Edward Bickford No 1519 enlisted in the AIF in the 1st reinforcements 21st Batt on 8.4.1915 age 25 years. Embarked for for Egypt 28.6.1915, embark for Gallipoli 29.8.1915, embark for France 19.3.1916, reported MIA 26.8.1916, a Court of inquiry dated 20.7.1917 found that he was KIA 26.8.1916 at Moquet Farm. Robert John Bickford No 1518 enlisted in the AIF in the 1st reinforcements 21st Batt on 8.4.1915 age 30 years 11 months. Embark for Egypt 8.4.1915, embark for Gallipoli 29.8.1915, hospital with Mumpa 20.1.1916, rejoin unit 7.3.1916, embark for France 19.3.1916, awarded the Military Medal (MM) as a Lewis Gunner and Gallantry under fire since March 1916, promoted CPL 1.9.1916, hospital with Odema of the feet 8.11.1916, rejoin unit 22.11.1916, WIA 12.1.1917 SW’s to Groin and Abdomen, DOW;s Flers 12.1.1917. William Bickmore No 815 enlisted in G Coy 14th Batt on 12.9.1914 age 21 years 11 months. Embark for Egypt 22.12.1914, embarked for Gallipoli, WIA 4.6.1915 shrapnel wound left arm, returned to Australia for discharge stating Stiffness of the Arm15.8.1915, return to Egypt in the 14th reinforcements and rejoin the 14th Batt 2.4.1916, embark for France 1.6.1916, promoted L/Cpl 1.9.1916, promoted Cpl 24.3.1917, reported MIA 11.4.1917, Court of Inquiry found he was KIA 11.4.1917 at Bullecourt. Refer 2949P, 2950P, 2991P for their photos.Bickford Family Set of WWI Commemorative Plaques: .1) Bronze Death Plaque, British pattern showing a helmeted female (Brittanica) in classic style dress holding a trident in right hand, wreath in the other & a lion at her side. In the rectangular box, embossed is the name Edward Bickford. .2) As above description though in the rectangular box is the name Robert John Bickford. .3) Descriptions as above though in the rectangular box is the name William Bickford. .4) Heavy wooden display case painted cream colour, 2 hinges on the side, no lock or catch. Inside are 3 recessed circular holes to hold the plaques.Written on rear of box is: “A.T.B. 94”military history, memorial, plaques

Bronze-gold circular metal "film canister" with the word "convergence" applied to lid using "Colour Ease" system available at university at the time. This was essentially a way for Ballarat design students to produce their own transferable graphics and was often applied to packaging. The metal canister is filled with coffee beans (a theme continued on the accompanying CD Rom). Some invitees received gold-bronze canisters, some received silver. A silver plastic sleeve, printed one colour white, holds a Macintosh and Windows compatible (at the time) CD Rom, itself printed two colours (white and black). Also in the plastic sleeve is a ten page roll-fold brochure, printed in two colours (black and a metallic silver-blue). Refer item 29164.2 for screen captures from CD Rom. In addition, the canister contains a coaster, printed in single colour brown, with the appearance of a coffee cup stain, and the word "convergence". This provides the actual exhibition details, including sponsors. Also included is an exhibition poster, single colour (black) offset print on newsprint. Opening held Thursday 12 November 1998, 6.00pm at Chapel Off Chapel, 12 Little Chapel Street, Prahran (Melbourne). Exhibition was then open daily until 23 November 1998. The exhibition was opened by Jonathan Barnbrook, UK type designer, who was also external assessor for the graduating students that year.Limited run, complete pack sent as invitation to graphic design community to attend the opening of the third year Graphic Design graduate exhibition, 1998. Bronze-gold metal film canister containing invitation coaster, event poster, CD Rom catalogue of student work, brochure and coffee beans.university of ballarat, federation university, graphic design, helmut stenzel

Bronze-gold circular metal "film canister" with the word "convergence" applied to lid using "Colour Ease" system available at university at the time. This was essentially a way for Ballarat design students to produce their own transferable graphics and was often applied to packaging. The metal canister is filled with coffee beans, CD Rom, brochure, a coaster and poster. Some invitees received gold-bronze canisters, some received silver.Bronze-gold metal film canister. "Convergence" wording hand applied using Colour Ease method. Small white labels holding lid on (no tack remains).university of ballarat, federation university, graphic design, helmut stenzel, colour ease

