One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.One of several books donated to the Museum from the Launceston Institute of TAFE Library, after dispersal of its collection of technical books.For Kelsall & Kemp (Tasmania) Limitedtextile production textile research textile testing, textile institute society of dyers and colourists, hallam, ms janet - launceston institute of tafe, textile production, textile research, textile testing

D21 - Diesel Mechanical locomotive Date built - 1968 Original owner - TGR Original gauge - 1067mm Withdrawn - 1983 Built to 3'6" gauge in 1968 by the Tasmanian Government Railways and numbered V12, ownership of this Diesel Mechanical locomotive was transferred to Australian National Railways (Tas.) in 1978. It was withdrawn and sold to the E.T.R.B. in 1983 1968 - D21 ex-Tasmanian Government Railways (TGR) V class No.12, built by the TGR Launceston Workshops in 1968 to a design of Vulcan-Drewry (England). Tasmanian Government Railways V class The V class were the first diesel locomotives operated by the Tasmanian Government Railways (TGR) with four delivered by the Vulcan Foundry in 1948 to a design by the Drewry Car Co. They were a narrow gauge version of the British Rail Class 04. In 1951 a fellow two were delivered followed by another two in 1955. Between 1959 and 1968 the TGR built a further four at its Launceston Workshops. Two identical locomotives were purchased by the Mount Lyell Mining and Railway Company in 1953. When it closed in 1963, 2405 was sold to the Emu Bay Railway as number 22, while 2406 went to the TGR as V13. All the TGR units were withdrawn between 1983 and 1987 while the Emu Bay unit remained in service until 2000. Ten have been preserved: V1 by the Bellarine Peninsula Railway, Victoria V2 by the Don River Railway V4 by the Hotham Valley Railway, Western Australia V5 by the Hotham Valley Railway, Western Australia V7 by the Derwent Valley Railway V8 by the Bellarine Peninsula Railway, Victoria V9 by the West Coast Wilderness Railway V12 by the Puffing Billy Railway, Victoria (regauged to 760 mm gauge and numbered D21) V13 by the Zig Zag Railway, New South Wales, sold to the West Coast Wilderness Railway, renumbered D2 22 by the West Coast Wilderness Railway, renumbered D1 Tasmanian Government Railways V class Manufacturer Vulcan Foundry Tasmanian Government Railways Entered service 1948 Number built 14 Number preserved 10 Fleet numbers TGR: V1-V13 Emu Bay: 22 Power: 152kW (204hp) or 114kW (153hp) Motor: Gardner 8L3 (V) or Gardner 6L3 (VA) Wheel Arrangement: - C - Weight: 25.6t Allowable load on 1:40 grade: 170t Length over headstocks: 6.8m (22ft 6in) Introduced: 1948 Built By: Vulcan Foundry, England; TGR Workshops, Launceston; Using parts supplied by Drewry Car Co (UK) Number Preserved: 10 Number In Service: 0 Total Number Built: 14Historic - Tasmanian Government Railways - Diesel Mechanical locomotive - V12 / Puffing Billy Railway Diesel Mechanical locomotive D21D21 - Diesel Mechanical locomotive made of steel D21diesel mechanical locomotive, puffing billy, d21, v12 diesel mechanical locomotive, d21 diesel mechanical locomotive, tasmanian government railways

VHS Cassette containing video recording of the Thompson's Foundry Band performance at the 1987 Australian National Band Championshipsnon-fictionVHS Cassette containing video recording of the Thompson's Foundry Band performance at the 1987 Australian National Band Championshipsthompson's foundry band, launceston, 1987, boosey & hawkes, australian national band championships, western video productions, alex lithgow

