Showing 293 items
matching donor names
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Tatura Irrigation & Wartime Camps MuseumArticle - Multi ring Binder, The Arts Behind Barbed Wire - Dunera Internees at Hay Camps NSW 1940 - May 1941
... . On front is a label with name and donor being a school teacher... pages. On front is a label with name and donor being a school ...21 type written pages entitited The Arts Behind Barbed Wire: the Dunera Internees at Hay. Tells the story of the Dunera internees who were sent to Hay NSW from England. It covers how the internees made life in Hay bearable by setting up a school, theatre, visual arts, etc. Tells some of the stories of several of the internees during their internment.Black plastic display folder with 21 typewritten pages. On front is a label with name and donor being a school teacher, taped ondunera, dunera internees, hay camp -
Lorne Historical SocietyPhotograph, Bann's Passing Point
... ) Passing Point was named after donors of 5 pounds or more...) Passing Point was named after donors of 5 pounds or more Bann's ...G.O.R Car at passing point (note sheer edge of road) Passing Point was named after donors of 5 pounds or moreg.o.r.: bann's passing point: doner acknowledgements: -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)Photograph, 1920c
... re Donor Babs Harris, real name Lily Harris, nee Gray... Entrance gippsland re Donor Babs Harris, real name Lily Harris, nee ...re Donor Babs Harris, real name Lily Harris, nee GrayCopy sepia toned photograph of Broomes Federal Hotel, showing tourist launch at jetty, people standing on the jetty. On east side of hotel is Venga Guesthouse, before renovations. Lakes Entrance Victoriaguesthouses, boats and boating, architecture, jetties -
Vision AustraliaCertificate - Text, Association for the Blind Certificate of Honour
... certificates of honour, which could then have the donor's name hand..., which could then have the donor's name hand-written or typed ...Initially donations were thanked by individuals or via typed notes. The next step was the use of pre-printed certificates of honour, which could then have the donor's name hand-written or typed in. These examples are interesting as they show the use of the initial draft of the guiding light symbol, of a black outline flame and semi-circle on a white background, and the continuance of the circle, but in white on a black background. Light blue flowery motifs vertically fill the top left hand side and horizontally the bottom right hand side of the page. Signed by the President (unknown/John Wicking) and Secretary (John Wilson) they were presented to staff of the Association for their contribution of $11,000 for the Guiding Light Appeal in 1968, the staff of the Blind Citizens Community Centre for their $5000 contribution in 1974, and the staff of Mirridong for their $1500 contribution in 1974. A4 sized certificates with blue decoration and black and white AFB half circle logassociation for the blind, fundraising, john wicking -
Rutherglen Historical Society
Image, 1880-1900 (Approximate)
... Football team belonging to Pomona Lodge, Rutherglen. Names...-country Football team belonging to Pomona Lodge, Rutherglen. Names ...Football team belonging to Pomona Lodge, Rutherglen. Names unknown. Donor was formerly the proprietor of the Victoria Hotel, RutherglenPhotograph in carved wooden frame, cardboard mount, narrow guilded wooden insert, portrait of football team, Loyal Pomona Lodge"Loyal Pomona Lodge / M.U.I.O.F."football teams, loyal pomona lodge, lodges, victoria hotel -
City of Greater Bendigo - Civic CollectionPainting - Portrait of William Abendigo Thompson, c 1890
... centre back of frame; donors name and address. Initials illegible... Piccadilly London W sticker lower centre back of frame; donors name ...William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport -
Kew Historical Society Inc
Archive (series) - Subject File, Kew, Centenary of - 1960, 1958
... of the book record their donor’s names - Margaret Bertuch (2005), Mr... of the book record their donor’s names - Margaret Bertuch (2005), Mr ...Various partiesReference, Research, InformationKHS OrderIn 1960, the City of Kew celebrated its centenary. It had been constituted a separate municipality in 1860 following its separation from the Kew Roads Board. The Kew Historical Society had been founded in 1958 to assist in the celebration of the anniversary. The Society’s main contribution was to author a 24-page booklet on Kew’s history. The Information file contains a copy of the book and a later separate index of its contents. Various copies of the book record their donor’s names - Margaret Bertuch (2005), Mr Keith Hobson (2007), Betty Huston. The file also contains a detailed three-page signed manuscript/typescript by Dorothy Rogers, noting her ‘Impressions of Functions During the Centenary, Kew, 13th to 18th December 1961’. The commentary lists all formal events during this period, including performances. Also in the file is an original copy of the order of business of the Committee of the Whole Council (23 Apr 1960), copies of centenary editions of newspapers (The Outer Circle Mirror 13 Dec 1960; The Free Press 18 Dec 1960 - donated by Margaret Bertuch)kew - history, centenary of the city of kew (vic) 1960, centenary of kew - events, centenary of kew -special council meeting, dorothy rogerskew - history, centenary of the city of kew (vic) 1960, centenary of kew - events, centenary of kew -special council meeting, dorothy rogers -
Vision AustraliaPhotograph - Image, Building appeal donor plaques
... centre in 2001, glass plaques were created with donor name... in 2001, glass plaques were created with donor name and placed ...To recognise major donors for Vision Foundation's Kooyong centre in 2001, glass plaques were created with donor name and placed in various areas of the building. Prior to their removal due to refurbishment in 2017, photographs were taken of individual plaques and where they were previously located. The Cybec Trust - first floor of the library side, near lift. The Top Opp volunteers - first floor of the library side, outside door to the studios Gandel Charitable Trust - first floor of the library side, inside door to the studios Dame Elisabeth Murdoch AC, DBE. - first floor of the library side, in studio corridor The William Buckland Foundation Sir Donald and Lady Trescowthick Foundation Limited - ground floor of the library side, to the left of the doors to the library Bib Stillwell - ground floor of the library side, to the right of the doors to the library Sidney Myer Fund National Australia Bank Kooyong Fair Committee, stall holders, volunteers and staffGlass plates in various huesnameplates, vision australia foundation -
Phillip Island and District Historical Society Inc.Booklet, Australian Sketch Book of pressed flowers
... , possibly in the 1890s. They lived in Reid Street, Rhyll. Name... Street, Rhyll. Name of donor is Ossie or Oswald Underdown ...The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge pale green sketch book with blank pages covered in native wildflower specimens and each page covered with transparent paper. a few pages of sketches at back of book. Completed in 1912Australian Sketch Bookdrawing book, wildflower collection, native flowers, oswald underdown -
Phillip Island and District Historical Society Inc.Booklet, Australian Sketch Book of drawings by Ossie Underdown
... , possibly in the 1890s. They lived in Reid Street, Rhyll. Name... Street, Rhyll. Name of donor is Ossie or Oswald Underdown ...The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor is Ossie or Oswald Underdown.HistoricalLarge, pale green sketch book with scale and freehand drawings of plants, flowers. Completed in 1912Australian Sketch Book. Oswald Underdown.drawing, oswald underdown, drawing book -
Flagstaff Hill Maritime Museum and VillageClothing - Baby Clothes, c. early 1900's
... previously owned by the mother of the donor. Her name was Mary.... They were previously owned by the mother of the donor. Her name ...These handmade baby clothes are a fine example of home crafts, showing attention to detail. The original owner and maker of these handmade silk baby clothes is unknown. They were previously owned by the mother of the donor. Her name was Mary Patricia (Pat) Mulready 21.4.1934 – 4.2.2007 who was born, died and died Warrnambool. The clothes were possibly purchased from an opportunity shop as clothing for her daughter Eileen Mulready, 3.10.1968 - Jan 1991.Baby clothes, hand crocheted fine, fawn coloured silk thread. Set comprises booties (2) with button and small floral embroidery, round bib and round cap with chin tie.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handcraft, baby clothes, crocheted baby clothes, home crafts, pat mulready -
Phillip Island and District Historical Society Inc.Photograph, Underdown home in Rhyll, About 1900
... , possibly in the 1890s. They lived in Reid Street, Rhyll. Name... Street, Rhyll. Name of donor was Ossie or Oswald Underdown ...The Underdown family were early settlers on the Island, possibly in the 1890s. They lived in Reid Street, Rhyll. Name of donor was Ossie or Oswald Underdown.[Source Cherry McFee]Faded black & white photo on cardboard mount of a man, believed to be Mr Underdown, standing in front of a house with a dog and horse.Underdown property in Rhyll. Later Strawberry Gardens.underdown family, rhyll, buildings - historical, historic homes, local identities, oswald underdown, photographs -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1/12/1995 12:00:00 AM
... with board to hold names of donors to Lakes Aquatic Club number... and Loris Anderson with board to hold names of donors to Lakes ...Also black and white photograph of Geoff and Loris Anderson with board to hold names of donors to Lakes Aquatic Club number 03757.1 size 9.5 x 15 cmBlack and white photograph of Geoff and Lois Anderson of Alumic Signs 5 59 Whiter Street Lakes Entrance Victoriabusinesses -
Federation University Historical CollectionBooklet - Exhibition Catalogue, University of Ballarat School of Arts [Visual Arts] Final Year Exhibition, 1996, 1996
... sponsors, award donors, exhibition committee names and layout... donors, exhibition committee names and layout/design names. Mt ...Booklet to accompany third year student exhibition of Bachelor of Arts (Visual Arts) students. Pages include photographs of students, names and examples of work. Introduction by Associate Professor Robert L Allan, Head, School of Arts. Final page lists sponsors, award donors, exhibition committee names and layout/design names. Mt Helen CampusBooklet to accompany third year student exhibition of Bachelor of Arts (Visual Arts) students, 1996. Spiral bound landscape book. 56pp uncoated text plus card cover, printed single colour (blue) throughout.The number 50 in a circle written on cover.ballarat university college, buc, ballarat college of advanced education, bcae, university of ballarat, ub, federation university, visual art, printmaking, painting, graphic design, sculpture, ceramics, drawing, mt helen campus -
University of Melbourne, Burnley Campus Archives
Newspaper - Newspaper Cutting, Victorian Horticultural Society, 1862
... to the public. Donors of plants named including Rule (Californian... complete and open to the public. Donors of plants named including ...(1) Photocopy of article in "The Age" 30 January, 1862 p7. (2) Similar article from "the Argus" 30 January, 1962 p4. Description of the annual general meeting of the Victorian Horticultural Society. Description of a competition for a design and that the decorative part of the garden was nearly complete and open to the public. Donors of plants named including Rule (Californian Redwood?) Extension of Swan Street through Richmond Park, past Pic Nic Station to the Gardens and River Yarra.the age, the argus, victorian horticultural society, horticultural society of victoria, monthly meeting, competition for design of experimental gardens, burnley gardens, rule, californian redwood, donations of plants, pic nic station -
Vision AustraliaTextile - Object, Royal Blind Society scroll
... Beige satin scroll with names of donors printed upon... Beige satin scroll with names of donors printed upon it rests ...Beige satin scroll with names of donors printed upon it rests inside a brown wooden box. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesRoyal Blind Societyroyal blind society of nsw, fundraising -
Ballarat Fire Brigade
Trophy, prior to May 1888
... material band. A gold curved rectangular plate withthe donor... plate withthe donor and winner name is set into the band. Shield ...Large silver shield with highly detailed casting & hand engraving of a scene from the garden of eden. Shield is approximatley 630mm W x 850mm H surrounded by a 70mm wide mauve velvet material band. A gold curved rectangular plate withthe donor and winner name is set into the band. Shield was presented to the brigade in Sydney in May 1888 for first prize in the hose & ladder event as part of the centenial demonstration. Trophy was donated by the Australian Mutual Fire Insurance Society and presented by Walter Church, Manager.Centennial Demonstration / Sydney May 1888 / Hose & Ladder / First Prize Won By / W.Trahar, P.Cockburn / W.Smith, R.Young / W.Perkins, R.Johnstone / A.Reynolds, J.Coward / Captn W.Trotman, Apparatus Off W.Dark. (on gold plaque) Presented by the / Australian Mutual Fire / Insurance Society / Walter Church, Manager / Won bysydney, centennial-demonstration, sydney-may-1888, may-1888, hose-and-ladder, first-prize, w-trahar, w-smith, w-perkins, a-reynolds, p-cockburn, r-young, r-johnstone, j-coward, captain-w-trotman, apparatus-officer-w-dark, australian-mutual-fire-insurance-society, walter-church -
Vision AustraliaTextile - Object, Royal Blind Society Presidents club scroll
... Rose pink satin scroll with names of donors printed upon... pink satin scroll with names of donors printed upon it rests ...Rose pink satin scroll with names of donors printed upon it rests inside a brown wooden box. A plastic cover protects the scroll, and printed upon this is an image of the stone archway (from the first building housing the Sydney Industrial Blind Institution) as well as the words 'The Presidents Club'. To view the scroll, turn the handles up or down. List of names represents people who donated to an appeal (date unknown). Box was designed to be mounted on a wall.Wooden box with satin scroll of printed namesThe Presidents Clubroyal blind society of nsw, fundraising -
Kew Historical Society IncPhotograph, Marnie McLeod, Floods of the River Yarra at Kew, 1916
... there. Retain (or discard) as you see fit." [Donor's name and address... there. Retain (or discard) as you see fit." [Donor's name and address ...The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Black and white photograph of flooded trees in Kew with rising dry ground in distance.Inscription on reverse in pencil: "Flood River Yarra Kew Vic"river yarra, kew, floods 1916 -
Kew Historical Society IncPhotograph, Marnie McLeod, Floods on the River Yarra at Kew, 1916
... there. Retain (or discard) as you see fit." [Donor's name and address... there. Retain (or discard) as you see fit." [Donor's name and address ...The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Panoramic view, believed to be looking north towards Fairfield from the Zig-Zag Bridge on the River Yarra. The inscription on the reverese identifies it as taken before 1920.Inscription on reverse in ink "(pre 1920) Flood from Zig-zag bridge Yarra River, Kew Vic."river yarra, kew, floods 1916, zig-zag bridge -
Kew Historical Society IncPhotograph, Marnie McLeod, Flood, River Yarra, Kew, 1916
... there. Retain (or discard) as you see fit." [Donor's name and address... there. Retain (or discard) as you see fit." [Donor's name and address ...The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Small black and white photograph of flooded trees in Kew.Inscription on reverse in ink "Flood R. Yarra Kew Vicriver yarra, kew, floods 1916 -
Flagstaff Hill Maritime Museum and VillageFunctional object - Vase, T. Gaunt & Co, circa 1944
... to Seamen organisation. Each vase is inscribed with the donors... with the donors' names and the year of presentation - Margaret R. Pearson ...This pair of brass altar vases is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. Each vase is inscribed with the donors' names and the year of presentation - Margaret R. Pearson 1944, Mrs B Raybould 1944, - and the maker's name T. Gaunt & Co. The two donors presented the vases to St Nicholas Seamen's Church in Williamstown as part of the furniture and furnishings for the new church that officially opened in 1944. T. Gaunt & Co. engraved on both vases. T. Gaunt & Co. of Melbourne, is a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt's photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This par of vases is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of pair of vases to the original donation to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Vase: pair of two polished brass altar vases, round, pear-shaped, bulbous body on a round pedestal, two neck rings and flared lips. Inscriptions on both vases in script around the base. Made by T. Gaunt & Co. One was presented to the church by Margaret R Pearson and the other presented by Mrs B. Raybould in 1944 The vases are part of the St Nicholas Seamen's Church Engraved on the 625.1 "Presented By Margaret R. Pearson 1944." Engraved on 625.2 "Presented By Mrs B. Raybould. 1944." Both engraved "T GAUNT & Co"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, brass vases, metal craft, brassware, altar vase, church vase, mrs r raybould, margaret r pearson, t gaunt & co, church furnishing -
Eltham District Historical Society IncFolder, Acquisitions held by Andrew Ross Museum on behalf of EDHS, 1994
... of a wide range of item dated July 1987 with names of donors. Also... of a wide range of item dated July 1987 with names of donors. Also ..."Acquistions curently held by the Andrew Ross Schoolhouse museum Kangaroo Ground on behalf of the the Shire of Eltham Historical Society at at 15th November 1994". Includes lists of a wide range of item dated July 1987 with names of donors. Also includes item added to folder in 2019 - a handwritten list of items "held at Sweeney's" for Shillinglaw Cottage dated 2.5.1969. EDHS did not have the capacity to display artefacts although there was efforts made for Shillingalw Cottage to be a community museum when it was re-located. Artefacts were stored by EDHS members. When ARM was established some of these items were offered for their collection. 8 pagesHG Booklet 56harry gilham collection, andrew ross museum, shire of eltham historical society, judy wadham, phyllis macdonald, maree bishop, marjorie north, shallard, bob manuell, peter bassett smith, opal smith, beth mcinnes, shillinglaw cottage, collection -
Greensborough Historical SocietyPhotograph - School Photograph, Watsonia High School 1965 Form 3A WaHIGH, 1965_
... . Students are named by donor: Row 1: Lyn Eyval, Gisella Begutter... School 1965 Form 3A. Students are named by donor: Row 1: Lyn ...A class photograph of Watsonia High School 1965 Form 3A. Students are named by donor: Row 1: Lyn Eyval, Gisella Begutter, Glynne Pietzsch, Stephen Meadows, Larry Gard, Lyn Guy, Colette Hion, Leonore Barter; Row 2: Marg Litster, Andrea Winton, Shirley Faulkner, Julia Buday, Barb Porteous, Sue Cope, Kathy Ball, Wendy Auty, Kerry Fitzmaurice; Row 3: Charlie Lopatko, Neville Harris, John Briggs, Robert Stevens, Stephen Riley, Shane Crowley, Colin Wallace, Graeme Wilson; 4th row: Wendy Simpson, Marion Wasley, Loraine Clay, Sue Day, Mr Macraw, Pam Cox, Elisabeth Craig, Glenys Norman, Christine MacDougal.This photograph is complete with names and class list.Black and white school photo with names of students and class timetable on separate pages. watsonia high school, glynne pietzsch, glynne cousins pietzsch -
Glen Eira Historical Society
Document - CAULFIELD LADIES’ BENEVOLENT SOCIETY
... and payments is included with this item. The statement includes names... and payments is included with this item. The statement includes names ...This file contains two items about this organisation: 1/Original copy of document titled ‘48th Annual Report for year ended 30061998’. The report was presented in the Mayoress’ Reception Room, Caulfield City Hall on 11/09/1978. Document outlines the activities undertaken by the Society during the aforesaid year, ie. assistance given and donations received. A statement of receipts and payments is included with this item. The statement includes names of donors. 2/Original copy of document titled ‘50th Annual Report. Year ended 30061980’. The report was presented in the Mayoress’ Reception Room, Caulfield City Hall on 29/09/1980. Document mainly describes some of the events from the past 50 years where the society has been able to assist and also the names of those volunteers who have served for many years.caulfield city hall, caulfield ladies’ benevolent society, caulfield voluntary workers’ shop, caulfield community service, elsternwick club, caulfield city council, caulfield c.w.a., caulfield country womens’ association, walters yvonne, community services, local government, community services, voluntary workers, fyfe vera, bridges mrs., pullman eileen, macgowan mrs., donald wyn, green mrs., cornall mrs., hedley vera, machin mrs., sinclair mrs., tyers mrs., aihlen mrs., nelson harold, nelson pauline, cornall john j., mayor, councillors, v.a.b.s., caldwell mrs., blairs mrs., alfred felton estate, felton bequest, alfred edments trust, edments trust, trudy and florence williams trust, a. felton estate, state treasury, victorian association of benevolent societies, mayoress -
Bendigo Historical Society Inc.
Document - ROYAL PRINCESS THEATRE COLLECTION: SPECIAL ENTERTAINMENT FOR THE BENEFIT OF THE BENDIGO EASTER FAIR, 24 April 1914
... Flowers: Gentlemen must have their name of donor attached..., Sweets, Flowers: Gentlemen must have their name of donor attached... have their name of donor attached. When you have had enough ...Royal Princess Theatre - Special Entertainment for the benefit of the Bendigo Easter Fair. Friday, April 24, 1914. Stage Manageress: Miss M Eadie. Mistress of the Ballet: Miss G Mackay. Secretary: Mr H M Marks. Programme written by Miss Calma Boyd. Theatre kindly lent by Wm. Crowley, Esq. PART 1. Selected Pictures including BENDIGO ON EASTER MONDAY: THE PROCESSION AND THE FAIR. PART II. The Pierettes and Pierots Present for the first time their entire Company, introducing Miss Marjorie Eadie, Emperess of Ragtime. Miss Girlie Mackay, Genee's Revival. Miss Francie Moore, Miss Calma Boyd and Miss Jean Mackay, Shining Stars. Miss Winifred Dunstan, Dainty Balladist. Miss Dorothy Dunstan, Madame Butt's Protégé. Miss Claire Connell, Front Stall Favorite. Miss Beryl Leggo, Pianiste of Perfection. Press and other comments-'The Herald'-'Come over here?' Sir Ian Hamilton-'Spare my days!!' Madame Melba-'I never heard anything like it.' Mark Hambourg-'Miss Beryl Leggo's playing is Potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] Opening Chorus-The Pierettes and Pierots. 'How do you Do, Miss Ragtime?' The Company. Chesapeake Bay, Sung by miss Eadie, with effects by Company. 'Mandy', Misses D Dunstan and C Connell, augmented by Misses Moore and Boyd. 'Here's to Love!' Miss D Dunstan (a solo of primary interest). Alabam, The Pierettes and Pierots, an effort of alleged humour. The Pierot's Wooing, Misses G Mackay and Meadie. The Dance is a result of an amicable attangement with the Pianist, Miss Beryl Leggo. Piano Solo, Miss Beryl Leggo [See Press Opinions.] 'My Sumurum Maid', The Pierettes and Pierots, [Presented with the idea of breaking up the prevailing gloom.] Interval of Ten Minutes. [If the audience can tolerate any more, they may retain their seats without extra charge.] Diamonds, Motor Cars, Confectionery, Sweets, Flowers: Gentlemen must have their name of donor attached. When you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. Part III. The Pierot Ballet, The Company. [Please do not throw anything harder than a brick.] Duet: 'Pretty Poll', Misses Moore and Boyd will sing to each other. 'Poor wandering One' Claimed by Miss M Eadie, with acquiescing chorus. 'Hush-a-Bye!' Part song, The Company [This item is introduced to soothe the infuriated audience.] 'Blue-eyed Baby', Miss M Eadie is associated with this number. Danse de Pierot, Miss Girlie Mackay. Leap Year!, The Pierittes- A distinctly Personal Chorus. [Gentlemen are warned that all exits will be barred]. Finale by the Pierettes. God Save The King. ___We Did It! - Cambridge Press, Bendigo.Cambridge Press, Bendigo.program, theatre, royal princess theatre, royal princess theatre - special entertainment for the benefit of the bendigo easter fair. friday, april 24, 1914. stage manageress: miss m eadie. mistress of the ballet: miss g mackay. secretary: mr h m marks. programme written by miss calma boyd. theatre lent by wm. crowley, esq. part 1. selected pictures including bendigo on easter monday: the procession and the fair. part ii. the pierettes and pierots present entire company, miss marjorie eadie, emperess of ragtime. miss girlie mackay, genee's revival. miss francie moore, miss calma boyd and miss jean mackay, shining stars. miss winifred dunstan, dainty balladist. miss dorothy dunstan, madame butt's protégé. miss claire connell, front stall favorite. miss beryl leggo, pianiste of perfection. press and other comments-'the herald'-'come over here?' sir ian hamilton-'spare my days!!' madame melba-'i never heard anything like it.' mark hambourg-'miss beryl leggo's playing is potslausenlililzenundgeyalikyoptor.' [don't hesitate to talk during the items--disturbing the performers really doesn't matter.] opening chorus-the pierettes and pierots. 'how do you do, miss ragtime?' the company. chesapeake bay, sung by miss eadie, with effects by company. 'mandy', misses d dunstan and c connell, augmented by misses moore and boyd. 'here's to love!' miss d dunstan (solo of primary interest). alabam, the pierettes and pierots, an effort of alleged humour. the pierot's wooing, misses g mackay and meadie. the dance is a result of an amicable attangement with the pianist, miss beryl leggo. piano solo, miss beryl leggo [see press opinions.] 