Victoria Cross for Australia was introduced in 1991 for actions in Afghanistan. Corporal Cameron Baird was the 100th Australian to receive the award This coin is one of a series "Legends of ANZACS", uncirculated, with a value of 25 cents.Bronze coin featuring an Australian Victoria Cross, laminated, mounted on card printed in colour both sidesLogos of Westpac, 100 years of ANZAC, and Legacy, with photographs of Albert Jacka and Cameron Baird, VC recipients.victoria cross, coins, commemorative coins

Saara Lamberg, a Briar Hill local and filmmaker is hoping to raise enough funds to create her film "Innuendo" which won a bronze award at the Beverley Hills Screenplay Contest. She would like to film in the Diamond Valley and is working with chainsaw artist Leigh Conkie.News article, 2 pages, text and colour images.saara lamberg, leigh conkie, innuendo, film making

Shows the recesses used for the bronze castings below the First and Second World War names. (Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower

The model Tower was used to collect funds for the bronze castings. Donations were slipped into the top and collected withing the body. (Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower

Three days before the rededication ceremony. The bronze plaques are being put in place by Meridian Foundry. The stonemason is copying the tower wall as a base for the brass etching by Paul Smith of Kenneth Jack's 1943 sketch of the Tower. (Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower

Harry Gillham, President and EDHS and Convenor of the Nillumbik Shire Council's Advisory Committee for the War memorial at Kangaroo Ground was for some years working on the refurbishment of the Tower of Rememberance and the surrounding park. The Committee decided to produce plaques to commemorate the armed conflicts in Korea, Malaysia, Borneo and Vietnam. The plaques were funded by public donations and cost $10,000. The community donated via donation boxes placed at Eltham Library. NL 140 Sept 2001 Governor John landy and other digniaries attended the event where the Governor unveiled the plaque which was attached to the historical tower in November 2001. Colour photographkangaroo ground, war memorial tower, plaques

(Contained in an album originally put together by Harry Gilham. Photos subsequently relocated to photosafe archival storage.) [2001]Colour photographkangaroo ground, war memorial tower, plaques

In recognition of its fallen soldiers and Churchill's 50th birthday a service memorial was erected on a concrete plinth at the Churchill town plaza and used for the first time to mark the ANZAC centenary on Anzac Day 2015. Churchill never had a war memorial and received a grant from the Department of Veterans' Affairs six years ago to commission a sculpture with Latrobe City Council's support. It was decided the sculpture needed to recognise more than just the war effort, but service and volunteerism, considering Churchill was only founded in 1965. (http://www.latrobevalleyexpress.com.au/story/2816903/churchills-new-memorial/, accessed 01 may 2015) Sculptor Paul Jesse discussed the work in Churchill and District Community news, 18 December 2014: Some time ago CDCA commissioned a sculpture to be used as a Service Memorial to commemorate the fallen that have died in service of our community and country. Traditional memorials usually commemorate Armed Services personnel, but CDCA was of the opinion that a more inclusive view which included Emergency Services personnel, such as CFA, SES and Police, could be incorporated into the Churchill Memorial. Boolarra artist, Paul Jesse, who is accomplished in Ferro-Cement sculpture techniques, was commissioned to create a memorial that would cause people to reflect on the meaning of ‘service’ and ‘sacrifice’. The following is a description of the Churchill Service Memorial Sculpture written by the sculptor, Paul Jesse. “My sculpture is different from most War Memorial sculptures because it uses as its basis the reasons why people go into service or to war. One side of the sculpture is colourful and optimistic; its theme is home, family, community and the future. These themes are crafted by flow lines which are connected to the other side of the sculpture through the round hole and the Crosspiece. These lines can be seen as a multi-layered connection between the sides. On the “dark” side of the sculpture, the lines begin with a spiral of coloured mosaics. This spiral is representative of our service people. Its beginning can be seen on one level as their soul. The spiralling mosaics of them flow to the other side of the sculpture where they create the landscape and figures. These lines can also be seen as a range of connectors between the two sides, representing a flow of thoughts, love, fear, concern and dreams. They also represent physical communication such as letters and phone calls.” This ‘Service Memorial’ is located in the Churchill Plaza (adjacent to the Town Hall), along with four flagpoles, seating and garden beds. The Churchill Service Memorial has deliberately been designed as a thought-provoking public art work. It will complement the Art and Culture Pathway which links Switchback Gallery at the Federation University Campus to the Town Centre. We hope Churchill citizens will pause to view the Memorial, ponder its meaning, reflect on the service of others and commemorate the fallen. Colour photograph on an abstract Australia-shaped sculpture by Boolarra artist Paul Jesse. The abstract Australia-shaped sculpture is in stark contrast to the bronze-cast "fallen mate" or concrete cenotaph seen in many country towns. The photograph includes wreaths from the ANZAC centenary service on ANZAC Day 2015. churchill, churchill war memorial, paul jessie, anzac centenary, federation university, gippsland, art and culture pathway, world war