This is an original propeller belonging to the steamer Rowitta. It was included with the 1909 ferry when it was purchased and installed at Flagstaff Hill in 1975. The Rowitta exhibit was enjoyed by many visitors for over 40 years. The wooden steam ferry Rowitta was built from 1909 to 1910 at Battery Point, Hobart, by Purdon & Featherstone using planks of Huon and Karri timber. It was owned and operated by the Tamar Trading Company and navigated the Tamar River from Launceston to George Town for many years. The ferry trip became a favourite activity for sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta also worked as a coastal trading vessel between Devonport and Melbourne as well as along the southern coast of Australia. The ship had served as a freighter, an army supply ship, a luxury charter ferry and a floating restaurant as well as a prawn boat at Lakes Entrance. It was also previously named the Sorrento by Port Phillip Ferries Pty Ltd of Melbourne and had at one time carried the name Tarkarri. The ferry was originally purchased by the Flagstaff Hill Museum in 1974 for converting into the historic and significant sailing ship the Speculant, but this didn’t eventuate due to the unavailability of funding. It was renovated it and renamed as the original Rowitta, to be used as an exhibit.The propeller represents a step in the evolution of ways that vessels were powered. It is also a record of the Rowitta, a large exhibit at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century and serving many different purposes over its lifetime of over 100 years. Propeller: three metal blades that meet in a central boss fitting with a pointed cap. The blades have rounded edges and tips. This is an original propeller from the 1909-1910 steam ferry, ROWITTA, built in Hobart, Tasmania.flagstaff hill, warrnambool, maritime village, maritime museum, liverpool, ss rowitta, navigation, marine technology, steam driven, propeller, hobart, tasmania, devonport, tasmanian-built, ferry, steam ferry, steamer, 1909, early 20th century, passenger vessel, tamar trading company, tamar river, launceston, george town, tarkarri, speculant, port phillip ferries pty ltd, melbourne, coastal trader, timber steamer, huon, karri, freighter, supply ship, charter ferry, floating restaurant, prawn boat, lakes entrance, sorrento

HMAS Launcestonplaque, ran

Printed black and white photographic postcard. Image is of a rocky gorge with a suspension bridge across the river below. A small wooden gatehouse is at one end and people are walking or standing at various points across the bridge and on the path in the distance. A white blank space is in the upper left hand corner of the image. A symbol of a diamond shape with the letters S C entwined, followed by the words No 76 Photoprint A Flood The Alexandra bridge. Cataract Gorge Launceston Tas are printed in white across the bottom edge. The numbers A10659 in white are printed in the lower left hand corner. The reverse is blank.Diamond shape with SC entwined No 76 Photoprint A 10659 The 'Wynphotoprint' Series published by Selwyn Cox Launceston Taspostcard

ICI logo refers to a British company.Small pocket sized book in blue back and front cover. The first half quarter of the book includes information for the shooter, conversion tables. The other three quarters of the book are dedicated to a three day a page 1961 calendar. The calendar is unwritten on.1961 Australian Shooter's Year Book. ICIshooters, book, year book, ici, calendar, diary, ballistics, shot, magnum, patterns, velocity, pellets, cartridge range

The Author Arnold Oakley JORDAN (born Tasmania, enlisted Tasmania) in the 2nd AIF No TX3528 on 21.6.40 age 28 years 9 months. Posted to 2/40th Bn 25.6.1940, hospital with Influenza 24.8.1940, rejoin unit 9.9.1940, appointed group 3 Nursing Orderly and posted to 2/4 ACCS, embarked for Singapore 1.2 1941, hospital 23.5.1941 with Acute Tonsilitis, hospital 24.12.1941 with Malaria, rejoin unit 17.1.1942, reported missing 16.2.1942 (POW) Malaya, reported alive in Siam 22.8.1945, recovered in Siam 22.8.1945, embark for Australia 18.10.1945, evacuated to 111 AGH then 2/1st Con Depot, discharged from the 2nd AIF 23.1.1946. ACCS (Aust Casualty Clearing Station) AGH (Aust General Hospital) Siam (Thailand) Con Depot (Convalescent Depot)Paperback book written by Arnold Jordan. Japanese flag on front cover. Handwriting on page 3. Gift inscription inside.books, military, pow’s, ww2