'my sumurum maid', the pierettes and pierots, [presented with the idea of breaking up the prevailing gloom.] interval of ten minutes. [if the audience can tolerate any more, they may retain their seats without extra charge.] diamonds, motor cars, confectionery, sweets, flowers: gentlemen must have their name of donor attached. when you have had enough, don't hesitate to leave - the performers will sing on regardless of aching hearts. part iii. the pierot ballet, the company. [please do not throw anything harder than a brick.] duet: 'pretty poll', misses moore and boyd will sing to each other. 'poor wandering one' claimed by miss m eadie, with acquiescing chorus. 'hush-a-bye!' part song, the company [this item is introduced to soothe the infuriated audience.] 'blue-eyed baby', miss m eadie is associated with this number. danse de pierot, miss girlie mackay. leap year!, the pierittes- a distinctly personal chorus. [gentlemen are warned that all exits will be barred]. finale by the pierettes. god save the king. _we did it! - cambridge press, bendigo. -
Mission to Seafarers VictoriaPainting, Madeline M.Ravenna Lewellin, Start Point Light, Devonshire, 1875
This painting was inspired by an original painting by Wilhelm Melby held at the National Gallery of Victoria. Melby is a Danish artist (1824-1882). It depicts a famous Devonshire coastal region famous now for its lighthouse and the pick up point for the pilot when entering waters approaching Dartmouth. The sailing vessels pre-date the construction of the famous lighthouse. Over the centuries the view would have been familiar to many sailors as they left or approached the English mainland and south coast ports in the English Channel. Madeline Mary Ravenna Lewellin (1854 – 24 November 1944) was born in Victoria to Dr John Henry Hill Lewellin, a physician, and Grace Elizabeth (née Danneby). She was one of five daughters, and the family lived in Prahran. Lewellin's brother, Captain Herbert Gordon Hill Lewellin, was a commander in the P. and O. fleet (apprentice on the Romanoff, Lieutenant RNR on the HMS Arethusa in 1899, RMS Mongolia in 1913 sunk in 1917, Naldera in 1920). She studied painting at the National Gallery School in 1879 under Eugene von Guerard. She's also known for collecting and painting specimens, and became a member of the Field Naturalists Club of Victoria in 1885. In 1884 she won a silver medal for her studies of fungi. She collected plants for Australian botanist Ferdinand von Mueller, and the variety of Dicrastylis lewellinii (Purple sand-sage) is named after her. Miss Lewellin, who had a love of the sea and ships as subject matter is listed in 1910 as a donor as a 10/6 member donating to the motor launch fund and in 1918 as a working member of the Ladies Harbour Lights Guild which involved regular volunteer shifts at the Mission to Seamen on canteen and other duties.The donor of this highly regarded painting at the Mission , Miss Madeline R. Lewellin (1854-1944), the artist of this version was actively painting in Victoria between 1877 and 1910, was a silver medallist for studies of fungi. She liaised with Von Mueller and studied under Eugene Von Guerard at the National Gallery, School of Painting in 1879. Her works are represented in the State Library Victoria and a silver medal awarded in 1884 is held by Museum Victoria. This painting represents a tangible link with one of the ladies who interfaced with the seafarers. She had a connection with the sea thanks to her brother, Captain Herbert Gordon Hill Lewellin, who was a commander of the RMS Mongolia during WWI, and became the commodore of the P.&O. Fleet.This oil painting has a dark polished wood and gold leaf slip. The painting depicts two masted boats. The choppy sea takes up the lower-third of the painting, and the other two-thirds of the image of made up of stormy grey clouds. A rocky cliff face can be seen on the right-hand side of the painting. A small church can be seen on the hillside. The ship on the left third of the painting sits on the horizon line of the sea. The centre ship with two masts appears to be leaning to the right and its deck is exposed to the viewer showing four men attempting to handle the masts and rigging. The left-hand ship with three masts is surrounded by two grey distant silhouetted mast ships. There are three seagulls at the upper left-centre of the image. There are another three gulls down on the lower-left of the image. Front: ENGRAVED PLAQUE: Start Point Light. Devonshire. SIGNATURE: After W. Melby / M.M.R Lewellin. 1875. Reverse: IN BLACK MARKER PEN: * Hang from two points * WHITE STICKER WITH CONSERVATOR DETAILS: Art Conservation Frames / 118 Bridport Street, Albert Park, VIC, 3206 / 9696 9066 / artconservationframers.com.aupainting, ships, mast, church, sea, storm, oil painting, seagulls, madeline r. lewellin, artwork-paintings, ngv, wilhelm melby, eugene von guerard, botanist, rms mongolia, captain herbert gordon hill lewellin (1862-1935), paddy lewellin -
