From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This projector stand was the actual projector stand used in their trips around Australia.Historic and rarity (only one left that was used by "Cosmopolitan Motion Pictures") Primary significanceMetal construction Projector tripod with a cloth on top to stop damaging the projectors. It has an adjustable height depending that extends to about 1.5 metres.T.J.N. Macey - Toolmaker and Manufacturing Engineerstand, tripod, projector, film, culture, language, greek, entertainment, yiannoudes, γιαννούδης, τρίποδο

One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type.Primary historic significance as well as rarity significanceFrom January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type. Apart from this projector these items were taken on each trip. -a- 3 projectors in total -b- 2 tripod stands -c- 1 20 feet x 10 feet screen -d- 6 projector lamps and 2 exider lamps for sound -e- 2 extra lamps per film to be shown -f- 1 film rewinder (see rewinder in same collection)Siemensprojector, film, magnetic, sound, optical, language, greek, siemens, german, γιαννούδης, προβολέας, yiannoudes, plutarch

Ballarat Junior Technical School opened in 1913. It was located at the Dana Street State School. As numbers grew a larger building was needed. Plans were drawn and a school built within the grounds of the School of Mines. Students started at this new school in 1921. It was officially opened on 9 September 1921 by Sir Alexander, resident of Creswick, local member for North Ballarat and the Minister for Education. He also opened the School Fair which coincided with the buildings ceremony. This was a fair on a grand scale and lasted two days and nights. Staff and students worked for weeks making articles for sale. A parent's committee led by Mr J Rogerson, a local police detective, had been organizing for months. As part of the ceremony for the opening of the school the Strachan Orchestra was engaged to play. .1 Taxi hire provided transport for the Strachan Orchestra for two visits at a total cost of Five Shillings. This hand written slip shows the date of payment and by whom .2 This item is the receipt N A Strachan sent to Mr Steane, Headmaster of the school, for the payment of Two Pounds, cost for engaging the Orchestra. Money raised funded the dodge-ball court, purchased a typewriter, a second-hand piano, an inter-room telephone system, an epidiascope and film projector.Hand written notes on lined paper. .1 Invoice; .2 Receipt.1 Signature of W. Button .2 Signature of N.A. Strachan.ballarat junior technical school, dana street, ballarat school of mines, minister for education, member for north ballarat, school fair, strachan orchestra, receipt, albert steane, ceremony, taxi, typewriter, piano, telephone system, payment notice, sir alexander peacock

15 black and white photographs. Collection is all the same size but 2 different kinds of borders. Provenance unknown. (1) 3 male students cultivating the vegetable plots. (2) View of paths "Camp," on reverse. (3) East side of Administration Building. "The Building," on reverse. (4) Students in the Library. (5) Female student driving a tractor in the Orchard. (6) Canna. (7) Lilies and ? in a vase. (8) Cacti collection in front of Glass Houses (moved to present site in 1975 as a student exercise.) (9) Cacti collection in front of Glass Houses. "Film Projector," on reverse. (10) Students standing beside signs in front of Lily Ponds on Open Day. (11) People looking at display for Open Day in Hall. (12) Display in Hall on Open Day. "Table Tennis," on reverse. (13) Open Day display in Hall. " (14) Open Day display in Hall. (15) Students standing beside Grafting display for Open Day in Orchard. students, vegetable plots, library, female students, tractor, orchard, flowers, cacti, lily ponds, open day, administration building, glasshouses

Thornton-Pickard was a British camera manufacturer which was established in 1888 and closed in 1939. The company was based in Altrincham, near Manchester, and was an early pioneer in the development of the camera industry. The Thornton-Pickard company was founded by John Edward Thornton and Edgar Pickard in Manchester,. Also referred to as a Magic Lantern Projector, the Ruby enlarger was used to project images from glass negatives using a variety of light sources and eventually adapted for electricity.. As photography technology developed the size of slides became smaller and the "magic lanterns" were replaced by more compact film and slide projectors.This item is significant as it represents a step in the development of photographic technology and home entertainment in the early 19th century.A large photographic enlarger made primarily of wood, tin plate and glass. The enlarger is fully intact and has the original patent and registration on a badge attached on one side. The enlarger extends when in use but folds up accordion style when not required. Its length at maximum extension is 90 centimetres. It has a slot on one side for glass negatives negatives to be inserted in a wooden holder.Badge attached to side:- 'THORNTON-PACKARD/ RUBY ENLARGER/ ALTRINCHAM" On metal rectangle: "PROTECTED BY / PAT. No. 18478. 08. / REG. No8. 529944 & 580047."thornton-pickard, photographic equipment, ruby enlarger, glass negatives

Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The Wild GZ1 orthophoto projector shown in photo.1P was introduced in 1973 and was the first equipment used to orthorectify colour and monochrome film aerial photography. Height profiles were originally produced on a PEB8 Stereo profiler and later were software generated. Photos of the PEB8 are available in Victorian Collections item 6222.17P, photos .5P and .6P. In the same era the IBM 1130 computer; OMI/Nistri AP/C-3 analytical plotter with coordinatograph, OP/C orthophoto projector and Zeiss Planimat D2 stereoplotters were introduced. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. The WILD OR1 orthophoto projector and workstation shown in photos .2P to.4P was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. See items 6124.5P and 6133.4P for more photographs of orthorectification equipment.These four photographs of orthorectification equipment were taken at the Army Survey Regiment at Fortuna, Bendigo, c1975 and c1988. The photos are on 35mm colour slides and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, c1975, Wild GZ1 orthophoto projector. .2) - Photo, colour, c1988, WILD OR-1 unrectified colour photo in carrier, orthorectified and re-scaled colour image. .3) & .4) - Photo, colour, c1988, WILD OR-1 Orthorectification Workstation.1P to .4P – Some of the equipment is annotated on the frame of the 35mm slides.royal australian survey corps, rasvy, army survey regiment, asr, army svy regt, fortuna

Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The Wild GZ1 orthophoto projector was introduced in 1973 and was the first equipment used to orthorectify colour and monochrome film aerial photography. Height profiles were originally produced on a PEB8 Stereo profiler and later were software generated. Photos of the PEB8 are available in Victorian Collections item 6222.17P, photos .5P and .6P. In the same era the IBM 1130 computer; OMI/Nistri AP/C-3 analytical plotter with coordinatograph, OP/C orthophoto projector and Zeiss Planimat D2 stereoplotters were introduced. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment were taken at the Army Survey Regiment at Fortuna, Bendigo, c1975. Photo .1P and .3P were printed on photographic paper and scanned at 300 dpi. Photos .2P, .4P and .5P were on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1975, Wild GZ1 orthophoto projector operated by CPL Phil Boyle. .2) - Photo, black & white, c1975, Wild GZ1 orthophoto projector. .3) - Photo, black & white, c1975, Wild GZ1 orthophoto projector. .4) - Photo, black & white, c1978, Zeiss D2 Planimat Stereoplotter. .5) - Photo, black & white, c1978, Zeiss D2 Planimat Stereoplotter..1P to .5P No annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This collection of four photos was most likely taken at Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo in 1988. Orthophoto mapping provided the Survey Corps with the capability to produce map products quickly in the event of a crisis. These are four photographs of equipment used by the Army Survey Regiment to produce orthophotomaps. The OR1 orthophoto projector and workstation was introduced in the mid-1980s. It was the second-generation equipment used to orthorectify colour and monochrome film aerial photography, replacing the system introduced in 1973. Orthorectification is the process of removing geometric distortions and scale errors/variations from images. Images have tilt and relief distortions that make it difficult to compare accurately a map and an image of the same geographic area. Once an image is orthorectified, features on the image are shown in their planimetric locations. These four photographs of orthorectification equipment in operation were taken at the Army Survey Regiment at Fortuna, Bendigo, 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, 1988, WILD OR-1 Orthorectification Workstation, SPR Carmel (Butler) Fauth.No personnel are identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