Donated to the Society by Liana and David Thompson, who acquired the items as guests of TT Lines on the premier voyage, flying to Devonport and returning on the ship. Refer photos 1265 and 1270.One of several souvenirs from the premier voyage of the Spirit of Tasmania, Devonport to Port Melbourne 27 November 1993, a trip made by Port Melbourne Mayor Liana Thompson and her husband David: souvenir can of 'Boags Draught' Tasmanian beer, with commemorative label for the first official voyage 29 Nov 1993'14 3327 11 18' stamped on bottomtransport - ferries, celebrations fetes and exhibitions, liana thompson, mayors, david thompson, tt-line co pty ltd, spirit of tasmania

Note from collector: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Waverley 'El Rio' Multicoloured checked Double sized blanketEl Rio Blanket/By Waverley/Pure Woolblankets, blanket fever, wool, el rio, waverley, launceston

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

Collector says: Once I had gathered a dozen or so blankets, I started noticing the many different labels; where they were made, by who, the logos and fonts used. Then the labels became a thing, then the blankets had to have a label to join the collection. My favourite labels are by Physician, they had at least 4 different labels over the decades but the best has to be the Lady In Bed logo. Physician, Onkaparinga, Eagley and others matched the colour of the label to the colour of the blanket - a nice touch. Strangely, Castlemaine labels were always sewn on the back of the blanket where all the other mills sewed theirs on the front. To this day I always roll or fold a blanket with its label on display.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen sized checked blanket, pink, grey and lemonThe Celebrated Waverley Blanket/100% Pure Wool/"The Best for Rest"/Made in Australiawool, blanket, blanket fever, waverley

POSTCARD SENT TO MISS PERRY FROM NIECE MAUD, FROM DEVONPORT, TASMANIAPOSTCARD SENT FROM DEVONPORT, TASMANIA SENT TO MISS PERRY, CRESWICK ROAD, CLUNES OCTOBER 1906, FROM HER NIECE, MAUDRIVER MERSEY, DEVONPORT, TASMANIA.local history, photography, photographs, trembath, perry

NNN - BALLAST HOPPER, This vehicle was built by the Tasmanian Govt. Railways in 1954 and classified QG. A number were obtained by the Puffing Billy Railway for use on ballast trains but to date, only two have been converted. When the first of these was converted for 2’6” gauge operation it kept the Tasmanian QG but with the addition of an N prefix, and also kept its Tasmanian number of 3. However, to follow traditional V.R. practice, in June 2003 it was reclassified to NNN and numbered 1 as the nearest counterpart on the V.R. was the broad-gauge NN. A second one, numbered 2, has since been converted. 1 NNN - Bogie Ballast Hopper Truck Service History Built 1954 Tasmanian Railways - QR 3 - Bogie Ballast Hopper Truck converted from a 3ft 6 inch (1,068 mm) gauge ex Tasmanian Railways ballast wagon by the Puffing Billy railway. Coupled Length 20 feet 0 inches (6100 mm) Weight 6 tons Capacity 10 tons Number Built Not known In use 1 To be restored 3 Puffing Billy Service History or Notes Historic - Tasmanian Government Railways - 3 QG Bogie Ballast Hopper Truck Puffing Billy Railway - Track maintenance Vehicle - NNN - Bogie Ballast Hopper Truck1 NNN - Bogie Ballast Hopper Truck made of Steel and metal1NNNpuffing billy, pbr, rolling stock , 1 nnn bogie ballast hooper truck, tasmanian government railways, 3 qg bogie ballast hopper truck

NNN - BALLAST HOPPER, This vehicle was built by the Tasmanian Govt. Railways in 1954 and classified QG. A number were obtained by the Puffing Billy Railway for use on ballast trains but to date, only two have been converted. When the first of these was converted for 2’6” gauge operation it kept the Tasmanian QG but with the addition of an N prefix, and also kept its Tasmanian number of 18. However, to follow traditional V.R. practice, it was reclassified to NNN and numbered 2 as the nearest counterpart on the V.R. was the broad-gauge NN. A second one, numbered 1, was also converted. and was reclassified to NNN in June 2003 2 NNN - Bogie Ballast Hopper Truck Service History Built 1954 Tasmanian Railways - QR 18 - Bogie Ballast Hopper Truck converted from a 3ft 6 inch (1,068 mm) gauge ex Tasmanian Railways ballast wagon by the Puffing Billy railway. Coupled Length 20 feet 0 inches (6100 mm) Weight 6 tons Capacity 10 tons Number Built Not known In use 1 To be restored 3 Puffing Billy Service History or Notes Historic - Tasmanian Government Railways - 18 QG Bogie Ballast Hopper Truck Puffing Billy Railway - Track maintenance Vehicle - NNN - Bogie Ballast Hopper Truck2 NNN - Bogie Ballast Hopper Truck made of Steel and metal2NNNpuffing billy railway, pbr, rolling stock , 2 nnn bogie ballast hopper track, tasmanian government railways, 18 qg bogie ballast hopper truck