Flagstaff Hill Maritime Museum and VillageBook, Warrnambool Past & Present, 1907
This is the original book “Warrnambool Past & Present Sixty Years of Progress 1847-1907” that was published in 1907. It features photos of Warrnambool, taken by Edward Vidler in 1907, who matches them with some earlier prints. Vidler had a photographic studio in Liebig Street Warrnambool. Compiled by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League The front cover of this little but significant book of photographs, advertisements and commentary reads “Warrnambool Past & Present. Sixty Years of Progress – 1847-1907. Illustrated by 100 views of Old and New Warrnambool. Price : One Shilling.” The title page of the book states “Warrnambool : Past and Present. The Metropolis of the Western District. Compiled from contemporary records by Edward A. Vidler, Secretary, Warrnambool Chamber of Commerce and Manufacturers, and Warrnambool and District Progress League. Illustrated. Printed by The Thompson Printing Co., Koroit Street Warrnambool.” In 1984 a facsimile reproduction of Vidler's publication was printed by the 'Osburne Group'. (The Group was named after Richard Osburne who owned the first newspaper in Warrnambool, called The Examiner. The donor of this book was another member of the three people who formed the Osburne Group). This newer book is an A4 portrait style format with Vidler's publication on the top of each page, and a matching 1984 photograph with contemporary comments on the lower half of the page. This book is significant record of the development and changes of Warrnambool therough the years since it was first settled to more recent times.Warrnambool Past & Present. Compiled by Edward D. Vidler. Sixty Years of Progress 1847-1907. Cream, soft cover, A5 landscape orientation, black and white print book, apart from front cover's title, which is red print. Printed by The Thompson Printing Co. Koroit Street, Warrnambool. Original 1907 publication. Includes photographs, advertisements and commentary on Warrnambool and the Western District of Victoria. Price was One Shilling. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, warrnambool history book, vidler’s warrnambool past & present, warrnambool historical photographs, edward a. vidler, pictorial work of warrnambool -
Bendigo Military MuseumUniform - BELT, LEATHER
The belt was gifted to Mr. Doug Paxton, of Neale Street, Bendigo c.1951. The donor was a "soldier": who billeted with the Paxton family. Correct date and soldier's name unknown.This is a leather belt, tan coloured. It is 42mm wide and has a brass buckle with one claw. The belt tongue has six holes. At the rear of the belt are two more holes. A larger section of leather is mounted behind the brass buckle.Belt - Printed on belt is an oval and inside the oval is stamped "Genuine Bridie Cowhide". On the left side of the oval are the numbers “217G”. On the right side of the oval are the numbers “36”. On the rear of the buckle, "Solid Brass" is stamped.uniform, leather belt and buckle, soldiers billet -
Warrnambool and District Historical Society Inc.Desk Writing Set, Desk Set
An ink stand was a basic household item in the homes of the more affluent people in past generations before the more common use of the fountain pen and the biro (late 1940s). The ink stand in a home would have been used mainly for letter writing. It was also a basic item in business houses in the same time frame. There is no provenance for this particular item but it is of interest as a household object of the past and is useful for display. Wooden base with indentations for two ink bottles and pens and white metal handles (000633.1). Two ink bottles made of cut glass with white metal necks and hinged glass tops (000633.2 and .3). One ink pen with bone handle, brass top and rusty nib (000633.4).Pen marked 229.2 (old cataloguing number) Base has name in handwriting ‘Mrs A.H. Davidson’ (the donor) communication, ink set, writing set, warrnambool