Poet Adam Lindsay Gordon was born in 1833 and died in 1870.Photographs of the bronze bust of poet Robert Lindsay Gordon.adam lindsay gordon, bust, statue, ballarat botanical gardens, poet

Colour photograph Label on front: Melb ALL JUNIOR 8 Yrs 2002 Corbin Pieper 50m Breast Bronze. Written on Rear: Corbin Pieper Bronze at All Junior Breaststroke 8 yes 2002 lowryrecreations, sports, swimming

Plastic membership ticket; front has colour photo of Paddy Ryder in an Essendon jumper with a crowd of people behind him, including Jobe Watson, David Hille, Jack Jones, Gary O'Donnell and other current players; "This is Essendon" at top of card in silver and red letters, small circle in top left corner has Essendon bomber logo in centre and "Bronze 2010 membership" in black letters around bronze border; "Member 2010" in bronze letters with red, black and silver Essendon logo and Samsung logo across bottom of card. Reverse has bar code and "2010 Bronze Adult 11" and "Year member 17" in stylised log in top right corner; also details of member and reserved seats.essendon football club

Colour photo of Ben Murphy dressed in t-shirt and shorts. He has a medal on a cord around his neck. Written on the front of the photo: Ben Murphy All Junior 50m 2002 3rd Back and Breast 2003 Bronze Back. Written on the back of the photo: Ben Murphy All Junior 2002-Bronze: Back Breast 2003- Bronze: Backrecreations, sports, swimming

Colour, head and shoulder photo of Eleanor Rodda wearing a black bathing cap and swim goggles. She is holding two medals. Written on the front of the photo: 2008 Portland Country Champs Eleanor Rodda 13 yrs 100 Fly 1st. Written on the back of the photo: Country Medallist 2008 District Records Portland 2008. 13 yrs Gold 100m Fly. Bronze 100 F/S State Medal 100 Fly.recreations, sports, swimming

"ARARAT WAR MEMORIAL.- Remarkable simplicity and beauty are combined in the Ararat war memorial, which will be unveiled by Senator H.E. Elliott to-morrow. The monument is a simple rectangular stone mass, 12ft in length, 6ft in width, and 18ft m height, standing on a bluestone platform of three steps in the centre of a formal garden Surrounding the memorial is a bronze frieze, conceived from the classic frieze of the Parthenon in Athens depicting incidents in Australian engagements overseas. The frieze took the sculptor (Mr Wallace Anderson) two years to complete. The memorial was designed and supervised by Mr A.S. Hall. Photographs of the memorial are included in the collection at the architectural exhibition it the Town Hall." (The Argus, Friday 8 August 1930) A number of colour photographs showing details from the Ararat War Memorial.ararat, ararat war memorial, ararat cenotaph, wallace anderson, a.s. hall, world war, nurse

The drinking fountain is located in Catani Gardens, St Kilda. It was a gift to the City of St Kilda by Sali Cleve, a prominent local resident. It has aesthetic significance as a rare example of the Beaux-Arts style and is the only known public piece in bronze by noted architectural designer and artist Charles Adam Irwin. colour photograph, unmounted, good conditionThis Drinking Fountain is a Gift to the Public From Sali.Cleve.Esq. April, 1911st kilda, catani gardens, sali cleve, sali cleave drinking fountain, ca irwin, charles adam irwin, plaques