35mm wide Miniature Projector for slides and films being roll of film. A 250W educational skills projector that would accept either 35 mm filmstrips or 2x2 slides.Used in the Kiewa Valley from 1947AMP red and yellow insignia on each side. Top side has a leather strap. Each side has a steel clip allowing the lid to be lifted off. Projector is black bakelite and has silver trimmings. It has a long black electric cord.Patent No. 603982 AMP = Advanced Mechanical Productions Ltd. London. March 1947amp miniature projector

The Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. The projector is part of a collection of toys given into the care of Cheese World Museum.Tin toy projector mounted on a wooden base. A box shape with a lens on the front has a removable lid with a fluted edge. In front of this is the film holder which has a carrier for the film, a winding mechanism, and a protruding lens at the front. This projector was lit by a candle inserted in the body. A baseplate with the manufacturer's name is on the front of the wooden mount.Fairymark/Made in Japantin toys, projectors, film, allansford, uebergang, fairymark, audio visual appliances, photography

This file contains 4 items relating to the Elsternwick Classic Cinema: 1/1 original black and white photograph of the Elsternwick Classic Cinema, 9 Gordon Street Elsternwick. Date and photographer unknown. 2/ 2 photocopied photos of the Elsternwick Classic Theatre in its various stages of operation. One photo is of it as the Dorchester Dance Hall between 1938 and 1946 and the other is of the Classic Cinema in 1994. Photographers unknown. 3/National Trust of Australia (Victoria) Classification Report on Elsternwick Theatre with attached cover letter addressed to the Manager of the Planning Section, City of Glen Eira Council, from Ian Pausacker from the National Trust dated 04/10/2000. The report includes a statement of significance, history, description, context and floor plans of the theatre. 4/1 newspaper article written by Alex Njoo from the Caulfield/Port Philip Leader, 31/01/2012, congratulating the Tamir family on their conservation of the Elsternwick Classic Cinema. Includes a colour photo of the Tamirs, photographer unknown.elsternwick classic cinema, gordon street, elsternwick, dorchester dance hall, national trust of australia, national trust register, elsternwick theatre, pausacker ian, classic cinema, entertainment, cinemas, theatres, victorian style, elsternwick public hall, skating rink company limited, selwyn street, victorian permanent building society, community centres, films, shows and exhibitions, film projectors, amalgamate picture company ltd., richardson frank g., architecture, stairs, associated theatres limited, ballantyne and hared, balconies, architectural features, entrances, depression 1929-1939, astor, dancehalls, esquire theatre, prentice george, plottel joseph, architects, cowper murphy and associates, sharon cinema, tamir eddie, readings, free classical style, plans, business people, njoo alex, tamir family

This file contains 3 items relating to the Camden Theatre: 1/7 original black and white photographs of Camden Theatre including photos of the interior and film equipment. Photographer and date unknown. 2/1 report titled ‘Camden Theatre’ by Gerry Kennedy, Ian Hanson and Brian Miller from the Cinema and Theatre Historical Society of Australia Inc. magazine, CinemaRecord, issue 16, May 1997. The report gives a description and a brief history of the theatre and contains a reflective article by former employee, Brian Miller, about his time at the theatre. 3/One file note written by Kate Aldred, 11/04/2014, on the source of the “Camden Theatre’ report.camden theatre, hawthorn road, caulfield south, kennedy gerry, hanson ian, miller brian, cinemas, film and photographic equipment, film projectors, films, cowell ham d.f., yeomans e.c., camden theatre pty ltd, glenhuntly road, art deco, titania cinema, c & w projectors, cinemascope, vista vision, television broadcasting, brunswick ten pin bowling, lawn bowls, bowling club, projectionists, caulfield, glenhuntly fire brigade, classic cinema, elsternwick, trams, carnegie, esquire cinema, renown cinema, hoyts glenhuntly, hanson ian, refreshment rooms

