Unveiling of Plaque to commemorate 125 years of water supply. Mrs Janet West addressing gathering.Two Colour Photographs. First of people seated in chairs in front of tent. Second closeup of plaque. stawell

Swinton Home Station. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Swinton was a family name of John Carfrae, whose father was Thomas Swinton Carfrae of Edinburgh. When John Carfrae came to Ledcourt in 1848 he divided it into three runs, Ledcourt, Swinton and Newington. John Holt occupied Ledcourt and Swindon before 1865, at which time Marcus Clarke was a jackaroo. Alexander Gray came to Swinton in 1881. The Grey family still live at Swinton. The present home was built in 1911 after severe floods in 1909 destroyed the original homestead. Wooden cottage with outbuildings in front of trees. A number of men women and First Nations people standing and sitting in front.stawell aborigional

Photographs of 8 local children hanging out in Willis Street Greensborough in 1996 during a game of football on the street in the Greenhills estate.Set of 5 colour photographs of teenagers in the streetFirst names of people in photos are written on back of each photographwillis street greensborough, football, greenhills

The Spalding factory was located at the intersection of Ballarat Rd and McIntyre Rd in Sunshine (North East corner). The factory made sporting goods, and in 1972 Spalding acquired T. W. Sherrin Pty Ltd which was a major manufacturer of footballs used in Australian Rules football games. In the early 1990's the factory in Sunshine was demolished and replaced by the first Bunnings Hardware store to be erected in Victoria. In July 2003 Spalding was bought out by the Russell Corporation.The board is a historical record of the loyal employees who provided at least 25 years of service to Spalding or to T. W. Sherrin Pty Ltd.Brown stained wooden board with wave shaped top which is about 14 cm less wide than the base. The names of employees who have provided 25 years of loyal service are recorded on the board in gold coloured lettering. The board contains the names of 50 workers who had reached the 25 year service milestone at SPALDING, and also the names of 4 employees who did the same at T. W. SHERRIN Pty Ltd. The first people reached this milestone in 1950 and the last person is recorded as reaching this in 1981.honour board, spalding, t. w. sherrin pty ltd, 25 years service roll

FIRST GROUP OF PEOPLE CROSSING THE NEWLY OPENED SUSPENSION BRIDGE ON THE 14/4/1986local history, photography, photographs, bridges

Staff and Councillors of Shire of Stawell 1988. Standing L. to R. Cr. Stewart Gray, Cr. Irene Reid, Cr. Len Martin, Cr. Daryl Scherger, Cr. Bill Kilpatrick, Cr. Fred Grellet, Cr. Peter Hodder, Cr. Alistair Cox, Cr. Charlie Newall, Cr. Alan Kingston, Cr. Laurie Delahunty. Seated, Bob Turner (Ass. Secretary), Barry Thomas (Secretary), Cr. Allan Holden, O.A.M. (Shire President), John Wynd (Shire Engineer), Colin Mibus (Deputy Engineer).Black and white photograph of a group of people. First row are seated remaining standing. Photo of Queen Elizabeth on the wall.Staff and Councillors of Stawell Shire 1988. Standing L. to R. Cr. Stewart Gray, Cr. Irene Reid, Cr. Len Martin, Cr. Daryl Scherger, Cr. Bill Kilpatrick, Cr. Fred Grellet, Cr. Peter Hodder, Cr. Alistair Cox, Cr. Charlie Newall, Cr. Alan Kingston, Cr. Laurie Delahunty. Seated, Bob Turner (Ass. Secretary), Barry Thomas (Secretary), Cr. Allan Holden, O.A.M. (Shire President), John Wynd (Shire Engineer), Colin Mibus (Deputy Engineer).stawell government

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). This cloak represents a traditional shield and stands for strength, resilience and standing proud. It protects us as we move forward. The gold represents the gold fields of Ballarat and Golden Plains shire. It also represents fool’s gold (pyrite) as First People had no use of gold, instead the people are the gold.Black, white, and red stripe design with flower and stem motif on outer cloak. Lining is a red and white stripe motif. Trimming is solid black. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The murnong was one of the main food sources for First Peoples before colonisation as it grew right across Wadawurrung Dja. The introduction of the sheep and cattle saw the murnong eaten roots and all and it quickly became less plentiful. The tubers were eaten raw or roasted on a fire. Water could be added to make a paste for small children to eat. The woman’s wooden digging stick that was used to gather and harvest plants was often buried with the woman for her afterlife and is considered sacred women’s knowledge. All parts of the plants and trees were and still are honoured as sacred medicine, healing plants and bush food knowledge.Yellow flower and female figure motif on black background on outer cloak, black and white diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

For the First Peoples of south-eastern Australia, making possum skin cloaks has long been a culturally important practice. But during the late nineteenth and early twentieth centuries, possums and other native animals were also heavily hunted by white colonists who coveted their warm and fashionable furs. This rug, made from fifteen possum pelts, was used in a Brighton home during cold winter months in the 1920s.Possum skin rug made from 15 rectangular cut pelts mounted onto a brown wool felt with cut scalloped edges. possum skin, rug, fur, 1920s