Thirty years after Geelong Veterans formed, GWCC members still raced both competitions.Recognition of Geelong Cycling Club member's capacity to achieve at a world level.Colour photograph framed in a black wooden frame with gold trim. The photograph is mounted on blue. This is a photograph of the world track cycling master championships in Sydney 2007."World Master Track Cycling Championships/Sydney/2007/3000m Individual Pursuit/Bronze Medalist/Steve Young"world master track cycling championships; 2007; 3000m individual pursuit; bronze medalist; steve young;

1914-1919 Victory Medal awarded to MS 4292 SGT A SUTHERLAND ASC - nil further known and unable to confirm service history.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. MS 4292 SGT A SUTHERLAND ASCmedal, ww1, sgt a sutherland, asc, army service corps

Medal awarded to Private C T WHYMAN 554269 who served with the 16th London Regiment (County of London). The 16th Battalion was known as the Queen's Westminster Rifles, an Infantry regiment of the British Army formed in 1908 and disbanded in 1938. The Battalion was engaged on the western front between 1914 and 1918. The item was found and no further information is known regarding Private WHYMAN.Round bronze medal - The obverse shows figure of 'Victory' (or 'Victoria') with her left arm extended and holding a palm branch in her right hand.The reverse has the words ‘THE GREAT / WAR FOR / CIVILISATION / 1914-1919' in four lines, all surrounded by a laurel wreath.The ribbon has an iridescent multi-colour scheme and attaches to the medal through a ring suspender The recipient's name, rank, service number and unit is impressed on the edge of the medal. 554269 Pte C T WHYMAN 16 LOND Rww1, 16 london regiment, c t whyman, 1918, victory medal

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Jacob Epstein's bronze statue of St Michael and the Devil (1958, unveiled in 1961), New Coventry Cathedral 1950, Coventry, England. (Architect: Jacob Epstein.)Coventry Cathedral / Epstein's bronze statue of St Michael and the Devil / Encircled 25 (Handwritten)uk, slide

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wrapped in a blanket, clutched to his chest and over his head. Surface treatment is textured. Metallic brown colour with base starting to turn a green patina. Sticker underside of sculpture 'WEGNER THE BLANKET AG205642'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary figure sitting on rock/log with elbows resting on knees and hands on head. Face looking down in despair. Surface treatment is textured. Dark metallic brown colour with figure starting to turn a green patina.Sticker underside of sculpture 'No. 205640 (AP)'wegner, figurine, bronze, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Three figures embrace in despair (two men, one woman). One throws his arms around the other two figures who are consoling each other in an emotional embrace. Surface treatment is textured . Metallic brown colour. 'WEGNER THE WAKE 1 AG205643'wegner, figurines, bronze, black saturday, sculpture

Cato Park Plaque. The information on the plaque states the name change from Victoria Reserve to Cato Park in 1930. Victoria Reserve was gazette in c 1914 then had a name change in 1930 to Cato park. The Park renamed after Frederick J. Cato in contribution to his generosity to the Stawell community. The plaque was unveiled on 23rd November 1982.Colour photograph of Cato Parks bronze plaque on a stone located near the Cato Park entrance gate. The plaque acknowledges the name change of the Park from Victoria to Cato Park in c 1930 and the plaque was unveiled in c 1982. stawell

Sourced from the private collection of fashion designer Lisa Ho, purchased at Moss Green auctions.A good example of the silk and metallic lame' fabrics available in the 1920s.Evening jacket of rich lame' in burnished autumn tones of gold, bronze and olive. Ruched square collar, long sleeves with turned back ruched cuffs. No openings, is worn open. Fully lined in chinoise style rayon jacquard in a cafe au lait colour - lining dates to the 1940s and probably replaced a delicate silk original lining.None

Colour photograph of the Silbury Hill, an immense Neolithic man-made mound part of the Avebury World Heritage Site. The Avebury World Heritage Site is a complex of outstanding prehistoric monuments comprising Windmill Hill (Early Neolithic enclosure and Bronze Age burial mounds); Silbury Hill; West Kennet Long Barrow; Avebury Stone Circles and West Kennet Avenue; The Sanctuary (site of stone and timber circles). It is part of National Trust and English Heritage. Visitors may walk to sites.avebury world heritage site, mound, prehistoric monuments, silbury hill, west kennet long barrow, neolithic, world heritage