Inside are two light sources, which illuminate the object to be projected. Usually this object would be a postcard, photo, or other printed matter, but objects such as coins or leaves could also be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. The light sources are burners. (http://museumvictoria.com.au/collections/items/721025/mirroscope-magic-lantern-projector-buckeye-stereopticon-co-1910) A lens sits at the front of a black metal box, with electricity lead. Inside two electric light bulbs illuminate the object to be projected (usually an image or printed matter), but objects such as coins or leaves could be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. Focus is achieved by moving the telescoping lens tube in or out. The mirroscope includes an early electricity socket.projector, magic lantern, episcope, mirroscope, film, theatre, entertainment, movie

Clear plastic film reelsOne small reel with AGFA label Large label with BASE label plus orange sticker - TRCreels, agfa, basf, projector reel, film reel

Eleven photocopies of Plaza Theatre Bendigo images including documentation. 1 Plaza Theatre Bendigo upstairs auditorium, 2 Ground floor entrance Plaza Bendigo 1936 and name of film starring Gary Grant Constance Bennett 'Big Brown Eyes', 3 Plaza Theatre Mitchell Street Bendigo 1953 film 'Warpath' Edmund O' Brien Dean jagger forest tucker Harry Carey 'Thunder in the East' Alan Ladd Deborah Kerr Charles Boger Phyllis Calvert nearby residents Hamptons Newsagency Melody Bar Pearse dentist Quins bluebird fruit shop Norris's Menswear Matchetts grocery, 'Port Hole Paradise' My Days as an Assistant Projectionist by Micheal Purdon 6 pages, copy of a glass advertising slide, cinema glass advertising slide late 40's early 50's, Plaza theatre Auditorium 1935, Plaza Bendigo 1967 Projector 2X Cummings & Wilson Western Electric Sound Bases Peerless Magnarc Carbon Arc Lamps.bendigo, buildings, plaza theatre

Objects. This ticket was issued to Ken Stringer, on the Opening night of the Star Cinema, at Eaglehawk Town Hall. The projectors ordered from China, did not arrive in time and Ken loaned the Owner two projectors from his own collection. It was quite a few weeks before the projectors ordered from China arrived! Two pink tram tickets issued by the State Electricity Commission of Victoria - ELECTRICITY SUPPLY DEPARTMENT. 1d for specific section destinations as printed.Tram tickets A233962, Electricity Supply Department Provincial Tramways. This ticket is issued subject to the By-Laws. 1d.Eaglehawk star Cinema Admit Two. You are invited to attend the opening night celebrations and films on 17th September 1999, RSVP for catering purposes. Theatre ticket: 1999. Tram Tickets: pre decimal currency in 1966.theatre, eaglehawk star cinema

The play was produced by EJ Carroll at the Athenaeum Theatre, the Australian premiere. The play enjoyed a long and successful run with Frank Bradley setting a record by performing as leading man for forty weeks. Frank Talbot had leased the Athenaeum Hall for several years before negotiating with the Melbourne Athenaeum board members to renovate the hall into a modern theatre. The work was completed in 1923. The theatre became a well-known venue for plays but later, as movies became popular a biograph box was constructed to house movie projectors. The theatre manager, Frank Talbot, who leased the theatre from the Melbourne Athenaeum, signed an agreement with British Dominion Films in 1932, to show only British movies. Hoyts Theatres took over the lease in 1955 and later the Melbourne Theatre Company performed in the theatre, bringing live performances back to the theatre for several years. Programs of the early performances of plays are a reminder of the original purpose of the theatre. The theatre management continues to feature live performances.Photocopy of a program held at the Museum of Performing Arts athenaeum theatre, program, the sport of kings, racing comedy, frank talbot pty ltd, e j carroll, ian hay, frank bradley

Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. This winder was part of the equipment they carried around Australia Historical significance Primarily as it is the actual unit used to manually rewind all films.A film rewinding gadget, perhaps home made, with a wooden base, two reels, and an metal winder used for transferring the film from one reel to the next."Premier - Made in England"winder, film, entertainment, language, greek, yiannoudes, γιαννούδης, plutarch

From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using.Primary historic significance in the context that it was used, as well as rarity significanceMetal adjustable height, hand operated drill. Rusty appearance. It seems to have a small piece at the bottom broken off, but still in working order according to Mr P. Yiannoudes. This drill was used to drill holes in cinema light carbon sticks in order to extend their life.drill, carbon, film, entertainment, greek, language, hand, yiannoudes, γιαννούδης, τρυπάνι

Owned by Newspaper photographer living in Wattle Park c 1960s.Possibly Nepera Brand, Name on Slide Boxes.1.A Wooden Case with a Sliding Rear Door for Projector. 2. Projector, Wood & Brass, Black Metal Box at rear for lamp & electric lead, spare lens inside. Brass lens holder & Focus adjuster at other end. 3. Wooden slide holder holds two slides, and fits between body and lens tube. 4. Spare lens marked 6 In EQUI with sliding collar. 5. 3 packs of glass slides. 4. Grey tin containing slides. Slides stored in .09.13.No 510324 on Lens Adjuster Ron.230577, 7in, Est 1816, Trade mark. London Made. Without name Australasia Pty Limited.photography, photographs / slides / film, projectors

Film strips put out by the Visual Centre of the victorian Education Department during the 1940's and 50's as an aid to the teaching of subjects such as Social Studies, English, History. Picturol Projector Model K/ U.S. Patent Nos 1277568- 14342/9 Mr Wilfred Murphy became headmaster of the Port Fairy Consolidated School in the 1950's and retired in the 70's. The projector was used by Mr Wilfred Murphy during the early days of his teaching career. small portable projector in leatherette case with leads to attach to 6 volt battery. seven (7) tins of film - 'The garden that Mary made'/'Our Earth'/ two (2) Copies of 'the Story of the Seed'/ 'Spiders-their Kin'/ 'Camouflage in Nature'/ 'the Story of a Tree'Each tin has a label='The garden that Mary made'/'Our Earth'/ two (2) Copies of 'the Story of the Seed'/ 'Spiders-their Kin'/ 'Camouflage in Nature'/ 'the Story of a Tree'photography, projectors, wilf murphy, education

Grey metal slide projector, on a black bakelite base; with a grey tin cover and a brown leather carry handle, and a film holder with a long lens."Optikotechna Made in Czechoslovakia"projectors, projector components

The firm of Bolex Paillard Ltd is world-famous for its accomplishments in the field of amateur cinematography. Paillard Bolex cine cameras and projectors are designed and manufactured in Sainte-Croix, Switzerland, which was also the centre of the Swiss watchmaking industry. Originally Bol, the company was founded by Charles Haccius and Jacques Bogopolsky in 1925. The M8 line of projectors were first manufactured in 1949. Its relatively light weight, affordability and portability made this model popular with home movie and amateur film makers.This projector is representative of several types of home projectors popular in the second half of the 20th Century.A small projector and carrying case. It is made of cast aluminum and steel, painted with a Grey Silver finish. The upper reel arm folds downward and locks for storage and also serves as a carrying handle. The lens assembly pivots outward for easy film loading and unloading. The front legs can be adjusted individually for height. An AC outlet is position at the rear of the projector. The carrying case includes slots to hold film reels and the power cord.On one side: " Bolex Paillard/ Fabrication Suisse/ Made in Switzerland" M 8bolex paillard, cimematography, home entertainment