ill, maps, p.88.non-fictionA pictorial history of the last 125 years of the Tasmanian Railways up to 1996.railway history - tasmania, railroad construction - tasmania - history

ill, p.18.non-fictionDiagrams of steam locomotives on the Tasmanian Government Railways.steam locomotives - tasmania - history, locomotive technical details - tasmania

index, ill, p.124.A history of the Tasmanian Main Line Railway Company until its demise in 1890.tasmania - railways - history, railroad construction - tasmania - history

ill, p.146.non-fictionA history of the first 17 years of 'Broad Gauge' 5'3" railways in Tasmania plus a section on tall masted ships involved in transporting those locomotives to Australia.steam locomotives - tasmania - history, broad gauge railways - tasmania - history

Image is taken from the National Mutual building on the corner of Sturt and Lydiard Streets, looking east towards Grenville St. Has an ESCo tram with blinds drawn nearing the intersection. The tramcar number could be 12, 13 or 18. There are a number of horse drawn cabs in the photograph. The Burns statue is on the left side. There are telegraph/telephone poles in the photograph along with the buildings on either side of the streetYields information about Sturt Street east of Lydiard St.Black and white postcard with a green (18mm wide) border acting as a frame to the postcard picture. The picture measures 50mm High x 98mm wide. Has a Victorian Two Pence stamp with a "168" cancellation stamp. The card has been published by the Commonwealth of Australia with a coat of Arms. In the bottom left hand corner is a symbol "HB" within an artists paint palette.On rear is a note to a Miss Audersau of Launceston.sturt st, grenville st, esco, horse cabs, trams, tramways, ballarat

Utilised for fruit picking by Douglas Johansen , orchardist, Harcourt. An integral piece of orchard worker’s equipment. Two canvas bags with reinforced opening and leather shoulder straps used to pick apples into during the picking season. Bottom was unclipped to place apples into bins or casesFotheringham Pty Ltd, Launceston, Tasmania

Skirt was worn by Maria Mackinnon, a volunteer for fifteen years at the National Wool MuseumWaverley Woollen Mills/ LAUNCESTON TASMANIA AUSTRALIAwaverley woollen mills national wool museum, tartan

A colour photograph depicting Morton House in Launceston, Tasmania. The photograph is set on a wide blue mounting board in a plain single-strip wooden frame. Affixed to the front bottom right hand corner is the oblong blue label of the National Trust of Australia (Tasmania) with printed heritage details of the house. On the back of the frame is the hand-written message from Dr Bath, information about the house, a reproduction of the brass plaque with historic details, and the framer's label.Handwritten on reverse. "Photo taken v presented by Stewart Bath S. 692" Handwritten on reverse. ""Morton House" / 190 Charles St / Launceston / Was St Johns Hospital 1844–1851" Reproduction of brass plaque on reverse. "ERECTED BY THE HISTORICAL SOCIETY OF TASMANIA TO COMMEMORATE THE FIRST USE IN AUSTRALIA OF ANAESTHETICS BY DR. W. R. PUGH IN ST. JOHN'S HOSPITAL ON THIS SITE 7TH JUNE, 1847. / UNVEILED BY THE MINISTER FOR HEALTH (HON. A. J. WHITE M. H. A), 7TH JULY 1947." Framer's label on reverse. "FRAMED BY WHITELAWS GALLERIES / The Picture Framing Specialists / 49A BRISBNE STREET LAUNCESTON 7250"photograph, morton house, historical building, historical house, house

Timber shield with metal emblemsZ Special Unit Association 1999 Reunion in Launceston