In the early days of colonial Australia the governors and the land holders saw advantage in singling out certain First Nations people as leaders and distinguishing them in some way. This chest plate was issued to "King George" of the Koenghegulluk Clan of the Djargurd Wurrung whose Country was near Lake Colongulac. This chest plate is inscribed "King Colungulac" and is held in the Museum Victoria collection. ""King George"" is pictured wearing the chest plate in a photograph of First Nations people at Framlingham Mission in 1867.Colour photograph of brass chest plate inscribed "KING GEORGE COLUNGULAC" Front: "KING GEORGE COLUNGULAC"; Back: XP49214 Museum Victoriabreast plate, cdhs, cdhsfirstnations

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Deanne states that this is her favourite season and she loves painting the small orchids as they flower after the cold season begins to clear.Black cloak with pink and purple toned flower motif on outer cloak, purple and black diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880.Studio portrait of Isabella Taylor (nee Dawson) sitting at an occasional table.cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880.Studio portrait of Isabella Dawson as a young womancdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

Photograph shows a large gum tree encircled by an iron fence. This tree is known as a canoe or scar tree - a section of bark has been removed by first nations people to make a canoe.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No caption. Printed maker's mark on slide "Kodak Kodachrome Slide"canoe tree, scar tree, first nations

306 p., illus.non-fictionThe story of William Buckley.william buckley, john batman, victoria history, kulin nation

This is a more recent photograph than entry P0854.The two storey house was built for Dr.William Faulkner in 1911. It is opposite the intersection of Evans and Macedon Streets. As well as the house, a garage was also built for the doctor's car, along with smaller building for the chauffeur. Dr. Faulkner was one of the first people in Sunbury to own a car. Doctor Faulkner lived at Ardcloney until he died in 1922. Over the years it had other owners and in the early 2000s, it was taken over by the State government and is now a day-care hospital. Other buildings have been built on the site but the original house is the Administration Section.A coloured photograph of two storey home with white stucco walls and red tiled roof. The house is set in large garden with lawn and trees.ardcloney house, dr. william faulkner

Bone China jug, with kangaroo shaped handle with hand painted relief scenes First Nations Peoples brandishing spears at Captain Cook’s sailors, Captain Cook taking possession of the country at Botany Bay April 1770 The words to Advance Australia Fair are also printed . Along the base is a color painted relief of a bullock cart containing logs.souvenirs, captain cook, botany bay, advance australia fair, indigenous, kangaroo, endeavour

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880. She is pictured with her grandchildren, Jack and Katherine Thornton, Effie's children.Isabella Taylor (nee Dawson) seated with her two young grandchildren Jack and Katherine Thornton.cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880. William Taylor (1849-1927) was a farmer, Councillor and civic leader. In 1883 he gifted the world's oldest statue of Robert Burns to the people of Camperdown. William and Isabella Taylor (nee Dawson) seated together in the garden at "Renny Hill".cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

This history of the Victorian town of St. Andrews (formerly Queenstown) and its surroundings was written to celebrate the 140th anniversary of St Andrews Primary School. Describes the displacement of the Aboriginal inhabitants of the area, European settlement and the Gold Rushes and the Caledonia diggings. Discusses establishment of the school, church and cemetery and various other notable events. The school in 1998 and speculations on the future by primary school pupils. Contents: Introduction The First People Mining- What a rush! The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. It remains the only significant secondary source publication written specifically on this rural community.Reprint edition with index 158 p. : ill., ports ; indexEx Eltham College copy Bendigo bank donation label inside cover Title page with stampings for D.D. Davey Senior Library Rear page date due slip st andrews, queenstown

This history of the Victorian town of St. Andrews (formerly Queenstown) and its surroundings was written to celebrate the 140th anniversary of St Andrews Primary School. Describes the displacement of the Aboriginal inhabitants of the area, European settlement and the Gold Rushes and the Caledonia diggings. Discusses establishment of the school, church and cemetery and various other notable events. The school in 1998 and speculations on the future by primary school pupils. Contents: Introduction The First People Mining- What a rush! The School The Church Queenstown Cemetery The Hotels The Police Paddocks The Families Queenstown in the early twentieth century The Queenstown Bush Fire Brigade The 1st Queenstown Scout troop Queenstown, the 1940s and 1950s The Characters Odds and Sods St Andrews - The Present Times The Future St Andres Primary School in 1998This book is significant in that it documents the history of the St Andrews community from the indigenous presence through its foundation during the Victorian Gold Rush through to local bushfires and predictions of the future by local primary schools students in 1998. It remains the only significant secondary source publication written specifically on this rural community.158 p. : ill., ports ISBN 0646353756st andrews, queenstown

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Pen Drawing of First Dwelling of White People on Phillip Island. Thatched or Bark Hut. Group of Sealers in foreground. Possibly situated at Sealers Cove (now Cat Bay)local history, photography, historic, dwelling, huts, sealers, building - historic, john jenner, bryant west

Students from Bulla and MIckleham Primary Schools attended a camp at Beechworth in 1988 where they undertook a number of different outdoor activities such as busk walking, fishing, visits to the Chinese Cemetery and boomerang throwing. In this photograph the children met with one of the local First Nation's people and were shown the art of boomerang throwing. This activity allowed the students to become familiar with aspects of the culture of First Nation's People.A coloured non-digital photograph of six children listening to a man who is holding a boomerang in each hand and instructing them in boomerang handling.The group are standing in a large sports ground with clubrooms nd tall trees in the background.school camps, mickleham primary school, bulla primary school, boomerang handling

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak