklet documents those who came to the Western District to work for Niel Black prior to the goldfishes of the 1850s.In-house booklet with plastic sleeve outer cover, with black & white images of sheep shears, wool and a map of the Black property. All text is in black.emigration, employment, family history, early victorian squatters

One of a number of 'real photo' and commercial postcards created by or owned by members of the Christian and Washfold families of Kew. The postcards are part of a larger collection of photographs, postcards and publications donated to the collection in May 2021.Sepia postcard of the beach at Black Rock showing swimmers and cars parked along the beachGuest Newsagency, Black Rock No.2rickett's point, postcards -- beaches, christian-washfold collection

Three generations of women are represented in this apron. The linen used was woven by Olga's great-grandmother Efstathia in the late nineteenth century with flax grown on the island of Ithaca. Olga's mother Toula Raftopoulos added the whitework around 1908 at age 16 - the first piece of lacework she made on her own - and embroidered her initials on the front. Olga embellished the apron with coloured embroidery around 1950 at age 20. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Cream linen embroidered half apron. White lace along hem, along with white embroidered initials, "T.P." Coloured floral and abstract embroidery along sides in red, black, blue and green.olga black, toula raftopoulos, migration, embroidery

A black talking watch with plastic watchband. It consists of a LCD display and voice response. It is stored in a black cardboard box which has instructions on it.LCD watch with black plastic bandAbove watch display: Talking Left hand button below display: Mode Right hand button below display: Talking Upper circular button below middle of display: Hr. Lower circular button below middle of display: Minassistive devices, audio equipment

Studio photograph of Elizabeth (Betty) Black, sister of Lindsay Black. The Black family were early landowners in Watsonia, from Grimshaw Street to Lambourn Road. The Model Studio operated from 330 Smith Street Collingwood from 1902-1904.Digital copy of black and white studio photograph.betty black, black family, elizabeth black, watsonia

Donald Victor BLACK, gardener, served and died as a result of WW11 service, an oak tree in the Ballarat Botanical Gardens is dedicated to him, 19th March 1944. Donald V. Black was highly regarded as a gardener in the Ballarat Botanical Gardens before he saw action in the Middle East and New Guinea during World War 2. The dedication and plaque in his memory attests to one of the many sad stories of a young man lost to his family, the work he loved and his home city.All visibleAll visiblejohn garner collection, garner, dr, black, donald black, gardener, ww11, ballarat botanical gardens, ballarat, gardens, plaque, tom toop, donald victor, memorial oak tree, tablet dedication

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows "Auntie" Berthe Black.Digital copy of black and white studio photographshirley fraser, black family, berthe black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Betty Black as infant.Digital copy of black and white studio photograph.shirley fraser, betty black, black family

Black Range Quarry SiteOn Reverse Bullocky Mary's House (Mary Honan) 1. Black Range. Campbell's Property Lot 14. Bullocky Mary Rd. quarry site Granite. Nr Cox's Fence. Don Rickard May 1999stawell

Lindsay Black attended Greensborough State School and later married Hazel Stafford. The Black family were landowners in Watsonia, from Grimshaw Street to Lambourn Road.Watsonia pioneer family.Digital copy of black and white studio photograph.lindsay black., watsonia

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows Lindsay Black as an infant.Digital copy of black and white studio photograph.shirley fraser, lindsay black.

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Eileen Black and is a post card to "Aunt Rose" 1926.Digital copy of black and white studio photograph.On back of photograph: "To dear Aunt Rose from Eileen March 1926"shirley fraser, eileen black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn Black. The inscription "To dear Rose" indicates it was sent to Rose McLaughlin.Digital copy of black and white studio photograph.On back of photograph: "To dear Rose Hoping you are all well, best love to all from Evelyn March 1926"shirley fraser, evelyn black, rosalie mclaughlin

The mobile butcher's shop operated by Thomas Black in the 1930s.Digital copy of black and white photograph thomas black, butchers

Owned by the Black family.Black leather cover. Yellowed pages. Contains Old and New Testaments.black family, bible

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows people on the verandah of the home of Evelyn and Duncan Black in Western Australia.Digital copy of black and white photograph in format of Christmas greeting.shirley fraser, evelyn black, duncan black

Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin family. This photograph shows Evelyn and Duncan Black. The photo was made by Yeoman Co. of Bourke Street Melbourne which operated between 1888 and 1915.Digital copy of black and white studio photograph.shirley fraser, evelyn black, duncan black

An information brochure regarding the Black Spur Inn in Narbethong.An information brochure regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information brochure

An information brochure regarding the Black Spur Inn in Narbethong.An information brochure regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information brochure

An information flyer regarding the Black Spur Inn in Narbethong.An information flyer regarding the Black Spur Inn in Narbethong.narbethong, victoria, australia, black spur inn, black spur hotel, black spur inn hotel, blacks' spur inn, blacks' spur hotel, narbethong hotel, accommodation, information flyer

Destination roll used to indicate to passengers the destination or route of the tram. At night the roll was back lit by two light bulbs fitted to the destination box on the tram. Item used in Geelong until 1956. Based on the hand written marking, used on bogie tram 39. See Reg Item 2906 and 9619 for a smaller side destination roll and 9618 for a roll fitted to a Pengelley-type tramcar.Yields information and demonstrates aspects about Geelong's destination rolls used in trams up to 1956 when the system closed.Destination roll - white lettering on black background - using black paint leaving the lettering transparent at night. Uses a book binders cloth. Top edge “R.E. Fluck” stamped in black ink – twice In pencil words “Dulux” – has been crossed out Alongside “B.A.L.M. Flat Black 18-3-52” and a set of initials “Off No. 39” all in pencil Bottom edge; Initials “R E F” in black pencil? – along outside of roll. tram, trams, geelong, destination roll, tram 39

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminted screenprint with dark green background. Centre image is orange with four circular openings. Within these openings are industrial images.Front: 4/8 (lower left) "Helta Smelta" (centre) Wendy Black '83 (lower right) Back: 2